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brush to canvas. [two artists tuesday]

from a distance they are paintbrushes, sporadically appearing in the meadow, catching plumes of downy fluff that spread like thick contrails, and, catching the wind, fly off. i can imagine plucking one of these paintbrushes, dipping it in paint, touching it to canvas, light strokes of color.

i have some paintbrushes downstairs. they are wood and some kind of fiber, inexpensive brushes i purchased when i was painting the canvas for the hall and the canvases for the living room. i actually didn’t use them. instead, i used a couple of housepaint brushes and, in alignment with that, house paint. latex. in cans. there was nothing about my painting that would be called “fine” – it was big strokes, big spattering, big expression. big brushes to big canvas. i saved the wooden brushes and, even now, haven’t yet used them, though recently bought a few small 8×8 inch canvas boards. i’m not sure why yet.

on the other hand, david cherishes his paintbrushes and knows exactly why to use each of them. his careful hand applying just the right amount of paint, brush to canvas, shaping the narrative of the painting. he recently bought a big roll of canvas. cutting off a five foot square, he painted a replica of a previous painting he had done, a piece that someone wanted but that he had painted for me. it was an amazing process to witness, as he brought the same energy, the same freedom of movement, the same emotion to this emerging painting. and suddenly, a month of hours-each-day later, it was complete. unfettered II had a destination and we shipped it off, like a short-term child he carefully tended and then let go.

one of our youtube addictions is to a channel of a man named martijn doolaard, a dutchman who is restoring two stone buildings in the italian alps. slowly, deliberately, patiently – with no expectation, no judgement, no apparent worry – martijn painstakingly goes about this restoration, working from sun-up to sundown, cooking himself dinners that look as beautiful as his vista and relaxing by editing hours of video or by painting. his brushes and his oils are precise. with brush to canvas, he paints landscapes of his surroundings, the environment of peace he has created, his studio the mountainside and sky.

i wonder who will pluck these thistlebrushes. i wonder what medium they will use to paint, upon what canvas they will work. what strokes will be applied to the prickly leaves, the blossoming flowers, the unrealized buds, the underbrush dying from eradication? what colors will be mixed to mimic the rising sun, the blur of a hawk on the wing, the flat bill of the white crane, the camouflage shell of the turtle?

nature has already brought its best in this meadow, in this forest, its brushes to canvas. it has brought its best at the line of surf of the ocean, upon the summit of high mountains, in the deepest of canyonlands, in the setting sun on red rock. it has brought its best in the faces of those we love, those who love us. it has brought its best in the perfection of creatures – domestic and wild.

it is intrinsic upon us to notice.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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helping us thrive. [merely-a-thought monday]

the chicago botanic garden spring field guide arrived. a really beautiful small magazine of images and quotes and information, i have kept it nearby to peruse from time to time. on the last page – under a stunning close-up photograph of the bud of an orange tulip poised to open – are the words “thank you for helping us thrive.” the text goes on to express appreciation for members who “allow our community of plants and people to flourish.” without members and their support, the garden would falter. instead, they are thriving. “come alive this spring at the garden,” they encourage.

there are moments – as an artist – that you feel truly alive…even more than other moments.

the moment the theatre audience stands at the end of your concert. and – maybe even more – the moment of hush at the beginning when first sitting at the piano, boom mic poised.

the moment – performing in the glaring sunlight on a flatbed trailer or in the artificial light of a wholesale or retail show – people come to the very edge of the flatbed or the edge of your booth to tell you that your music has comforted them in a time of sorrow or has accompanied them in a time of joy.

the moment you open email to find a message – someone has taken precious time to write to you – that says, “our favorite piece of yours came on dish radio and we danced!”.

the moment someone orders twenty copies of a cd to give to all their family members.

the moment someone writes to comment on the many-many words you have penned.

the moment someone comments on your cartoon “i can relate.”

the moment someone says, “you have no idea how much of an impact you make.”

that is true. we actually don’t. have any idea.

it is with an abundance of gratitude that i think of anyone who has supported my – and our – creative work in the world: purchasing cds or tracks or tickets to a concert, forwarding a blogpost or cartoon, hanging a painting, sending us a written card or a virtual coffee. you have helped us thrive.

when you wear the shoes of an artist, you are not necessarily aware of any dent in the air you have made. you are not aware of the seeds of thought or questions or perhaps, hopefully, goodness that are scattered in concentric circles or in the breeze around or after you.

this minute magazine is full of inadvertent wisdom.

