reverse threading

the path back is the path forward


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perennials. [kerri’s blog on k.s. friday]

it’s the last two. the very last two jalapeño peppers. today or tomorrow we’ll make ann’s jalapeño poppers recipe and celebrate the crazy-abundant harvest of these two relatively small plants. their season is clearly over; there are no tiny flowers left, there are no miniature peppers. these plants are done producing. but, in a new discovery, i have found that we can overwinter these perennials (more easily sustained in warm climes) – if we bring them indoors before the first frost we can give them a headstart for next year.

last year we only had one plant. its harvest is what convinced us to have two this year. maybe next year it’ll be three. in these last years, we have discovered the equation of this garden – what we get out of this garden is a direct result of what we put into it. it – and the experience of it – remain part of us, for we have paid attention to it.

like artistry – if you follow the imperative – being true to who you are – and who you’ve been and who you are becoming – and not beholden to societal expectations or fiscal returns – its produce potential is crazy-abundant. amorphous, ethereal, it will shape and re-shape, build and break down, condense and stretch – you are feeding it always. in the quiet and in the noisy, in season and out-of-season, overwintering. it’s all fluid, continuous.

i wonder when i will compose again. sometimes i can feel it building – the tension of the imperative. on those days i walk into my studio and touch my piano. it’s just a gesture, an acknowledgement. but it counts. it connects me back and forward, both. it is perennial.

and i can see – they are one and the same – these jalapeños and my music.

“not even the tiniest perennial grows only to die. it comes back again and again when the season and the time is right.” (kate mcgahan)

*****

BRIDGE © 2004 kerri sherwood

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untethered. [kerri’s blog on not-so-flawed wednesday]

we prep and we wait. two of our friends wait as well – all of us ready to text as soon as we see one. it’s a vigil for the tiny hummingbird.

this year we were the first. the hummingbird surprised us as we adirondack-chair-sat outside. it was morning and the sun was brilliant. we were quiet as the day began to warm up. and then, suddenly, it was there.

there is something infinitely touching about that first tiny hummer. something that gives you pause.

we love our birds – all of them. we consider our birdbath one of our finest outdoor purchases. watching a black-capped chickadee or a house sparrow perch on its side and dip its head to drink, or a robin fully immersed, splashing around…it is joyous to know you have contributed in a tiny way to their precarious lives. it’s much the same with our feeders – it’s all just a reminder that we are in this same big world together.

and then the hummingbird shows up. and, after once, it remembers, just like the news spreads through other birds about the clean water birdbath or the feeders in the backyard.

and then, though invisible, there is a connection.

it was always there.

we transcend that which binds us to the pragmatic, the stuff of our lives. and we sit – watchfully – as we wait for the hummingbird’s return to the feeder. or the chickadee’s entry and exit into the birdhouse. or the cardinals – walter and irma – at the flat-based house feeder. or the sparrows dustbathing where dogga had dug. we just wait.

these are the moments. and the ones before slip away as the ones to come linger in the air. we just sit – untethered to either – our wings resting.

*****

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golden light rising. [kerri’s blog on two artists tuesday]

the glow of the setting sun teased through the grasses out front. autumn is rising.

my old hiking boots are waiting by the back door. soon – and very soon – it will be time to change out of our hiking sandals and back to these boots, worn from many, many miles of trails. we need to replace them. the podiatrist informed us we should purchase new ones every six months or so if we are wearing our boots regularly. since we are artists, this is not quite possible. and so, these circa 2016 boots have graced our feet for the last eight years of hikes. every bit of worn leather, every creak, has a story to tell. someday it will be a tad bit hard to retire them. they have served us well.

today is the first day of school here. i am completely out of sync with these touchstones of time. the trip to target – with school supplies galore – helped place me in time. but with grown children and no direct connection to the school system, we had to look up the district calendar.

a certain wistfulness comes on the breeze with the return of the fall sun. it happens every year. it’s hard to identify, but it is palpable.

i wonder if it is a kind of homesickness – for growing-up times back on long island and for my own days with a backpack – stuffed with textbooks, spirals and new pencils – slung over my shoulder.

