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home sweet home. [not-so-flawed wednesday]

“get outside.” “expand the confines of your life.” “surround yourself with beauty.” the youtube backpackers wander women kristy, annette and lynn have mantras displayed at the end of their videos. we somehow stumbled upon them; likely it was because they are currently hiking the pacific crest trail and they looked to be somewhere around our age. we have watched joey coconato backpack an inordinate number of times, and we know that we cannot be joey. we can’t even be joey-like. twenty years younger than us, he is stronger and bolder and with a vast amount of experience. the wander women, though also with decades of trail-savvy, made the trail look more accessible to us.

i have been moved by them. a few years ago they talked about what they wanted in life, made a plan and deliberately went about executing their plan. they sold houses, bought a diesel pickup and an rv and started living an itinerant lifestyle that suits their mantras. they are intrepid. one foot in front of another they have ticked off many of the big thru-hikes that linger on the edges of other people’s bucket lists. and, though we have watched them in question and answer videos and in gear videos and on various trails, right now we are following their progress on the pct. amazing. “home is where you are,” annette says, in answer to a question about how they feel about living in an rv and hiking. “you bring home with you,” she explains, totally secure and happy. they are a joy to watch.

most times we pull into the driveway – arriving from anywhere whatsoever – i say, “hello, sweet house.” it matters not how long or how briefly we have been gone; i am happy to be back and i guess i want our house to know it. animating a house is not likely on the restrained-unemotional-dispassionate-disconnected-unsentimental-apathetic spectrum but then i am pretty much an antonym-icon for all that. and i love our home.

that doesn’t mean i couldn’t love another home. i fall in love every time we are in the colorado mountains. i wish i owned most of the airbnb’s we have rented, so incredibly at home we have felt in them. i fell in love with the littlehouse on washington island; it was magical and we instantly bonded. we visited a tiny town in north carolina’s smoky mountains and thought, “we could live here.” we pined over a general store for sale in a tiny town in vermont, a place we could see ourselves hang our hats. my sister’s house, my nieces’ houses, all bring a sense of security and love. each one conjures up comfort. the up-north cabin for the up-north gang is a place of tranquility and laughter. 20’s condo is a place of serenity. friends have homes that are tranquilizing, soft places for our visits.

kristy and annette and lynn carry backpacks with less than 25 pounds of weight: their tents, clothing, food, water, supplies. that makes long-distance hiking sound more doable. “be bold” “challenge yourself” “create your life” they state at the end of another video. these are not empty words, not do-as-i-say-not-as-i-do words. they are living life in just this way. home sweet home for them is most undeniably inside them wherever they go.

the woodpecker who pecked out its house in this tree was just as fearless. undaunted by the size of the fallen log, it did what it knew – it created home. just watching a woodpecker create his own digs makes rv-living or driving up our driveway look like a breeze. i imagine that as the seasons change and life and time move on, there will be other trees in other forests, other home-holes, other places to nest, other welcome mats for this indomitable bird.

at a time when redefining is imminent, i look in the mirror and start to sketch out a plan, start to dream, to re-create life. it’s all amorphous right now, but our happy house – home, sweet home – cheers me on.

*****

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just as particular. [two artists tuesday]

“not like my mom at all,” she said, talking about decorating in an exquisitely joyful conversation. she described her template, “the colors of a desert sunset.” i was instantly in a different place, watching the sun go down over canyonlands and high desert. i can sooo understand surrounding yourself with the divine colors of these moments; i can sooo relate to taking them with you.

as a person who has surrounded herself with rocks and sandstone and sticks and branches and feathers and pinecones of the high mountains, i get the connection to these places and the desire to live within them, even if you are not there. she went on to describe the colors, a template that made me want to immerse in them, like a favorite quilt. i lingered in every word she spoke, this beautiful, creative daughter of mine, trying to remember each one just as she described it, store them away in the kaleidoscope of treasured bits of knowledge.

