iowa and kansas were full of summer-on-its-waning-edge, the sun streaming into the truck making merely having windows open not enough. the highway noise was loud and the air conditioning a welcome buffer so we could talk and ponder what the next days would bring.
we saw it from a distance and assumed it was farmers plowing in dry fields of dirt, billowing cloud dust across the horizon from afar. and then we drove into it. in minutes, touching the window glass cleared up the mysterious billowing. the beyond-blustery front was bringing cold air and as we drove from kansas into colorado, the gusts delivered autumn.
we walked into their living room this morning and the fire was lit. there is nothing like a cup of coffee by an early morning fire. the day is cool and the sun is out. those of us who traveled for yesterday’s celebration of columbus’ life and are still here will gather later around a fire out back. in the meanwhile, we’ll walk and talk and have a little quiet time after much visiting and catching up till later last night. the service is over and next follows.
when these flowers were blooming, they were vibrant and gorgeous, spilling over the old fence along the sidewalk. the petals started to drop off as fall started to arrive, dropping in little by little. bright yellow pistils started to turn mustard then cocoa brown. the picture begged to be taken – beautiful and fallow on its eventual way.
as we drive back to wisconsin, we’ll again pass fields of corn waiting to be cut down, plowed over, vast brown rolling land. we’ll miss the green, we know, even at home, even in our little gardens, on our little potting stand.
but we know that time just doesn’t jump from one season to another. it actually shows signs as it comes, gives fair warning, allows us time to process a bit and adjust. it transitions and gently encourages us to move on, into the next season.
summer yields to fall and we will bring home a little wisdom harvested from the side of the highway.
if you are wondering where mini marshmallows come from, wonder no more. clearly they grow on white baneberry bushes in dr. seuss-land. passing it on the trail i could not get over how oh-the-places-you’ll-go this bush was. a standout in a green forest floor, confidently colorful and nicknamed “doll’s eyes” for obvious vintage-china-doll reasons, it got my attention and it piqued my curiosity.
we watched a silly movie a couple nights ago. my sweet momma loved sandra bullock so every time i watch a sandra bullock movie i feel like my mom is right there with us, giggling or cheering her on. the movie was “all above steve” co-starring bradley cooper. its silliness is comedic fun, particularly on an evening we were not looking to be intellectually challenged. but there was an unexpectedly sweet message in this movie. mary (sandra bullock), a brilliant young woman who is a crossword puzzle constructor and has a brain full of random knowledge and would kick anyone’s patootie playing trivial pursuit, is trying to be “normal” to fit into the world. in the end she discovers the power of standing in her own shoes, which were, in her case, red gogo boots.
artists are often looked at as misfits, a little outside the box, not quite fitting in. perhaps more colorful, perhaps louder, perhaps more questioning, the job of an artist is to elicit movement in thought, in action, in emotion, in sensitivity. we are hot-pink-stemmed mini-marshmallow plants in a world of green underbrush, ever being told that exposure will grant us the ability to live in this world, to pay our bills, to get ahead. artists everywhere under the sun shudder upon hearing those words, “think about the exposure.” we don our courageous metaphoric gogo boots, go to town trying to be ‘normal’ and realize that we were really ok all along, in our own skin.
often i have heard others comment on the re-purposed stuff in our house. empty window frames, screen doors, travel-worn suitcases, branches wrapped in lights, old coffeepots doubling as canisters. we’ve been asked, “how did you think of that?” i don’t know how to answer that other than “how couldn’t i?”
i’m guess i’m not ‘normal’. in the world of christian louboutin and jimmy choo footwear desires, i’m wearing old navy flipflops and hundreds-of-miles hiking boots. in a world of oscar de la renta and ralph lauren aficionados, i’m wearing my dad’s old flannel shirt and jeans. in a world of cle de peau beaute and guerlain and creme de la mer, my face is lucky to see an oil of olay original and coppertone 30spf combo.
and i, just like artists everywhere, love to be reminded, time to time, that we were all born to stand out. each and every one of us. artist or not. no matter the road we walk. no matter the red gogo boots or hot-pink stems. stand out. in our own skin.
there is a pile of flipflops by the back door. our house is a back door house so that’s where we come in and that’s where the flipflops live. there is nothing quite like walking on old wood floors or cool tile with bare feet in the summer – it’s freeing.
and so it never fails. or – i never fail. there is a moment, sometime in the summer, when i am rushing around without thinking or watching – maybe pushing the vacuum, maybe running from one room to another, maybe going out the back door with snacks, maybe taking a doorway too close – that i will slammmmm my toes into something and, ultimately, break my pinky toe. i’m not sure that a summer has gone by without that in recent years, though i don’t remember a broken toe in the littlehouse on island. regardless, i pretty much know the moment it’s going to happen and the delicate language that ever-so-gracefully flows from my lips when it does happen prompts dogdog to go hide in the bathroom.