i wonder if it is a kind of nostalgia – a yearning – for the times when my children were little, when they picked out new backpacks and pencil cases, gathered their wide-ruled notebooks and glue sticks, colored highlighters and crayons, those days when packing lunches and snacks and waiting for the bus were the defining times of the day.

i wonder if it is the bank of memories i carry – taking my children to college, unpacking into dorm rooms, apartments, toting stuff back and forth, my heart holding dearly to the threads of their childhood while, at the same time, supporting their gossamer winging wings, watching their contrails.

i wonder if it is a kind of longing – a pining for things undone to be done, for things not accomplished to be accomplished, for summer dreams to extend beyond the setting summer sun.

autumn rises and i feel invigorated. these are new times. there is new possibility. i have no idea what is coming but this rising autumnal sun is full of golden light.

golden. light. and my old boots are waiting by the back door.

“the sun shines not on us, but in us.” (john muir)

*****

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the pilot light. [kerri’s blog on two artists tuesday]

there was a tornado watch. because i am pretty storm-averse, i was vigilant about checking whether it would become a tornado warning. i have things prepped for such moments and have put them into practice each time a warning has come our way.

some storms, though, are not forecasted with such specificity. these – the ones we can’t prep for – are the stuff of bootstraps. these are the ones that test our levels of fear, our anxieties, our outrage, our limits of patience. we try not to imagine the worst as it all starts to shake out. we struggle. sometimes we simply flail and tread water, wondering when it all might stop. we are surprised by the people around us – in both good and not-so-good ways.

we’ve all been through these storms. to be human is to encounter them. health, relationships, work – the storms come and test us, buffeting our attachment to things-staying-the-same, our cling to the season.

and after a bit of time – and some mussing of our lives – we emerge.

and the pilot light* is still there. it’s still lit. the job of pilot lights, it hasn’t dimmed nor gone out. it’s just simply waiting. a tiny flame. waiting. and burning. and waiting.

and then, eventually, after a great deal of time or a very little time, the new season begins.

“…for some things there are no wrong seasons. which is what i dream of for me.” (mary oliver – hurricane)

*****

*crediting mark with this superb expression – “the pilot light”

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in the same way. [kerri’s blog on two artists tuesday]

in the same way this peony bud waits – tightly budded – absorbing the sunshine and the rain, glomming onto every gift nature offers her – i write this ahead, in great anticipation of being in the mountains.

i am a peony bud – wrapped up and waiting to unwind. ready to stand in the sun, soak it in, my breathing a little off as i adjust to altitude, weeping at the first sight of the range in front of us.

and in the same way this peony will soon glimmer in blossoming, i can feel it in anticipation. i can feel standing on a crest or tucked into the aspen forest along the trail or sitting in the brook on a rock. i can feel the petals relax, unwind. i can feel the air brush past me. i can feel my heart beating.

“i am here now,” i will remind myself, “stay here in each moment. don’t go anywhere else but here right now.”

and all that will come – all that will happen – whether ants or good weather or bad – i am nevertheless a bud that will open, unfurling petal by petal. nature and time will have its way. no matter. unconditionally. like goodness and love.

and i will stand today in the mountains – grateful – for peony lessons, for patience and fortitude, for all things unconditional.

*****

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the hallway. [kerri’s blog on k.s. friday]

and in her waking-up, in the tease of spring, in the liminal space between seasons, mother earth offers up her flowers. it’s a tiny posy of possibility, an olive branch extended to stave off impatience as we pine for warmer days, for everything to green up. and, in this waiting zone, these dried flowers spur our imagination, carry us forward.

it’s the interim times – the periods in-between – the time spent in the hallway before the next door opens – these are the reluctant times. we are reluctant to sit in the hall. we are reluctant to wait and see. we are reluctant to accept a zone of time sans shape. we think it all – the minutes and seconds, hours and years – needs definition. we are reluctant to be still. we don’t understand what feels like a screeching halt. we yearn to move, yet we are frozen in fallow.

but we are morphing. we are beautiful winter nosegays tucked into mason jars. we are march and april. we are stoking up. we are no less beautiful than verdant june and july. we are just different.

and for this time – we are somewhat rustic, somewhat fragile. we are color-muted now to be opulent later. we are the quiet before the fortissimo, meek before rackety. we are simply waiting.

we read the same paragraph over and over again, listen to the same strains of music time and again, sit and pace and sit and pace. we are the dried wildflowers, the straining buds, the transitional space, the interlude. we are the hallway.

and then.