i walked around our house after that. black and white. a little bit of flour-tortilla. green plants. old clay pots. old wood floors. there’s a certain ochre in our sitting room and in the stairwell going upstairs. and there’s some barn red in the bathroom. it’s kind of a cross between the extremes of ansel adams’ color palette or sheet music tablature, golden sunrise moments, a new england farm, deep woods in the mountains, canyonland red rock.

the photographs i take everyday and everywhere vary. but lately, i have found myself drawn to these small canvasses of almost monochromatic still-life outdoor paintings, just waiting on the side of the trail, waiting in flower gardens, waiting in the woods. nuances of shade, a tiny pop of color … nature’s natural inclination to visual cohesion. i’ve been especially seeing the greens in the greens, really delicious shadings, no competition for spotlighting, just color intertwined and inclusive. i’ve noticed even more distinctly the genius of a single bloom, petite berries, nestled in all the verdant green.

i came home from such a hike one day recently and took out the 1940s opalescent aqua blue hobnail glass vase that was my sweet momma’s. it reminds me of sky and water; it reminds me of grocery store flowers my dad always bought my momma. it doesn’t go with our house, i had thought, going through bins and boxes. and then, i placed it in the window seat of our black and white and flour-tortilla living room, a gentle nod to days spent in the grass drawing with clouds and on long island beaches with coppertone floating in the air. a “yes” to my daughter.

she is right. the colors in our home aren’t the incredible desert pastel spectrum, the intensity of sage peacefulness our girl described – the sunsets she holds close to her soul. but it is as particular to the desire to surround oneself with that which is meaningful, to what resonates inside, to what gives you serenity, keeps you still in all the whirling world, brings you contentment, is part of the nirvana of tranquility, is your sanctuary. it’s decorating with true heart.

not so different after all. ❤️

*****

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tiny fountain. [two artists tuesday]

in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.

for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.

and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.

this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.

*****

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levels of color. [not-so-flawed wednesday]

we were the only ones. the only customers in the grocery store with masks on. there was one employee we saw wearing one, but we didn’t see any other shoppers with one on. the other day, at a different grocery store, we were the recipients of a few dirty looks. but heck, we have tougher skin than that. mostly.

we sat outside while the light waned, before the mosquitoes had rsvp’d they’d be there. torches on, flame dancing from the fire column, we had a few hors d’oeuvres and a glass of wine and talked about these times. there is a wistful dividing line between before and now. the pandemic has shot a chalkline in our calendars and even now, not quite after, we can see the difference.

the books arrived in the mail. it was one of those rare days when you open up the front door and see a surprise gift parcel on the doorstep. the books, memoirs of raynor and moth. the salt path, the first, a viewmaster of days during which, through the necessity of impossible challenges, raynor and moth were hiking the south west coast path in the united kingdom. “i think they are your people,” she wrote about this couple.

we opened the first paperback. i am reading it aloud and we have a voracious appetite to keep going in between all else. i read and we digest, this tale of backpacking without the reassuring fallback of retreat or going home in the end. it’s breathtaking and stunningly candid.

monday night i read aloud the sentence, “being separate from people for large chunks of time had reduced our tolerance levels.” it was not a statement of pandemic; it was a statement of wilderness camping. yet, it hit us – it was a statement of pandemic. so relevant.

if we are all honest with ourselves, we find now that the pandemic has most definitely divided our circles into before and now . . . and hopefully, one day, after. people who are absolute, people we have stayed in touch with or who have stayed in touch with us, even spottily, people who have fallen away. people who have shown true colors, people who have been generous and compassionate. people who have jumped at the chance to help others, to abide by recommendations to ease this pandemic, people who have chosen to be cavalier, go-their-own-way, to scoff and ignore, to not be any other’s keeper.