“love in bloom” is the garden’s initiative june 3 – september 24. magnolias and redbuds, tulips and shooting stars, azaleas and irises start off the spring. “blooms aplenty.”

you’re an artist and you know that your life is different; it lacks the security – particularly financial security – of others’ lives. the moment you look at the total bill for one of your full-length recordings you are reminded. the moment you open your meager royalty checks – in these days of online streaming – you are reminded. the moments you ponder what’s next. you are encouraged by people to make another album, author a book, produce more cartoons, yet you know that any of these are without the good heart-and-mind-fertilizer of solid footing, as there is no promised return on your dedication or time or that vulnerability that comes with the territory. yet, i stand next to my piano and ponder the scraps of songs, i linger over the keyboard of my macbook, wordsmithing manuscript, i lay out the next smack-dab and write the next blogpost. blooms aplenty. yes. asking for help? not so much.

“we hope you find inspiration in the brilliance of spring,” on a page listing 80,500 bulbs planted-last-fall.

you’re an artist. and you hope there is inspiration – even an incandescent filmy thread – in your work.

“the woods are a recovery story of resilience and bouncing back…” writes the managing ecologist, woodlands.

the albums, blogs, manuscripts, paintings, cartoon strips – all recovery stories of resilience and bouncing back. we – artists – are on tiny trampolines in the world, trying.

“consider making a gift so that we can protect and celebrate the natural world for many seasons to come,” rounds out the garden’s “thank you for helping us thrive” message.

share. pass on. join. follow. gift. donate. purchase. download. consider coffee. consider being a patron to an artist – of any medium – who helps you move from one day to another, one season to another.

“discover the world of spring ephemerals. the garden’s mcdonald woods…ephemeral wildflowers make their brief appearance.”

we – artists – are ephemeral wildflowers, making a brief appearance in this universe, ready for anyone who wishes to catch a glimpse, to share in the synergy of our art.

“in years with little to no spring rain, ephemerals produce fewer flowers and less seed, which can impact their ability to bounce back in future years….if plants are healthy enough and if they have the right natural disturbances such as fire, they are resistant to annual variability in the weather and can adapt to longer-term climate change.”

“i want to know if you will stand in the fire with me and not shrink back.” (oriah mountain dreamer)

we – ephemeral artists on our tiny trampolines – need the rain. we need the fire. we need you to stand in the fire with us. we need your help.

and then, we will thrive.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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there is no “just”. [d.r. thursday]

breck is leafing out now. tender chartreuse mini-leaves populate its small branches. we are not quite at put-away-the-winter-coat but we are definitely at hope-springs-eternal. leaves! surprise! spring. already! but it’s just an aspen. and it’s just budding.

no, there is no “just”.

i suppose surprise is exactly that – surprise. it is that which we are pleasantly startled by – like fragile leaves – or that which we are astonished by – or astounded by – or by which we are stunned into silence. the things we would not expect of nature, of others, of ourselves, of a community, of life itself – these things surprise us. and in the winter of surprise, the winter of fallout – no matter how long the season lasts for us – we find ourselves underground, sending out roots, trying to stabilize, to process, to center ourselves, to recuperate.

there are those who peripherally try to help. they try to encourage moving on, letting go. their words are often statements that start with “it’s just…”. it is hard to listen to another person when their first words minimize that which you are going through. i remind myself not to use this word – “just”. it’s like the word “fine” for me. neither here nor there, “fine” sits somewhere in the middle of the emotional spectrum, not committing to either side. “just” sits in alphabetical order to the right of “fine”and the left of “let go” and “move on”.

we brought breck home from the high mountains, a sapling, a tiny piece of that which we dearly love. the aspens quake up there – the slightest of breezes brings their song. it was 2017 and, in the way of not-knowing, we didn’t know what the future would hold for us or for breck or for the world. time has now gone by – six years of time – and we look back, both in awe and shuddering. it has not been “just” six years.

it’s been Six Years. and there is not likely one of us who – without pause – can say it “just” went by.

“accept. adjust. arise,” she said.

breck has withstood it all, accepting its new home, the new everyday details of its life. transplanting, drought, heavy rain, sleet, snow, freezing temperatures, heat indexes over 100. it has adjusted and adjusted. so have we.

now, breck’s buds have turned to chartreuse. not “just” green. instead, a brilliant shade of living. it’s rising-rising-rising.

and, i think, so am i.

