we have a front seat to the meadow. each time we hike, we are witness to the lace and humbled by powerful nature, its resilience and rejuvenation.
the lace is tightly wound in the spring, fresh, straining to burst. we watch it as it then gently opens to the sun. we watch it embrace full sky. we watch it as it folds in on itself in the fall, storing energy. we watch it as it releases seeds for next.
the lace is transcendent. it does not push back against this progress. it somehow knows that moving through phases are, indeed, all part of the journey. and nature’s lessons are clear. life is not linear. there are cycles. there is next. there is much interdependence in the meadow to sustain all life there.
and through it all, the lace is empowered. to trust the process, to keep going, to stand strong, to gracefully be open, to share in the synergy of all – all the wildflowers, all the underbrush, all the weeds, all the trees, all the insects, all the wildlife – in the meadow. to survive.
it’s merely nuance. just the subtlety of shades, leaves begging for us to notice.
surrounded by meadows filled with wildflowers and a splendid array of color, these leaves are blend-inners, standing out only by their presence in size. so beautiful.
it’s like people, sort of. there are blend-inners and there are stand-outers. both are necessary in the balance of the meadow or the prairie.
the stand-outers are noisier, more assertive – colorful and obviously there, attracting attention, striding.
the blend-inners camouflage into the surroundings, quietly supporting efforts of others, tenaciously pursuing their own bliss, no wish to be flamboyant or noticed.
the surprising thing, however, is when – like this prairie dock plant – there is suddenly growth that is astounding. flower stems begin to shoot up skyward.
if you only passed by in early june you would not know this. you would assume that these broad leaves were in monochromatic zen with the rest of the meadow. you would assume that they would silently simply green their way through the season, other wildflowers growing up and around them, perhaps stifling them.
you would not know that later – just a little bit of time later – these seeming blend-inners would herald tall leafless stems – even as high as eight feet tall – sporting bright yellow daisy-like flowers. it becomes a towering plant, high above the rest, hardy and pretty much invincible. not so silent anymore.
you just can’t judge a book by its cover, can you?
“tonight while the lights are shining and the microphone is on, i’ll play for you…” (seals and crofts)
or no lights.
a piano perched among the boulders looking out toward the mountain range – in this very special place. a boom mic.
in my dreams, i can see it.
the bigrocks are seats and the program is not written. it all comes from the spirit in this place, from air, from healing. and – even more specifically in my dream – a yamaha disklavier pro minus the fancy-schmancy newfangled stuff – an instrument to record directly to disk…on-the-fly on-tape, in the vernacular.
in my dreams – in my regaining of feeling relevant – my fight to regain relevance – as a 65 year-old recording artist who broke both wrists snowboarding and then tore my scapholunate ligament (leaving me with a rh grand total of 45° forward rom) – i am sitting at C7 pros all over – in fields of boulders, in canyonlands, perched on mesas, in meadows of wildflowers, on a cool sand beach. i am playing the boulderfield, the canyonland, the mesa, the meadow, the beach. it is a conversation between us – even, maybe – through me. it is simply an offering to anyone – or any one – who wishes to listen. it’s a dream awash in unlikelihood but with maybe-just-maybe the smallest iota of possible. maybe we can make it happen.
i stood – again – on the most obvious rock from which to bow to my invisible audience. and i bowed low.
because sound or not, there is music. sheet music or not, there is composing. audience or not, there is listening. it is all happening – simultaneously. right there. in that place.
the boulders on the grassy knoll know it. and i can see it.
“i’ve practiced many years and i have come a long, long way just to play for you… my life is but a song i have written in many ways, just to say to you…”
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because it feels like the past, the present and the future all at once and – here – it all wraps around your heart.
we are both john denver fans. not the ridiculous push-to-the-front-of-the-crowd-for-a-signature type. just the quiet, eternally-grateful type. he has inspired us. he has inspired me. he made the simple melodic gesture a visceral thing. he elevated folksy messaging and storytelling; he reinforced the beauty of a lack of adornment. simplicity.
and when we stand in this beautiful place – designed to honor him, his composing and songwriting, his vision of the world – we are standing in and with his spirit. and you can feel it.
we slowly walkabout, arm in arm. we hum the songs chiseled into granite boulders. we stand immersed, pondering, in front of quotes of john muir and leonardo da vinci and helen keller and rachel carson and jacques cousteau.
no matter where i am there comes a point when this happens.
