they unfurled from their tiny seahorse stage into real-live ferns in what seemed like moments. all of a sudden, there they were – a whole corner garden of ferns. so incredibly green. lush.
but – even in their zealous and prolific growth – they are fragile. their fronds fall victim to the wind or the dogga’s curiosity, and they are knocked over, with – seemingly – no chance of revival. it seems – perhaps – safer to be in the middle of the bunch of ferns in the garden, rather than on the outskirts.
and i find myself nodding my head, as any artist might nod her head. yes. indeed. safer to be in the middle than on the outskirts, than life as an outlier.
when i finally felt safe enough – when the imperative was too much to ignore any longer – for me to pursue my own artistry – to leave the middle – i knew it was a different route. it would not be the interstate to success. instead, it would be a challenge to stay upright – to keep reaching – when the perils of the outskirts were plentiful.
i knew i should have kept on the road earlier, but there were things that precluded me – that hushed me – and i largely put aside that desperate voice inside of me begging to come back out – the one i had quashed so many years – decades – prior.
but the tiny seahorse fern in me didn’t give up. it kept nagging me until it was finally ok to face the perils.
and i began to write – with the fervency of the ferns in our back garden. my piano was never silent. i kept unfurling, reaching to the sun – an artist coming out of fallow.
and there was music. and more music. the compositions, the songs, the albums populated the garden rapidly – there was much time for which to make up. stages and boom mics and product boxes were the accoutrements of my life. and i could only imagine – and still wonder – what might have happened had it all started earlier, had i fronded in earlier life.
it remains a mystery.
even now – in which the unsuspected and life have mown down some of the outer fronds – there is a core, a center of gravity that holds the fern-muse.
though fragile on the exterior, we are never really broken to the core. there is still time – there is healing, there is a new spring.
it is a period of lost horizon. right and left, groups of peoples are being marginalized. right and left, rights are being stripped. right and left, the insinuation – no, the out-and-out statement – of violence is threatened. right and left, the environment is suffering. right and left, the clouds are ever closer to the horizon. they are sinking down nearer where the sky meets the ground. the sun is not getting in. truth is cloaked in agenda. the experiment is suffocating. right and left.
and what will be left when the fog lifts?
in the backyards of this country, in the middle of hot dogs and potato salad and apple pie, red, white and blue bandanas and sparklers in the chubby hands of small children, are we being at all vigilant about clearing the fog? are we discerning? are we observing and weighing and thinking-it-through? are we casually watching fireworks that celebrate the independence we stand to lose? are we aware? are we fogged in?
it is a watershed time. right and left. all the way around.
this is not just about us. this is about all those who follow.
when you gaze at your grandson, your granddaughter, do you ponder his or her life moving forward?
do you ponder if they will understand – will respect – that this america was built on the diversity of its people?
do you ponder if they will have choices, if she will have autonomy over her body?
do you ponder if they will have access to social programs – like public schools, access to welfare, medicaid, social security, medicare – like you do?
do you ponder if they will live in a climate environment that is healthy, that is sustaining, that is replenishing, that is balanced?
do you ponder what they will learn about history in school? will it be real history or some edited abdicating version of history? from where will they draw wisdom?
do you ponder if they will hold a sense of gratitude for the veterans of this country – their great-grandparents, their grandparents, their parents, possibly themselves – for fighting for the independence of this united states of america, for fighting for the integrity of the constitution?
do you ponder if they will be able – to be free and welcome – to move about in the whole wide world, to pursue dreams, to love whomever they wish?
do you ponder if their world will be equitable for all people, all genders, all orientations, all races, all economic statuses, all worshippers, all agnostics, all atheists?
do you ponder the life of your grandson or granddaughter should he or she be gay? a woman? a person of color? poor? not christian?
do you ponder if they – as all men and women – with no exceptions – will be held accountable for misdeeds, will be held to the values and the law in this land of the free and the brave?
do you ponder if they will experience aggression – here at “home” – at the highest level?
do you ponder if they will live in a peaceful world or a darkly dangerous world, a world of main streets and neighborhood grocery stores and festivals and schools and religious institutions with concealed automatic weapons, a world ravaged with war, a world of hatred, a world built instead on nationalism and extremism?
what – exactly – is your definition of freedom? is it a manifesto – “project 2025” – built on a governing system sans checks and balances – a transitional template to tyranny? have you read these “promises” of “change”?
have you truly done a deep dive into what could happen – in this country – the one with spacious skies and amber waves of grain?
what do the fireworks symbolize?
are you circumspect at all about what will be there when the fog lifts?
and, in really defining who you are – now, in the partisan sense of the words “right” and “left” – will you turn right or turn left?
will you truly – truly – evaluate all that is at stake?
will you stop listening to the screaming voices and clear the fog and sort to what is really being said?