this summer – just a few days ago in fact – i ran into a stack of paintings that is in our sittingroom because of the drains in the basement. i almost saw it coming, though not entirely because i would like to think i would have stopped it in process. it’s not my baby toe this time. it’s my third and fourth toes, purple and painful. but, as the days go on i realize one thing – i don’t think they actually broke this time, so maybe i am making some headway.
the lesson is always to slow down. d is always reminding me….slow down! don’t break your toe!….
the old radiator in my studio was its home for years. i picked it up at a wholesale show…an old fencepost with equestrian leather…i couldn’t resist. it was perfect next to my piano. shh. quiet. ponder. dream.
it’s outside on the back deck now, really for the same reasons. shh. quiet. ponder. dream. it reminds us to take those moments and just be.
in the middle of the night last night we talked for a few hours. it was a big discussion…about life, about existence. we agreed that life is merely about those rare and outstandingly idyllic moments – a collection you might store in a little special box or place in photographs-in-the-round for a viewmaster – ready, at any time, for you to look at, review, be reminded of, hold close. not usually the gigantic stuff, but the slides of tiny, even silent, markers, instants you recognize as mica.
we had another water episode a few days ago. it seems the theme this summer. once again, drains in the basement yielded water instead of no water. a really lovely young man from the sewer-drain company came; it was their second time in just over a month. the tree roots they had cleared likely had left behind another piece. it doesn’t matter. he cleared it out and we moved on. it wasn’t without a ton of unexpected work…clearing all of david’s paintings out of the space to protect them, moving any and every thing out of the way of the water and allowing room for the technician to work without feeling nervous about anything around him. after he left and we cleaned everything up it was back to quiet.
we exercised down there again yesterday. it’s a peaceful place, even though it is a basement. being surrounded by the muse of david’s time at his easel brings a certain life to it. i imagine he wishes this little sign was in his studio, but there is a hush nonetheless, even without the sign.
our studios – places where time fills in the gaps between noise.
in the middle of existential questions about my wrist and hand, a screeching halt to occupational therapy imposed by the insurance company (don’t get me started), questions and the after-effects of betrayal, a silencing of my professional work, i have not sat there much. i enter to allow in light and fresh air, gaze at my piano and walk out. another silent day.
each morning, for at least a week, as i have sat with pillows propped sipping coffee, the window beside me wide open, i have been visited by a chipmunk. it sits atop the fence post across the driveway right opposite the window and looks in, chirping. i named him ‘sunny’ as it is often that the sun is just reaching that fencepost as he sits and the first time he was bathed in rays of light as he held his spot and said whatever he was saying to me in chipmunk i could not understand.
today, in the quiet of the morning, sun not even yet beginning to stream in the window, sunny was out there, chirping to wake us. i called out the window to him a good morning greeting. we chirped back and forth a bit before he left, satisfied he had awakened me. i watch for him now each day as the sun starts to rise.
three times in a twenty-four hour period over the last weekend i heard or saw the words “everything will be ok”: once written, once spoken and the third time bob marley sang it in the woods as we hiked the river trail.
sunday as we sat at the table on the deck in waning light a not-oft-seen hummingbird came directly over and hovered right in front of me. a couple days later as i stood on the deck, david watching, a monarch butterfly flew over to me and circled less than a foot above my head. and sunny, a chipmunk on a fence post, greeting me each day.
i guess that sometimes the universe is quietly whispering, “it’ll be ok. everything will be ok. shh.”
i don’t remember what grade i was in when it was assigned: a project detailing what your ideal life would look like. it was either later junior high or early high school years. if i could find it in one of the bins in the basement i’m sure it would be predictably naive. i remember designing a house, writing about family, but not too many other details come up for me. designing an ideal life is never really inclusive of actual reality, difficulties, disappointments, hardships. i think it would be interesting to find this report anyway. the 1970s were a different time and this project would reflect that. were i to write a report now to reflect my ideal life, it would be a much simpler picture than i would guess that old paper would paint.
i remember columbus saying that he worked his whole life to have weekends with his family. to enjoy his backyard, his garden, a little fishing, time with the masons. he was living his ideal life each day, though the look in his eyes when we took him back to iowa and he stood in the fields gazing out at maize corn and blue sky would belie that. his dream was to raise his family in his hometown and, though he ended up in colorado, his other life was, i’m sure, somewhere in the farmland daydreams that swirled in his heart. he was wise, though, and didn’t wait to live until he was back in the midwest. instead, he set his sights on now. he didn’t wait. and each time his children or grandchildren visited he would cry upon their leaving, giant tears falling on this rugged man’s face. dolce.