the season/reason mantra applies, we pondered aloud at the table, talking about past friendships and working relationships. some people, there with us at some point, are just not to be dragged into now. we appreciate their presence at the time they were present and we learn we must let go. they have become woven into who we have become and those threads remain somewhere in the interior of the quilt. but, in the way that time moves on, so do attachments. and even beyond the natural attrition of relationships – just like raynor and moth, though not on a wild trail – the simplicity of who we have become, what we have seen or done, where we have gone or not gone, how we have lived through these times, of pandemic, of loss, of challenge, of grief – this simplicity has changed us and, it seems, has changed our tolerance levels. as if they were on a cmyk or rgb profile – empathy, compassion, masks, vaccines, distancing, research, critical thinking, kindness, questioning, learning, truth, transparency, loyalty, generosity, inclusivity, gentleness, agenda-ridden-less, fairness, decency, basic dedication to not being mean…a wide spectrum of color levels in humans that surround us.

we were quiet as we sat and thought about people in our lives, what has changed, what has remained the same, people we yearn to see, people we, frankly, perhaps sadly or resignedly, don’t care to see again.

we gratefully looked around at flames in torches, food on our table, the dog on the deck, the old screen door to a comfortable beloved house merely steps away. the simplest pleasures have been, are, the pleasures. we cannot think of a reason that this is not a good thing. though we shed a few tears, we held hands as we spoke, together not separate.

the mosquitoes found their way to the deck. we blew out the torches, snuffed the fire column and carried our plates inside.

*****

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intrepid. [two artists tuesday]

and just like that – on a beautiful sunday driving a back road in wisconsin – little baby scion turned 250,000 miles.

we drove with the camera ready…ready to take a video of the 249,999-250,000 turnover, ready to stop and take a picture on the side of the road of this momentous moment. this tough, scrappy little vehicle is intrepid. with a few bumps and scratches (like the rest of us) and a few rattling noises (also like the rest of us) littlebabyscion diligently trods on, dutifully and reliably chalking up miles and experiences with us. and we are devoted to it.

we knew it was coming. we were less than thirty miles away, a mere backroads drive to lake geneva to pick up a piece of flourless chocolate cake in anticipation of our celebration of this no-frills little square vehicle. we planned our sunday afternoon around it, loaded dogdog in and, in sunday-drive fashion, took our time both on roads we knew and roads we turned onto, just to see where they went. we pulled over when it turned. it was astounding to actually think about: that this little car had safely driven me/us 250,000 miles. that’s 83 times across the united states! we sat there and thought aloud about all the places we’d gone in it, all the roadtrips, and all the really significant events that had happened.

when littlebabyscion turned 235,235 miles i recounted some of those; it is no less inspiring to me now. littlebabyscion delivered my girl and my boy – and all their stuff – back and forth and back and forth and back and forth etc etc etc to college dorms and apartments. littlebabyscion brought babycat home from florida. littlebabyscion drove across the country loaded with cds for concerts and wholesale and retail shows. littlebabyscion picked up david at the airport for the first time we met and drove us away on our honeymoon. littlebabyscion drove dogdog home from a farm in a little town on the river on the other side of the state. littlebabyscion took us back and forth and back and forth and back and forth to florida to see my sweet momma in the last of her life. littlebabyscion was our haven the day, on the highway to see her, my momma died. it held us safe, a buttress for our grief. littlebabyscion moved us all – with dogdog and babycat ferry-quivering each time – to the island littlehouse and then home again. littlebabyscion has determinedly climbed mountain passes to get to see our girl and driven in traffic jams out east and on chicago’s highways to see our boy. littlebabyscion has slept in rest areas, restaurant lots, parks. littlebabyscion has eluded storms and hail and snow and straight-line winds. like 20 said, when he heard of its milestone, “to the moon and back!”.

i asked steve, our miracle mechanic, what i would do when littlebabyscion reached 300,000 miles. “keep driving it,” he said.

he’s right. keep driving it.

so one of these days, a while from now, expect to see this same shot with 300,000 miles on the odometer.

you go, littlebabyscion, you x-ceptional xb.

