it all looked pristine for a while, after it snowed. a fresh blanket of white covering our yard and its blemishes. for the time before the wind started blowing and the snow started shifting, you couldn’t tell that the front yard was all torn up, that there is a large grassless mound – like a dune on the long island coastline – that stretches from our house all the way to the street.
the backyard also. pristine. a white canvas, dotted with tall old evergreen trees, ornamental grasses gone to brown, feathery plumes waving, the pond frozen and still.
there are folks whose yards will continue to look that way – pristine. the snow will remain untouched, smooth, perfectly showcasing shadows as the sun peers through tree limbs and plants in fallow.
the moment we open the back door and dogdog runs out, the illusion of perfection ceases. pawprints obscure the shadow art as he tears into the blanket of snow, nose down, gleefully devouring it as he goes. he is a winter dog. there is no doubt about it. he comes in reluctantly – laden with snow – after laying on the deck on top of snow, surrounded by snow, under new snowfall. it is his time.
sometimes i wonder if we can just save the front yard, just not walk in it, just not let it be disturbed. we can look out the window and gaze at that which makes everything profoundly beautiful.
but then there are squirrels dancing about in the snow and the tiny footprints of birds. there are prints of a stray cat and maybe a raccoon or two. the grasses dip under the weight and the gusts, brushing aside snow like small brooms. there are bootprints of the guys who installed our temporary sidewalk and shoeprints of our postal, ups, fedex, amazon delivery people bringing us mail, cards from people we care about, packages of things we need. the wind has blown off the straw-covered mound, exposing the filled-in trench of a new water service line, a tiny winter miracle in itself.
and i realize that as stunning as pristine is, it is perhaps illusory and most definitely ephemeral.
instead, we celebrate the messy, the prints in the snow, the elated dog, the windblown fresh snowfall, creatures seeking food and shelter, the interrupted shadows.
we have a ridiculously high level of dedication to this. despite the fact that no one is requiring it, no one is requesting it, no one is paying for it. every weekday, for one week shy of four years, we have written a post. i guess it’s part of the autograph we leave on the world, whether or not anyone reads it.
they poured the last bit of temporary sidewalk this week. it’s there till spring when it will be replaced by something permanent. i stood at the front door and chatted with the guys, who told me we should sign our names in it…after all, it is temporary cement. i did have this fleeting thought that, even if it were permanent cement, it is still temporary, but i didn’t think they wanted to have an existential conversation so i said nothing.
i went upstairs to get d from work. “we have to sign our names in the sidewalk. the guys told me to,” i pulled him away from his desk. he grabbed a yellow craftsman screwdriver from the kitchen drawer – where we keep one to tighten the door handle and that thingy on the door jamb that the lock slides into…what is that thingy called…oh yeah, strike plate….that.
it wasn’t too cold out – which is why they poured – so we went outside, stared at the open, undisturbed, perfectly raked canvas of wet cement and … drew a blank. the possibilities were endless. a peace sign? a heart? flowers? a mountain sunrise? paralyzed with uncertainty and too many choices, we decided on our names, which presented its own set of problems.
for we never really call each other our names. of course we will reFER to each other as kerri and david to others, but saying the name david TO david feels funny coming out of my mouth. and hearing david say kerri to me is just weird.
because a long time ago now we found out that we had the same middle name. in the very early stages of our relationship – when all we did was write emails and then texts – before we had met in person and before we had much voice-to-voice conversation, we discovered that, in the oddest of odds, our middle names are – for all intents and purposes – the same.
erle.
and
earl.
mine is the feminine version (that’s what my sweet momma would try to have you believe. having been named after my dad erling, she tried to convince me that e-r-l-e was soft and girlie. mm-hmm.) david’s was “the sound that bears make” – according to him; he was named after his grandpa.
regardless of the obvious chatter this will create as you try to discern if it is indeed soft and girlie or more of a gutteral utterance of a grizzly bear, it was decidedly a unique moment to find out we had somewhat rare names as our middle name.