will you look beyond the hype and the surge of adrenaline and the shot of popularity that comes from expressing anger and riding the bandwagon?
will you read, research, ask questions, seek truth?
will you be responsible? will you be a responsible citizen?
will you step back, turn away – even momentarily – from the fervor of spectacle and actually look at that which is in plain sight, that which is up-close, clear, terrifying?
what do you want for that grandson, that granddaughter? really?
what do you want for your children? really?
what do you want for you, your family, your community, this country? really?
do you wish for amorality? tyranny? fascism?
what is our individual and collective legacy to Next?
the fog will dissipate and the horizon will become clear. that’s how fog works.
i wonder if they breathe a sigh of relief when they come upon a trail. do they huff and puff, trying to slow their heartbeat having bushwhacked their way to this place? do they glance around – tentatively – looking both ways before stepping out? are they exhausted from finding their way? is a bit of clear-path welcome in their wilderness? do they wonder how long they should stay on this which is not a game trail?
the wilderness is a big place.
as we hike – in places mostly not as wild as we would wish – it is a gift of our time-on-trail to cross paths with the spoor of other creatures. we go slow, quietly – peering into the forest – far back in the meadows – to catch a glimpse of these elegant deer, busy-gathering squirrels and playful chipmunks, birds of many calls. we count ourselves fortunate they share the space with us.
it is possible they are deep in the woods – camouflaged – peering back at us. i wonder if they ponder our hiking on the trail. i wonder if they wonder why we are not bushwhacking through underbrush, running when flight is the answer. i wonder what they wonder.
they don’t know if or what we have bushwhacked, how we have arrived at the path on which they see us. they don’t know where we have been, what we have seen, where we have come from. they don’t know what desire path we have created in the woods for ourselves, what watershed at which we stand.
it is all a mystery – back and forth – what we do, what they do. yet, we share the same options for arriving at a destination. we can take a well-beaten path, a planned laid-down trail. we can go the way that is prepared ahead. or we can bushwhack our way free.
with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.
“pussywillows, cat-tails, soft winds and roses rain pools in the woodland, water to my knees shivering, quivering, the warm breath of spring pussywillows, cat-tails, soft winds and roses”
smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.
as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:
but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.
i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.
“riding on the roadside the dust gets in your eyes”
it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.
“slanted rays and colored days, stark blue horizons”
the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.
“treasuring, remembering, the promise of spring pussywillows, cat-tails, soft winds and roses”
treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.
“shivering, quivering, the warm breath of spring”
to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.
it pains me to even write this, but there’s actually more than one. fart-noise-apps, that is. “tap and fart” and “fartworld” are two examples. i could be considered mirthless – and i don’t care if i am – for not wanting to jump on these and install them on my iphone. what kind of person wants a fart app, anyway?
“the devaluation of music and what it’s now deemed to be worth is laughable to me. my single costs 99 cents. that’s what a single cost in 1960. on my phone, i can get an app for 99 cents that makes fart noises – the same price as the thing i create and speak to the world with. some would say that the fart app is more important. it’s an awkward time. creative brains are being sorely mistreated.” (vince gill)
i am on the devaluation-pushback-wagon with vince. we’ve never met, and we are in different stratospheres from a making-bank-standpoint, but there are some basic tenets on which we clearly agree.
i have beat this drum again and again. as an independent musician, composer and recording artist, it is likely i will continue to beat it and beat it and beat it, and each thump of the djembe will float into the atmosphere, unresolved. because times have changed. and apple music and spotify and pandora and tidal and amazon music have it down to a science. point-zero-zero-zero-something of a penny for a stream. i wrote about it seven years ago and it hasn’t changed. 99 cents seems like a gold mine!
yet, doesn’t the thought of feeling like it is striking gold – at 99 cents – take your breath away?
and how would YOUR life be without music?
the imperative for an artist to create – a composer to compose, a musician to play, a painter to paint, a writer to write, a dancer to dance, a potter to throw – is undeniable. it is how we speak to the world. it is a creation, an invention of the heart and soul.
vince gill has had multiple number one hits. he is extraordinarily successful. yet, he is apparently just as disgruntled with the industry’s standard of payment to artists as little-ole-me. though i doubt it’s quite the same for him, it raises questions for me of the great whether-or-not.
whether-or-not to ever record new material, an expensive venture always.
whether-or-not i can ever squeeze more royalties out of my fifteen albums in the world streaming freely in rivers of computers and iphones and tablets and androids.
whether-or-not to pursue stage-performing ever again.
whether-or-not to keep writing.
whether-or-not there is relevancy.
or, since the world seems to value other noises above music – and i am incredulous and saddened about this – whether-or-not to point my imperative to creating some obnoxious noise app.
a fine line. the place between pre-joy and joy. for mike libecki there is no space on the continuum between the two. it is merely one or the other. pre-joy or joy.