*****

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momma’s 100th birthday. [merely-a-thought monday]

i hope there is chocolate ganache cake and asti spumante. today is my sweet momma’s 100th birthday and, wherever she is roaming in that other plane of existence, i want there to be an enormous celebration of this day she was born back in 1921. there is not a moment i don’t miss her. there is not a moment that i am unaware of her presence.

the dining room table is piled with all kinds of finnish glassware and etched crystal and scandinavian birchwood as i empty bins that have been packed for years. i carefully unwrap the end-of-roll-clean-newsprint that layers between these and i’m immediately reminiscent. every here and there there is a tiny note, written by my mom, to explain the origins of this vase or that kissing-couple-wine-stopper. i have many questions and know that they will now go unanswered. i find myself researching and researching, a google-fest of information about these items, some of which have no story i can access.

i am drawn to pieces and carefully clean them. we poured chilled white wine into a pair of chunky goblets, ittala ultima thule glass designed by tapio wirkkala, inspired by melting ice in lapland. yesterday i made strawberry rose sangria and poured it into glasses from a heavy crystal etched pitcher, which i remember was a gift to my parents early in their marriage. the other day we had happy hour snacks out on the deck, olives and crackers and goat cheese on hand-painted japanese china, a post-world-war-two-origin lost to me, served on a glass mid-century hazel atlas boopie berwick party platter (which is actually called a ‘smoke and snack tray’ but i can’t bring myself to call it that.)

the history gathers in our dining room and i can almost feel the cheers of my momma and my dad, my grandmother mama dear and grandfather gramps. they encourage my googling and they also encourage me to sort through and find the things that really resonate with me. i can hear my momma telling me, “pass it on to someone” or “sell it!” as i unpack more bins of things, things, things that would otherwise remain packed. although i still abide by the unspoken ‘beaky rule’ to saaave new things for a bit before using them, keeping all these things packed in bins for years, no, decades – unused – is silliness and it is rewarding time spent opening it all up, seeing what’s there, going through, incorporating these jewels into our daily life. i know that is making my momma smile.

today we will lift our glasses to my momma, our beaky, and celebrate her. her spirit and spunk live on. her stink eye penetrating look, her raised eyebrow “oh?”, her ‘write-a-lettuh’, her sisu, her new-yorkishness. her kindness, her storytelling, her love.

today i will light a candle and gently ring the delicate glass bell she and my dad received as a wedding gift and i will be grateful that this day – 100 years ago – my momma was born on this earth. for that, this world is better.

*****

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boomer farmers. [not-so-flawed wednesday]

i cut some valentino basil to toss with tomatoes and olive oil over pasta. in an eat-less-meat effort, d grilled some tilapia. we ate outside at the table under the umbrella where we could catch wafting basil coming from the potting stand and from the little trunk across the deck. we congratulated ourselves on our farming…at least so far, anyway. it remains to be seen how long we might be successful, whether the tomato plants will ever offer actual cherry tomatoes and if the basil will do that leggy thing that basil plants do when you don’t have natural green thumbs.

keith told us to watch the millennial farmer. since we have run out of joey coconato’s youtube backpacking videos and have literally watched each one at least twice, we tried the millennial farmer on for size. keith lives in a farming community and knows about tractors and fields and heavy equipment much much more than we do, but, we have to admit, after having searched for the first of the videos, we have a deeper appreciation for all of that and we know that the millennial farmer might likely tease at our measly stand of hopeful plants. no worries, we boomer farmers are happy and, more importantly, not overwhelmed by our choices. mostly, we love tomato and basil drizzled in olive oil tossed over pasta or in caprese salads. and any planting is still planting.

we had mulled over flowers for the potting stand. it’s in full sun most of the time so that meant we needed to make some careful choices. we are very aware of what we’re spending these days so that factored in as well. when we ultimately decided to just simply plant a few edibles we were excited and went to several nurseries to choose our plants. lowes got our attention for their $6.98 tomato plants – dwarf indeterminates – which we learned means that they will stay smaller and will bear fruit throughout the season instead of just once. milaegers got our vote for their basil. the valentino smelled heavenly and sweet and looked incredibly healthy (to us) at only $3.99. a few big old clay pots out of the garage and sweeping off the barnwood-and-pipe plant stand and we were set. tomatoes and basil – “soulmates on and off the plate.” ready for a summer of lightly tossed pasta and insalata caprese.

