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little by little. [k.s. friday]

“bows and flows of angel hair and ice cream castles in the air. and feathered canyons everywhere, i’ve looked at clouds that way.” (joni mitchell)

it’s march. less bluesky days than gray. more rain than sun. drear > brilliant. march in-the-north is a funny time. it’s neither this nor that. a transition zone. it’s cold. it’s warm. it’s both. it’s never consistent. you just never know.

and so, you realize that you have to grab onto the days that shake you out of cobwebs and from under the quilts of winter. you must go stare at the sky. and those clouds. they hope you.

i walked looking up. watching the play of sunlight. remembering what it feels like to have warm sun on my face and not see puffs of air in front of me as i breathe into it.

in the middle of a time of some worry i drink in the sounds and sights of normal around me. i hold tightly to the returning sound of early sparrows and stalwart chickadees and finches. i stand in blue and fluffy white, grateful for a day that is not a shade of gray.

i sat on the edge of the deck, dogga at my side. we watched two cardinals flurrying about. we listened to the crows and watched for the hawk. there was nothing that had to be done in those moments, no project, no task. it just was. it wasn’t really warm but it wasn’t really cold either.

it’s the grayness that is the challenge. sitting in the question of season. the not-this-not-that. elusive spring. the calendar reads “spring” yet the reality in these parts is not in keeping with the definition of “to leap, burst forth”. an illusion, as there is no leaping, no bursting forth here. it is more of a slow slide into the season. snowpiles struggling to remain in the shadows, shreds of ice on the pond. the good earth will take its sweet time, in bits and spurts, little by little, and, eventually, spring will have arrived and we will glance around and be surprised.

i look at the weekend weather. i’ll turn 63 on sunday. i would like it to be warm, sunny. i would like to gather my children and my family and dear friends and eat birthday cake with lots of candles and singing under a blue-puffy-cloud-sky. wishes.

accuweather tells me it will not be warm. it will be the coldest day of the weeks on either side. and, for many reasons of this time, it will not be gathered with my children or my family or dear friends and i will not be eating cake with candles. i don’t know about the singing. all…little by little.

but it’s supposed to be sunny.

and that counts. every little by little.

“i’ve looked at clouds from both sides now, from up and down and still somehow: it’s cloud illusions i recall; i really don’t know clouds at all.” (and judy collins sings)

*****

little by little (©️ 2022 kerri sherwood feat. dogga)

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momma’s crumb cake. [k.s. friday]

10.5 x 15. the size of my sweet momma’s crumb cake.

back in the 90s, her crumb cake preceded her. everyone knew about her crumb cake. and everyone loved it. “beaky’s crumb cake,” they’d anticipate it.

based on the beloved new york entenmann’s crumb cake, she took crumb cake to another level. she’d, very specifically, tell you about how to make crumbs, that you MUST mix with your hands. she’d tell you how to sprinkle the confectionary sugar on top. and she’d proudly march it into the school, the hangar, the state attorney’s office, the church, the party. her recipe is dated 10/87; she didn’t start making her own crumbs until almost a decade into living in florida.

the other day – the day i was writing last monday’s blogpost – i was craving her crumb cake. i just wanted to sit down with a huge slab o’ cake and a piping-hot cup of coffee and chat with her. i wanted to hear her voice, her laugh, see her raised eyebrow and piercing blue-hazel eyes. i wanted to tell her stories. i wanted to ask her questions. i wanted to hug her tightly. i wanted her to hug me.

i wanted crumb cake.

we went to woodman’s and looked for the entenmann’s display. sure enough, it was there, this brooklyn-based bakery from way-back-when.

if entenmann’s crumb cake tastes like anything, it tastes like long island and the table in the kitchen by the window overlooking the patio where you could look out and see the dog run and the woods and clay pitts park in the distance and, at different times, different years, the above-ground pool or the vegetable garden and the grove with the big stump where we’d place the metal picnic sticks in the ground to hold brightly colored aluminum tumblers. it tastes like family gathered around a table with placemats labeled in the corner with initials that spell out shabaeawaka. it tastes like after-school and sunday-brunch. it tastes like saturday morning. it tastes like my dad, whistling, and pouring coffee from the percolator. it tastes like early spring and forsythia, salty breezes and bike hikes.

we bought the crumb cake.

and each day, for a few days, i made us a nespresso and placed each tiny mug on a clear glass plate with a piece of crumb cake. i savored each bite, each sip, getting lost in thought as only taste and scent can evoke.

and each day, my sweet momma and my poppo smiled from just-on-the-other-side. i could hear my dad whistling and my mom ask, “another piece?”