*****

UNTITLED INTERLUDE from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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watched pots. [kerri’s blog on not-so-flawed wednesday]

the signs are everywhere now.

birds are singing at the crack of dawn outside our open-at-least-a-slit window. the bunny is out and about in the backyard and there is a new softly-padded divot under the ornamental grasses where she made her nest last year. bulbs are sprouting and the postal delivery folks are starting to wear shorts. it will soon be spring in wisconsin.

it is tempting to go outside and trim back the grasses, rake all the debris from the gardens, pare down the sedum. to unplug the gutter warming cables, to put away the snow shovels right outside the back door, to drain, clean and refill the pond, to bring out the table and chairs, to consider much-needed replacement rugs for the deck. it is tempting to get ready.

but that would be premature.

and, ultimately, we know better.

so we will wait.

patience – at this time of year – with the sun shining and temperatures ranging from the twenties to the sixties – is most definitely hard to come by. we just have to stoke up and be zen in this liminal time.

but all good things do come in time. and eventually, it all plays out. even if it doesn’t really look that way. what’s that expression…? a watched pot never boils.

and waiting is hard.

but i have watched pots in my life.

and i know – for a fact – that – eventually – they do boil.

*****

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ready to burst. [kerri’s blog on d.r. thursday]

they seem ready to burst. seeds perched on the starting line, waiting for the right wind to pick them up and scatter them. they have gathered energy – all along – soaking in the winter sun, dried by cold breezes, clinging to the safety of their stalky stem. and now – it’s time soon – to release – to go forth – to spread their fluffy seeds. and, in their own way, they will be heard.

this is not unlike many initiatives. times where people work tirelessly, gather information, research and sort in the fallow times, soak in rare moments of rest, waiting for the time to burst. and then, the marketing campaign hits the market, the album is released, the gallery opens its doors, the ballet has an opening, the law is introduced for passage and enactment, the hearing starts.

so many seeds gathered in one giant fluffball, waiting. though uncertain about their future – uncertain about whether they have stoked enough energy, soaked up enough sun, gathered enough wind in their seed-wings – uncertain about success or failure – they wait. ready to burst.

“hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. you wait and watch and work: you don’t give up.” (anne lamott)

*****

read DAVID’S thoughts this D.R. THURSDAY

GREET THE DAY mixed media 48″ x 48″

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lace in the snow. [kerri’s blog on d.r. thursday]

it is in much the same way that arvo pärt appeals to me that this photograph is a win for me. it’s simple – a stem of queen anne’s lace, fallen on the side of the trail, iced in. i felt lucky to come upon such a shot.

one of these days we are going to take a trip – later than sooner, i suspect.  it will be solely for the opportunity to take photographs. we haven’t yet decided on a place, but it doesn’t matter too much – there are photographs everywhere just waiting. like this lace in the snow.

taking photographs reminds us to slow down. it’s impossible to trek fast if i have a camera in my hand. in the rare times i have left it in my bag ahead of time, planning to get a better workout, i inevitably stop and extract it – something has captured my attention, something needs to be on film.

ever since my first 35mm yashica i’ve been the one with the camera. there are big chunks of life where it looks like i wasn’t there. those are the times i was taking the pictures. very much there, just not in the frame. now i wish i had handed off the camera to someone else more – asking for a few more pictures in which i was present.

selfies have taken over today’s social media world. i must say, a selfie at 25 or 35 or even 45 looks waaay different than a selfie at almost-65. i am not a fan. unless of course it can be soft-focus, backlit, and overexposed. in that case, i’m in. otherwise, i want a photo to be taken from a bit further away than the end of my arm.

i continue to wander around with my camera…stopping often on the trail, pulling off to the side of the road in littlebabyscion or big red, grabbing photos of ideas in antique shoppes and boutiques, annoyingly taking candids and posed shots of my grown children when i am near them. i have about 35,000 photos on two iphones, but that doesn’t touch the grand total. 

