in the land of used-to-be, i used-to-be able to wait entire days before having to find a restroom. back in the day, i could drive in, set up product and play an entire wholesale show, all day, chatting, drinking coffee, playing, selling cds, without having to leave the booth space. thirteen hours after starting the whole process, my body would remind me that the ladies room needed to be a stop before getting back in the car to drive again.
but now…
these days are a tad bit different. i would laugh when my sweet momma would complain about this. i’d reassure her and stop and look for a restroom whenever she needed to stop and find one. i’d lightly toss off, “we’re in nooo hurry! no worries!”.
i have become my mother.
and – in the way that the universe is very, very fair – so has david.
our bladduhs are just not the same as they used-to-be.
and so, it is a given that t-h-i-s a-g-e comes with challenges we didn’t have to deal with when we were younger. it is a given that timing out a roadtrip will need take into account pitstops along the way. it is now a given that walking in the ‘hood will sometimes mean having the key ready-and-aimed for the doorknob.
“whenever you see a successful woman, look out for three men who are going out of their way to try to block her.” (yulia tymoshenko)
i read this quote on instagram. i hesitated to use it and then wondered why. it stated truth. it is a fact of life. i have lived it – exactly it – just as many other women have. so why hesitate?
the answer seems obvious. because that kind of blocking still exists, that kind of dominance is still valued, that kind of discrimination still squelches lives and careers, that kind of smothering effort – particularly with leading roles by older white men – is still not – really – questioned, nonetheless challenged in a big, broad way. it’s asphyxiating and it’s way past its time. way, way past time.
“it’s 2021 and we are talking about THIS!” they rolled their eyes and so did i. it is beyond the scope of reasonableness that we are – still – dealing with the devastating blows that those who lean into … or out-and-out embrace … the prejudice of white supremacy, suffocating gender bias, ruinous economic inequity, insufficient healthcare, deficient educational options, the loss of multitudes of innocent lives at the barrel of unnecessary weapons, exclusive immigration…
but here we are. 2021.
we came upon the hot-pink lighted ball of yarn in the garden and laughed. then we followed the string, the yarn that was unrolled over the tree branches, under the bushes, along the sidewalk edge, up the fence, down off the fence, and ultimately, to the end of it, the frayed edges.
it occurs to me we can trace the strings back and back. we can see the frayed edges of injustices, the repeating pattern of silencing, of stifling, of deliberate lack, of unacceptable levels of violence, of obstructive intention.
what now?
we need be stewards of worth, of mending, of healing, of forward-movement, of equal opportunity. we need to find ways – now – to weave an inclusive, equitable, generous, safe, egalitarian story for all. ungrudgingly and with abundant kindness and good will. it is indeed way, way past time.
it smells like florida outside this morning. it’s milder and dewy and distinctive. it makes me think of many, many mornings waking up in florida, ready for sunny and warm. clouds hung low in the early day, burning off as the hours passed. here, this day will stay mostly cloudy, rain passing by, the sun not really having a chance. having passed through a couple days of really-cold, a day in the 50s feels like a reprieve. and that smell…
there have been some days in the summer when something in the air shifted and we could catch a hint of fishy from the lake. the air hung a bit heavier and the seagulls were noisy. these were the days i felt long island, images reaching across time and the miles inbetween here and there, beach days, boating days, old bike-hike days, days on the stoop of my growing-up house…
and the days when the leaves on the ground in late fall or the pine forest in the middle of our river trail place me back hiking in our favorite breckenridge, the scent of evergreen forest ever-present. those high mountains…
there are two small bottles of cologne on the windowsill of our bathroom. neither is mine. the estee lauder pleasures was my sweet momma’s and the small travel size marc jacobs daisy is one that my girl left behind. if my son was represented on the sill it would make me smile to see the abercrombie fierce his sister and i bought, long ago, for him to wear – talkaboutdistinctive! just a whiff of each of those…
the memory of fragrance is powerful and emotional.
we have cleared the deck of summer. the outdoor rugs, the table and chairs and new umbrella, the cushions and pillows, the old door and the ficus tree. all are put away. soon the dog’s water bowl will come inside as well and the last two pillows too. the rugs left lines on the wood, which will fade as time goes on. it looks blank out there. it seems like such a short time ago we were planning and shopping ever-so-wisely to make that space the perfect après spot. now, winter is on its way, taunting us even this week.
we left the small firepit on the deck. i figured we could light it outside the window and watch it from the table in the sunroom. it has been our favorite purchase of the summer and too much change too fast is, let’s face it, too much change too fast. we can still enjoy it for a bit more time, tucking it away on the most extreme days. après has moved inside.