mike is a mountain climber. because i am an obsessive mountain-climbing-video-documentary-movie-watcher, we watched him and cory richards in their national geographic antarctic mountain climb to summits not reached before. it was brutal. the wind. the weather. the elements of the climb. agonizingly difficult.
but mike was adamant, stating above the furious wind again and again, “it’s either joy or pre-joy.” any moment of torturous climbing or bearing the effects of the weather was a moment of ‘pre-joy’. all other moments were ‘joy’. it’s an amazing way to look at things. an amazing way to look at life. everything leads to joy. you are always in joy or on your way there.
in what we would describe as a watershed time, this short quote is a lesson in staying grounded. in sentiment i have heard before, but never as succinctly shorthand, a reminder to look always to the light, the horizon, not backwards, not at the dark, not measuring in the negative. re-group, re-center, re-evaluate, re-perspective-arrange and move through pre-joy to joy. a cup always with something in it, never empty. always a portion waiting for you to add to it, make the best assumptions, hope, appreciate, carry the jug to the next waterhole for it is there. “we must live sweet,” mike says.
we carry the torch so often for the negative. we moan and complain and gossip and pick fights. in this roller coaster of life, what about carrying the torch for joy? what about lighting the way for yourself, for others, helping to find the light, the joy? believe that we are only an ice-pick or a few carabiners or a length of rope away. we are on the mountain. all of us.
i would like to try to remember this “it’s either pre-joy or joy” and live and work and play by it.
because i believe in joy and the sheer power, potential of joy; it’s a force. i just need remember to believe that all roads lead there. one day is joy. the next is pre-joy. it is all on the same continuum. it is all the same life. we all share the same possibility. all paths summit.
i don’t feel as much in-a-boat as i feel that i am relentlessly treading water. but there was no handy treading-water bitmoji and i remember the exact moment that this bitmoji showed up on my snapchat mapping…in the middle of a lot of treading.
treading, treading. guessing at why what-is-happening is happening – in wide concentric circles around us, tightly close to us.
and today, both valentine’s day and d’s birthday, i want to express gratitude for this man who is standing in the water with me – waves crashing over us, undertow threatening to pull us down, riptide ever present – and holding my fiberglass-cast-encased hand. the person who is equally as perplexed at this time, who takes turns with me being alternatively flabbergasted, philosophical and soberingly pragmatic.
he continues to zip my jacket, buckle my seatbelt, paste my toothbrush, carry my music, pepper-mill my breakfast and dinner, put the ernie straw in my coffee. he has learned the fine points of where-on-the-head to place hair conditioner, how best to tie plastic bags on my arms, what stool will work best at the piano, which wine glass i can pick up at the end of a day. he has watched me learn how to hold mascara with two hands and pull up girl jeans by the belt loops. he has been treading water with me as we look to the horizon.
maybe this watershed is the thing that elicits change. at the end of 2019 i could feel it coming. and i can now, with all authority and certainty, say that the change is not that i will, smack dab in the middle of middle-age, become a professional snowboarder. nope. but there may truly be things out there i just didn’t see or consider. perhaps the things that are vexing us, stunning us, deeply disappointing us, are just the things that will propel us. ah, if that just didn’t feel so pollyanna-ish.
this life is bigger than anyone can ever live it. that includes us. treading water in the watershed might be a time that forces dynamic change. like everyone, i wish i had some prescient inkling of what’s-out-there, what-will-happen.
my perceived lack of control is maybe a misperception. maybe that which has taken away control is conversely granting control, granting the creativity that comes with grabbing onto flotsam and jetsam in a sea that seems to be swirling. maybe the grasping-at-straws is grasping-at-ernie, a touchstone that seems flimsy and unimportant, but which actually is grounding, rooting, and gives voice to more solid footing, less wave-action, more direction-choosing.
the watershed is here. moment by moment we stare at it. we roll our eyes, we yell at the angst-y details, we shake our heads in confusion, we stop and stand still and, yet hyperventilating from treading, we wonder. we try to breathe, to center, to be in the eye of the storm.
holding hand-cast, we look forward and we guess that this ain’t the last watershed on the horizon.
download WATERSHED from AS IT IS on iTUNES or CDBaby
i can feel it. it’s not something i can put words to. it’s mysterious and undefinable. but it’s coming. there is a turning point. right around the corner.
i walk into this new year and there’s something different…there is an underlying vibration i can feel – viscerally – a pulse, a quivering – that is present.
when it was time to pick a piece of my music for this week’s studio melange, i was drawn to this one….full of angst and wonder and sedimentary layers and mica and minor…..full of questions.
2019. it has been nine years since i recorded a full-length album of any sort and seventeen years since a full-length vocal. is it time? to record? to let it go?
i can feel it. it’s not something i can put words to. it’s mysterious and undefinable. but it’s coming. there is a turning point. right around the corner.
reverse threading 