when i was little – and everyone else went to sleepaway camp – i tried it on for size. twice. the first time it was ok. we went to camp koinonia in upstate new york and i was with my best friend susan. we stayed in a screened-in cabin with bunkbeds and there’s not much else i remember, save for the lanyard-making. the second time it was another upstate sleepaway camp and, again, i was with my best friend susan. that time did not go well. it rained a lot that week and that contributed to my wistful homesickness. i remember kickball and crafts and i remember a bit of weeping. i didn’t try it again.
i guess – as much as i now love going away – traveling and adventure, immersing in new places – even my favorite places – i am also kind of a homebody. i miss our house, our routines, my feet on our old wood floors, our dogga.
paradoxically, i feel fortunate to have gotten away from home. we needed a little bitta time out of town, a little bitta time away from the usual stuff, a little bitta time near family, a little bitta time in the mountains.
i think even a short stint of time away interrupts us. it grants us fresh air. it pokes us to not take loving our home lightly. it stirs up the wish-we-were-closer proximity yearnings. it gives us fresh eyes to return to our routines and the projects and challenges on our plates. it makes coming home sweet.
i am really, really familiar with the view out the front door of our house. this tree has been there the entire three and a half decades i have now lived here. and i have seen the sky and the seasons change through the arc of its branches.
the trees next to the sidewalk on our road have been aging out. one by one we wake up or arrive home to the roar of heavy chainsaw sounds. it makes me worry about our tree. it would be tough to see that tree removed.
going away and exploring – meandering around – is good for the soul. it’s invigorating and can take you out of your comfort zone. it’s rejuvenating. it gives you space.
coming back home – after going away and exploring – is also good for the soul. it affirms the everyday, the mundane, everything you consider ordinary, the very-familiar. and it elevates appreciation of all of it.
i saw the letter k immediately. one always sees ones initials, i suppose.
it immediately made me think of the way i used to sign everything – back in the day. (note: “the day” means the 70s – which is now – shockingly – half a century ago – which makes me laugh aloud!!)
i used a combination of my initials K, E, A – joined together – nothing extraordinary, it looked like this:
i used it everywhere. i signed my poetry with it. turned in lab reports with it. i autographed my lyrics in black-and-white-speckled composition books. i signed all my greeting cards with it and left notes on crunch’s windshield adorned with it. my monogram traveled with me everywhere.
and soon, recipients of my dedication to this began to use it back to me. i even have a beautiful gold necklace that was gifted to me with my cherished self-designed monogram.
and then, the guitar strap.
it was a present.
it was during the time that tooled leather had more than a minute. like everyone, i already had tooled leather keyfobs, bracelets, belts, change purses and full-sized handbags.
but the guitar strap stood out.
i used this guitar strap for five decades on my guitar. i had compartmentalized what it represented, the person who had given it to me, the time of which it reminded me.
until one day, a few years ago.
when you join together with a partner much later in life, you are full of the stories of the rest of the time you were not together. it’s rich history, narrative begging to be shared. and so, these stories start to tell themselves a little at a time as you get to know each other. and so one day i told him the story.
in horror he listened. he held me as i wept. he gently asked questions. he was quiet with me.
the bungie cord tightly lashed around the compartment of the sexual abuse flung free, snapping back, narrowly missing us. and the box was opened.
i removed the guitar strap from my guitar, unweaving the leather cord that held it onto the neck just under the tuning pegs. i stared at it for a few minutes, my monogram tooled into stiff leather that had somewhat softened through all the years.
and i took it outside and placed it in the garbage can.
amaryllis makes me think of my sweet momma. the color pink makes me think of my daughter.
on the windowsill of the bathroom there are two small bottles. one is estee lauder’s ‘pleasures’ and the other is a tiny daisy-capped bottle of marc jacob’s daisy perfume. two scents that remind me of those same two beloved people.
because i am thready (some may say overlyyy thready) i surround myself – intentionally and unintentionally – with tokens of remembrance – some actual, some merely floating in my heart – filaments that connect me to people – and make me think of people – whether they are nearby or far away or on another plane of existence entirely. threads. woven in.
this bulb – a gift – requires no attention whatsoever. you just place it anywhere and it will take care of itself. no water needed. it contains all the water and nutrients it needs to flower. it has stored carbohydrates so it is self-sustaining and can bloom without any care.
i am thinking that between the plethora of mcdonalds fries i ate in my teenage years on bike hikes, the wavy lays and cape cod chips in later years (and even recent later years!!), ever-reassuring mashed potatoes and the daily morning breakfast david makes each day that includes yummy potatoes, i have plenty – plenty!!! – of stored carbohydrates. one would then extrapolate that i would be self-sustaining and would bloom without care. but, the flora world has it all over us on this one. i do not have the advantage of the waxed amaryllis bulb. water, nutrients and care are necessary.
the pink-waxed amaryllis is just starting to get closer to blooming, a flower stalk straight and tall from the center of the bulb, the bud tightly wound. i visit with it each day, marveling at it.
and i think of dearest jen every time i look at it.