but i suspect there will be a morning we wake up…some wintry day…probably soon…when we rise and open the back door for dogdog. we’ll have a burst of cold air and then, a long breath.
the snow will smell like frosted magic, crisp and white, sparkling. the sun will glimmer off flakes that have fallen on the deck. it will conjure up memories of snowmen and holiday decorating, christmas shopping and wrapping stocking stuffers late-late at night, the fireplace and shoveling and snow angels, walks in the woods and the crunchy sound of snow under your feet…
and that morning i’ll think, yes, this smells just like wisconsin.
despite efforts to stay in the calendar, target has pushed me into the holiday season.
i was there for just a few items, including tissue wrap for a gift basket. thinking the best deal would be in the back left corner of the store – where they were setting up all the holiday displays and multitudes of wrap and bows and fancy-schmancy gifting options – i wandered back that way. as i meandered, stopping at a display of soft pastel body poofs, swinging by the smaller-food-processors-than-my-1982-food-processor-which-has-just-broken aisle, glancing sideways at a big display of dark chocolate truffles, i tried to ignore the tempting tiny trees, happy lights, holiday napkins, plates, cups, mugs, towels, sweaters, hats, a way-cuter-than-it-sounds-tiny stuffed gnome display, and variety packs of trinkets along the way. stay focused, i thought. go directly to the gift tissue, do not pass go, do not collect $200, pick up the gift tissue and deliberately make your way out of the department. resist, resist, resist. save it – that department – for later-later.
i was not successful.
the twinkling rice lights drew me in. tall, skinny trees caught my eye. ornaments in long bins made of boiled wool and snowflakes begged to be touched. i was a goner.
i wandered around december-in-target for probably just shy of an hour. and, though i had been prepared to push back against the urge to decorate early, i was smitten. this from a person who, along with the other half of the decision-team, has left up in our living room – for two whole years now – big branches we painted white planted in galvanized metal containers strewn with white lights. who am i kidding? the instant i headed back into that department, i was committed.
i put tiny white seed lights in my basket.
one of my favorite concerts was lit by the brilliant stage manager keith who, when i released my blueprint-for-my-soul album, set up ladders and lean-tos on stage and spotted soft white light off them. it created indirect-direct shadow, indirect-direct downlight. the perfect combination. it mattered to him.
the strands were zip-tied around the trees at the garden. long, long strands of colors, a rainbow requiring patience and long tedious hours that will ultimately premier as lightscape 2021. designers – brilliant like keith – have put together a show of festive wonder, the perfect combination to embrace all those who walk through. it matters to them.
the real question? it is whether you are a multi-colored-lights person or a white-lights person. what matters is what matters to you. both celebrate. both lift spirits and wrap the season around you. for years and years now i have been a dedicated white-lights person, really loving the dreamy quality of twinkling stars, tethered from the milky way and brought inside. all year round.
this year – in this season we jump into earlier and earlier each year – i just might have a little nod to multi-colored-lights. mm-hmm. just a little one. perhaps i’ll dig out my mom and dad’s vintage outdoor light strings, the ones with big multi-colored bulbs, some with paint flaking off the glass. i may grimace a tiny bit hanging them on our rail out front, but then i’ll think of my sweet poppo, up on the ladder every year, stringing them across the front of our house, winding them around our christmas trees. or maybe i’ll take out the smallest strand of colored lights i have tucked away and gently wrap them around a little tree, a nod to the ever-important-but-not-represented multi-colored lights. i’ll invite a little bit of lightscape to our house. a little bit of multi-colored magic. just because.
i’m guessing it will all happen a little sooner than i originally thought. clearly, it’s target’s fault.
the snow swirled outside the floor to ceiling glass – the city was blurry beyond the wind. it was brief. it didn’t stick. it was a statement. fall was gusting a bit of winter. everyone shivered, glad to be inside during the band of squall.
there is much still to be done. time seems to have raced by and we chose trails instead of pruning, talking in adirondack chairs in disappearing sun instead of packing away. procrastinating, holding onto the last vestiges of warmth and perfect autumn days, we opted to do the minimum, knowing the rest would need to be done in the colder days; the season keeps moving on.
we rise now in early quiet morning, without multitudes of birds out the windows, without sunny-the-chipmunk calling from the fencepost, without the sun beckoning us, “outside, outside.” we check the temperature…24 degrees…we reluctantly turn the heat up a smidge. we re-stock the nespresso pods, choose warm holiday teas for the coffee-pot-canisters over the counter, and seek out new soup recipes. we think about placing the shovel by the back door, its winter home. we crack the window just a bit now and sleep with an extra quilt.
the mums bow in the hush of the brisk mornings, chillier daytimes, less sun, more clouds, frost at night, all delivered by the magic wand of the calendar marching on. they are still beautiful and, from this view, we see the intricacy of the bud, sepals nestling and supporting petals, protecting the pink. we dig out my miracle mittens, his warm gloves, earmuffs, scarves, baselayers.
we talked about the silence this morning. it is still and the sun is trying. it may snow.
there were tiny flurries as we walked on the sidewalks of chicago, down coats and gloves, our heads bowed to the wind. it’s time to be inside more and we recognize – in the way of the universe – that we are much like the mums.
the check-engine light is on. i felt compelled to explain it to my daughter and her boyfriend when i picked them up at the airport, lest they worry i wouldn’t be able to deliver them downtown – in the middle of a snowy, rainy, sleety early afternoon. “we’re waiting for a catalytic converter,” i told them and they nodded. the only saving grace to not picking them up in a horse-drawn carriage (or that ferrari that chris-the-spectrum-guy had promised me) is that i brought snacks with me, making me a “pretty good uber”. ahhh, yes, it puts a momma’s heart on steroids.
we are used to a ride with sounds and not just in littlebabyscion. big red has these running boards that rattle over bumps (for which we are seeking welding help) so it is never quiet in either vehicle. neither has the sound-proofing of vehicles for which we have seen commercials….where the mom stays out in the lincoln suv and peacefully avoids the chaos in her home. no…we bring our chaos with us as part of the travel package. but eh, we don’t mind.
it is usually me who hears the new sound first: the seatbelt in the back thumping against the window, the back seat not fully engaged and squeaking over bounces, the sunglasses on the dashboard jiggling. tiny ambient sounds. the larger ones too. the sound of the hole in the exhaust system, the metallic quaking of a truck with a blown coil. i would mention the things i sniff out first too but it just might be too much here.
regardless, there have been moments when i seem to be channeling my sweet dad as i slough off the sound and keep driving. i know the proof will be in the pudding (that is a really strange saying) and we will see, if we continue on our merry way, what happens.
changing the subject i’ll look over at d and quote my poppo, “do you think the rain will hurt the rhubarb?” “not if it’s in cans,” he quips my dad’s standard answer. we both laugh and keep driving.
i like fine-tipped pens, both regular ink and markers, though i do love the wrinkle sound and feel of a notebook page written on all lines on both sides with a medium-tip pen…the physical-fingertip bumpy-words-on-the-page and that crunchy sound it makes when you turn it over or flip to the next. so there is definitely merit in medium-point. but fine-tip? there’s a grace and allowance of white-space that fine-tip encourages.
this tall red pole installation at the chicago botanic garden makes me think of a ball jar i have holding an assortment of wooden paintbrushes. standing and waiting. because i’m not sure if these poles are part of the lightscape show or an art piece, i am drawing my own conclusions about its presence. somehow, this striking stand of red seems to communicate an invitation to the sky and, in its simplicity, was one of my favorite pieces on our walkabout. stark color, plain. i suspect ellsworth kelly would have loved them too, regardless of their context.
there were lots of people there on sunday, a picture-perfect fall day. our drive down and our return were on the back roads, keeping the lake close, past ravines and through beautiful neighborhoods filled with sprawling yards and wise old trees touting autumn. the trip there – for us, we agreed – is just as important as the time spent at the garden. we love the-back-way and never take the interstate down if we can help it. even to visit our son, we build in the time it takes to meander to his home. we’ve encountered magical snowfly on the return home at night, flakes illuminated by our headlights and sunday didn’t disappoint, as golden and crimson leaves fell around us as we drove this windy-back-road-route.
although i prefer to walk in the woods on some trail in the quiet with hardly anyone else around, our time with our dear friends at the crowded garden was the perfect early november gift-of-a-warm-day escape. we picnicked on a blanket, chatting. we wandered, chatting. we took pictures and googled interesting plants, chatting. we admired installations and gardens with themes, chatting. there are ornate sculptures and formal walled gardens. there are fantastically groomed flowers and trees. there are preparations for an intricate holiday light celebration.
we took our time together, the four of us, promising to return again soon, and then d and i drove back on the roads through northern suburbs, wishing we had time to stop and sit at one of the tiny restaurant bistro tables we saw, spaced on sidewalks, against brick walls with the later afternoon sunlight warming the faces of many people who had chosen to dine al fresco.
when we spoke of our time at the garden, it wasn’t the intricacies i remembered, walking in beauty. it was the simplest stuff. the vertical slices of rock in a pondside rock garden. the candlepots on the rails in the lake. the lone rosebuds on a bush inviting fallow. golden grasses waving in the breeze. the evergreens up close. the past-waning bowed blooms on the hosta. the white birch calling out from the green. and the red fine-tipped pens reaching for the sky. there was definitely something about those.