now, zach johnson – the millennial farmer in minnesota – might have some advice for us. the diagnostics and computerized tools and mapping and equipment that they use to choose planting distances and tilling and depths and variable rate seed installation and seed choices and seasons are mind-boggling, not to mention the super-sized mechanical equipment like tractors and combines and seeders and cultivators. the science of farming, the art of farming, he makes it all sound both easier and much more complex than we could imagine. his love and nurturing of the land, his life and his fifth-generation farm are obvious.

men’s health magazine calls his youtube channel “peak relaxation” though that is simply because we are armchair-boomer-farmer-watching. zach’s wise intention, according to his channel, is “to build the connection between farmers and consumers.”

we understand. we are now both. ok, ok. light on the farmer, heavy on the consumer. no barn here. just us and our potting stand, two tomato plants and a basil. and an appreciation for real farmers everywhere.

*****

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time is flying. [saturday morning smack-dab]

these days, in the middle of middle age, time seems to just fly by. at inordinate speed. slowing it down doesn’t seem to be an option. i guess my sweet momma was right when she said, “live life, my sweet potato.” don’t wait.

“LIVE LIFE, MY SWEET POTATO” stuff

SMACK-DAB ©️ 2021 kerrianddavid.com


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barney and the sunflower. [k.s. friday]

we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.

when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.

i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.

my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.

there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.

maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.

in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.

instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.

*****

tune in to my little corner of iTUNES

or tune in to my ever-growing PANDORA spot in the world

read DAVID’S thoughts this K.S. FRIDAY

PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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these birds are home. [two artists tuesday]

the angle of the sun changes them. our two green-eyed birds become four birds, elongated or shortened, light shadows on the fence or intensely dark and clear, a party of four. the shadows of our backyard birds entertain us just as the metal birds beckoned to us the day we found them in a tiny river road town on the mississippi side of wisconsin. though we aren’t big spontaneous purchasers, these birds with their green glass eyes seemed to be waiting for us, waiting to be brought home with us as we drove the budget truck on its last leg from seattle to kenosha.

we’ve moved them around the back yard. they’ve watched over the pond, they’ve hung out by the giant pine next to the garage. now, they share the garden along the fence, watching over the peonies and grasses and daylilies.

their genus and species classification was not identified in the outdoor space at the little shop in stockholm, but they mostly remind me of shorebirds, maybe herons, but with their necks scrunched down, their heads tucked onto their bodies. if you look up heron symbolism, it seems fitting for us to have these silent guardians watching over us as we started sharing life. the heron symbolizes tranquility and stillness. it also “signifies determination because we are bound to wade through marshes and ponds through life’s journey, but we must never give up.” heaven knows, that’s been true. in native tradition, i’ve read that they represent “an ability to progress and evolve”. indeed!

or maybe they are black-tailed godwits. the godwit’s latin name translates to “muddy”, so that would also be fitting, as we added them to our lives in water paths that were not clear to us. how can they ever be clear at the beginning, i wonder. how are they ever clear, period? in old english godwit means “good creature”, quiet goodness standing tall with us.

or maybe they are sandpipers, with sensitive bills. there are a variety of meanings attached to the sandpiper but my favorite to lean on is that they are “a good symbol for problem-solving and going great distances to achieve your goals, either physically, or geographically”.

no matter.

they are sweet metal birds, one of our first home purchases together. they stand outside reminding us of the early days, the new pond, the puppy days with dogdog, the ups and downs of new relationship in the middle of middle age. tranquility, stillness, determination and problem-solving in muddy times, lots and lots of wading, surrounded by good persons and, hopefully, evolving.

yes. i’d say these simple green-eyed birds are definitely in the right place. they are home.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY