reverse threading

the path back is the path forward

Tag Archives: fallow


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peonies in perpetuity. [d.r. thursday]

the time for our peonies has passed. they have been momentary, ephemeral. yet, even in their briefest of moments, their impact has been profound. their sweet fragrance wafted through the backyard, their stunning pink punctuated the green of the garden, their blossoms – from bud to full bloom – have been enchanting. and now, the green remains. i understand the plant is in full working mode – storing up energy for the next season of blooms. i already can’t wait to see them.

we planted a small herb garden on our potting stand this past weekend. basil, rosemary, mint, parsley. we added one dwarf indeterminate cherry tomato plant. and we placed a potted citronella on the deck. there is something infinitely satisfying about going outside with kitchen scissors to snip off the herb i need for a recipe. caprese salads or skewers, mint tea, parsley because heidi’s mom said everything is lifted with a little parsley, and rosemary – it reminds me of the brunch we had one day a couple years ago on the porch of the gingerbread house bistro up west of milwaukee. we split a steak seasoned with rosemary – i can still taste this delight. i’ll be using the rosemary today with roasted baby potatoes. all from steps away, an extension off our patio.

i wrote the album this part of the journey in 1997. piano-based instrumentals, a few of the pieces on that album had their moment on adult contemporary radio. and then, like all good peonies, they faded a bit, stoking up energy in the plant for next. but as i pull up the album and listen – last i saw you, the way home, good moments – i can still hear the pink, can still feel the peaceful wafting, can grasp its relevance. i still hear about this album from people out-there listening. it’s steps away from now, but it’s on an extension of the patio of my discography.

instrumental music – like peonies – has no half-life. both evoke emotional reactions – visceral reactions – both are steadfast in their passive zeal to just be. both wrap one in the right now. both go on.

i suppose, in a rare moment, i might one day put this album – or as it is – or any of my instrumental albums – on the cd player. i might sit down in an adirondack chair next to the peony within the concentric scent-circle of mint and basil, and simply listen.

i might be reminded of the moments in composition, the moments in practice, the moments in recording, the moments in concert.

and i might be able to see the peonies that will surely arrive next season.

*****

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in the great pause. [k.s. friday]

in the great pause we are experiencing, things have risen to the top.

they are the cardinals on the fence, the house finch sipping from the dogdish, the hummingbird at the feeder, dogga sleeping on the deck, the smell of sauteing onions and garlic, ice water in a glass, the sun rising out the sunroom window, the play of first light on our quilt, the sound of the trail under our feet, the mayapple flowers tucked in and peeking out from the canopy, the piney scent through the stand, the repeating arvo pärt on the cd player, photographs, the gurgling pond out back, bunbun and the chippies, glass doorknobs, the basil plant on the potting stand, the first coffee, a hot shower, lavender soap, open windows, butterflies, five-year-aged cheddar and sips of wine, writing next to each other, repeated ritual touchstones in our week, unrushed hugs, the squirrel highway, the sound of a text on the phone, anticipation, generosities, idiosyncrasies, the peonies, sunny days of little humidity, the feel of old wood floors under bare feet, hagstones, smooth worry rocks tucked in our pockets.

and with these things of absolute greatness, we slow down and – in the way of centripetal forces spinning, spinning, around, around – we center. and wait.

“this is the time to be slow,

lie low to the wall

until the bitter weather passes.

try, as best you can, not to let

the wire brush of doubt

scrape from your heart

all sense of yourself

and your hesitant light.

if you remain generous,

time will come good;

and you will find your feet

again on fresh pastures of promise

where the air will be kind

and blushed with beginning.”

(john o’donohue – to bless the space between us)

*****

taking stock ©️ 2010 kerri sherwood

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surely panting. [not-so-flawed wednesday]

and today – despite the dirt and the dried stems, vestiges of life-gone-past – despite the cold and the snow and the ice and the rain and all the elements that have torn into this plant and the critters that have refuged under its branches – despite the sun and the drought and no added nutrients and almost no attention whatsoever – small clusters of brassica-like buds have sprouted out of the ground.

they have persevered, they have sought rebirth, they have wiped away their tears of disappearance and their underground fallow and they have risen up, one tiny millimeter at a time, unnoticed until now, shoots of green in all the brown.

they have not been considered marvelous. they are not rare. they are not exquisite blooms, fragile petals, filmy tendrils connecting them to their lifesource. instead, they are curled cabbages, tightly wound and unwinding.

they are a little bit haughty at the spring and its sweet-time-taking. they are persistent, resilience at their core, hardy, paying no mind to the rules of march or april or, really, any season. they wait for no one to move the leaves and debris of winter. they are independent.

this new year of growth, this new season of their sedum-lives is pushing out of the good earth – despite all odds. they keep on keeping on, mustering up next and next, pushing aside all doubt, surely panting in their phoenix.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the pony. [k.s. friday]

and – up close – if you choose – you will see the foreleg of a winter-dressed pony, the extra cold-weather-coat trapping hair next to the skin of the horse, keeping him warmer. he is stopped, gazing at the distant field, ready to canter into it, the exploding of freedom of movement.

