reverse threading

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so. to sew. [kerri’s blog on k.s. friday]

i used the old singer when i sewed the shutter-curtains for the nursery. i placed it on a piano bench and sat on the loveseat to sew. it was mama dear’s no-bells-no-whistles machine – the kind that is stored in a black case – and i was hoping that her seamstress skills would transfer to me as i stitched. i didn’t quite finish the curtains before our daughter arrived – a week earlier than expected.

i have another machine – a sears kenmore – from when i was about ten or twelve, i guess. it’s in a sewing cabinet – the machine stores down under the lid – and one can sit right at it to sew. i’ve sewn innumerable things on this machine. it doesn’t have bells and whistles either, so it’s a workhorse.

because i was dedicated to the art of sewing – at least back in the day – i’ve accumulated many patterns through the years, storing them carefully in a bin so that they would keep their tissue-pattern-integrity.

i just opened the bin and took them all out, laying them on the dining room table, organizing them to move them along. there are about 75 of them, many toddler patterns and craft patterns. the 80s and the 90s were craft-heavy times and i was right in there sewing bunnies and dolls, quilting pillows and piecing sweatshirt appliqués. the fabric store was an inspiring adventure limited only to your imagination. attending art and craft shows was glorious fun, a place to get new ideas and marvel at others’ craftiness.

it was quite late in the 90s when it occurred to me to show at these art and craft fairs as a musician. way different than concerts or even wholesale show marketing, i’d set up a booth with a keyboard and displays and play all day while simultaneously selling cds. the being-a-mom skill of talking while playing transferred easily from mom-ing to entrepreneur. providing music for the background of people – most notably, women – to shop with friends and linger over beautiful homemade objects was a joy and i sold thousands upon thousands of cds at these shows over the course of some years.

until, of course, the advent of writeable cds.

being able to rip a cd from another cd enabled the buying market to do-it-themselves and severely shrunk cd sales from independent artists.

and then came streaming, a death-blow to these same independent artists.

but i digress.

i wonder how many people sew now. i wonder if moms still make matching jumpers for their baby girls and themselves. i wonder if people are still sewing bunnies and dolls and pillows. with the bankruptcy of joann fabrics – a legend for those of us who devotedly bought fabric there – i wonder if imagination is sparked as brightly in small fabric departments of other craft-type stores; joann’s was packed with fabrics and knowledgeable store personnel who could answer most any question from aspiring seamstresses.

sewing is kind of like riding a bike. you think you’ve forgotten how to thread the machine – until you sit down in front of it and your hands automatically weave the thread in and out of tiny sprockets and around dials. you think you’ve forgotten the little tidbits of wisdom you’ve gleaned along the way as you lay out a pattern or cut or piece a few patterns together to craft your own iteration of something – and then it all comes rushing back as you touch the ever-familiar manila-colored tissue paper.

i thought i would just move all the patterns along. and then a few caught my eye. “i could make those overalls,” i thought, and “what an easy pj pattern” – and i was hooked.

maybe half a dozen patterns made the cut – to stay with my sewing supplies. the toddler patterns moved on – for other moms or for grandmas to joyfully create. the craft patterns will move on as well. i already have a yo-yo quilt in my future and who knows what i’ll do with all the sports t-shirts left behind by the girl and the boy. we’ll see.

the coolest part of it all – revisiting all these patterns – was remembering the fun challenge of a sewing project and the excitement of a newly-purchased bag of fabric, feeling my grandmother’s legacy surge through me, the expansive way creating creates more ideas for creating.

*****

LEGACY © 1995 kerri sherwood

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the weirder, the better. [kerri’s blog on merely-a-thought monday]

“you are a child of the universe. no less than the trees and the stars, you have a right to be here.” (desiderata)

i don’t suppose i ever really fit in. i was the youngest in my family – separated by a decade – while most of my friends had siblings their own age. i grew up in a neighborhood where the kids were somehow athletically gifted, while i took organ and piano lessons and sat in my tree writing poetry. an early entrepreneur, i pulled a wagon around our neighborhood selling baby cactus cuttings and candles i had made. i didn’t go to – or get invited to – wild parties or cut class or skip my homework. i took bike-hikes and walked on the beach in the winter while everyone was at the mall or the bowling alley or the movies. i didn’t listen to the stones or grateful dead or led zeppelin (with the exception, of course, of stairway to heaven – everyone’s prom theme). i listened to john denver and gordon lightfoot and the carpenters. i wore off-brand clothing and didn’t keep up with fashion trends. my momma bought me less expensive boy-pants and found the offbeat stores for shoes-that-look-like-trendy-shoes-but-are-not, like my cherished construction boots. my first car was my dad’s vw beetle, nothing fancy but beloved. i had numerous part-time jobs through high school and then in college and knew the joy of serving corn flakes to both me and my dog missi for dinner. i never thought of myself as weird. but i suppose – if one considers the definition “may have unusual habits, interests or ways of thinking that set them apart” it could be true. i don’t see that as negative, though i also suppose that – depending on the way you see yourself fitting into the world – one might consider it such.