*****

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THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood


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i’m with vince. [k.s. friday]

it pains me to even write this, but there’s actually more than one. fart-noise-apps, that is. “tap and fart” and “fartworld” are two examples. i could be considered mirthless – and i don’t care if i am – for not wanting to jump on these and install them on my iphone. what kind of person wants a fart app, anyway?

“the devaluation of music and what it’s now deemed to be worth is laughable to me. my single costs 99 cents. that’s what a single cost in 1960. on my phone, i can get an app for 99 cents that makes fart noises – the same price as the thing i create and speak to the world with. some would say that the fart app is more important. it’s an awkward time. creative brains are being sorely mistreated.” (vince gill)

i am on the devaluation-pushback-wagon with vince. we’ve never met, and we are in different stratospheres from a making-bank-standpoint, but there are some basic tenets on which we clearly agree.

i have beat this drum again and again. as an independent musician, composer and recording artist, it is likely i will continue to beat it and beat it and beat it, and each thump of the djembe will float into the atmosphere, unresolved. because times have changed. and apple music and spotify and pandora and tidal and amazon music have it down to a science. point-zero-zero-zero-something of a penny for a stream. i wrote about it seven years ago and it hasn’t changed. 99 cents seems like a gold mine!

yet, doesn’t the thought of feeling like it is striking gold – at 99 cents – take your breath away?

and how would YOUR life be without music?

the imperative for an artist to create – a composer to compose, a musician to play, a painter to paint, a writer to write, a dancer to dance, a potter to throw – is undeniable. it is how we speak to the world. it is a creation, an invention of the heart and soul.

vince gill has had multiple number one hits. he is extraordinarily successful. yet, he is apparently just as disgruntled with the industry’s standard of payment to artists as little-ole-me. though i doubt it’s quite the same for him, it raises questions for me of the great whether-or-not.

whether-or-not to ever record new material, an expensive venture always.

whether-or-not i can ever squeeze more royalties out of my fifteen albums in the world streaming freely in rivers of computers and iphones and tablets and androids.

whether-or-not to pursue stage-performing ever again.

whether-or-not to keep writing.

whether-or-not there is relevancy.

or, since the world seems to value other noises above music – and i am incredulous and saddened about this – whether-or-not to point my imperative to creating some obnoxious noise app.

because farts make up to $10,000 a day.

sigh.

*****

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read DAVID’S thoughts this K.S. FRIDAY

WATERSHED from AS IT IS ©️ 2004 kerri sherwood


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the bass-who-used-to-be-a-soprano. [k.s. friday]

in her gravelly voice, from the back row of the choir room, i heard one of the bass singers say, “i used to be a soprano!” everyone laughed and laughed. and then we sang.

laughter was a dominant force in that room. there is nothing quite as motivating as laughter-punctuating-work, nothing quite as unifying as laughter, nothing quite as joyful as the laughter of others. we had no shortage of laughter.

for in the choir room, the ukulele band gathering, the handbell practice, the worship band rehearsal, with soloists and in ensemble, laughter and joy were how i led.

linda was the council president when she hired me as the minister of music almost a decade ago. they never saw another president who led with her understated panache and wisdom and authenticity. “a pillar of the church,” someone said. yes. a powerful woman – who was who she was.

the first time i met her – at my interview way back when – she arrived late, disheveled and with a dirty t-shirt on. i wondered who that woman was. i wondered why she arrived looking like that. as it turned out, she had been cooking for the masses – it could have been ten thousand for the enormous heapings of food she would prepare – and she had been in the basement kitchen. she pitched in, in every way. her presence – in all ways – was a given.

there is much i never knew about her, but i knew this. she was honest and blunt and generous. she was kind to everyone, adored her family, and she stood tall as she faced down loss and serious health issues. she was straight-up, as they say.

years ago she asked me to sing, on some eventual day, at her memorial service. i first waved off her thoughts of mortality – for a woman like this is needed in this world – and then i agreed. “of course i will,” i said to her, “it would be my honor.”

her service was last friday – a week ago now – and i was not there. the church to which she had dedicated her energy and love had fired me – over a year ago now. (i mean, who gets fired from a church??)