and you blink and it is a cattail. one of many in the field, waiting in the marsh through autumn and winter for early spring. as many as 250,000 seeds, white fluff sailing and transported by birds and breezes. and the life cycle continues.

it is winter in my studio. the rhizomes are gathering underground, together with the cattails. maybe around the spring equinox, maybe a bit later, the shoots will rise out of the ground – like a phoenix out of ashes – and new sprouts will grow and grow. the cycle germinates and pollinates and seeds will fly again. the birds and the wind and i will play for you – seeds and notes flying.

in the meanwhile, i wear my winter coat. it is keeping the heat in. it protects me. insulation for shelter in this long and cold winter, to shield in the storms, to brace in this fallow.

but soon, soon, with the sun and fresh air, the pony will run free.

*****

UNTITLED INTERLUDE ©️ 1995 kerri sherwood

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our living room. [two artists tuesday]

on a cold and cloudy day, the colors are muted. it is stunning. the trees have reached out and caught the snow as it flew by. the branches have held onto it, inches of white topping a narrow spectrum of greys and taupe, some tree trunks black in the dim. it’s quiet. we are – on most of the trail – first there, save for the deer and squirrels and rabbits who have left behind evidence of their passing. gorgeous. i am not cold, though the temperatures have plummeted. i feel wrapped by the woods, embraced. the paradise of winter is not on some beach somewhere. it is right here, in the middle of fallow.

it occurs to me that the colors there – in the woods – are the colors in our living room. i see now why – both – they are the colors we have chosen and why they feel so peaceful. the woods is in our living room.

i turn out all the lights – each lamp – the standing lamp, the side-table lamp, the lamp in the window nook, the lamp on the secretary – but leave on the twinkling white lights on the tall branches. they light the room just enough. they are the outside, brought in, a branch from the cherished tree in the front yard, a branch from the woods. they rise high above the old wood floors and bathe this room with starry light. they do not hold the snow as it falls any longer, but they hold memories and profound reminders of the rhythm of nature.

this is, yes, i suddenly see, why this is the palette from which our living room has evolved. it is muted, a quiescent slate from which anything can grow, in which any burst of new color blossoming is celebrated, a serene woods any time we need it.

*****

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the turtles. [k.s. friday]

i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.

the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.

but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.

*****

LAST I SAW YOU ©️ 1997, 2000 kerri sherwood

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in the questions. [k.s. friday]

i cleaned my studio.

finally.

took everything off every surface. dusted everything. put some things away. moved things around. got rid of excess. hung a favorite print. and – with great care – gently vacuumed the inside of my really beautiful piano, for full-stick is an invitation to dust.

i stood back, stood in the doorway, looking in.

the room was breathing. deep breaths.

i was breathing. immersed.

there is still more to go through. there is more to file away. there is former work-trauma to discard and there are calendars of choir music and ukulele band books and handbell arrangements and contemporary solos to box up. the first pass didn’t get all those and now, two years later, i am still a little paralyzed by all of it. that’s why it all needs to go. this process is taking longer than i would have anticipated. “mind, body, spirit,” she said. “it’s not likely others will understand all the layers. they will expect you to just move on, to get over it. they will not grok the wounds; it is all fraught.”

but there were staff lines in the sky. and the universe prompt is haunting me a little.

it’s always had a purpose – my studio – a direct line from standing or sitting in there to actual work. i’ve not just noodled or played because i was just playing. i’ve stood in there to write – to flesh out an album, to practice, to plan – the arc of music for a concert or for a church calendar, to teach – so many students through the years. it hasn’t been a place i go to without purpose, without an end-product, without a result i could see. as an adult, my studio has represented the potential for income; it has been a professional place. now there are questions. many of them. like living in a blank staff, i live – lost – in the questions.

i played my piano. a few carols.

there is one more day this year. and then 2023.

and i won’t carry carols into the new year. it will be time for something else, something less dusty.

there’s some way to go. it’s not as simple as it sounds.

the staff lines in the sky hold no clues, have no notes.

maybe – instead of reading that as tacet – silent – i might – and “might” is the operative word here – read that as a composition without designated key, without predetermined time signature, without definitive expression markings, sans any direction or boundary.

vacuumed and breathing.

an empty notebook on the stand. pencils.

full-stick.

we’ll see.

*****

lost. in the questions. – kerri sherwood

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waiting past dimly-lit. [d.r. thursday]

in color. it may be a while. winter is upon us. al fresco waits.

we walked past, on a dimly-lit day, as if there was a 40 watt bulb in a really big room. they caught our attention. i could hear the laughter and the clinking of dishes and silverware somewhere in my head, the strung lights turned on, maybe a little music. the picnic tables, the patio space wait.

we have had a string of days. dimly-lit. overcast and drizzly, a few snowflakes here and there, damp. the sun is out there, waiting.

we have had a string of days. dimly-lit. our spirits a little under-the-weather, a little tuckered-out, a little flummoxed. we walk the sidewalks of this small town, having gotten out of our heads a little. we assure each other – opportunity is out there there, waiting.