so the sticker “stay weird” hung upside down and backwards made me laugh aloud. somehow my laughter summoned mary oliver and she and i enjoyed a good chuckle about the infinite extraordinary of the insignificant and the everyday, the value of seeing the usual through a filter of unusual.

weird took a very long hiatus – it was safer, less vulnerable, and kept me out of trauma i had shelved. i pursued the inevitability of having to make money, to help support a household in a more meaningful way than the way of an artist. for this society – though its love for the arts is profound, its support of the arts is less so.

it was after my children were born, after the imperative was too loud to ignore, after the perils shushed a bit – when it was time to start releasing music. writing, practicing, recording, performing, marketing, booking, hawking – none of this is necessarily standard-work fare – it is unusual, it is tenuous, it requires a bit of courage. it doesn’t have the same parameters as a workday in corporate or structured america. it has no guarantees of reward, no regular paycheck. it is steeped in personal challenges, the need to be scrappy and the sisu to put it out there.

in the time that was the heyday of my recording career i would call absolutely anyone, regardless of their position. as the owner/artist of my label i have talked directly to vice presidents of sales of barnes and noble and borders books and music, owners of publishing houses, the personal managers of ridiculously successful recording/performing artists. i’ve sat in j. peterman’s messy office chatting (of the j.peterman catalog and seinfeld fame) and in the spare chair of radio program directors. i’ve danced across the stage at qvc-tv under a disco ball and played songs live over phone conferences with oncological pharma higher-ups. i’ve stood in the rain on flatbeds playing, embraced boom mics over my piano on theatre stages of all sizes, sang in front of 35000 people in support of cancer survivorship in central park. pushing the boundaries, carrying a little chutzpah along with belief in my own artistry was everyday life – and necessary. and i’d remind myself each time i picked up the phone or stepped into the unknown the very fact that we all breathe in and out the same way. this thing we have in common, i would tell myself – breathing. surely i could connect on that most basic of levels.

as outside the conventional box as it all seems, i didn’t feel weird. i felt in my skin.

and so, apparently, the weird continues. we know we are different than others. we have a certain run-and-jump into vulnerability that others do not. we have a certain pull towards creating, experimenting, learning – all in the public eye. we share because we have to, not because anyone has to receive it.

so, yes, the “stay weird” sticker really spoke to me.

though my life – and our life – is quite a bit different than the traditional lives or retirements of lovely people we know and care about, it is somehow just right for us. i never forget the corn flakes and he never forgets the sleeping bag in his studio space. every everything counts and we are reflexively careful about not being frivolous. for us, weird has granted us a certain appreciation of the littlest things, honoring simplicity and leftover pasta, redundant black thermal shirts and a shared bin of socks, used notebooks and repurposing taken to a new level.

what one does with one’s “wild and precious life”*…

the weirder, the better.

*****

(*mary oliver)

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streamers. [kerri’s blog on d.r. thursday]

though we love-us (as they say) a familiar trail, we found a new trail to hike recently.

it was a really windy day and we set out knowing we would not-know what we might find along the way. that – in itself – is one of the gifts of hiking. even on trails we know like the back of our hands.

i knew being a minister of music like the back of my hand. and, as the easter holiday just passed by, i thought a lot about the 35 or so easters for which i had been responsible – the decades i had shaped the music of these seasons. i always believed it was my job to help people connect to that which they could not see – thus, ultimately, to touch faith, to touch love.

a dearest friend of ours retired this past week. with great joy, we celebrated his new freedom and listened as he told about the party his colleagues had thrown for him. he told of their stories, their comments, their appreciation – it was a powerful validation for him and for all the time and energy and life he had spent working in that place. he finished with a flourish – full of affirmation – ready to walk into next. one door closed, others ready to be opened.

it brought up personal grief.

for my very last days – of that career – one of the professions in which i used my knowledge of music – that spanned three and half decades – these days were not lined with validation or gratitude or even a nod of thanks. instead – for me – they were fraught with being fired, what felt like a plethora of undistilled meanness, full of unanswered questions, betrayal and shock and – then – absolute quiet. an assault.

i never finished. there was no brunch, there were no casseroles, no sheet cake, no jello mold. there was no t-shirt, no mug to carry off and use each morning, warmed by the memories of time spent.

this was an awakening.

i suddenly realized that i wasn’t done.

for all the sorting and cleaning and throwing out, there was still something incomplete.

there was no flourish; there was no affirmation.

this was an epiphany.

since i can’t go back literally, there is something in me that wishes to find a way to closure. maybe it is to go back to this place we found on this new trail. to this gate that stands in the messy field of wild grasses next to the birch tree just a bit back from the meadow. maybe if i lift up that gate and just step – even just one step – into what is past it – what is on the other side – maybe it might feel – in some metaphorical-retirement-party-crepe-paper-streamers-strewn way – like there was a little flourish. that i will grant myself the validation, the affirmation – the acknowledgment of a great deal of dedicated time of my life – that others tore from me, disregarded – that i will know – deep inside me – that i gave that place – and all the 35 years in that particular spoke of my sedimentary-layered life of music – giant pieces of my creative soul and that i can finally – finally – leave the familiar behind and get about the new. whatever their agenda or issues – in an end that was not of my choosing – it should not detract from my own celebration of me.

i will never be a minister of music again. that part of my life – that arrow of dedication of the music within me – has finished. and – i was damn good at it. i understood it. i knew it like the back of my hand.

and now it’s time for a new trail.

right after i pull down all the streamers and toss them out.

*****

read DAVID’s thoughts this D.R. THURSDAY

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a squall of light. [kerri’s blog on two artists tuesday]

it will surely get worse before it gets better.

it was while i was waiting for the person to arrive to pick up the desk that i started. it wasn’t really on purpose. it was simply a way to keep an eye out the window at the front of the house. i opened the small chifforobe cabinet and began to pull things out and stack them on the floor of the studio. then i went over to the small desk and did the same thing. before i knew it, it was chaos on the floor of the studio, piles on the padded artist bench, even small piles on top of my piano.

in the unearthing of space, i am finding notebooks of lyrics, slices of songs, chord progressions jotted on scraps of paper. there are piles of process cds – from demos of songs to recording studio takes, edits, production in all its phases, final products of albums released into the world. there are radio charts and encouraging cards, pencils and erasers and staff paper.

i think of my son – at the other end of the journey – the closer-to-beginning part of his artistry. though he is waaay past just-beginning, his heartbeat is quickened by his own growth in his music and by the outer reaction to and support of his EDM. i remember those days and i celebrate for him and with him. they are the days that feed artists when we are depleted, when we are in the midst of hunger, when we are pondering our place in our art form, when – if we are feeling disoriented – we are trying to see where it was – discern how it was – we got lost so that we might find our way, when it’s a little bit agonizing, when we are a lot a bit tender, when we are wondering.

later on – much after the computer desk was gone – after the frenzied muse had left the building – i groaned looking at the mess.

but there is no going back now. it’s time to keep going, to keep going through, eliminating, filing, re-designing the spaces and space in my studio. time to bring in new light, time to give it a chance.

in more than a bit of vulnerability, i must say that i don’t really know if that will change anything. i know that the studio will look more spacious, it will be slightly less muddled in there, more austere, more piano-focused. i feel like that could definitely be a good thing…a tiny step toward actually playing, actually composing. cleaning out will remove some of the tangible tokens of feeling remote, or of hurtful, harmful things that have undermined my artistry, that have waylaid me. it might remove some of the visible and invisible layers between me and my music. i guess that’s all to be seen. as overwhelmed as i am – thinking about all the work in front of me – i do see some magical bits of light in the dark, even amid the squall of chaos.

when my grand first arrived – over 25 years ago – it was the only thing in the room. just a big C5 on bare wood floors with high ceilings and freshly painted white walls of plaster and beadboard. it was pure and glorious.

since then – for various reasons – i added a chifforobe, a writing/reading chair, a desk, music stands and mic stands, other instruments.

maybe sorting through, reorganizing, removing the desk, minimalizing stuff, clearing the space will surface the essential reason for this studio, will distill the paralyzing fog that has settled over the space and in my heart, give light to a dimmed imperative. maybe a tiny bit of balance will return. maybe it’s all still relevant.

