i wear one contact. in my left eye. though i can actually see distance, it helps me see cleeearly – you know, defines the lines a little bit more, makes all the signs crisp. my right eye – sans contact – sees up close. and somehow, for the most part, my brain figures this out.
so i can usually see. most stuff.
but there are times. and – even with the great squint – the greatest squinty squint – i can’t read. like the ingredients on the bbq sauce at the grocery store or the directions for use on the new cleaning product. or the dang menu. in the tiniest font ever is printed all the potential meals we could ever desire…if only we could read them.
there’s always a pair of readers – the cheap kind that came from the dollar-and-a-quarter-store-that-used-to-be-the-dollar-store (does ANYthing EVER stay the same???). but they could be 1.25s. or maybe 1.5s. and there are fonts out there in the world that require flippin’ 2.5s. i know you can relate.
we have this clay bowl in our sunroom. in it are about thirteen pairs of readers. a baker’s dozen. and we have readers tucked into the side doors of littlebabyscion and big red. and we have readers right outside the kitchen hanging on the same hook as the key basket. and we have readers upstairs on the drafting table in the office. and there are readers – yes, yes – next to the bed.
we went into a newly revamped shop in our town a few days ago. lovely. so many nice products. and the proverbial rounder – the one with all the fancypants readers. they are cute-cute-cute!! i was tempted to try some on. but instead, i passed by. $24.99 was pricier than readers-to-add-to-the-bowl can be for me.
besides, i kind of think menus should come with readers attached. or maybe a magnifying glass. a little less ego-bruising.
we have been tracking them. like really good private investigators – ok, not so brilliant but quietly watching – we watch the map that shows when they might get here. the map plots everywhere a hummingbird has been sighted and so we are anticipating seeing one anydaynow. we are waiting. with no promise at all.
“waiting for a train to go or a bus to come, or a plane to go or the mail to come, or the rain to go or the…” (dr. seuss – oh, the places you’ll go)
it seems that waiting is a thing. “i can’t wait till….” we find ourselves saying. impatient for time to slip by and for the anticipated moment to arrive.
yet, exquisite it is to sometimes simply linger, to stretch out minutes, to wade in the shallows of right now. waiting need not be passive. instead, it is filled with arrows-forward-arrows-back present-time. it is the only thing we can really feel, the only air we can breathe, the only. it is all that we have at the moment.
i’m sitting against the headboard, my pillows falling into the abyss between the iron bars. i can feel wrought iron against my back as i think about readjusting my stack of fluffy polyester and down alternative. i can hear the taptaptap of david typing next to me. i can hear the gentle easy breathing of dogdog at my feet, dozing and dreaming. if i stop typing i can hear birds outside, the pond gurgling, wind in the trees, every now and then chimes. if i close my eyes i can taste the last sip of coffee and see the maypole i thought about on monday’s mayday.
there are many things i cannot wait for. to see my daughter, hug her, hear her voice in the same room. to watch my son perform at pride festival in chicago. to take a roadtrip. to finish a long chapter that has had challenges.
but i am reminded – every day – that to rush would be to miss it all along the way. i am reminded to stroll or, at most, skip.
our trail has signs that designate a trot as the terminal gait. were i on horseback i would be tempted to canter – for the thrill of it. but i would go back and do it all again – walking and, maybe but not likely, trotting. i would stroke the mane of my horse and talk quietly about all we were seeing. i wouldn’t worry about the end nor would i gallop cause i couldn’t wait to get there.
i’d go slow. and try to relish the now, pushing back impatience so as to wait to feel the restlessness of waiting.
apparently, tucked into the dried grasses next to breck-the-aspen-sapling and surrounded by fallen leaves and mulch, the mama bunny tended the nest for about a week. it was the first time we had had a bunny in the backyard. squirrels and chippies and many birds and even a fox, but no bunnies.
there was a day we saw the bunny for the first time. she hopped and scooched under the deck, hiding. we saw her at the base of the birdfeeder, munching. and we saw her nibbling on the green sprouting up around barney.
and then, there was the day we realized that this bunny, that hopped to and fro in our yard, especially around dawn and dusk -scooting away from dogga and under the back fence – was building a nest. we didn’t see her leap a binky into the air – all four paws off the ground – but we imagine she must have been about-that-happy.