*****

read DAVID’s thoughts this D.R. THURSDAY

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this is the stuff. [not-so-flawed wednesday]

the may apples stood on risers in the forest, singing to spring, singing to any audience who might be there, singing their glorious song. just like a choir. unified. united. elated to be in harmony. creating four-part jubilation to be alive. making music.

the singtolive choir stood on risers in the sanctuary of the beautiful church, directly in front of the organ pipes. their joy was palpable and, if i closed my eyes as they sang their program of the great american songbook, i could imagine the record albums of my parents playing and the choirs of 33rpm singing into our living room. they were cohesive and gently exploring the expanse of the songs chosen for the evening. and then, at the end of the concert – this concert dedicated to breast cancer survivorship – the singers left the risers and came out to stand among us, the audience.

to say that their last song was touching would be an understatement. a trademark of this marvelous group, why we sing was exquisitely performed. we all had eye contact with singers surrounding us. you could feel hearts swelling and tears forming. they delivered this emotional piece like no other preceding it in the program. i whispered to david, “this is the stuff.”

there is a lot of choir music ‘out there’. for the decades of my career as a minister of music, i was shipped an enormous number of catalogs, of listings, of cds with samples of songs. and then, there were charts to study, trends in music. and then, arrangements and reviewing lyrics and the range of my singers – in note as well as in degree of difficulty. i reviewed all this music always seeking that which would resonate, that which would help a person’s heart and mind connect with their faith, with the questions they had in this world, with good intentions and their community. it’s not a small responsibility to choose that which a choir – any choir, any worship band, any ukulele band, any choral ensemble – will sing in public – no matter the venue.

heidi and i stood in front of thousands of people through the time we worked together, performing “celebrate sweet life” – our breast cancer survivorship programs. with audiences of 35,000 in new york’s central park to hundreds in a medical center to a few thousand in the chicago sun with lance armstrong’s tour of hope to a more intimate group in pjs at md anderson to sharing a long island stage with hillary clinton to oncology pharmaceutical sales conference in puerto rico, it was our privilege to share messages – of hope, of healing, of making a difference for each other, of being alive – with audiences all over the country.

there is a video from one of our performances that touches me each time i see it. it is a bit blurry, not captured with the best of equipment. yet, at the end, as the audience has risen to their feet, there is a man in the foreground. as heidi speaks her last words and i sing the last lyrics of one of my songs, this man wipes at his eyes, stirred. and each time – no matter how many times i have viewed this – i am profoundly moved.

the may apples – gleeful in their rising out of the eradicated forest, now clear of invasives and plants with ill intent – stand proudly. they are furled at first and one might think they are quiet, meek, hiding. but as the sun warms them they arise. they will give their performance their all, joining together as one umbrella of green. the trillium will watch in the forest as audience members. and then, pure white flowers will form under the may apple parasols. and the trillium will turn to each other and whisper.

in the moments of performances under my choir baton or concert stages under my feet, there has been nothing quite like thinking that someone out there is whispering to the person next to them, “this is the stuff.”

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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out till sundown. [d.r. thursday]

the birthday of my big brother passed quietly. he would have been 72. as always, it was a day fraught with a mix of sadness and memory, a recipe for some light-stepping, a sobering reminder that the things i was angsting about that day – and there were many – were truly of little consequence.

the river trail greeted us at the end of day. we needed a walk in the woods.

“i only went out for a walk and finally concluded to stay out till sundown, for going out, i found, was really going in.” (john muir)

our breathing slowed down, despite our best efforts to bring the layers of anxiety with us. it would be better to just be silent, i thought to myself.

nature hung up prayer flags on our route and i’m now sure that i should have hung prayers on each one. i think that is why they are there…to mark each and every soul on this good planet, alive or floating…to give us a place to put our worries, like a clothesline of hopeful…to take our breath away with color and life.

the officer was in the parking lot as we approached littlebabyscion. somehow the sun had fallen all the way past the horizon while we were on the outskirts of the trail and darkness filled in the gaps. we know the trail well and kept hiking, followed the baby fox for a bit and, then, the sounds of wildlife in the forest accompanied us the rest of the way. he told us that others might have cited us for being there past sundown. but he didn’t. we thanked him and apologized, saying it was a surprise how quickly light became dark, how we had become lost in time.

i’m sure that the prayer flag leaves clapped, fuchsia burst into laughter, green grinned. the woods – the sundown – had done their jobs well.