some people are fortunate enough to have both: real life and the other life, la otra vida. crunch always felt that way about his boat too, so he’d understand the boat owner who named his boat ‘the other life’. moments of escape away, drifting, piloting to block island and fishing in long island sound, these are crunch’s ideal moments. though many of the boats and yachts in our harbor never leave their slips, perhaps just sitting on them in fresh lake air yields much peace for these boaters.
a house with lots of windows and open space, lots of repurposed old stuff, a kitchen in which we love to cook. nothing fancy. wood floors and a lot of white paint. a fireplace, my piano, david’s easels, places to sit and write and room for our beloved children, family, friends to come with significant others and visit. mountains and a lake out the window, a couple horses grazing.
last night as we sat on the deck in waning light turning to dark, tiki torches and our tiny firepit burning, dogdog sprawled out at our feet, we listened to the soundtrack of richard curtis’ movie about time. arvo pärt’s piece ‘spiegel im spiegel’ came on, a long piano-cello interplay of simplicity. we both had tears. if contentment was a piece of music, it would look like this.
though there are not mountains, a lake and horses out the window, perhaps someday there will be. it’s my maize-corn-blue-sky vision. but columbus was right. there’s the rest of it. the other life is always right there.
andrea wrote to me in 2009, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.”
i officiated a wedding last sunday. the bride and groom, their parents, twenty-one attendants and family and friends gathered on a venue patio under the sun on a stunning september afternoon in milwaukee.
reminding them to go slow and drink it all in, they celebrated in a ceremony i wrote for them, personal and intimate, with pieces of their romance and tidbits of what was mutually important to them. we had gathered together to talk, for them to answer questions and tell stories, and i searched for the right poetry, the right music, the right sentiment, the right words, and it was an honor and a privilege to stand in front of them and everyone there on this most important day for this most important ritual. i reminded those attending this wedding that their presence was not passive. they were witnessing this event and, in doing so, were promising to be there for this newly wedded couple, through thick and thin. to stand by them in all times, to help carry them through joys and sorrows, successes and challenges.
“i carry your heart. (i carry it in my heart.)”. i read the words of e.e. cummings as they stood, with tears in their eyes. it was hard not to weep with them. they danced down the aisle after the words, “the light will shine through your skin and they will ask, ‘what have you done with your life?’ and though there are many moments you will remember, in the end, you will be proud to say i was one of us.” life stretches out in front of them. they will be amazed at how their hearts will grow and hold the treasure trove of memories that will come. and, all the while, they will tenderly carry each other’s hearts.
i was supposed to fly that day. i had already purchased a kringle to bring to my sweet momma and poppo at the other end of my flight. but, just before i left for the airport, 20 called and told me to turn on the news. it was surreal and i dropped to the floor of the sitting room in front of the tv. i called my husband, called my beloved children’s schools to have someone tell each of them that i had not gotten on an airplane that morning and i watched the horror unfold that sunny september 11th in new york city.
a friend from yamaha in nyc sent me a picture of the world trade center location where i had just recently performed. it was destroyed. i stayed glued, watching, carrying the hearts of all those worried about someone in those towers, someone in the pentagon, someone on flight 93. it was terrifying to know this was real.
tomorrow is twenty years from the day of this tragedy. though i’m sure not a day goes by that survivors and surviving family members and friends do not think about this, it seems, in the middle of this pandemic and political chaos and climate-changed extreme-weather episodes on a grand scale and divisiveness in the nation, that the marking of this anniversary should remind us, should unite us instead of prompting the sneering that i am viewing on social media.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to defeat this global pandemic and cease the loss of loved ones.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to cross the aisle and embrace inclusivity and fairness and equality for all.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to confront global warming and climate change and save this planet for the children of our children’s children.
it would seem important to come together under the sun to do whatever it takes, sacrifice whatever is needed, to turn toward each other, ask questions, have conversation, seek collaboration, surrender agenda, recognize truth, work together.
it would seem important – at the very least – to remember to carry each other’s hearts in our hearts. on wedding days and days of destruction of great proportion. it should all be the same.
it felt like we were away. we had never explored this area of milwaukee and, with time on our hands on a stunningly beautiful day, we walked. we decided it didn’t matter if we knew our way around or not, our phones and gps would get us back. so we left the airbnb in walker point and started north. knowing the lake was east of us, it was a natural turn to the right, the water drawing us.
the architecture of cream city brick and old warehouses is charming and i kept thinking how we needed to return to take photographs when we had more time to linger. we turned east at a warehouse that had been converted to condo living, industrial balconies lining the river with colorful bistro tables and teak adirondack chairs and strands and strands of strung lights. the evenings must be beautiful walking along the river toward lake michigan.
we could see the hoan bridge arching into the sky and headed toward it. we passed a guy on the sidewalk with a shirt that said “light the hoan” and i looked it up. “light is swiftly becoming one of the most powerful tools to breathe new life into cities,” the website promotes. i remember a beautiful suspension bridge lit across the river in east boston when our son lived there. the light changed everything and was stunning. you can purchase a bulb on the hoan, be a beacon in the night and know that people are sitting on balconies gazing and dreaming, much like staring into a bonfire. the bridge and its design drew my iphone camera toward it.
we wound our way through outdoor dining seating and along the docks, multiple times mentioning to each other that we would “come back” and explore more. it amazed me that, such a short distance away from home, we felt like we were away and adventure was simply waiting. an early evening wedding stopped us short of much exploration, but there’s always the next time.
we walked out to the lighthouse where the milwaukee river met lake michigan and stood for a few minutes before turning around. the art museum beckoned from up the lakefront; beyond that we know there are beaches and a favorite coffee house in an historic water treatment plant.
we walked back some of the way we came, sticking to the river as much as possible. flowers and shadows and railings and vintage glass finials, textures and surprises, restoration and beautiful intention our companions.
passing the docked boats, though no salt in this air, i got a whiff of the past. i could imagine i was at northport harbor, watching the comings and goings of boaters and fishermen. it made me have a taste for baked clams and buffalo calamari from skippers pub, a hop, skip and a jump away in my mind as the scent of waterfront and moored boats surrounded me.
though the pandemic and travel warnings might preclude a trip to long island, we, aloud, promised each other we would return to this walkway, to stroll along the river chatting and snapping pictures, to immerse in a sculpture walk, to find the perfect bistro table on the dock sidewalks, to dine al fresco in the swirl of memories and new adventures.
and so, september has arrived. and the texture of day for many is changed. fall is around the corner; the cooler mornings whisper that to us, ushering in – with little fanfare – the color transformation of leaves, the waning of the garden, the ultimate fallow of winter.
autumn is my favorite. and as i look to it, i see transition rising out of the horizon. undefined, but transition nonetheless. unfolding.
i got a letter a few days ago from the insurance company handling my wrist injury from falling. they have decided to stop my treatment. as of right now.
back in july they hired a physician to do an IME – which is the acronym for, ironically, “independent medical exam”. don’t be fooled by the word “independent” for when an insurance company chooses and hires and pays a physician time and again to do medical exam reports for the insurance company that wishes to stop paying for treatment, that physician is questionably “independent”. in an unsurprising result, the physician, who has not been the treating physician all along, gave them the verbiage they were looking for and BAM! they instantly wrote-a-lettuh to me discontinuing my medical treatment.
to say that i was disappointed would be to grossly underexaggerate the complex and intense emotions that came with opening that envelope. my own froedtert hand specialist and stellar OT, who both recommend continued treatment, have helped me make much amazing progress – as a professional musician who kind of uses my hands in lifelong work – and i am now able to bend my wrist to 60 degrees from the initial 20 when i started with them. it’s not the 85 – 90 degree forward range of motion of a normal wrist, but i guess the insurance company et al have decided it’s plenty. wow. and wow.
so the texture of my days will change as well. i’ll try to translate exercises and stretching my OT has done to home, without the benefit of specialized therapy center equipment or knowledge or her hands aiding my movements. and undefined transition will rise out of the horizon.
and we’ll see. things will unfold as they unfold. and summer will turn to fall. and fall will become winter. and we’ll see.
helen’s words have stayed with me for a few years now. we had told her of various frog encounters we were having including the time the frog jumped out of my sweet momma’s toilet (!) when we opened the lid and the first surprise frog at our little pond. “frog,” she quietly pointed out in a slight southern drawl, “is simply an acronym for fully-rely-on-god.” there was something stabilizing in her tone, something full of wisdom and experience and the flow of life. in her words there was reassurance. in her words there was encouragement.
magic appeared earlier this summer. we check for him pretty much every day. at some point one of us meanders out there and walks slowly around the pond, studying the places where a sweet frog can linger, sun, or hide. some days he isn’t there and we worry about him. when you name a frog in your pond, he becomes part of your family and pando and epic and tiny were no exceptions. we celebrated the day magic suddenly poofed into our pond. i’m certain we both heard helen’s words whispered in our ears.