though i – at first introduction – questioned his work, i guess there’s more ellsworth in me than i thought. we really never stop discovering. any.where.
in the days when i had new vehicles, i don’t remember tuning into sounds with as much trepidation. now’days, ambient sounds that are seemingly happening to the vehicle we are in can be really disturbing. we try to explain them away quickly, pushing the thunk or the creak or the whine or the rattle to the back of our consciousness, but to no avail. invariably, we call steve and i try to mimic the sound that littlebabyscion or big red made. i’m sure he looks forward to these calls – from the middle of kansas or south dakota or our driveway, or, if he’s really lucky, acting it out in his shop.
neither of us have worked on cars, but it counts that my dad and my brother did. somehow that gives me an edge and david will look at me thinking i might have an idea as to what is going on. with no divine intervention coming from the heavens where my dad and brother are rolling their eyes, i make it up, hoping to be somewhere near the mark and we keep driving, if at all possible. to be perfectly honest, in more recent years, i have found the mechanics of these older vehicles really interesting to learn about. if only it didn’t spell a repair.
the perils of driving something with 252,000 miles on it are numerous. but, as you can see by the absolute affection we have for our xb, the rewards are also numerous. it astounds me time and again that this little box car has driven this far, equivalent to over 80 times across the united states. and now? now it needs a catalytic converter. a little hiatus for littlebabyscion. but – as steve reminds us – it’s not a monthly car payment. “there’s no winning in that,” he says. and for right now, though many of the friends we have are purchasing new vehicles for their retirements, we agree.
winning is climbing in big red and driving up over the pass. winning is littlebabyscion turning another thousand and another thousand. winning is appreciating good and solid vehicles, nothin’ fancy, but steadfast and with big hearts. mutual love.
besides, standing in the local, family-owned tire store the other day, it was with great pride i answered a young guy who walked in and asked who had the “cool old truck out there”. “that F150?” i said, “that’s ours.”
“rather than being a fall away from beauty, ageing can be the revelation of beauty, the time when the inherent radiance becomes visible.” (john o’donohue)
perhaps i would have noticed these leaves in the prime of their life, clotheslined on the branch, hanging in the sun. their verdant green might have captured my attention and the focus of my camera. but i kind of doubt it. for, indeed, they would have blended into the rest of the woods, the rest of the underbrush, the colors, the shrubbery, the landscape.
in the autumn of their lives, these leaves are ravishing. they gesture to the camera and invite my study. their ageing is their invitation to relish their presence, the visual “hey! look at me!”.
these days it is predictable. there is something – each day – we will say that is a reminder, though gently and with soft humor, of the very fact that we are ageing. we poke at ourselves, with self-deprecating comments about wrinkles or crepey skin or bellies changing or achy joints. we roll our eyes and then one of us reminds the other to be present in it and joyful and grateful, mostly grateful. we are not eloquent in those moments. they involve words like “sheesh!” or “stahhhhhhhhp!” or comparisons “but look at MY wrinkles!”. to suggest we are ageing gracefully is to ignore the american cultural emphasis on youthfulness, with ageing depicted negatively. in contrast, ageing in japan is revered. the elderly have the utmost respect. in the autumn of their lives, turning toward mid-life and beyond, the flaws earned throughout life are considered the very things that intensify beauty. shibui, it is said, is an aesthetic turn toward subtle and unobtrusive beauty, textural in elegance and roughness, diverse in spontaneous and restrained, a balance of simplicity and complexity, understated but not innocent, gorgeous words about meditation over spectacle. (wikipedia)
yesterday, in the middle of thinking about kneeling on the stripes, i found myself stumbling upon hearts. there was the heart – a random piece of ripped tissue – on the hinged lid of the stainless wastebasket. the hearts on the shower curtain, light somehow filtering through the holes holding curtain rings, reflected down onto the curtain itself. the heart leaf on the sidewalk. this morning the heart, shaped from the skin of the potato, on top of the tiny wedge of breakfast potato. it was a little uncanny. but was it?
or perhaps it is some kind of universe message – raising its voice over the din of flaw-noticing and in-the-pause-thinking and liminal-space-white-noise – reminding me of being loved. in this autumn-of-my-life. that the fuchsia is showing up, is a statement in the middle of a dense forest, raising the ordinary to extraordinary, the natural presence of shibui.
“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)
i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.
i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.
though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.
i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.
we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.
none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.
i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.
to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.
“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)
reverse threading 