*****

PRAYER 24″x9″

read DAVID’S thoughts this D.R. THURSDAY

a few other thoughts on nature’s prayer flags


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in service. [d.r. thursday]

in much the same way i draw sunrises over mountains, the boardwalk turned ninety degrees on a dime, with meticulously pieced craftwork, through the swampy area and across, back to the dirt trail.

we pondered how long it took volunteers to build this boardwalk…likely out in hot summer sun, working to span the distance between solid earth trails and protect the vegetation and water below. when you are out hiking in the middle of nowhere and come upon a boardwalk or a little bridge or, remotely, a bench, it is a reminder that you are not stepping there first and you are not stepping there alone.

time and again we watch backpackers like joey coconato or the wanderwomen forge streams and rivers. we marvel as they step carefully across, deliberately placing their feet with caution. occasionally, there is an unexpected suspension bridge or a big placed-log that helps. trail magic is not just water bottles and snickers bars. it’s the work that someone has done before you. someone who really cares. in this case, early-on-in-the-hike of pink-bed-trail, those someones built this boardwalk. in service.

extreme wind had blown down many trees on our trail along the des plaines. some of them stretched across our pathway and we climbed our way over them. we know the next time out they will be moved, for this trail is well taken care of. the work of those tending it is to make hiking possible for the rest of us. in service.

the winter show will be pulled down on january 9. artists of various medium brought their work to be juried into the gallery space on the lake. they chose pieces they felt were relatable, pieces that would hang well, would absorb and reflect light as it streamed through big windows. a lot of people went to the opening, including us, with masks. and then the crowds left and the art center had regular hours through the holiday, inviting patrons in to view art and trees lit with the season. we’ll pick up the painting next week, unless there is an offer on it. the curator will breathe and design the next show. and people will have been moved by acrylic and clay, watercolor and fibre. sun will light the wood floors and curl around dark corners and artists will create at home for the next time, the next chance to elicit the silent conversation between viewer and artwork. in service.

we watched carole king and james taylor in concert sunday night. it was two hours of bliss. easily two of the most talented songwriters of all time, their camaraderie is exquisite and the music carried us both back. at one point in the airing, there was a moment that carole shared thoughts about performing. she spoke about bringing music to others as her job, and she continued that it wasn’t for herself that she writes, plays, performs. songwriters, composers, performing artists. connecting to hearts of people, challenging them, reassuring them, moving them. in service.

a bridge spanning a raging whitewater river in the middle of nowhere…is it appreciated? a boardwalk built on a trail in the middle of somewhere…does it make a difference? a cleared path…is there gratitude? a painting that hangs with no viewers…is it seen? a piece of music with no audience…does it reveal its magic?

all ready and waiting.

never really first. never really alone.

*****

read DAVID’S thoughts this D.R. THURSDAY


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the bow. [k.s. friday]

the bow: sculpture – duke kruse **

at the very end of a concert, out on the apron of the wooden stage, as close up and personal as can be from a proscenium, head tucked down and adrenaline coursing through your body, the final bow is sheer gratitude. it is a humble thank-you. it is an exhilarating release. it is a moment when time dissipates into slow-motion and suddenly you realize that it is over. it is full of you-are-exactly-where-you-are-supposed-to-be. it never ceases to amaze me. and then, it is the moment to tuck back behind the curtain, head to the green room, breathe a prayer of thanks, and start the running review in your mind’s eye.

it matters not the size of the audience. a few people in folding chairs, a park filled with thirty-thousand, a few hundred seated in upholstered comfort. you bring the same program, the same dedication, the same commitment to your art, no matter how many people are there. the give and take of audience energy makes a difference, yes, but any performing artist can tell you that delivering the work is the same, regardless. one must actually work harder with a smaller audience.

you can feel it. the minutes your delivery resonates. you can feel it. the minutes you know you need to rapidly move on, change the course. you can feel it. in the perfect pause between lines of a story you tell, laughter waiting in the wings. you can feel it. the heart of a story falling into the hearts of those gathered to watch. it is a dialogue without dialogue and your bow at the end of the concert acknowledges their participation in it.

i would say that the things i miss most about the-job-i-no-longer-have are those moments of resonance, the moments that don’t find a place in a job description, the moments that cannot be measured. they are the moments birthed through expansive experience, through study, through empathy, through intuition, through gifts given to you that have no names, no deservedness; instead, just the compelling imperative to be used.

the times in the choir room when, in the middle of starting to rehearse a piece of music, a story surfaces and i must tell it. that laughter opens everyone; the piece of music has four-part heart. the times when i direct others performing together, joy on their faces, their breathing different because of that which they have created together, that which we have rehearsed together, the spirit which we have sown in the music. the times in the chancel, in the middle of a particularly poignant song, standing at the piano and singing into the boom mic, glancing at jim playing guitar and singing harmony and telling him with my eyes to make another go-round, looking out into the gathering, eye contact, and seeing the song fall upon them, touch them, engage them, speak to them, tug at them. those are moments when music connects faith-dots, moments of doing the work, moments of shaping a journey, moments in which i bow internally to that which guides me.

there have been many: many prosceniums, many aprons, many black boxes, many chancels, many flatbeds, the floors of wholesale, retail, television studios, the creaking floor under my piano, the patio out back. they each bid to the imperative. they each elicit my gratitude.

the stage echoes under my boots. as i walk to the center, take the bench at the piano, place my hands on the keys and my face up close to the mic, it is always with great anticipation. it is the culmination of planning, designing, writing, practicing, rehearsing. it is lighting and sound and balance. it is storytelling through song with lyrics, through song without lyrics, through song without music or lyrics, through narrative and through rests. it is the forerunner of a deep bow i will hold onto until the next time.

*****

read DAVID’s thoughts this K.S. FRIDAY

listen to music – bow included – in my little corner of iTUNES

** this stunning sculpture’s home is next to my piano in my studio


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these old boots. [two artists tuesday]

old boots

these old boots.  save for the laces, which were definitely in-beaky’s-book-worth-saving, these boots are now moving on.  looking at them, side by side on the deck, i could hear my big brother playing the guitar and singing, “these boots were made for walking, and that’s just what i’ll do…”

we’ve run out of everest movies to watch.  we have seen all the hollywood movies, all the national geographic movies, all the north face and eddie bauer movies and the rolex movies.  we have watched youtubes and imax-without-the-max-part.  we have sat through short home videos and a two hour and three minute go-pro video with no narration and hardly any talking.  we’ve watched k2 and annapurna and aconcagua and denali.  we have run out.

we have now moved on to the appalachian and pacific crest trails.  these boots – neither pair – were not made for that walking.  we can both vouch for it.

these boots were different.  they were more life-boots.  mine took me through well over a decade of travel, well over a decade of wholesale and retail shows, well over a decade of schlepping, lugging, driving very long distances, more schlepping and lugging.  well over a decade of practice on wooden stages while lighting and sound engineers ran cues.  well over a decade of flatbed trailers.  well over a decade of dreaming and sweating, well over a decade of highs and lows.

i’ve been attached to them.  the soles have separated from the leather uppers and wearing them would be like wearing closed flip flops, but heavy-heavy and flopping around, looking to catch on something and throw me headfirst into the ground.

i’ve been attached to them.  in some way they became part of my uniform, the same way that the black zip-up sweatshirt that no longer has cuffs or a working zipper was.  i’m attached to that too.  somehow, it felt like those kept me safe, kept me going, and brought me back home.  i suspect it wasn’t the boots or the sweatshirt hoodie.

so i’m saving the laces.  they can be used in a different pair of boots.

and i’m wondering:  maybe we should fill these old boots up with dirt and plant some basil.

read DAVID’s thoughts this TWO ARTISTS TUESDAY

bootsonrock website box


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the organ bench. [k.s. friday]

organ pipes

no one else.  there was literally no one else i knew who took organ lessons.  eight years old and i was the only one.  everyone else i knew took piano lessons.  they went to the new local music store –munro music on larkfield road in east northport – and had lessons in itty studios downstairs and came back upstairs to pick out sheet music from a big wall featuring the latest hits and books of collected artists, written out for various levels of piano-playing ability.  me?  i went to mr. i-never-knew-if-he-even-had-a-first-name sexton’s house (now, think about the torture my peers had with that name) and took organ lessons in the addition adjacent to the garage.  there was no wall of sheet music, were no cool guitars hanging up begging to be purchased, no amplifiers or drums.  just that one organ.  no windy or ode to billie joe or i’m a believer easy piano for me.  it was beautiful dreamer and long, long ago.  and hymns.  lots of hymns.  but i had been asking for lessons since i was five and the little chord organ that was my grandmother’s was moved aside and a ‘real’ organ with two manuals (keyboards) and real pedals and cha-cha button settings was added to the corner of the dining room that was next to the kitchen and the living room.