and then, the day we peeked under the grasses to see two tiny bunnies scrunched together, their little bunny-bodies breathing quickly, rising and falling, rising and falling. life is amazing, isn’t it? we went on high alert for these sweet little babies and, for the next week or more, mostly went out with dogdog to be sure they were safe.
and then, the day that i looked out the back windows behind our metal frame headboard and saw a tiny bunny hopping along the fence and heard a noise. i ran through the house and out the back door to see dogga carrying one of the bunnies in his mouth. he dropped the kit, who scampered off unraveled, as soon as i said “drop it!” so i was relieved. but still. i felt a sense of parenthood for these tiny creatures. “keep them safe” became my mantra. i celebrated their little lives and kept tiny pompoms close at hand as they left the nest and went to explore the world.
it’s impossible to keep your children safe. you do the very best you can while they are in your care – growing up – but they go to school, to sports, to music lessons, to playdates, to after-school jobs, to stores and concerts and parties. you can’t be all those places, so you have to learn how to let go a teeny-weeny bit. they begin to drive and you have to learn how to let go a teeny-weeny bit more. and then, they go to college maybe or move out maybe or both. and you let go a teeny-weeny bit more. and then they move away and your heart breaks and soars, both – even though you will only talk about the soaring – even though they know the breaking part. and you let go a teeny-weeny bit more. ahhh. it’s not easy, is it?
our daughter drove across the country last week. from the east coast to the mountain west. by herself in ivy, her suv. i remember my sweet momma calling me as i drove long-distance, alone. i both loved it and didn’t love it. i tried to remember this as my beloved daughter drove, not wanting to be annoying, as is so easy to do. i sent her texts cheering her on and held big space for her as she traveled. she was constantly on my mind. i know she knows that. “keep her safe,” i implored the universe. (and how many times have we all said that about our children, i wonder.)
she arrived without harm or incident, like the bunnies running along the back fence and zipping underneath. i am grateful. i can only keep her close in-heart.
and each and every day – my mantra for my girl and my boy is the same – “keep them safe”. my pompoms are at easy access as they explore the world. they are all-grown-up. the nest is empty but i quietly binky – like ecstatic bunnies – every day thinking of them.
every day of this mysteriously unknown-unrevealed-unmapped extended journey of life we have been granted – we are seeking to make sense.
and – in the moment of moments – the ones when the abyss is evident or the peak is present, the ones when confusion reigns supreme, the ones when you cannot imagine any more bliss or any more dread or any more ardor or any more devastation, the ones when complexity is the starting gate, the ones on the roller coaster you wish someone would stretch out flat – in those moments none of this – any form of art – any medium, any life-giving expression of creativity – is a luxury. it surely does sustain, heal, breathe life into the motionless heart of fear or sadness. it is the music, the paintings, the photographs, the lyrics, the poetry, the clay pot in your hand, the dance. it is what the pads of your fingers touch just simply by seeing, hearing, reading, smelling, tasting, watching. necessary. of the essence. crucial. fundamental.
“give your heart to everybody you meet. the rest is pretense.” (e.h.)
and – the creators – each of us – stand by, fools all of us. humankind. finding who we are, what we love, expressing, connecting.
“showcasing a piece is allowing it to come to full bloom, to let it breathe in the world, to share it. but showcasing a piece is not for the meek at heart.
in the way you would likely feel standing in your underwear in a town square, introducing the world to some new piece of your heart is raw. on old wooden stages with a piano and a mic, centered on a wall with a tiny price tag placed nearby, during poetry-reading night in the corner of the general store, sharing with the novel-writing club every first thursday, skating the first performance on ice, tapping “publish” on a blog each day … pieces of your heart float shakily about as you try to hold onto sisu and stay grounded. it matters not how many times you have done this. your heart has been unbridled and you are allowing others in. each and every time.” (the underwear moments* – kerri sherwood)
“but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see that which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.
there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.” (the gig economy tapestry – kerri sherwood)
“…boldness. the uninhibited freedom of expression – artistry come to fruition in the moment of utter sharing. terrifying and liberating. raw and real. the underwear moments.”(*)
this great big planet earth. sedimentary layers of beauty. we are all in our underwear.
their genre is listed as: jam band, bluegrass, country music, psychedelic rock, neo-pyschedelia, progressive bluegrass, rock and they are fearless about crossing all the invisible lines.
i don’t think i have been at a concert where absolutely everyone stood up and where absolutely everyone spanned the widest-ever spectrum of age. tie-dye, flannel, jeans, bell-bottoms, patch-laden vests and jackets, leather, maxi dresses – it was an everything-goes phenomenon of fashion. mostly, people wore their love of this band and gigantic contagious zeal.
“you’re going to do so much dancing,” our daughter texted, laughing. she was right. the dancing never stopped. everyone – again, absolutely everyone – danced with everyone, absolutely everyone.
the sidewalk and lobby outside the theatre in milwaukee made me feel a little out-of-body and a little like it was 1976. security officers, metal detectors, bag searches, lots of cigarette smoke and that distinct smell of pot…yes…a little out-of-body. there were so many people. it’s been a minute since we have been in a mob. we wove our way through, ordered a wine at the bar, asked if we could bring it inside and found our way to our seats.
the adorable couple next to us were probably the ages of our kids. they had left their three year old and their one year old at home with his mom. they were at their fourth string cheese incident concert. they had hard seltzers in their hands and seemed to be in bliss. the guy on the other side of me was already a tad bit wasted. he must have decided that i was not a worthy neighbor because he and his seatmate moved somewhere in the first few minutes. i wasn’t totally unhappy about that. to reiterate, a little out-of-our-element.
SCI played non-stop for hours, only taking an intermission break. their energy ignited the happy-factor in the audience and the whole concert was one giant ovation.
we laughed as we made our way out through the crowd, found littlebabyscion in its parking garage and drove home. sometimes a little out-of-body is good for the soul.
the chicago botanic garden spring field guide arrived. a really beautiful small magazine of images and quotes and information, i have kept it nearby to peruse from time to time. on the last page – under a stunning close-up photograph of the bud of an orange tulip poised to open – are the words “thank you for helping us thrive.” the text goes on to express appreciation for members who “allow our community of plants and people to flourish.” without members and their support, the garden would falter. instead, they are thriving. “come alive this spring at the garden,” they encourage.
there are moments – as an artist – that you feel truly alive…even more than other moments.
the moment the theatre audience stands at the end of your concert. and – maybe even more – the moment of hush at the beginning when first sitting at the piano, boom mic poised.
the moment – performing in the glaring sunlight on a flatbed trailer or in the artificial light of a wholesale or retail show – people come to the very edge of the flatbed or the edge of your booth to tell you that your music has comforted them in a time of sorrow or has accompanied them in a time of joy.
the moment you open email to find a message – someone has taken precious time to write to you – that says, “our favorite piece of yours came on dish radio and we danced!”.
the moment someone orders twenty copies of a cd to give to all their family members.
the moment someone writes to comment on the many-many words you have penned.
the moment someone comments on your cartoon “i can relate.”
the moment someone says, “you have no idea how much of an impact you make.”
that is true. we actually don’t. have any idea.
it is with an abundance of gratitude that i think of anyone who has supported my – and our – creative work in the world: purchasing cds or tracks or tickets to a concert, forwarding a blogpost or cartoon, hanging a painting, sending us a written card or a virtual coffee. you have helped us thrive.
when you wear the shoes of an artist, you are not necessarily aware of any dent in the air you have made. you are not aware of the seeds of thought or questions or perhaps, hopefully, goodness that are scattered in concentric circles or in the breeze around or after you.
this minute magazine is full of inadvertent wisdom.
“love in bloom” is the garden’s initiative june 3 – september 24. magnolias and redbuds, tulips and shooting stars, azaleas and irises start off the spring. “blooms aplenty.”
you’re an artist and you know that your life is different; it lacks the security – particularly financial security – of others’ lives. the moment you look at the total bill for one of your full-length recordings you are reminded. the moment you open your meager royalty checks – in these days of online streaming – you are reminded. the moments you ponder what’s next. you are encouraged by people to make another album, author a book, produce more cartoons, yet you know that any of these are without the good heart-and-mind-fertilizer of solid footing, as there is no promised return on your dedication or time or that vulnerability that comes with the territory. yet, i stand next to my piano and ponder the scraps of songs, i linger over the keyboard of my macbook, wordsmithing manuscript, i lay out the next smack-dab and write the next blogpost. blooms aplenty. yes. asking for help? not so much.