i stand in the doorway and acknowledge that i don’t know.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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when you’re ready to see it. [kerri’s blog on two artists tuesday]

our sweet dogga is getting older. we don’t want to see it, but the grey on his muzzle is telling. though more recently – with his new homemade-in-our-kitchen chicken/rice/peas-and-carrots dinners – he seems more energetic, his needs are ever-present in our thoughts and the consideration we have when we are deciding on what our day or days will involve. he is a happy errand-goer and we try to incorporate an errand or two on which he might go along; on days it’s too hot outside, one of us stays in littlebabyscion with the a/c on to accommodate him and keep him safe.

in this reflection of our front door, doggle is waiting for his unkajohn to arrive, filled with excited anticipation. though this happens twice a week – 20 and the two of us share dinners regularly – dogga is as just excited each time.

i took this photograph almost a week ago from our front stoop. i showed it to d and he commented that it was a cool photo. it was only a few moments ago – as we uploaded the image to wordpress – that he realized that dogdog was in the picture.

it reminded me of that ink blot from back in the day where you are supposed to see jesus and all i could see was a dark blot that sort of resembled the shape of the united states – until just now – truly, just now – when i googled the blot and jesus became obvious.

some things are just hard to see at first. i guess you see stuff when you are ready to see it. that sounds more profound than i meant it – particularly about photographs and ink blots – but i would guess that it is true about other enlightenments. suddenly – seemingly out of the blue or with the generous help of a treasured therapist – we understand something, have clarity of sight, thought or emotion. suddenly, we connect the dots. suddenly, things fall into place and there is the inimitable “ahhh” moment. and the flow starts.

i recently had an event that sent me to the emergency room. it felt like a heart event – and had all the warning signs – and it was scary. after numerous ER tests, i followed up with my own physician – a doctor of osteopathy who i had only met with a couple times. her diagnosis was positive as she read the results of the tests i had; for reassurance she recommended that i follow through with a local cardiologist. but here’s the most important thing…she recommended myofascial massage.

i’m from the east coast – and david spent most of his adult life on the west coast – but here in the midwest, natural solutions to physical ailments or concerns are not all that commonplace. even the ones that make sense.

“trauma and stress,” my pcp said, “get stuck in the fascia of your body.” myofascial massage releases the restriction in the connective tissue of your body. this restriction manifests in a variety of ways, causing pain or inflammation. and so, she recommended i try it.

i’ve been to one appointment with my myofascial massage therapist. it had inordinately profound moments. it nearly brought me to weep when – using the gentlest of touch on my shoulders – i could feel myself breathe. reeeally breathe. deeply breathe. safely breathe.

the dots connected.

i couldn’t see this tension that was existing – thriving – in the fascia of my own body from trauma much earlier in my life – just like david couldn’t see dogga in the photo and i couldn’t see jesus in the ink blot. but it was all there – tension, dogga, jesus. but it must have been time. time for me to see it. i was more than ready.

and i can feel the flow – albeit a trickle – starting.

and now, as i wait for my next appointment with this obviously gifted myofascial massage therapist, i am filled with excited anticipation – like dogdog waiting at the door for his unkajohn.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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watermelon time. [kerri’s blog on k.s. friday]

dogga adores watermelon. he also adores blueberries and carrots. he’s a big fan of any kind of chip, cracker or cheese. really, any dog-safe morsel of people food – except bananas – are in his taste-treat wheelhouse. he finds us easy to convince – those eyes of his – complete amber eye-to-eye contact.

back in the day, when i lived in florida, you could find watermelon at many rural corners, much like boiled peanut stands – a pick-up truck with a bed filled with watermelons fresh off the vine for buyers to choose from. i remember breaking open melons, sticky sweet, a tiny bit cooler than the air temperature. these last few days here in wisconsin remind me of those hot summer days down south, with nights that don’t cool down and humidity lingering so much in the air you can see it. chilled watermelon helps.

in the olden days (as my poppo used to refer back) watermelons had seeds. lots of them. you’d stand out back on the patio or on the deck spitting pits over the railing – contests of whose would gain the most ground. now, we are lucky – seedless watermelons have changed life, like seedless mandarins. no more contests over the deck rail, but so much easier to eat. ahh, the end of the folksy tradition of the watermelon-seed-spit. probably not a big loss.

dogga will accept any treat he is offered. he clearly trusts that we will keep his well-being and his people-food tastes in mind, so when i cut up the watermelon the other day into bite-sized pieces, he was right there, by my side, waiting. it’s his summer too.