we pass signs of the holidays approaching…decorated trees, boxes of ornaments, star tchotchkes and packs of menorah candles in shop windows. waiting.

had we waited for dark, i’m pretty sure the little town west of milwaukee would have lit up. but we didn’t wait.

we drove home the backroads, through farmland and tiny towns. and when we got there we lit our own happy lights and sat at the table in our sunroom.

we talked about how lovely it was to just be out and about. a few moments in dimly-lit days with some added technicolor.

we bought our first led bulb. it’s 100 watts. we installed it in the kitchen schoolhouse fixture and made a stockpot of chicken soup by its light. we were surprised. the light was significant. we were going to wait, but the two-pack was on sale. so we didn’t wait.

the silver tree on the windowsill reflected the lights stretched across the open shelf. the star in the sunroom glistened, strung globe lights below it.

a little less dim.

the moon is waning, the stars are absent. but even in night-clouds, we see evidence-bits of them. waiting.

*****

WAITING ©️ 2004 kerri sherwood

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CHASING BUBBLES 33.25″ x 48″


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warmth wins. [two artists tuesday]

the tiny fallen branch must be radiating enough absorbed heat to melt the icy snow-pack just around it. the perfectly custom-shaped frame of snow reveals gorgeous long-needled pine laying on the ground atop a small clump of clover. the green in a field of frozen crunchy white was a beautiful glimpse underneath, a reveal.

things aren’t necessarily what they seem. and – though we sometimes remember we also sometimes forget – we find that there is more going on – beneath the visible surface – than we can imagine. i suppose it’s mr. rogers’ endings-beginnings, it’s george eliot’s “don’t judge a book by its cover”, it’s the cinderella song “it’s what’s inside that counts”… i suppose you just never know.

it served as a reminder on the trail. though fallow seemed to be starting and early winter was beginning to take its toll, a little bit of green busted through the ice, peeking out, asking us to notice. it seemed it was stored-up warmth that mattered.

reading and research bring up many physics and scientific theories postulated about this phenomenon, about the albedo effect, about dunes and wind, about snow and pine needles. they are all fascinating, but for me – it was mostly all about the disparity between what it looked like on the outside and what was on the inside. because we don’t always know what’s just below the surface – in circumstance, in the environment, in people.

but a little warmth (or albedo or a breeze) reveals a smidge. just a little grace, a little forgiveness, a little compassion, a little generosity, a little love.

it doesn’t take much – this tiny pine bough is proof, indeed.

warmth wins, every time.

*****

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the old deck. [not-so-flawed wednesday]

the old boards creak. and, at night – when it is bitter cold out – they pop, like the sound ice makes under your feet on a frozen lake, only not as treacherous.

in the summer he replaces the deck screws that have risen, stubbed-toe-tripping-hazards, worry about dogga’s paws. in the winter it is clear of all summer amenities. with just the old wooden glider and chair left, it is sans wrought iron, sans outdoor rugs that define its space, sans umbrella shielding our eyes from the sun while we dine, sans old door and happy-hour two-step ladders that hold wine glasses, sans fire column, sans record player, sans lavender and lemongrass. to look outside at the deck – even without snow – it is obvious that winter is approaching, the starkness is blatant and a little sad. we speak of a tree for out there and, if we go to the forest to cut one down we may cut down two and place one outside so that we can see it – lit – from the window.

the old deck has gone through many iterations, first built – by a dad and a grandpa – to help keep tiny toddlers safely playing – a railing all around and gates. a bright plastic little tikes picnic table anchored one end, with a round wrought iron table and chairs on the other end. back then, it was a place for snacks and bubbles, matchbox cars and babydolls, a turtle sandbox, and children dancing to a fisher-price cassette player.

the toddlers, past toddling, grew fast and, eventually, the railing and the gates were removed and the deck, still with the same wrought iron table, was open to the backyard, easy access to the swingset and the fort and, then, the basketball hoop.

years later, with the addition of the stone patio, it would be the place people would gather – for fourth of july barbecues, for the-big-dig day of the pond, for slow dance parties, for pre-wedding gatherings, gatherings for any reason. the old wrought iron table, another coat of rustoleum black paint, still holding vigil for food and gaiety.

and then, since it had no railings, it became the perfect place for ukulele band. folding metal music stands and bag-chairs, edge-of-deck-sitting, clothespins and laughter, there was no stopping the fun, the music-making and community, and, after, all would gather around the old wrought iron table and gnosh on schnibbles everyone brought along, to prolong time together.

during covid the deck became a place of comfort, a necessity for peace of mind. we slowly researched and watched for sales and added pillows and rugs and an umbrella-that-made-all-the-difference for dinners around that old wrought iron table, a little decor and some clay pots and plants for our outside sanctuary. we took refuge there, from cold days to the return of cold days – outside as much as possible.

and now, the deck is blank again, save for the snowflakes. the old wrought iron table and chairs are carefully stored in the garage and we can hear the boards pop and crackle from inside the sunroom and from here, sitting on the bed, writing this – the grey day outside begging for sun, the old deck waiting to see just how we might holiday-it-up.

*****

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