i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.
from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.
the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.
but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.
he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.
i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.
took everything off every surface. dusted everything. put some things away. moved things around. got rid of excess. hung a favorite print. and – with great care – gently vacuumed the inside of my really beautiful piano, for full-stick is an invitation to dust.
i stood back, stood in the doorway, looking in.
the room was breathing. deep breaths.
i was breathing. immersed.
there is still more to go through. there is more to file away. there is former work-trauma to discard and there are calendars of choir music and ukulele band books and handbell arrangements and contemporary solos to box up. the first pass didn’t get all those and now, two years later, i am still a little paralyzed by all of it. that’s why it all needs to go. this process is taking longer than i would have anticipated. “mind, body, spirit,” she said. “it’s not likely others will understand all the layers. they will expect you to just move on, to get over it. they will not grok the wounds; it is all fraught.”
but there were staff lines in the sky. and the universe prompt is haunting me a little.
it’s always had a purpose – my studio – a direct line from standing or sitting in there to actual work. i’ve not just noodled or played because i was just playing. i’ve stood in there to write – to flesh out an album, to practice, to plan – the arc of music for a concert or for a church calendar, to teach – so many students through the years. it hasn’t been a place i go to without purpose, without an end-product, without a result i could see. as an adult, my studio has represented the potential for income; it has been a professional place. now there are questions. many of them. like living in a blank staff, i live – lost – in the questions.
i played my piano. a few carols.
there is one more day this year. and then 2023.
and i won’t carry carols into the new year. it will be time for something else, something less dusty.
there’s some way to go. it’s not as simple as it sounds.
the staff lines in the sky hold no clues, have no notes.
maybe – instead of reading that as tacet – silent – i might – and “might” is the operative word here – read that as a composition without designated key, without predetermined time signature, without definitive expression markings, sans any direction or boundary.
accuweather predicts a blizzard. and we wonder if it is truly imminent. on days of heavy holiday travel, there may be fierce winds, whirling snow, no visibility, bitterly cold temperatures well below zero. such extremes, circumstances that might dictate the comings and goings of loved ones trying to be together to celebrate.
we’ll keep watching the weather and the warnings. we’re hoping it’s wrong, that it’s exaggerated, that it’s cautionary but not totally necessary. that we will get to this day without the extremes.
it is days before the day before the eve of the day. and though i respect that app on my phone i continue to plan as if it will be days of celebration and joy and not snowplows and shovels and heet and de-icer.
there is still much to do. there are packages to ship, a few to wrap, a couple to deliver. there are trips to the grocery store and maybe a tiny bit of shopping. there is de-dogga-furring by vacuum and a little dusting and much tidying up.
and all the while sitting in the wonder of the season. people celebrating love and generosity, time spent gathered, kindnesses and the reminder of ancient stories carried into this time, open hearts, hope and light.
“…simple…elegant…splendid…” she wrote about the branch from the big old tree in our front yard, the branch we wrapped in lights and on which we hung a tin star. last year’s christmas tree. sometime after the holiday, we changed the tin star to a tin heart and kept it in the living room, in front of the big window.
i suppose it goes without saying – for anyone who knows us – that each of our christmas trees has a story. well, not just a story, but a full-fledged novel full of threads that wrap around them like $2.99 twinkly lights fresh out of the box. we’ve given meaning to the tiniest pine tree from the side of a trail, to the carcass of a tree behind our garage, to the branch that fell into our back yard, to a straight trunk-of-a-tree we lugged out of the woods, to a christmas-tree-on-a-stick.
this year, we were going to get a permit and go to a state forest to cut one down. only we didn’t.