and so, i started to call him david earl. (and similarly kerri erle.) soon, the formality dropped to d.earl – which is pronounced d-dot-earl. and this was shortened to d.dot – which is pronounced d-dot and does not include the obvious redundancy (d-dot-dot), because, heaven knows, we would not want to be redundant.
most of the time now, i just call him “d”.
so…standing there…in front of cement just pining to be written in…we had a decision to make. what.to.write.
and there you have it. the absolutely unnecessary story that you can’t believe you just read to the end. k.dot and d.dot in the cement sidewalk. temporarily.
the next morning – the morning after the installation – i stepped out to look at our handiwork. the sidewalk had cracked in the bitter overnight cold.
but they’ll be back, like they said. in the warmer spring or early summer days. and they’ll pour the next.
there’s a good chance we will write in that permanent sidewalk as well. our autographs.
maybe it was the glass of wine in my hand, but i doubt it.
we sat at the table in our sunroom, happy lights on, gazing into the inky blackness of the backyard. it was still rather early in the evening but, these days, dark happens early. it suddenly caught my eye and it made me laugh. the backwards “let the adventure begin” seemed just about right, right about now.
we bought ourselves this little wooden sign a few years ago now, for the littlehouse on washington island. it graced the table that looked out on the lake and was the opening line of our time with TPAC, a magical performing arts center on that tiny island. a treasured adventure. and then covid. we packed our sign into a bin and brought it back home.
it sat in the bin in the basement, quiet, for months or so, i guess. then we redid the sunroom…more plants, our table, a new rug, an old door on horses, happy lights, an old suitcase. a few more adventures later – and i went downstairs, seeking the sign.
it sits on the old door in front of the old suitcase that holds the old cd player and lost-man, who is a stuffed mountain goat that reminds us of an amazing hike our intrepid girl took us on – to lost man lake on independence pass, with exquisite high elevation views and tufts of mountain-goat-fur snagged on the branches of bushes along the trail.
“let the adventure begin” makes me smile every time i see it. for it has already begun. we are in the middle of it. covid and wrists and job loss and angst and incredible-joy-times and glasses of wine and dogdog moments and new work and questions and hikes and dancing and music and plans and tiny trips and big trips and grief and laughter and babies and water and cartoons and writing. the middle of it. no re-sets necessary. like the tide, it ebbs and flows, but it’s ever-present, this adventure. like john lennon said, “life is what happens to you when you’re busy making other plans.” while you are waiting. it’s right there.
when i was in junior high or maybe early high school i had to do a project for science class. i had this clock that, for some reason, ran backwards. a big round face, the second hand ran backwards, which pushed the minute hand backwards, which pushed the hour hand backwards. with a master bulova watchmaker as my dad, we collaborated on this mysterious phenomenon: time running backwards. we researched and experimented, asked lots of questions, tried to get the clock to go forwards. it never did. instead, we devised a new face for the clock. and we learned how to read the time as it ran backwards. it made us think and laugh and think more and, also, gave us an interesting perspective on time. it’s happening. whether it’s forwards or backwards, it’s marching on. we simply need to adjust and adapt. at dawn, in midday, at dusk, in the darkness.
it was particularly funny to me when this sign – “let the adventure begin” – was backwards in the window reflection. well, maybe not really funny. maybe just really, really wise.
it feels like it might have been an even-greater little sign painted that way.
even on a foggy, overcast day, looking down from the ridge the glow was unmistakable. the everciduous beech trees stubbornly held their leaves, dying the brown woods a shade of cantaloupe or hard-to-identify pantone.
the forest floor below our feet was shuffling-full of leaves, oaks and maples and a variety of brown county timber. vines curled their way around trees in attempts to find the canopy. on this winter day, were it not for the marcescent beech, we could see further than any other season in the woods.
marcescence, i’ve learned – for this is not a word that sprang to the forefront of my mind – is the retention of leaves through winter. it isn’t until the leaves are completely brittle and wind takes them that they drop. and in the meanwhile, new growth – new leaf buds – have been protected and had access to nutrients and moisture, a sort of still-on-the-tree mulch.
