pretty much each year – for years – we have had a frog in our pond out back.
but this year there was simply nothing.
to say we were disappointed would understate how much these frogs have meant to us. we were pretty sad and wondered if we had done something that had inhibited a frog from choosing our tiny pond as a summer home.
until a few days ago.
d had seen a glimpse of green hopping in the water a few days prior, but we could not tiptoe up to the pond quietly enough to see it sunning on a rock or watching the world go by, tucked into a nook or cranny. we thought it was simply a momentary visit.
on thursday, though, we had a lucky day. and, as we stood quietly at the side of our pond, scouring the edges for a sighting of a frog, there he was.
little.
we named him “little” not at all having to do with his import to us, but because he seemed one of the smallest frogs to have lived in our pond.
you would have thought we had found gold coins hidden in the rocks of our water feature – our excitement was off the charts.
and – because every frog needs a theme song – i could instantly hear his in my head (sung to the tune of sugar, sugarby the archies): little – ba-ba-ba-ba-ba-ba/ oh, little little ba-ba-ba-ba-ba-ba/ you are our tiny frog/ and you got us hop-hoppin. (etc etc etc)
each year has brought a different reason to look for the meaning of a frog’s visit in our personal world. each year the resilience and transformation, renewal and abundance messages have been positive bits of symbolism for us and have made us feel that grace has dropped in for a visit.
this year is no different. little’s appearance has been like a single candle lit in a dark night – a warm glow, a talisman for reflection and hope.
we never know how long the frog will stay. but we do know that just making an appearance is a gift. for our small pond – in the middle of other suburban yards of grass and gardens – is maybe 18 square feet – and it seems fortuitous that a tiny frog would even find it.
but maybe somewhere in frogland there is a list…and frogs can check it – like airbnb – to see where they might find a little pond they can call their own. or maybe where it is they may be named and doted upon. or maybe where it is they might get their own theme song.
i could imagine it. dill roasted potatoes. dill on salmon. dill pasta salad. dill in pesto. dill risotto. tzatziki sauce. deviled eggs. the recipes are endless.
so we added dill to the potting stand. a big clay pot with good dirt and lots of sun and a splendid watering wand. and it grew and grew…into a dill tree with lovely willowy branches and fragrance that inspired. until it was ridiculously rainy, ridiculously hot, ridiculously sunny and then – pushing back on the stuff i didn’t know about dill – my dill-ignorance – the dill bolted.
i diligently clipped off the bolting parts, hoping that would suffice – that the dill would forget and resume its normal-growing-program. but – once bolted, always bolted.
so when i saw the tiny caterpillars on a sunday on the dill, i kind of smiled. it made me a little bit happy that they – these half-inch long critters – were munching on this plant.
imagine my surprise when i saw these hefty caterpillars on friday, merely five days later. these are some serious black swallowtail caterpillars. with such quick lifecycles and growth, i am now looking for the chrysalises (yes, i looked up the plural form).
i’ve given over to them. the bolting dill will no longer focus on producing leaves and so my time as a homegrown-dill chef is over for now. next time, i will know to move the dill to a shadier spot, for our potting stand does receive full sun much of the time. next time, i will be more alert, more responsive, more informed.
but for now – well, our $3.98 dill is strictly to support the lives of these two caterpillars and their transformation into butterflies (and maybe others i am unaware of as well). a worthy sacrifice. and one of these days, when i see a couple black butterflies dipping and sailing over our backyard, i will know that we were part of their metamorphosis.
and i’m thinking that $3.98 is not too big a price to pay to witness – and be reminded of – rebirth, new beginnings, positive change and hope, new chapters in life. it’s not too big a price to pay to witness the magic of flight. it’s not too big a price to pay for two happy caterpillars.
his legs wrapped tightly around the garden fence, the cicada gave in to his time of transformation.
i found him when i was watering. i bent down to pull a weed by the low fencing and there he was, clinging with all his might to the thin metal frame, following his call of nature, nymph to adult. the transition is recognizable. the two creatures look remarkably different, so it is easy to tell which is the mature cicada.
it’s the second time we have been witness to part of the cicada’s metamorphosis. the first time the cicada was clinging to the deck and we watched the whole fascinating process. this time, we came upon the cicada after it had shed its old skin, the outer exoskeleton having molted off into the dirt. both were profound for us. the giving over, the trusting of transformation, gaining wings, going on into next as something quite different.