“we hope you find inspiration in the brilliance of spring,” on a page listing 80,500 bulbs planted-last-fall.
you’re an artist. and you hope there is inspiration – even an incandescent filmy thread – in your work.
“the woods are a recovery story of resilience and bouncing back…” writes the managing ecologist, woodlands.
the albums, blogs, manuscripts, paintings, cartoon strips – all recovery stories of resilience and bouncing back. we – artists – are on tiny trampolines in the world, trying.
“consider making a gift so that we can protect and celebrate the natural world for many seasons to come,” rounds out the garden’s “thank you for helping us thrive” message.
share. pass on. join. follow. gift. donate. purchase. download. consider coffee. consider being a patron to an artist – of any medium – who helps you move from one day to another, one season to another.
“discover the world of spring ephemerals. the garden’s mcdonald woods…ephemeral wildflowers make their brief appearance.”
we – artists – are ephemeral wildflowers, making a brief appearance in this universe, ready for anyone who wishes to catch a glimpse, to share in the synergy of our art.
“in years with little to no spring rain, ephemerals produce fewer flowers and less seed, which can impact their ability to bounce back in future years….if plants are healthy enough and if they have the right natural disturbances such as fire, they are resistant to annual variability in the weather and can adapt to longer-term climate change.”
“i want to know if you will stand in the fire with me and not shrink back.”(oriah mountain dreamer)
we – ephemeral artists on our tiny trampolines – need the rain. we need the fire. we need you to stand in the fire with us. we need your help.
this is david’s year. the year that his grass (aka our grass) might – just might – even a tad – a smidge – a skosh – a teeny-weeny-yellow-polka-dot-bikini-bit – look like dan’s.
dan is The GrassKing. his lawn is manicured and beautiful. it feels lovely beneath your feet and, crosshatch-cut, looks lovely as well. tidy and healthy and green – all the things all those brochures tout – the ones that arrive in our mailbox, tucked into our front door, rubberbanded onto the doorknob of the screen, stuffed under the welcome mat. there are many-many-many companies out there that believe we need their help.
we don’t need their help.
we just need dan.
and so, we wait for instructions. he swings by to examine our poor front yard, post-demolition by the company that eradicated the lead water pipes and everything else in its excavation. he texts, “looks pretty good.” we breathe a sigh. luckily, he also texts, “call me.” he is our grass-hero and we love him for it.
you might think that you know all the special devices and products for lawncare. all kinds of spreaders and seeders and sprinklers and milorganite mixes and shade/sun helpers and weed and feed and lawnmowers and edgers. goodness!
the one thing you might not be aware of? the meat thermometer.
the soil must be exactly right for overseeding. and the only way to know is to set those grilling steaks aside.
at the front corner of my growing-up yard on long island was a forsythia bush. and many years, at the march of my birthday, i remember having my picture taken there. home. spring. there are few things that make me think of Home like forsythia does.
except for maybe the voice of my beloved daughter on the phone. she is forsythia for me. for just moments or for an extended conversation or – if i am fortunate – in person together, the sound of her voice, her zeal, is Home.
and except for watching the way my beloved son immerses himself in his music. his hands – now all-grown-up man-hands – moving dials and sliders, his voice and body dancing, his explanations – it’s forsythia for me. Home.
and except for the look across the room from david – the moment he touches his hand to his chest while in his gaze – forsythia. Home.
and dogga – at the door with his angel-babycat greeting me – thrilled, once again, to see us. forsythia. Home.
and the love and care and concern that are abundant in our lives – our family, our friends. forsythia. Home.
and the work we have chosen to do – create – music, paintings, many-many words, cartoons. forsythia. Home.
breck is leafing out now. tender chartreuse mini-leaves populate its small branches. we are not quite at put-away-the-winter-coat but we are definitely at hope-springs-eternal. leaves! surprise! spring. already! but it’s just an aspen. and it’s just budding.
no, there is no “just”.
i suppose surprise is exactly that – surprise. it is that which we are pleasantly startled by – like fragile leaves – or that which we are astonished by – or astounded by – or by which we are stunned into silence. the things we would not expect of nature, of others, of ourselves, of a community, of life itself – these things surprise us. and in the winter of surprise, the winter of fallout – no matter how long the season lasts for us – we find ourselves underground, sending out roots, trying to stabilize, to process, to center ourselves, to recuperate.