i don’t know if she knew much about that, for her world had become smaller in her struggle for health. i do know that, had she still been in the position she was when i first arrived, i would still be there. for linda had a way of making sure others had perspective, that balance was achieved, that agenda was dispelled, that conflict was resolved, that transparency was paramount and that the best interest of the whole was held in open hearts.

alas, that wasn’t the case.

i was unable to sing for her service and, much like the service for H, i was unable to be there.

we lit a candle for linda on friday. we talked about her. we told our favorite stories. we laughed. i posted a thought on facebook. it was important for me to acknowledge this amazing woman, the bass-who-used-to-be-a-soprano.

and now, the whole wide world is without her. and as the whole wide world looks on, filmy incandescent threads of her, her spirit, her dedication, her fortitude, her voice weave around us.

and the world asks: who was that woman?

*****

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read DAVID’S thoughts this K.S. FRIDAY

HATE TO SAY GOODBYE from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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odd-one-out. [k.s. friday]

he was this guy who would pick me up in his blue convertible camaro and have flowers tucked into the visor. or a stuffed animal peeking out from the glove compartment. when it was my 18th birthday, he drove 45 minutes late at night to decorate my vw bug with roses and install a big sign on the oak tree outside our front door. he bought cards and concert tickets, taught me how to play tennis and took me to restaurants all over the island. in the spirit of the 1970s susan polis schutz calendar he gifted me, he also gave me a small poster, which i still have.

“i am not in this world to live up to your expectations. you are not in this world to live up to mine. i am i and you are you. and if by chance we find each other, it’s beautiful.” (fritz perls)

the small evergreen was particularly beautiful, standing out in a part of the woods that surrounded it with tall hardwoods. its singularity made me stop and photograph it. i felt connected to it, the odd-one-out in a large grouping of the more-similar. i told it that it was beautiful and blew it a kiss.

this sweet pine tree in the national forest was tiny in comparison to nearby 80 foot giants. it must love winter, when the leaves of its neighbors no longer form a canopy blocking it from the sun. as you hike, your eyes adjusting to the brownness of the trail, it becomes a source of color, and you hungrily take in the green of its needles, its softness in a world of bare trunks. you begin to notice other tiny bits of green here and there, a little surviving underbrush here, a little sapling there. color returns.

when i was still 18, and he was a few years older, he asked me to marry him. he was a kind man, and probably still is. i was not – at 18 – ready. i still had more love stories to relish and love stories to regret. i had good sun and hard darkness ahead. i had moments of the-only-one-in-jeans to experience and times of growth when the canopy opened to the sky. i had hardwood forests to stand alone in.

and life moved on.

“but i look up high to see only the light and never look down to see my shadow. this is wisdom which man must learn.” (kahlil gibran)

i know the little pine tree blew a kiss back to me.

and then we hiked on.

*****

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read DAVID’S thoughts this K.S. FRIDAY

MEANDER from AS IT IS ©️ 2004 kerri sherwood




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no anonymity. [k.s. friday]

anonymity is not a strong suit of airbnb. and, for us, that’s exactly the point. the relational piece of staying in places other real people own does not usurp privacy. but it offers a glimpse into lives – those which you may never have peeked into otherwise. without reservation, i would say that most all of the airbnbs we have stayed at have been owned by someone with whom we’d love to be friends.

the window that opens when you unlock the front door to the tiny house, the condo, the bungalow, the loft, the cabin, the cottage is an invitation. on the most basic level, it is an opportunity to see how someone else makes a space a home, how it’s designed, how it’s appointed. it is an opportunity to reconstruct – in your mind – something about your own home, an idea to take with you. it’s a chance – for a bit of time – to experience another place as-if-you-live-there: to wander and cook and porch-sit and immerse, even a little. when you stay in the vicinity of the owner’s place it changes things, for then, on a whole ‘nother level, it’s an opportunity to see morsels of how someone else lives, their real-life. and when you have the chance to meet the person or people who host where you are staying? that is a gift.

sitting on the adobe open-air-to-the-mountains-balcony off the bedroom in ridgway, in rocking chairs on the front porch on the farm in kentucky, at the table overlooking snowmass, under the après sign in breckenridge, watching people go by in tiny brevard. it is not without wonder we think about places we will stay someday.

and, i guess, not surprisingly, there’s something about all these places that makes us say, “we could live there.” something different than what any hampton inn, our hotel chain of choice, can offer.

it is not randomly that i pick out places to stay when we travel. i carefully consider location, amenities, the presence of light, whether or not we can cook, if there is outdoor space, a fireplace, a kitchen counter where we can chat. i look at pictures and read reviews and one will always jump out as a place that looks like us. so not so random.

and i guess it is not random either that we meet people – it boils down to the people – who stand out. they are living lives and opening themselves up to others. in providing more personal lodging they are reinforcing the humanness and opportunity of travel. they remind us – again and again – to be just a little more vulnerable, just a little more open. we don’t walk in someone else’s shoes, but to stay in someone else’s home, even for a night, has given us the tiniest chance to know them and to get where they are.

we are not here to live anonymously.