“it is impossible to ever compare two people because each stands on such different ground.”(john o’donohue)
breck has leafed. we are watching with admiration and anticipation. last year, our tiny aspen shot up in height, growing, growing, higher, higher, until it was awkwardly tall with all branches on the lower trunk and this spindly beanstalk heading skyward, full of oddly-sized leaves.
we wonder about this year. but we hesitate to compare it to other aspens – the ones in woods that grow in stands and connect-connect underground to vast quantities of aspen-relatives.
our breck is alone out there. the only aspen in our yard, though we won’t know for some time if there are others sprouting up in the aspen regeneration way, sharing a root structure, genetically identical trees waiting to surprise us with a grove. breck stands on different ground – on midwest soil not the soil of the high mountains. its experience is different from the forested side of the mountain on the ditch trail in colorado or lakeside in dory.
though i have successes and joys in my life, i recognize that you do as well. though i have difficulties in my life, i recognize that you do as well. though i have challenges and disappointments, i recognize that you do as well. i stand on different ground. you stand on different ground.
we have watched breck struggle and we have watched it flourish. we cheer it on, always aware that it is out of its mountain-element, always aware it is one-of-a-kind here, always aware it is steadfastly soaking up the sun and the rain and holding on during wisconsin winters and winds from the west.
no matter the size of its leaves or the distribution of branches, the height it achieves or the root system clones it produces, breck stands on different ground and it is beautiful.
“if you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.” (desiderata – max ehrmann)
the sliver of moon was suspended in the sky like an add9 chord. hanging out there, being all gorgeous.
add9s are my thing. extending the chord, a little bit of tension, unresolved.
though i am often astounded by a full moon and i love all the phases tugging at those of us here on earth, it’s the sliver that always charms me. just this wink of a moon out there, inviting me, luring me to stop and stare, making me notice the stars gathered, like a moon fan club, all vying for my attention. like an add9.
we spent most of the weekend at home, save for a bit of celebration time friday evening and an impromptu sun-urged lakefront sunday afternoon. with home our rock, we reveled in it. we worked in and out around the house on this glorious weekend, alternating chores with the adirondack chairs placed strategically on the deck or the patio, depending. it’s only april, so this weekend was unexpected, its weather a winky-moon-add9 gift.
and walking down the driveway under the night sky – a clear night in the ‘hood – heading into the backyard, right by the ghetto fence, right before we turned, i looked up. the moon glanced down, tapping me on the shoulder, saying, “it’s all good,” and then it danced back into the galaxy.
and – like a shooting star – the add9 lingered, fading eventually into black.
it never fails to amaze me. even the familiar turn in the trail. even the familiar trees. even the angle of the sun which has shone on us so many, many times here. even the sky, this midwest sky, sometimes ornery, sometimes brilliant. still. still, i love this curve of path. still, i love these tall pines. still, i love the tease of sun through the highest branches of needles. still, all of it.
in a world that presents unexpecteds every day – some of which are more difficult than others of which are tiny or enormous gifts – there is this. there is the still-all-of-it.
and so we go here. and we process life here. we are silent and we talk-talk-talk. this woods has kept us company through it all. this path has led us when our feet didn’t know where to go. these trees have wrapped us in scent and held us in strength, towering over us. this sky has graced us with all weather.
and we have always arrived back at the trailhead, safe. we have been freezing and sweltering. we have been covered with snow and sopping wet. we have been exhilarated and bone-achy tired. but we have always been safe.
so it shouldn’t really surprise me. this place is a haven, a sanctuary, shelter for our hearts and minds. i imagine one day – if we might live elsewhere and no longer hike in this place – we will look back, remembering and reminiscing. and we will nod our heads and agree – yes…it was all of it, all of that place. every single time.
reverse threading 