20 was exasperated with the tree he had gotten his momma. the lights were all knotted – a titanic tangle – and the tree was disheveled. he put it in the box and bought her a new one, planning to toss the old one. we wanted a tree out back and figured we could make this messy tree into something worthy of the deck, so he brought it to us.
david spent time – lots of it – patiently untangling and cutting off the attached multi-colored light strands. then he attached the three pieces of tree, stacking them to see how it looked.
the tree – 6′ – stood limply, likely gasping from the trauma.
we decided to let it get some air and put it in the framed doorway between the living room and the dining room, where it could have a little space while we fluffed it a bit and decided about putting it on the deck.
only…
only, it started growing on us, this sweet little tree – just trying to be a loved-christmas-tree – stood there, quietly watching us and waiting for our decision.
we whispered to each other – about her – on the couch, so as not to offend the little tree. and time to time, we’d take turns stepping into the living room to gaze at it. to ponder.
and then he took four hundred lights and gently wrapped them around the little tree.
magic.
we stood back and knew.
i said, “let’s call it e.e.” not for ee cummings, though he would definitely get it – all our christmas trees through these years. but the little tree knows – inside, in its heart of hearts – his poem “little tree” word for word. e.e.
but the e.e. is for 20’s momma, her first and middle name initials. as she – at 99 – struggles a bit with her health these very days, we will honor her, hold space for her, with e.e.
the silver ornaments shine on e.e.’s branches. e.e. holds out her arms graciously. and those lights. and we are entranced.
little tree
little silent Christmas tree…
look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
“step confidently,” the stio catalog reads. there is an ad for boots – winter boots – and gorgeous pictures of snowfall and mountains and terrain where confidence could be challenged. we were just talking with 20 about those yaktrax you strap on your shoes to instill a bit of chutzpah as you walk on icy trails. anything to keep us outside. cause stuff happens.
yes. stuff happens.
and it happens fast. without warning.
a couple days ago i was walking from the kitchen to the sunroom – sans yaktrax – to let the dog inside. holiday music was playing and i was busy thinking about my next task as i approached the step down to the tile floor by the back door. i did a little math. i’ve successfully navigated this step – only one – at the very least – one-hundred-twenty-two-thousand times. but, somehow, and i have no idea how, i missed the step and fell flat – kerplunk-kind-of-flat-like-in-cartoons – on my knee. the one time i didn’t reach out my hands to stop myself – i guess those two other falls taught me something – but my knee took the entire brunt of the trip-fall.
i’m not sure the first thing out of my mouth was pretty or anything i’d be proud to mention here. my reaction – as i laid on the cold floor – was incredulous, thinking i was running out of appendages, wondering what vortex in the universe we had fallen into or if mercury was in retrograde or just what was happening here.
the xray technician told me that’s why it’s called an accident – because there is no real reason, but i was about as amused by that as other people to whom i have said those words. no real reason. she said, “stuff just happens!” uh-huh.
the nurse practitioner at the urgent care told me she concurred with the radiologist and – thank goodness – there was no fracture. geesh. she said a few days and we’ll see how it goes.
patience is now in order. time to spend with my knee horizontal doesn’t fall under “my favorite things” column. i’ll be hobbling around and sitting and trying to get things done, in a slew of time i can only label as “fraught”.
“you must begin by knowing you have already arrived. your true nature lives as perfect as an unwritten number, everywhere at once across space and time.” (richard bach – jonathan livingston seagull)
i followed the seagulls on my ten-speed. to the beach, always the beach. later, i followed them in my little blue volkswagen, their screeches out my open window, their soaring showing me the way. and i felt kin to richard bach, his writings about freedom and passion and dreaming and the meaning of life. we met at the beach – crab meadow – and talked telepathically. well, i talked. i don’t know if he was listening. he was on the west coast and i was on the east, though i suppose jonathan livingston may have been able to deliver any message of gratitude i had.
and so we arrived at the fat seagull. it is beyond me why we had never discovered this bar and grill tucked into the downtown of manitowoc. it’s a cheers! kind of place, people who know each other gathered at the bar and around tables, eating, drinking pints, playing games, talking. in the way of wisconsin pubs, there is a vast menu and we order a thursday special to split. the bartender tells us that the two wine glasses they had were broken so he gives us diminutive stemware and charges us less. we choose the bottle still corked, wondering who last drank out of the open bottle and how long ago that might have been. we are kind of strangers in a strange land…17 draft beers and traditional old-fashioneds surround us and our tiny wines.
we listen to live music and gaze around – at people, at the bar, the old wood floor, the ceiling. it is a study in perfection. we feel alive – out and about – a two hour drive each way – food we didn’t prepare – wine we didn’t pour. we talk about how it feels. we laugh and dance. we don’t realize it’s raining out; it had been a beautifully sunny day. we are glad to be there.
we end this week in uncertainty. we reach backwards, examining all we have done – so far – in life and work, what we have accomplished, what we have not. sixty-something is not youth, nor is it aged. it is somewhere in-between, located wherever we are. we bring all we know – and all we do not know – with us. we try to trust that we have arrived, that we are on the tarmac – or – in the terminal, that we – too – despite our lack of certainty – have flown, screeching and soaring.