some photos are obvious – all the tourists gather there, every visitor taking a picture of the iconic whatever-it-is. some photos are obvious – we want remembrances of times spent together, celebrations, festive occasions. some photos are obvious – we portrait our families, we feature our growing children, we capture our pets in everything silly or heartstrung. we photograph the beautiful, the magnificent, the moment-in-time.

and some photos…well, some are a bit more subtle. they are the shadows of the tall trees. they are the tiny birdfeet prints. they are the curl of the petal, about to fall. they are the dew on the grass, the horizon lost in fog, the patterns of an old brick wall. they are the nurselog, the feather, the breaking wave, the caterpillar. and they are lace in the snow. all just waiting to be seen.

*****

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a merry little christmas. [kerri’s blog on merely-a-thought monday]

and today – after last night’s eve – we’ll turn on music. we’ll light all the twinkling lights and maybe have breakfast in the living room by the trees. i’ll remember our walk last night – all around the ‘hood – admiring lights and decorations and christmas trees in front windows. i’ll smile thinking of us standing in my candlelit studio singing carols together – in lieu of a church service. and then, a few luminaria on the deck in temperatures unseasonably warm for a wisconsin december.

and sometime this morning we will open all the cards that have made their way to us. in the last years we have started saving them – waiting until christmas eve or christmas day to open the greetings from far and wide. it is like a visit from each family member or friend then as we sit – in no rush – and read cards and letters. we know that time is precious these days and that it takes some of that precious time to sit and write cards, to select gifts, to craft messages and mementos. we are so happy to be thought of, to have community near and far.

the shiny brites are on our big lighted branches in the living room. they, too, are like a visit – specifically from my parents. i had a blue day last week in the midst of preparations – a little shopping, a little shipping, a little planning. because in my mind this year i’ve spent a lot of time on my growing-up long island. with all that remembering, it’s brought me back to 1960s and earlier 1970s christmases – times of unfettered bliss – of being a child and then young teenager in the middle of a family creating simple christmas magic. it made me miss my sweet momma and poppo. our holiday was never anything really fancy – it was just about being together. my mom didn’t plan activities for us nor did she prepare mountains of food ahead of time, except for krumkake and spritz cookies. dinner was always a turkey and all the trimmings for christmas day. christmas eve…well…my solidly norwegian grandparents would drive their gigantic beige and brown was-it-a-buick out from brooklyn, laden with the christmas eve fish pudding and rum cake. and yes, that meal is really as eh as it sounds. fish pudding, boiled potatoes, cauliflower and a white sauce with crabmeat – it’s a monochromatic meal that would horrify any child’s taste buds in the midst of christmas eve’s glimmer. we’d all survive it though and the very-frostinged layered rum cake was the reward. we lounged around and sipped eggnog and sang christmas carols while i played the organ or piano in the living room and my brother played the guitar. and then, as it got darker we’d go outside to walk around the neighborhood in the candlelight of luminaria, still singing. hot cocoa later and off to the 11pm service to ring in christmas. simple. nothing grandiose. most of it was predictable. but it brought a sense of comfort in its familiarity, just like the shiny brites on the trees in our living room.

these last years have had a different rhythm. sans advent and christmas directing, time has burst open. for those decades of immersion in church preparations yielded little extra time – and, for most years with the chaos of those responsibilities, brats on the grill were christmas eve fare. it was only on christmas morning that it was possible to – finally – take a deep breath. it’s a different season now.

today we will go to our son’s home in chicago. we’re excited to spend christmas with him, bringing his gifts and ever-present stocking, sharing in the making of dinner. we will sooo miss our daughter, but we shipped her gifts and will facetime with her after her travels out west. the rest of our families all also live out of state, so we won’t be posting those wide-angle holiday photos with scads of people posed in front of the tree. but we hold each of them close.

and tonight, on our way home from downtown, we’ll take the backroads, as always. we’ll go slow in appreciation of the beauty of the route, the festive lights, magic lingering in the air. the waiting is over.

and we’ll nod our heads together, agreeing that simplicity has been the real gift. 

and we will have had a merry little christmas.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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