when i was ten i tearfully played the pipe organ for my brother’s wedding, the processional as my sweet sister-in-law walked down the aisle to my big brother.  yesterday i was talking to john whelan, a master celtic accordionist the exact same age as me, and we talked about the first real gig we did.  his was at 12 and he actually got paid.  mine was this wedding and, for obvious reasons, payment was out of the question.  i got to wear a really pretty peach-colored party dress and white shoulder stole and wept my way through the difficult piece.

after some time, i somehow convinced my parents that they needed both an organ and a piano and they signed me up for piano lessons.  joan ostrander, the very chic music teacher, was my first piano teacher and i adored her.  she pushed me and i adored that too.  i spent long hours practicing on the piano bench with my dog missi sleeping underneath, my dad whistling in the background.

in years to come i studied with the teacher-of-all-teachers alan walker and was convinced that the piano and i were kindred.  i taught more piano lessons on long island (and later florida and even wisconsin) than i can remember, back then driving from one house to another, delighting in each student’s joy playing the piano and progress no matter the pace, hoping to emulate the teaching style of this amazingly kind man.  after lessons we talked life and ham radio and ate open-faced crunchy peanut butter sandwiches.  music is not just about music, you know.

during my undergrad, i studied piano in college with one of the professors but kept bringing in pieces of original music and kept veering off course from assigned large scale pieces, hoping he wouldn’t notice.

as no real surprise, i majored in music composition, the first (?) step toward living as an artist, the first step in a road that leads to here and now.  so much in-between.  the gigging composer music timeline is filled with albums, concerts, performances, cd sales, radio and tv, qvc appearances, barnes & noble and borders, listening wall placement, phone calls, yamaha, traveling, shipping and more shipping, recording labels, carrying boxes, standing in the rain on flatbed trucks playing and singing, driving, driving, driving, press releases, graphic design, writing, recording, supportive family and friends and coworkers and a person named hope hughes.

but that organ.  it has kept on re-appearing.  somehow it is one of the threads that has woven its way through my life.  there aren’t that many of us out here:  people who play the organ, who can finesse a chosen timbre through the pipes and who can actually play lines of bass notes on the pedals.  those lessons from the very beginning somehow set the stage for me to work for three decades already as a minister of music.  conducting choirs and handbells and ukulele bands and worship bands, choosing music for services and performing groups, leading and shaping worship and, yep, playing the organ…it has been a constant.  there are days that i will pull out all the stops and play as loud as the organ pipes will allow.  its bellowing echoes through the sanctuary and i giggle as i think of my ten year old self, sitting on an organ bench in williston park on long island and crying.

what would i have thought if i had known that fifty years later i would still be sitting on an organ bench?

canyon love

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read DAVID’S thoughts this K.S. FRIDAY

organ pipe people website box

 


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before and after. galena. [k.s. friday]

galena songbox

your toes curl.  your breathing is shallow.  adrenaline rushes.  your legs are a little shaky. your hands feel tingly.  butterflies in your belly.  you are on the edge.  in that tiny place between before and after.

i gingerly walked to the edge of the canyon, my daughter encouraging me.  at the moment i stood there, feet firmly planted, no guardrail, nothing between me and canyon wall, my heart slowed down and i breathed in both the enormity of the moment and the taste of both before and after.  my girl and i laughed, loudly, the sound echoing across the vast canyon.  and then, it was after.

i sat at the piano, ready to record this first piece GALENA of the first album, 24 years ago, savoring the safety of before but ready for after.  at the edge of the put-it-all-out-there canyon, i walked onto the stage, brand new cds in the lobby, ready, with quivering knees and boots that gave me confidence.  and then, in what felt like a minute, it was after.

now, many album and stage edges later, many life and love moments later, many work and play split-seconds later, i wonder what the next after will be.  i can feel the edges; i can see them.  i’m aware of my toes curling.  my breathing is shallow and adrenaline rushes.  my legs are a little shaky and my hands feel tingly, butterflies in my belly.  there is a canyon beckoning.

moab edge locator

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read DAVID’S thoughts this K.S. FRIDAY

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GALENA from RELEASED FROM THE HEART ©️ 1995 kerri sherwood