“instead of being enfeebled by age, the elder had been empowered by it; he could outfly any gull in the flock, and he had learned skills that the others were only gradually coming to know.”
each time the trail curves, i can imagine it. next.
but as weeks go, this one has been harder. we tried our best to be positive, to believe that the new bend in our road is not so fraught. but, the fact of the matter is that it is. fraught.
we are pretty tough. kind of scrappy. definitely frugal. well, most of the time. we have both been presented with lean times in our lives. even our life together has had its lean times. we always eat leftovers. we always repurpose things. we always turn the shampoo bottle upside down. we always keep the heat low. we haven’t bought a vehicle in sixteen years. in some unknown intuitive move for which we are now grateful, we put off the big chimney-fireplace project, necessary but ridiculously expensive. we haven’t flown in three years. we find sanctuary in a forest we know well. we know where the trail curves.
and each time the trail curves, i can imagine it.
as the sun glimmers on what-looks-like the other end, i think – this is just one day, one week, one time in our lives. tomorrow will dawn and it might be a completely different day, starting a completely different week, a completely different time in our lives. and we just don’t know. again.
we are now in a woods we do not recognize, on a path we can not anticipate. off the trail we know. anxiety hikes with us, as do worry, sadness and disappointment. we worked hard on our plan, but the best laid plans are laid down. and this week, as weeks go, this one has been harder.
the sun quivers through the trees in front of us, setting. we keep walking.
day is done,
gone the sun,
from the lake,
from the hills,
from the sky;
all is well,
safely rest,
god is nigh.
fading light
dims the sight,
and a star
gems the sky,
gleaming bright.
from afar,
drawing nigh,
falls the night.
(taps - d. butterfield/unknown)
a merger between old navy and, say, dupont could bring play to the whole wide world. stands of thongophones could be simply everywhere. i can see it…people gathering, favorite flipflops in hand, making music.
it was hard to resist the pull of this two-octaved structure. flipflops – the paddles provided – were chained to the wooden stand, laying on the ground, waiting. it was just a delicious invitation – “try me, try me,” it called. and then, channeling the group chicago, “thongophone, in the park…”.
pretty crazy, it had good pitch for polyvinyl chloride, not necessarily known for its musical talent. and the flipflops? well, everyone knows how i feel about flipflops. they are the symphony of summer, so definitely a good choice.
i, generally, don’t walk up to faux musical structures like this. i usually stand back and watch others discover and play, reveling in their adventuring and exploring sound.
but this time was different.
i played first on the lower octave side. for some reason, the first piece i played was the first piece on my first album, galena. the first day i played galena was also in one of those situations i don’t usually take part in…instead, sitting back and watching others and supporting their fun.
that time was different too.
that time – encouraged (read: pushed) by three girlfriends, playing at the piano in the restaurant in galena, illinois – set me on a road i didn’t know was coming. less than a year and a half later, i released my first album. now, fifteen albums and a variety of singles and blahblah later, i look back.
and i look forward. i’m not sure what’s there. but this past week i stood at my piano and played and sang three songs for d and one of his dear friends. it’s been a long time. i apologized for the dust in the studio. i apologized that it was a little messy in there. d said rob cried. despite the dust and remnants of previous work piled around.
by sheer coincidence, today is the anniversary of that first album – 27 years ago. lots of flipflops ago.
today is a good day for a dustcloth, some garbage bags and a storage bin or two.
it’s not a thongophone in the park. it’s my piano.