it occurs to me that marcescence is like changing jobs. one generally holds onto a job until retaining the next, the security of employ feeding confidence and necessities while new awaits. it’s always a little disconcerting to leave before next is there, a leap of faith, sometimes, a premature leap, with regret.
yet sometimes, it is absolute. we drop our leaves. we stand naked in the forest, tall and exposed, willowy trees waiting for spring. sometimes we shed all that protects us and take risks and go fallow in liminal and shiver in cold winds. we gaze around and see everciduous folks nearby, confident, predictable, stalwart. we dig in, deep roots of belief in ourselves despite weather that tests us. we draw from the ground, are fed by what we know, what we have learned, what we have created. we hold onto tiny bits of light. we protect the glow. we push on.
and new buds show up. spring always follows winter.
while she explained to me the presence of the cross on the back of the donkey, he explained to david how he installed the sun-seeking solar panel in the barnyard. both exist here. the old world donkey and the twenty-first century solar panel. together.
he told us that they were about our age when they started to make plans for next steps. they sorted and listed and researched and made decisions for their next phase, moving to acreage further south – in a bit more temperate clime – closer to some family, out in the woods with ridges and ravines, living their dreams for the next of life. “you should start thinking about that now,” he encouraged us. he’s right. we think about it all the time.
“the world never comes at you all at once,” john o’donohue wrote. “you are not simply here. neither are you definitively and forever ‘you’.” … “no person is a finished thing.”
things you can count on. change and change and change.
we know change is imminent. and change has already arrived. and we have exited change, taken the doorway that reads “next”. and we can see more doors and more doors. they are a little further away, like trail markers, choices to be mapped, routes to follow, narratives with gaps to fill in.
maybe a coupla donkeys, a coupla horses, dogdog, mountains, cherry tomato plants, and trees. our lives will evolve.
in our mind’s eye, we paint ourselves older – hopefully wiser, but i know there’s no guarantee of that. we paint the hue of early morning sunrises over peaks near and far. we paint old porches and adirondack chairs. less stuff and more time. old world and new world. much like now, we paint in mugs of coffee and glasses of wine bookending the day. we paint in people we love. we paint in hiking and writing and new recipes and doing the art we do. it’s unfinished, this canvas.
life is not a paint-by-number. and solar panels and donkeys co-exist in barnyards. and we are not definitively any particular colors in any particular place doing any particular thing. we are made of dreams and change.
if you are wondering which type of heater is warmer – the standing-propane or the pyramid-propane – we would have to answer specific to one experience where we were surrounded by both. though i don’t believe the standing-propane was functioning 100%, the pyramid-propane on our end of the table seemed much warmer. nevertheless, we would likely purchase the more highly-rated standing propane. i guess. visually, this pyramid is kind of like watching a fireplace, so there is that to consider as well.
the windchill dropped to about 17 degrees in the courtyard, yet, there we sat, with big blankets and glasses of wine, between the two heaters. we weren’t the only al fresco table in the outdoor space of this restaurant just north of chicago. another table of patrons was also doing the safe-thing and had gathered outside to dine together post-holiday.
we were there with our son and that in itself kept me warm. it was time to celebrate and we had bags of gifts for him to open. i cannot tell you – though i suspect i needn’t try as this is a universal feeling – what it felt like to hug him when he walked through the back door to join us. it had been kind of a long while and i was kind of giddy. wine and soup and good food, even dessert, and hours later we parted. glenn – the maître d’ – held his hand over his heart on our way out; i did the same. these times. “strange times call for strange measures,” i texted a friend. we three laughed together at the-table-in-the-snow-shoveled-courtyard about how indeed strange. and i was inordinately grateful.
these strange times continue and continue, it seems. here we are – rapidly approaching two years of this pandemic affecting our behaviors, our actions, our plans, our health, our travel, our work, our safety and security, our relationships, our out-and-aboutness-in-the-world. we have been vaccinated and vaccinated and boosted. we have worn masks – better and better and better ones – everywhere, even when barely anyone else has. we have distanced and isolated and avoided crowds. we have gone through a lot of hand sanitizer.
and yet.
as the new variant explodes around the world, we watch various stories play out. the tennis player – a gigantic role model – who refuses to get vaccinated, expects to play in the international arena, receives an exemption from a locale but not from the country of australia – has a hissy fit. i suppose i wonder why he, a breather-of-breath-in-and-out-the-same-way-you-or-i-breathe, feels he is above doing what-is-best-for-the-world. for that matter, i wonder why anyone feels that way. truly. a moot point at this juncture. it is two years – years – now.
in the meanwhile, we do the best we can. we are missing a lot. we know that. there is a precious great-nephew i have not yet met. there are indoor/in-the-car/in-restaurants/at-our-home/at-their-homes/up-close-and-personal moments we are not sharing with others we love, with others who make our personal world what it is. most of our spare time has been outside or alone. we wonder how and when this will change.
i write “better” on our flying wish paper, crumple it up, uncrumple the crumpled, shape it into a cylinder and light it. the wish for “better” flies off to come true, tiny bits of ash floating.
though the alpaca is considered to be a docile creature, it can get spitting mad. i suspect that if one were to flip “look, i get it” over to an alpaca, it could get a rise out of the lanky, fuzzy one. intelligent and observant, alpacas are known for their quiet. their nonverbal behaviors and the sounds they make belie what could be thought of as non-emotive. on the contrary, they communicate their concern and stress, affection and indignation. linda’s alpaca are a tiny herd among themselves and are magical to watch. i did not toss “look, i get it” over to any of them, knowing it would insult their intelligence and likely make them a bit snarly, as really anyone to whom that is tossed – in any way other than joshing around – should likely feel.
“look, i get it” is just like the expression “i’m sorry you feel that way”. neither is true empathy. both are dismissive. the quickest way to damage a relationship is to wing “look, i get it” over just as someone is telling you something deeply important. or, in a leadership position – let’s just saaaaaay – to flippantly respond “i’m sorry you feel that way” to an employee who has clearly been wronged by some circumstance(s) or policy-thwart. in their succinctly powerful way, inc. magazine has come through again in an article written by jason aten. he states when you say “i’m sorry you feel that way” (or “we apologize for any insensitivity” or any other variation on the theme) you are “trying to absolve yourself of any kind of responsibility or fault for whatever went wrong.” he adds that the (respectful, compassionate, mission-driven) company instead say, “i am really sorry that we didn’t live up to our promise. i know that is so frustrating. here’s what i’m going to do to try and make it right.” mmhmm. my personal experience would suggest that doesn’t always happen.
and “look, i get it”??? bill murphy, jr. in another inc. magazine column calls it a sign of “low emotional intelligence”. i would have to concur. just because they are words – individually and as a sentence: look, i, get and it – doesn’t mean they should come out of one’s mouth at a moment of import. there are a hundred ways to say everything we are trying to say. and sometimes – and we are all guilty of this, including me – we need to take a moment or two before the sentence hits the talk bubble outside our lips.
perhaps this is why alpaca are considered so intelligent. they are quiet, discerning critters who are affectionate and gentle but don’t spew emotionally-disconnected blather.
i was going to write about the gig economy. about how living a life – mostly – in that world has given me a perspective about work that is maybe a little less rigid than the perspective of one who has worked outside the gig economy. always piecing it together, always scrappy, always thinking of the next new thing to create – these are second nature. not having as much, worrying, repurposing, having thinner margins – these are also second nature. in the middle of the middle of what-next thinking, outside the box of indeed and monster and ziprecruiter and simplyhired and random sites that seriously suggest i apply for positions as a neuroscience researcher. “now what?” people will ask – mostly who don’t really know me or who are drawing comparisons with their own lives. i was going to write about all that.
but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see what which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.
there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.
in much the same way i draw sunrises over mountains, the boardwalk turned ninety degrees on a dime, with meticulously pieced craftwork, through the swampy area and across, back to the dirt trail.
we pondered how long it took volunteers to build this boardwalk…likely out in hot summer sun, working to span the distance between solid earth trails and protect the vegetation and water below. when you are out hiking in the middle of nowhere and come upon a boardwalk or a little bridge or, remotely, a bench, it is a reminder that you are not stepping there first and you are not stepping there alone.