there are those who peripherally try to help. they try to encourage moving on, letting go. their words are often statements that start with “it’s just…”. it is hard to listen to another person when their first words minimize that which you are going through. i remind myself not to use this word – “just”. it’s like the word “fine” for me. neither here nor there, “fine” sits somewhere in the middle of the emotional spectrum, not committing to either side. “just” sits in alphabetical order to the right of “fine”and the left of “let go” and “move on”.
we brought breck home from the high mountains, a sapling, a tiny piece of that which we dearly love. the aspens quake up there – the slightest of breezes brings their song. it was 2017 and, in the way of not-knowing, we didn’t know what the future would hold for us or for breck or for the world. time has now gone by – six years of time – and we look back, both in awe and shuddering. it has not been “just” six years.
it’s been Six Years. and there is not likely one of us who – without pause – can say it “just” went by.
“accept. adjust. arise,” she said.
breck has withstood it all, accepting its new home, the new everyday details of its life. transplanting, drought, heavy rain, sleet, snow, freezing temperatures, heat indexes over 100. it has adjusted and adjusted. so have we.
now, breck’s buds have turned to chartreuse. not “just” green. instead, a brilliant shade of living. it’s rising-rising-rising.
the may apples stood on risers in the forest, singing to spring, singing to any audience who might be there, singing their glorious song. just like a choir. unified. united. elated to be in harmony. creating four-part jubilation to be alive. making music.
the singtolive choir stood on risers in the sanctuary of the beautiful church, directly in front of the organ pipes. their joy was palpable and, if i closed my eyes as they sang their program of the great american songbook, i could imagine the record albums of my parents playing and the choirs of 33rpm singing into our living room. they were cohesive and gently exploring the expanse of the songs chosen for the evening. and then, at the end of the concert – this concert dedicated to breast cancer survivorship – the singers left the risers and came out to stand among us, the audience.
to say that their last song was touching would be an understatement. a trademark of this marvelous group, why we sing was exquisitely performed. we all had eye contact with singers surrounding us. you could feel hearts swelling and tears forming. they delivered this emotional piece like no other preceding it in the program. i whispered to david, “this is the stuff.”
there is a lot of choir music ‘out there’. for the decades of my career as a minister of music, i was shipped an enormous number of catalogs, of listings, of cds with samples of songs. and then, there were charts to study, trends in music. and then, arrangements and reviewing lyrics and the range of my singers – in note as well as in degree of difficulty. i reviewed all this music always seeking that which would resonate, that which would help a person’s heart and mind connect with their faith, with the questions they had in this world, with good intentions and their community. it’s not a small responsibility to choose that which a choir – any choir, any worship band, any ukulele band, any choral ensemble – will sing in public – no matter the venue.
heidi and i stood in front of thousands of people through the time we worked together, performing “celebrate sweet life” – our breast cancer survivorship programs. with audiences of 35,000 in new york’s central park to hundreds in a medical center to a few thousand in the chicago sun with lance armstrong’s tour of hope to a more intimate group in pjs at md anderson to sharing a long island stage with hillary clinton to oncology pharmaceutical sales conference in puerto rico, it was our privilege to share messages – of hope, of healing, of making a difference for each other, of being alive – with audiences all over the country.
there is a video from one of our performances that touches me each time i see it. it is a bit blurry, not captured with the best of equipment. yet, at the end, as the audience has risen to their feet, there is a man in the foreground. as heidi speaks her last words and i sing the last lyrics of one of my songs, this man wipes at his eyes, stirred. and each time – no matter how many times i have viewed this – i am profoundly moved.
the may apples – gleeful in their rising out of the eradicated forest, now clear of invasives and plants with ill intent – stand proudly. they are furled at first and one might think they are quiet, meek, hiding. but as the sun warms them they arise. they will give their performance their all, joining together as one umbrella of green. the trillium will watch in the forest as audience members. and then, pure white flowers will form under the may apple parasols. and the trillium will turn to each other and whisper.
in the moments of performances under my choir baton or concert stages under my feet, there has been nothing quite like thinking that someone out there is whispering to the person next to them, “this is the stuff.”
reverse threading 