“life is not so much about beginnings and endings as it is about going on and on and on. it is about muddling through the middle.” (anna quindlen)
and in the middle, the holding on. legs – and arms – wrapped around the garden fence of our lives, clutching for dear life. to be in the middle – sorting and pondering, full of wonder and angst – we can only trust that each next will arrive, that the on and on will not betray us, that we will not betray the on and on. the cicada surrenders, relinquishes any worry of what is to come.
and then, it wakes soon after, having pushed its way through the deadened shell. with wings. wings! exuberant noise fills the summer air. i know i will listen for our garden-fence-cicada on hot nights when the sun is setting and dusk is on the sky.
and we – in our metamorphosis from one day to another – sorting and pondering on our fence – begin to know that wings are possible. we learn that we have had them all along. we untuck them, test them out, flex a little, grow stronger. and we are astounded to learn – like the cicada – that we can fly.
“i want to be light and frolicsome. i want to be improbable beautiful and afraid of nothing, as though i had wings.” (mary oliver)
middle-aging is tougher than you think. it’s a time of tinylittlechanges and some prettybigchanges. your body starts to betray you, despite your best efforts to keep it going. the messages all around us are dedicated to making us feel that Youthful is the only worthy look, that fit and slim and silky is the only worthy body. our body image begins to slowly sink, just as our blue jean waistline begins to rise. it’s all one big test – and it’s prettydamndifficult sometimes to stay centered and grounded.
lingerie is one of those testing devices. just at the time you may be leaning a little less two-by-four-pancake-flat and you suddenly have a tad bit of – whoa – cleavage, and those sweet and sexy b-cup (wow! b-cup? seriously?) brassieres might be an option, your upper arms begin doing the whinga-whinga thing. i mean, really? there is no justice there. and here – raised in these body-conscious-united-states – it all becomes a disappointment.
try starting a new relationship in middle age. there are many challenges – people become more and more engrossed and invested in their own “way” of doing things – so that is obvious. but then, there’s the thing…you pull out old photographs and say, “this is what i used to look like in hiphuggers, in a bathing suit, in silk. i just wanted you to know.”
we were watching something on television the other night. the skims commercial came on. kim kardashian was the model. suffice it to say this is most-definitely-not dedicated to the older-middle-age gal watching. their other iconic top fashion models are no less fetching. though, truth-be-told, this is no different than other sexualizing advertising campaigns – like kate hudson’s fabletics or victoria’s secret. sigh.
in the meanwhile, i’m grateful to have fallen for a guy who is steeped in reality-based bodies, whose approving glance i see time and again, and who, clearly, loves burlap.
barney’s nails are popping, its layers are peeling back even more, rust is gathering on surfaces subjected to air and moisture. this is not a surprise. barney has been outside in the sun and the rain and the snow and ice and wind and humidity and drought for almost ten years now. a decade has a way of peeling things back. i wonder what barney might look like in another decade or maybe two. its soul will be intact; its boxy exterior will be falling away, opening strings, hammers, soundboard to the world. and always, its soul, present, true.
barney is no less beautiful now than the day it arrived in our yard. in fact, as it changes, its transformation is a metamorphosis into an aged piece of art sans any expectations. it stands as a stalwart symbol of constancy in our backyard. it reminds me that soul is resilient, fluid. no matter the weathering, the chippies and bunnies nesting, the birds stopping off to rest, the squirrels sitting and taunting the dog. no matter only eleven white endpieces of keys are left. no matter the line of popped nails in a row along its upright top. its soul – exposed – carries on, aged and stronger than before.
“this is the first, the wildest and the wisest thing i know: that the soul exists and is built entirely out of attentiveness.” (mary oliver)
if barney needed to express itself, tell stories of its past, the narrative of a life of a hundred years, it would merely stand and speak – firmly planted. time and nails have loosened its jointed wood and the container of a million tales, and have – figuratively – unlidded the top of the shoebox under the bed or on the top shelf of the closet. every story counts and, as we sit in the backyard, we pay attention. we listen to barney, giving credence to its voice, glad that even in its aged appearance – and its agedness – it is not silent.
in ways i can’t explain, i can feel the nails popping.
and the marvel continues. this very-large-branch-turned-christmas-tree, really like anything that is nurtured, has opened in the world. it is as if it has actually-self-actualized. though it would seem that remaining a limb on the maple out front might have been its endgoal, in its experience of being cut down it suddenly has new life, new possibility, new importance. the oh-the-places-you’ll-go story of its existence has undergone transformation. the you’re-supposed-to-be-a-branch-on-a-tree has been shattered and the old story of small-pine is re-created in an unassuming maple limb. because we paid attention.
in this time of hyped seasonal holiday glee, it would seem that honoring the tiniest of tiny might yield the glee-est glee. it would seem that the slightest bit of paying attention to others might pay forward the goodness and generosity that have been showered upon us. it would seem that looking beyond the obvious – to something unexpected, something out of the ordinary – might bring unexpected, extraordinary joy.