i know that magic is vulnerable and yet, he sits in it. this pond is tiny and he would be hard-pressed to evade the neighborhood hawk should it decide froglegs were on the menu. the sun warms the pond each day and the rocks around it are hot to the touch, but magic has apparently figured all that out, afternooning in the shaded garden bushes, i suppose. he doesn’t seem to be scared of a big black furry dogdog running around the pond incessantly; i imagine he rolls his eyes, giggles at the visual absurdity and somehow knows dogga would never hurt him. he seems pretty secure. maybe he knows the f-r-o-g thing. no matter, taking chances, he sits in his vulnerability.
these two days – thursdays and fridays – are dedicated to our artistries. dr thursday and ks friday offer specific chances for us to dive into our craft, to talk about it, to divulge.
i have found, in these last years now of writing, that we are much like magic. the more we write, the more we divulge of where we are. our vulnerability is not just limited to artistry days. instead, we take chances each day of the week, writing where we are, where we have come from, where we may be going. we click ‘publish’ and sit in it.
at points in time, the neighborhood hawk somehow removed us from facebook for unknown reasons – a hankering for froglegs, i suppose – and trashed our youtube – burning hot reasons we will never know. it is hard to evade the acts of close-mindedness, of conspiracy theory, of damaging rhetoric, of exclusion. but we just keep writing anyway.
it was late evening when i went to look for magic. the air had deliciously cooled and we were outside – just with the pondlight and bulbs strung over the yard. there he was. in the spotlight of the pond, confidently on the edge of the rocks, breathing deeply – or however it is frogs breathe best. he didn’t move as i approached and he stayed right there, inches away, for the photoshoot. unafraid and in his own skin, he didn’t flinch. he just stayed right there. in the middle of his vulnerability.
the cicadas are loud outside already. the windows are open and, though it will be ridiculously hot today, tomorrow will be their field day. it’s the end of august and, no matter who i speak to, the common marvel is how quickly summer has passed. a dear friend wrote to me, “it is the clove of seasons.”
i was behind him at office max. waiting in line six feet back, he was checking out. the checkout gal was pleasant but uninterested as the enthusiastic dad chortled about how his wife had forgotten to buy sharpened pencils for their children going back to school. he asked for separate bags so that he might bring them home to his kids in individual packages to add to their school supplies. he was excited, so excited, telling anyone within earshot of his errand to finish up prepping for the beginning of the school year. i couldn’t help but smile back as he walked past me with an elated look on his face.
i checked out and intended for the exit. it was the backpacks that got me first. the big four-sided display drew me over. there was this great floral backpack. . .
i started to wander a bit more, the calendars and notebooks and mechanical pencils making me wistful. stickynotes and highlighters and packs of gel-tip pens and fine-line sharpies beckoning.
these people knew how to place things in the store. i was not quite leaving.
i was catapulted back in time and meandered a little lost in thought about days – years – gone by, an empty nester’s trap of remembering with both joy and sorrow. all those years of school lists and target runs and picking out backpacks and first day of school walgreen’s or back-to-target fill-ins, things we hadn’t anticipated needing or somehow forgot. the piles on the dining room table as my beloved girl and boy selected their supplies and maybe their pencil case. they put looseleaf paper in their trapper-keepers and loaded up spiral notebooks and the required box of tissues, a few dry erase markers, a ruler and maybe a calculator. absolutely heavenly to be surrounded by school materials, stationery supplies, new reusable lunchbags and two mostly-excited children.
this time of year does it every time. even though it is extraordinarily hot i can feel it knocking. and i can feel the sadness of letting go of summer freedoms, of children, late-morning, still in pjs, of no alarm clocks and no dread of early morning crabbies. i can feel the elation of the bus arriving at the end of the day or sitting outside the school watching for a glimpse of my own beautiful children in a throng of beautiful children.
every year i feel it. that feeling watching them walk out the door to go to school, to go to college, to go into the world. even now i am immersed in it. i miss them.
i’m sure the momma bird was elated too when the eggshell cracked open and her tiny baby bird was born. she probably chortled to her bird-friends about her little miracle and its entrance into life. and then, after a time, bird-school over, she realized she was suddenly an empty-nester, her sweetest with wings that would carry it into the world to adventure and explore and conquer abounding opportunities. though the nest would remain, and would always be there, rooting and rooting, both, it was merely a launching pad to everything else.
and one day, as she was waiting in line at office max, as tears threatened to roll down her face, she would be grateful for all those times before and she would wrap herself in the memorized feel of freshly-sharpened pencils, late-summer cicadas and small hands in hers.