time and again we watch backpackers like joey coconato or the wanderwomen forge streams and rivers. we marvel as they step carefully across, deliberately placing their feet with caution. occasionally, there is an unexpected suspension bridge or a big placed-log that helps. trail magic is not just water bottles and snickers bars. it’s the work that someone has done before you. someone who really cares. in this case, early-on-in-the-hike of pink-bed-trail, those someones built this boardwalk. in service.
extreme wind had blown down many trees on our trail along the des plaines. some of them stretched across our pathway and we climbed our way over them. we know the next time out they will be moved, for this trail is well taken care of. the work of those tending it is to make hiking possible for the rest of us. in service.
the winter show will be pulled down on january 9. artists of various medium brought their work to be juried into the gallery space on the lake. they chose pieces they felt were relatable, pieces that would hang well, would absorb and reflect light as it streamed through big windows. a lot of people went to the opening, including us, with masks. and then the crowds left and the art center had regular hours through the holiday, inviting patrons in to view art and trees lit with the season. we’ll pick up the painting next week, unless there is an offer on it. the curator will breathe and design the next show. and people will have been moved by acrylic and clay, watercolor and fibre. sun will light the wood floors and curl around dark corners and artists will create at home for the next time, the next chance to elicit the silent conversation between viewer and artwork. in service.
we watched carole king and james taylor in concert sunday night. it was two hours of bliss. easily two of the most talented songwriters of all time, their camaraderie is exquisite and the music carried us both back. at one point in the airing, there was a moment that carole shared thoughts about performing. she spoke about bringing music to others as her job, and she continued that it wasn’t for herself that she writes, plays, performs. songwriters, composers, performing artists. connecting to hearts of people, challenging them, reassuring them, moving them. in service.
a bridge spanning a raging whitewater river in the middle of nowhere…is it appreciated? a boardwalk built on a trail in the middle of somewhere…does it make a difference? a cleared path…is there gratitude? a painting that hangs with no viewers…is it seen? a piece of music with no audience…does it reveal its magic?
each of us can rack up the could-haves, like in a pool triangle, all stuffed in next to each other and ready to break with a cue. fragile, though. we can look back and think “why didn’t i…?” time and again. we can regret.
i suppose the gift of a new year – and those dang resolutions – is to sort and reevaluate the things that you consider important, the things worth continuing, the things worth letting go, the things worth learning. new practices of things-to-do and new practices of things-not-to-do. the lists permeate our brains and hearts, nagging, nagging.
there is a meme, well, many memes, circulating about betty white. it states something like “you have lived a really good life if, at 99, people say you have died too soon.” i realize that betty was inordinately popular, successful, always at the top of her game. but she was a real person, too. and she had to decide how to live. her positivity and laughter gifted each of us who have watched her or listened to her. in a recent interview she recommended, “taste every moment”. mmm. not at all corny, just a simplicity, a reminder.
we carry this pop-up-dinner table and stools around with us, switching from big red to littlebabyscion and back, depending on which vehicle we are driving. when big red refused to start for our road trip over christmas, we transferred the pop-up stuff into littlebabyscion and packed up to go.
we know we could have eaten at the sweet dining room table in our airbnb in the little mountain town. we ate there several times. but that last evening…we needed just a bit more time on the front porch, a bit more time outside, a bit more time admiring buffalo-plaid-man’s holiday decorations across the street, a bit more time in that town. we set up the pop-up table and stools, put up the luminaria again, lit a candle, brought out hors d’oeuvres for happy hour and, later, dinner. a little more effort, but not really much. everything tasted better out there. each moment.
before we even left home and while we were hiking in those north carolina mountains i thought about the new year approaching. i thought long about grasping onto the opportunity to just go, roadtrip to a new place, changing pattern. i thought about chances to amend, to let go, to reach out, to break the racked-up could-haves. big ways and little ways. i tasted a few resolution-ish moments, trying on for size – acting on – some of those thoughts-i-had.
and even in my first meager efforts – nothing earthshattering, nothing that will likely change the whole wide world – i must say, betty’s right.
reverse threading 