but time doesn’t stand still. we simply cannot believe that it is labor day weekend already. the summer flew by. and soon, a bit later on, we will be barreling through fall. it’ll be time for apple-picking and pumpkins, jeans and boots and vests. part of me yearns for that – autumn – my favorite time of year.

but watermelon is plentiful right now, and, so, our moments will include dabbing our napkins on our watermelon-slice-sticky faces in the middle of these hot summer days, these days of intense heat.

dogga doesn’t seem to have yearnings for later-on. somehow he knows that any time at all is too precious to waste. his wisdom is in his absolute presence. whether it is watermelon time or apple time or cranberry time or blueberry time…it doesn’t matter. he is just there – appreciating all the wanna-bites of the season.

so in the middle of winter – when it’s frigid outside and we humans are wishing for a little warmth while dogga is relishing the piles of snow – we may summon up these days in the sun. hopefully, even in our baselayers, wool socks and down coats, we might taste the summer we – hopefully – memorized. we might close our eyes and remember the sweetness of cold watermelon.

or, because this world is what it is and we are fortunate beyond belief to be able to purchase produce from nations and places far and wide, we may buy a watermelon – in the cold of winter – from the grocery store. we’ll take out the big carving knife and the cutting board and slice it into triangles, with great anticipation. and we’ll take a bite of the top of the triangle, easily the best bite of all melon bites.

and we’ll be back – standing in the hot sun, with sticky hands. because watermelon has that power. even without seeds.

*****

GOOD MOMENTS: https://m.youtube.com/watch?v=WbiKiz1NZYs

(copyright 1997, 2000 kerri sherwood)

read DAVID’s thoughts this K.S. FRIDAY

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obvious. [kerri’s blog on k.s. friday]

“i go to nature to be soothed and healed, and to have my senses put in order.” (john burroughs)

to draw a paddle through silky water, to listen to the call and response of the loons, to feel the breeze off the lake and to catch the first and last glimmers of sun rising and dropping through the trees…it is completely unremarkable to say this is soothing, that these moments are healing. it is unremarkable because it is obvious, because these are so remarkable – each – and because our senses rise to these offers of peacefulness, to these opportunities for rejuvenation…every time.

we have viewed each night of the democratic national convention. the joy, the energy, the hope – they are palpable. to say that our nation needs all this is an unremarkable statement, because – of course – it is obvious. we need joy. we need energy. we need hope. we need this kind of light. we need to be soothed and healed. and we need our sense put in order.

it should be unremarkable to have – to own – this kind of hope and light and joy in this country. it should be a given. this is supposed to be the fruitful land of opportunity, a place of freedoms, a nation where – with goodness our north star – we may be who we are. and, when our senses are put in order, we remember this…each and every one of us.

when we are in chaos, when there are those wreaking ugly havoc, when division and mean-spiritedness are being stoked, when soothing and healing is far from the minds of those who wish to be leaders, it is a time we must rejuvenate our country. we must move forward, not back. we must seek the best in each other, aspire for unity, clutch onto fervent hope with all we’ve got, put our faces to the sun and get sensical.

because it should be obvious in these united states of america that democracy and freedom are the only choice, that kindness and loving one another is the way of life, that equality and acceptance and inclusion are undeterred, that sense – real sense – is in order. and that – in all its brilliant remarkableness – pointing out that those are fundamental to these united states of america is completely unremarkable. because it is obvious. because it is the way.

we drew the paddles of the canoe through the glassy water, exploring the crannies and coves of the lake. to say we were soothed, healed – even momentarily – from worries pummeling our minds, that we were able to return to our senses would be an unremarkable statement. obviously we were.

living in this country – as a place where peace and freedom and forward movement and opportunity and goodness toward each other abounds – should be as obvious.

please vote with your senses and sense in order. let us promise a soothing, healing, joyful, intelligent, abundant future to all who come behind us.

*****

read DAVID’s thoughts this K.S. FRIDAY

JOY https://youtu.be/W2dYzgiepI0?si=Tg1qfsRWBHBmu2cz

(copyright 2005 kerri sherwood)

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in the grace of joy. [kerri’s blog on k.s. friday]

“yes, joy is the thing that has returned, and not a moment too soon.” (john pavlovitz)

like you, i’ve interviewed for many positions in my life. many of them were positions in non-profits. i spent thirty-five years as a minister of music in churches. i was asked the question “what do you bring to this job?” multiple times. i always answered the same way: “joy.” “i will always lead with joy,” i would add. and then this: “if you want perfection and not a joy-filled music program, i am not your person.”

as an entrepreneur, recording/performing artist and in managing roles i’ve also interviewed many people. i always looked for joy. for without it, life is flat. for without it, there is rote drudgery. without it, things seem dark. without it, there is doom and gloom, there is no hope, there is no light. without it, worthy projects, generosity and communities will not survive, will not thrive.

in the last two weeks i have been absolutely struck by the absolute change in vibration of the air around us. suddenly – with the advent of change in this election – we can see, hear, taste, FEEL joy. JOY.