the midterms are rapidly approaching. the rhetoric is amping up. the tv ads, the phone calls, the billboards, the texts, the email messages, the political mail in the mailbox – all dedicated to sway our vote.
i realize that this is the way to raise money, that this is the way to get one party ahead of the other. many voters will elect to vote a straight party ballot. some will vote without asking any questions. some will vote without any information at all. some will vote for vapid minds, choosing the rough edges of spewed anger, covert scheming. they are voting on a bandwagon – with truth obscured – and haven’t looked past the exterior of the candidates.
i was chatting quite some time ago with a college professor. he was teaching a class three days a week and was talking about his experiences. “anybody can be brilliant for an hour and a half,” he quipped. i laughed, thinking how true that is.
but it’s the long haul that counts. it’s what’s at the crux that counts. i wonder what is in the center of what motivates the candidates we are considering. what is past the exterior, what are the things they affirm, believe in, wish to move forward?
anyone can look pious, even righteous, in brevity, for short spurts of time. but these same pedestalized people can bring to the table masked and unmasked agenda that is riddled with inequality, marginalization, discrimination, divisiveness, violence, a thwarting of social, racial, gender, financial equity all under the auspices of brilliance. it is our responsibility to peel back the layers, to poke through the season-of-midterm blahblah, to examine the intentions, the integrity, of the people we choose – truly, in every arena – to represent us.
how these people manifest in their communication, their compassion, their fairness, their steadfast evenhandedness, their actual brilliance – not the hourandahalf variety – should tell us something important. if a person does not represent the values we uphold ourselves, the ones we would lay out to each and every one of those we love, why would we elect that person to represent us, to reflect us? if our vote was revealed to our loved ones, our children, our family, friends, community, colleagues, would we take comfort, would we have pride, in what was revealed?
for it is in our vote that we truly show what is beyond the exterior. it is in our vote that we truly show what is in our heart.
when i was choosing seats for the elton john concert in north carolina, the – predictably – least expensive seats were the ones with an obscured view. a pillar, a speaker, a wall…something was in front of the seats, not allowing you to see. or maybe the seats were behind the horizon line of the stage, the apron, making elton basically invisible.
clearly these seats – still dang expensive – weren’t right. i mean, if you can’t see him perform and you can’t really see the jumbotron why not just sit and listen to ej cd’s instead? clearly, that’s not the point.
so i stayed away from the obscured-view-seats and chose seats from which we could see all the action. high up, yes. but we could see it all.
we passed a sign in the chicago botanic garden, posted by a tiny trail. “by screening out views and creating hidden areas, this garden entices you to explore just beyond what you can see.” we couldn’t see into the garden…so we took the little trail in. it was beautiful and a little magical. a little secret garden. not obvious. beyond sight.
the work of an artist – of any medium – is like that. find the places just beyond. find the line of melody that tugs, that urges, that compels. bring those places to others so that they might explore them as well. past the horizon. past the stage. you can still hear elton from the obscured-view seats and you can still feel the energy.
in a thirty-plus year career as a minister of music i always felt that it was my job to introduce the obscured secret garden to others. for faith – regardless of denomination – is that which we cannot see, that which we cannot touch. my mission was simply to open hearts through music to see beyond what you can see, to explore beyond sight. grounding in the most basic of tenets – love, kindness, generosity, peace, embrace of all others, support, truth, fairness, equality, grace – i felt it imperative to offer music that might viscerally touch a person who might not otherwise be touched, to hold it all out there gently so that a soul could easily grasp it, hold it, be wrapped in it, be comforted by it. faith in something bigger in this universe is found in a river of changing times and circumstances and staying steadfast is like the path a leaf takes on that river, both raging whitewater and lazy currents. we open our hearts to explore, even though we cannot see.
it might be time to play my piano again. maybe. it’s been a long time – a couple years now, save for a few moments a few times. i haven’t been able to play it – the magic has been obscured from view – since, well, since i felt blindsided. but now…maybe now…finally…i can see the trail into the studio. maybe now the black and white notes lifting into the air – will heal hurting even just a little, will allow exploration and sight beyond the obvious tangible horizon, will open a heart again.
reverse threading 