*****

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read DAVID’S thoughts this K.S. FRIDAY

TIME TOGETHER ©️ 1997 kerri sherwood


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looking glass falls. [k.s. friday]

there is no limit to how long you can stare at rushing water. cool mist enveloped us as we stood there, watching. in the land of 250 waterfalls, we, as even babbling-stream appreciators, stood and took in this gorgeous sight.

it is unusual for us to be in the midst of many people these days, even outside. yet, here we were, transfixed by the looking glass falls, along with at least thirty other carsful. everyone, with different accents and languages, exchanged greetings on the way up or down the rock steps. everyone was smiling. everyone was kind. the waterfall brought us all together before we parted and looked for the unbeaten path, the trail in the woods, the less-trod, less-populated places that would be quiet. in those moments of togetherness, though, the sheer force of the water spilling over granite seemed to be a cleansing balm to anything that would keep us all separate.

we stood still on looking glass rock trail the next day, just listening to the stream below us. a hiker jaunted by us, intent on making tracks. he turned around and asked us if there was something worthwhile to look at. that, in itself, was a funny question, considering the absolute beauty of the place we were standing. i responded that we weren’t looking, “we’re listening.” he nodded and said something about serenity, then pushed on.

if there were a place i could choose to stand as this year turns into next, i think i would pick one of the 250 waterfalls, or, for that matter, the stream. a reminder that all things keep moving. that everything is fluid. that the edges are smoothed by the water that runs over and over and over them. that dropping worries and angsts and all negativity into the moving, rushing fall or even the whitewater river or gurgling brook, will allow that very water to carry it all away.

“it’s time to let it all go,” he said as we were visiting together. he’s right.

as this year turns its head toward the sun of a new year, i drop it all into the water and start again. we are merely riverstones in this fluid looking-glass-filled life.

happy new year.

*****

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read DAVID’S thoughts this K.S. FRIDAY

RIVERSTONE from AS IT IS ©️ 2004 kerri sherwood


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light infinity. [k.s. friday]

“light of the world, shine on me. love is the answer. shine on us all, set us free. love is the answer.”

(“love is the answer” by todd rundgren, recorded by england dan & john ford coley, 1979)

“we’re standing at the crossing, where day and night divide. it takes all of your heart to keep the light alive. and the darkness seems so endless until the dawn arrives. we’ll hold the spark between us and keep the light alive.” (“keep the light alive” by lowen & navarro, 1995)

it would seem that we arrive at this place each and every year to see light infinity. there, beckoning, gesturing to us or quietly waiting. the days have run into each other. the successes, the joys, the learnings, the disappointments, the issues, the slights, the worries, anger, hurt, promises kept, promises broken, the new, the old, humanness … all gathered in the place of the light.

the flame reminds us of the spark of love into that which is around us. the flame reminds us of the frailty – just a breeze away from extinguishing. we invest too much in the each-day and not enough in the big-picture. we know that.

the light gives us a little nudge. again. a reminder to allow it. grace, acceptance, forgiveness, hope, love do not cease nor do they choose only one wick, one candle. they continue on. and on. lighting. every one. every where.

we just need intend to allow the light. infinity.

allow the light
is all
the call implores.
allow the light
to flood
the heart,
to flow
the veins,
to fill
the space
that craves.
allow the light
is all.
the light is all.

the light
is

(mary wickham)

*****

YOU’RE HERE (kerri sherwood – rough cut)

HOPE

read DAVID’S thoughts this K.S. FRIDAY

HOPE ©️ 2005 kerri sherwood YOU’RE HERE ©️ 2019 kerri sherwood

THE LIGHTS, JOY, THIS SEASON ©️ 1996, 2004, 2005 kerri sherwood



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the marvel. [k.s. friday]

there’s so much you can miss.