“it’s a mystery.  grace.  it falls on us like morning dew, each and every day.  we rise, buoyant or troubled, joyous or grieving, in clarity or murky, in the light or in the dark. we step into next, knowing we have yet another chance.” (nov. 22, 2019 & august 20, 2021)

we are in the grace of joy.

we are feeling hope and light. we are feeling the freedom to laugh, to dance. we are feeling open hearts. we are feeling possibility. to live life. to experience – in all its complexities and differences – in grace – living together. we are tasting the future.

we passed by this nametag sticker stuck to the street merely three days before our president ended his re-election campaign and passed the torch of election to our vice-president. we were crossing the street and when we reached the other side i went back to photograph it. in an incredibly fraught time, “grace” caught my attention. we didn’t know then that a few days later we would be in a different election. we didn’t know that less than two weeks later we would be remembering what real joy is.

in joe’s love for this country and sacrifice of personal ambition and in kamala’s vibrant love of life and dedication to this democracy, we can dream, we can aspire – once again – for the best of what these united states of america can be.

joie de vivre…is falling on us like morning dew…we have yet another chance…

we can choose this. we can vote for this.

“…so everyone can pursue happiness unfettered…” (john pavlovitz)

*****

GRACE ©️ 2010 kerri sherwood
JOY ©️ 2005 kerri sherwood

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salty daisies. [kerri’s blog on k.s. friday]

in the rare moments d texts me, my phone ringtone is john denver’s annie’s song.

“you fill up my senses like a night in the forest, like a mountain in springtime, like a walk in the rain, like a storm in the desert, like a sleepy blue ocean, you fill up my senses, come fill me again.

come let me love you, let me give my life to you. let me drown in your laughter, let me die in your arms. let me lay down beside you, let me always be with you. come let me love you, come love me again…”

and in those moments – daisy moments – i am reminded, once again, of the improbability of two tiny starflecks in the universe noticing each other, of the utter impossibility of our meeting, the sheer unlikeliness of our marrying, the astounding unimaginable gift of our time together.

even in the moments when my senses are overburdened, impatient, saturated, senseless.

daisies in any form, every stage – this wildflower fleabane – are just like hearing annie’s song. because i am me, they bring tears to my eyes.

“remember,” they whisper from the meadow on the side of the trail, “just remember.”

a long, long time ago my big brother penned a calligraphy print. it says, “may there be such a oneness between you that when one weeps the other will taste salt.”

we are beyond fortunate.

and salty and grateful.

*****

read DAVID’S thoughts this K.S. FRIDAY

AND NOW ©️ 2015 kerri sherwood

GRATEFUL from AS IT IS ©️ 2004 kerri sherwood

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the pilot light. [kerri’s blog on two artists tuesday]

there was a tornado watch. because i am pretty storm-averse, i was vigilant about checking whether it would become a tornado warning. i have things prepped for such moments and have put them into practice each time a warning has come our way.

some storms, though, are not forecasted with such specificity. these – the ones we can’t prep for – are the stuff of bootstraps. these are the ones that test our levels of fear, our anxieties, our outrage, our limits of patience. we try not to imagine the worst as it all starts to shake out. we struggle. sometimes we simply flail and tread water, wondering when it all might stop. we are surprised by the people around us – in both good and not-so-good ways.

we’ve all been through these storms. to be human is to encounter them. health, relationships, work – the storms come and test us, buffeting our attachment to things-staying-the-same, our cling to the season.

and after a bit of time – and some mussing of our lives – we emerge.

and the pilot light* is still there. it’s still lit. the job of pilot lights, it hasn’t dimmed nor gone out. it’s just simply waiting. a tiny flame. waiting. and burning. and waiting.

and then, eventually, after a great deal of time or a very little time, the new season begins.

“…for some things there are no wrong seasons. which is what i dream of for me.” (mary oliver – hurricane)

*****

*crediting mark with this superb expression – “the pilot light”

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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