our small-pine-maple-branch is most definitely smiling, its branches reaching out and up and, each day, feeling more a presence. a reminder that life is not normal. instead, it is a chance to pay attention, really-really pay attention. it is a chance to nurture each other. it is exceptional. i can hear our christmas tree 2021 breathing in and out, “don’t forget that.”
we have been witnesses to a transformation worthy of notice. in an uncovered ziplock plastic container on our kitchen counter, no less.
we placed the cherry tomatoes in the container on october 30. just the tomatoes. not knowing what to expect, wondering if we needed to aid them along at all. we had read about ethylene and apples and bananas and paper bags. but, we thought, for a few days we would leave them alone and see what happened.
on november 6, only a week later, a few tiny orbs had turned orange and were suddenly red. “we have tomatoes!” i wanted to gloat…the second time in this season of boomer-container-farmer living. it was astounding. we had read that they should not touch each other and yet, these tomatoes were thriving in community with each other.
we watched the progress and photographed every few days.
on december 6, these deliciously sweet red cherry tomatoes, along with zucchini and baby bella mushrooms and onion and garlic and red peppers, were tossed with olive oil over penne and became dinner. and to think what we might have missed had we just left them on the vine when we put the plants in the informal compost pile behind the garage.
at a time when ministers of music all over are stressing about advent, i am reminded of building cantatas…much like van gogh’s words, “great things are done by a series of small things brought together.” to try and rehearse an entire cantata start-to-finish with a choir is to overwhelm them. to introduce songs, one by one, allowing singers to bond with the music, to sink into it, to want to really sing it, invest in it, is to give music the space it needs to grow. integrating all the pieces together works when each individual piece is honored within the context of the whole. a common goal. the green turns to red. the ethylene of each choir member – so to speak – transforms each other. it’s all about the spirit brought together.
the quiet of the season this year – the second year sans adventpush – is punctuated by small measures of rest, time pondering unanswered questions, moments of noticing tiny miracles. i walked to the piano the other day and played the opening strains of “what child is this” and listened as the sound faded.
i’ve gone from cantatas to cherry tomatoes, it seems. it is not without learning.
at the end of growing season, just before advent, the lessons: one tomato gone bad in the container will have a drastic effect on the others. the farmers’ almanac offers guidance: tomatoes that have spoiled or molded should be removed. the offending tomato will cast a toxic shadow over the rest and one must be cautious to discern where the toxic is actually coming from. keeping ripe tomatoes in a plastic bag will make them go bad quickly, so one must be cautious not to suffocate one’s tomatoes. not all green tomatoes off the plant will ripen well; the tomatoes at a mature green stage will. some tomatoes are just not ready to be red. and…it is much easier to ripen tomatoes together.
as the season passes and we move into the new year, i think about this transformation we have watched. we were perhaps overly giddy, a tad bit too enthusiastic, slightly too fostering of potential, a little too encouraging of our little tomato-team. but – red! we have red!
and no bananas or paper bags were harmed in this transformation.
i started a business when i was young. nothing cost more than about a dollar but i was a zealous salesperson. i pulled a red wagon around my neighborhood, going door to door – in the days when that was actually safe – and sold cactus. my sweet momma had prolific succulents and would pot tiny offshoots and volunteers into cups or chipped mugs or little clay pots, turning them over to me to sell. it’s amazing how many people would buy a 25 cent baby cactus from an eight year old at the door. i was thrilled counting my earnings at the end of the day and would impatiently wait for the next proliferation of cactus pups.
after a while and some market research, i decided to add candles to my stock. i purchased wax and three-dimensional plastic molds, tape and had a perfect little finnish knife to trim the wax after taking it out of the mold. i never lit any of those candles. they seemed more like decorations and less like candles-to-burn. funny to think about not-thinking-about-lighting-them and i wonder how many of the candles i happily sold on the streets of my growing-up were ever burned. though i’d love to revisit that project now, for fun and maybe to actually try the candle as a candle, my supplies are stuck somewhere – since 1979 – in the somewhat-finished attic room closet of a methodist church on long island, where i had helped with a youth group and taught them how to make candles.
i wonder now about what someone will think when they stumble upon all of that – my dad’s old hard plastic luggage case with molds and wax. i wonder if they will laugh thinking about the simplicity of it. after all, for my tiny business all i really did was melt the wax in a double boiler, choose a color dye, place the wick, tape and set up the molds, pour the wax into the molds and wait. once they were set, i trimmed along the seam line to create a seamless looking alligator or snail or mushroom or a variety of other marketable shapes of candles i can’t recall. i simply changed the form of wax.