the sun passes its solar noon and starts inching down toward the horizon, the light spilling from it rapturous. golden rays bathe everything in their path and we marvel as we drive past the fields, talking about the trees catching the light.

toward the end of daylight, as the sun is almost down, the grasses, feathery plumes waiting to soak it in, stand in the spotlight and we marvel looking out the front window, walking out into the back yard.

we walked through the gallery, admiring the work on fresh white walls, framed by white woodwork, windows looking out onto the lake, old wood floors warm and well-trod. the spiral staircase, the built-in cabinetry, the spotlights and architectural elements caught our eyes. we marveled at the play of light through the chandeliers.

the tree we have deemed THE tree this year looks nothing like a typical christmas tree. it is one of the limbs from the big old maple tree out front, a beloved sentry whose large, low-hanging branches were chopped to allow room for the supersized utility equipment a couple weeks ago. i had saved this branch from the pile that was set for the dump truck, pulled it aside up close to the house. the guys looked at me funny when i asked them not to take this branch, to leave it there. sunday we brought it in – which is much harder than it sounds as its branches stretch out far, embracing air and light and our doorway is not oversized. we felt somewhat like stars in the movie “christmas vacation” as we attempted to stand the tree up in our living room. though the ceiling is quite high (–) it was higher. a saw here and a saw there and we placed it in a big clay flower pot with rocks we brought home from dory lake and aspen and a brick from the old patio. we stood back after futzing with the angle of the pot and drew in our breath.

sculpturally stunning, it is bark against white, stark and proud. i wound lights around its trunk and i could feel this big old tree branch smile. i wrapped a piece of black glittery mesh-fabric around its base and thought about how much our babycat loved chasing the sparkles each year around the base of our trees. i hung one tin star off a branch. i futzed a little more and stood back, again.

the sun streamed in the windows the next morning and the tree stretched in its light, yawning from the night. i believe its branches have opened even more than they were – embracing its new place, no longer sadly tossed aside. a new purpose.

we might have missed it. the opportunity to have this year’s tree be an actual piece of what-was-happening-in-our-lives, to honor a well-loved and well-known companion. to have a gorgeously simple harbinger of the festivities of the season. we might have gone to a tree lot. or costco. or target.

we might have missed it. the marvel. but we didn’t.

*****

read DAVID’S thoughts this K.S. FRIDAY

THE LIGHTS, JOY, THIS SEASON ©️ 1996, 2004, 2005 kerri sherwood


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and then…wisps. [k.s. friday]

we settled into the ritual with ease. sundown came and we gently removed the tiny wax bits that were left in the menorah. we drew new candles out of the box, placed them in their spots, sparked the shamash, lit each day’s wick, reciting either the words we had researched or blessings we spoke into the universe. when the last night came, as we watched the flames dance in glassware on the table and in the window, we sang. we made up the song and intended it as words of gratitude and a wish for light in all. it has become a new tradition we will continue…there cannot be any reason to not add rituals into the darkness.

we found it to be a time of quiet, these moments as we sat and watched the flickering. we sat, silently, for the menorah was small and the candles only lasted the requisite half hour or so. but a half hour, taken as sweet lull in the day is a good reminder to be still. our days, this season, all will us to go faster, faster. yet, it seems, the best way to move into the rest is to pause.

we made dinner after we celebrated our little festival of lights. sometimes with a favorite cd, sometimes with the local chicago holiday station, music floated around us. though i love singing along to carols, and so many of our old albums conjure up piles of memories, i’ve noticed that the instrumental versions of these gently wrap around us, slow us down a little.

when 20 was over for dinner i mentioned that. “instrumentals would be nice,” i observed as yet another pop singer acrobated her way through a simple carol, over-cadenza-ing into the stratosphere. both 20 and david stared at me like i had lost my mind. they hesitated and then one of them said, “duhhhh.” i stared back, “it’s-not-like-i’m-going-to-put-on-my-own-albums-geeez.” they rolled their eyes.

in a more-is-more faster-and-faster society, there is something to be said for decelerating. there is something about simplifying. there is something about lighting candles and reciting ancient peaceful blessings. there is something about taking the time for quiet and taking the time for celebration. there is something about staring into the reflection of years past, of the week, of today.

we watched the wispy trails of smoke as they faded into the rest of the evening.

*****

still, still, still

read DAVID’S thoughts this K.S. FRIDAY

THE LIGHTS, JOY!, THIS SEASON ©️ 1996, 2003, 2004 kerri sherwood