i suppose it’s all like that. changing the form. the notes float and the composer grabs them out of the atmosphere, placing them together into a piece of music, changing the form of their ethereal bobbing-around-out-there. color bursts around us, nature offering us every iota of choice, and the painter gently retrieves them and places them together on the canvas, translating the iron oxide red of delicate arches into a vibrant sunrise or the flower of a still-life. the butterfly on the wing dances and the ballerina’s steps mimic the form, an expression of freedom and joy. words and expressions whirl around and turns of phrases hide inside dictionaries and the writer plucks and chooses, creating poetry and story from the raw.
my sweet momma and poppo discovered ikea in their 80s. they were intense fans. from time to time i would get big ups packages from them – ikea runs – with new wooden spoons or lanterns or cork trivets or tealights or whatever was their latest discovery there. and so i became a tealight fan. we burn them often. to light the table on our deck, to light our pop-up, inside all around the house, to honor someone with a flickering flame all day, safely burning on the stove. i guess that these are a lot easier to make than alligators or snails. and i know that they are obviously a lot easier to light and actually burn.
i still have a round yellow happy face candle i received years ago. i haven’t burned it. something about not messing with its form, i guess. why do we have candles we aren’t going to burn?
today, i think i might take out that round happy face candle. maybe i will put it on the stove, in a safe-to-burn-all-day spot. maybe it will infuse inspiring form-changing into the air around me. there’s much to purge from more recent times and much to welcome in next days. it’s worth a try.
anna quindlen writes about it in “a short guide to a happy life“. the dividing line between before and after. we all have them. though mathematically incorrect for this lyric, as “sawed in half” only leaves the other half, many of us have more than one dividing line, more than one qualifier of our lives, more than one change agent.
i remember my first apartment. it was on long island in a basement partially paneled and partially wallpapered with red brick wallpaper. my dog missi and i moved in with my old piano, a convertible couch, beanbag chairs, a bookshelf and a bistro set. i had free bank-account-giveaway plates and cheap silverware my grandmother gave me, forks, spoons, knives still in my drawer to this day. i had a tiny kitchen in this studio and, though i cooked often, missi and i both ate plenty of cornflakes for plenty of meals. it was not fancy but it was mine.
after i was sawed in half i had to move and, ultimately, found myself in florida, seeking safety from a man whose aggressive pedophilia was predatory, for whom vengeance was foremost. everything was different. from those moments on. there was no going back, no return to innocence. the dividing line was stark and, in 1979, there was no real resource for processing it.
since then i’ve had a few more dividing lines. but, i have found in many purposeful meanderings through my lifeline in recollections and in much intentional parsing out of cause and effect relationships, that many of them relate back to the first sawing-in-half.
having children did not ‘saw’ me in half, but it indeed sawed time into before and after, for nothing would ever be the same and all my after has been waking and going to sleep thinking about them and wishing for their good health, good relationships, good work, love. there can scarcely be a parent who has not been profoundly changed by having children. before. after.
the loss of my big brother came as a mortality-blow. i had lost grandparents at that point, but their lives had been full and eight and nine decades long. my brother had merely reached his fourth decade – forty – an age twenty years ago now for me – and it was premature and devastating. he had been a stalwart rock for me in my years-post-first-sawing and to lose his wisdom and strength had me questioning how the world could go on without him feeling it. it divided time – from a more casual look at life to a more intensely emotional connection to those around me than i already had. if i am needy, emotionally, it is grasping on to beloveds. though i know i must not hold too tightly, i have likely not always succeeded at that, but i try to be at least close enough to always at least feel the wind from their wings. it’s not always possible and it’s sometimes impossible, and i yearn to have my family right close to me as many friends have, but i try – that word again – to trust life and its gifts.
the day i realized that there was no one left to ask questions of my birth, my childhood, my teenage years, the intrepid and enduring memories moms and dads have, i stared at lake michigan. i won’t forget that moment. i was wondering about my first time on the lake on a sailboat and i suddenly was aware that, without my sweet momma and poppo still here, there would be no answers that i could not remember myself. it came with intensity and orphan-hood surprised me – even then, at 56.
there are other lines in the sand, other befores and afters. relationships, jobs, places, mistakes and learnings, successes and failures. they all count, like every slice of blueberry pie making up the whole, even every rich ingredient making up the slice. the passage of time is a vast bakery of experiences, some more contingent on others, some more independent.
so when the song “life is long” came on at the end of the grace and frankie episode while i was on the treadmill and david was on the bike i was struck by the lyric “sawed in half by the passage of time”. i spoke into my phone recording the words i had just heard, words that made time pause like the button on the netflix video.
and i stared into the timeline in my mind, thinking about life sliced up like pie – a little less vigorously than a saw – but with just as much impact.
reverse threading 