we walked out of the parking garage and up the grassy hill to the path along the lakefront. a perfect day outside, we strolled as long as hunger allowed us and then we turned around, completely sated by art and fresh air, heading for the public market and bowls of gumbo at the fish market counter.
the idris khan exhibit “repeat after me” intrigued us. layers of digital repetition, scores of music sedimentarized into a single panel, stamped words superimposed on stamped words, scribbles on top of scribbles, it was surprising and fascinating. beautiful – seemingly blurry – images in larger-than-life scale, it felt an interesting statement of the concurrence of everything as it happens in this plane. in the collections of classic scores, words stood out to me: presto…poco rall (poco rallentando)…tempo markings…because he allowed them to be visible, i wondered if they were adjectives of his life then or just simply part of the music he was layering. i admonished myself then, aware of the overly analyzing curator mode to which i was succumbing. i remembered seeing christopher wool speak…the curator was going on and on about the psychological underpinnings of his work and he sloughed it all off – he was merely creating what he liked, what he felt he wished to express. art doesn’t always need to be analyzed – it is sometimes just your heart speaking out loud, on canvas, in image, in wet clay, in melody, in haunting harmony.
walking through this exhibit – from room too room- i was so aware of all the music books, sheets, scores in my own file cabinets. i kept thinking of ways i could incorporate all my collections into art pieces – for surely, there is little use for some of it otherwise and it will certainly go the way of recycling that millions of pages of music-on-paper have already. perhaps even an accent wall expanse papered with pages – the genius of composers gone before physically surrounding a studio space. the energy – sans the analysis.
idris khan called us. but, as always, *richard and mark and ellsworth* were there for us as well – steadfast and notoriously inspiring. we stopped by to say hello and they nodded the quintessential guy head-nod, barely discernible but a clear thank-you-for-always-stopping-by. we wouldn’t miss it.
we drove to have gumbo, hearts full and talking over each other about what we had seen. and then, the ride home was quieter, reflective and flush, revitalized.
*****
*favorites richard diebenkorn, mark rothko, ellsworth kelly
because it feels like the past, the present and the future all at once and – here – it all wraps around your heart.
we are both john denver fans. not the ridiculous push-to-the-front-of-the-crowd-for-a-signature type. just the quiet, eternally-grateful type. he has inspired us. he has inspired me. he made the simple melodic gesture a visceral thing. he elevated folksy messaging and storytelling; he reinforced the beauty of a lack of adornment. simplicity.
and when we stand in this beautiful place – designed to honor him, his composing and songwriting, his vision of the world – we are standing in and with his spirit. and you can feel it.
we slowly walkabout, arm in arm. we hum the songs chiseled into granite boulders. we stand immersed, pondering, in front of quotes of john muir and leonardo da vinci and helen keller and rachel carson and jacques cousteau.
the chicago botanic garden spring field guide arrived. a really beautiful small magazine of images and quotes and information, i have kept it nearby to peruse from time to time. on the last page – under a stunning close-up photograph of the bud of an orange tulip poised to open – are the words “thank you for helping us thrive.” the text goes on to express appreciation for members who “allow our community of plants and people to flourish.” without members and their support, the garden would falter. instead, they are thriving. “come alive this spring at the garden,” they encourage.
there are moments – as an artist – that you feel truly alive…even more than other moments.
the moment the theatre audience stands at the end of your concert. and – maybe even more – the moment of hush at the beginning when first sitting at the piano, boom mic poised.
the moment – performing in the glaring sunlight on a flatbed trailer or in the artificial light of a wholesale or retail show – people come to the very edge of the flatbed or the edge of your booth to tell you that your music has comforted them in a time of sorrow or has accompanied them in a time of joy.
the moment you open email to find a message – someone has taken precious time to write to you – that says, “our favorite piece of yours came on dish radio and we danced!”.
the moment someone orders twenty copies of a cd to give to all their family members.
the moment someone writes to comment on the many-many words you have penned.
the moment someone comments on your cartoon “i can relate.”
the moment someone says, “you have no idea how much of an impact you make.”
that is true. we actually don’t. have any idea.
it is with an abundance of gratitude that i think of anyone who has supported my – and our – creative work in the world: purchasing cds or tracks or tickets to a concert, forwarding a blogpost or cartoon, hanging a painting, sending us a written card or a virtual coffee. you have helped us thrive.
when you wear the shoes of an artist, you are not necessarily aware of any dent in the air you have made. you are not aware of the seeds of thought or questions or perhaps, hopefully, goodness that are scattered in concentric circles or in the breeze around or after you.
this minute magazine is full of inadvertent wisdom.
“love in bloom” is the garden’s initiative june 3 – september 24. magnolias and redbuds, tulips and shooting stars, azaleas and irises start off the spring. “blooms aplenty.”
you’re an artist and you know that your life is different; it lacks the security – particularly financial security – of others’ lives. the moment you look at the total bill for one of your full-length recordings you are reminded. the moment you open your meager royalty checks – in these days of online streaming – you are reminded. the moments you ponder what’s next. you are encouraged by people to make another album, author a book, produce more cartoons, yet you know that any of these are without the good heart-and-mind-fertilizer of solid footing, as there is no promised return on your dedication or time or that vulnerability that comes with the territory. yet, i stand next to my piano and ponder the scraps of songs, i linger over the keyboard of my macbook, wordsmithing manuscript, i lay out the next smack-dab and write the next blogpost. blooms aplenty. yes. asking for help? not so much.
“we hope you find inspiration in the brilliance of spring,” on a page listing 80,500 bulbs planted-last-fall.
you’re an artist. and you hope there is inspiration – even an incandescent filmy thread – in your work.
“the woods are a recovery story of resilience and bouncing back…” writes the managing ecologist, woodlands.
the albums, blogs, manuscripts, paintings, cartoon strips – all recovery stories of resilience and bouncing back. we – artists – are on tiny trampolines in the world, trying.
“consider making a gift so that we can protect and celebrate the natural world for many seasons to come,” rounds out the garden’s “thank you for helping us thrive” message.
share. pass on. join. follow. gift. donate. purchase. download. consider coffee. consider being a patron to an artist – of any medium – who helps you move from one day to another, one season to another.
“discover the world of spring ephemerals. the garden’s mcdonald woods…ephemeral wildflowers make their brief appearance.”
we – artists – are ephemeral wildflowers, making a brief appearance in this universe, ready for anyone who wishes to catch a glimpse, to share in the synergy of our art.
“in years with little to no spring rain, ephemerals produce fewer flowers and less seed, which can impact their ability to bounce back in future years….if plants are healthy enough and if they have the right natural disturbances such as fire, they are resistant to annual variability in the weather and can adapt to longer-term climate change.”
“i want to know if you will stand in the fire with me and not shrink back.”(oriah mountain dreamer)
we – ephemeral artists on our tiny trampolines – need the rain. we need the fire. we need you to stand in the fire with us. we need your help.
most of my friends who are my age are retired. they have had long and dedicated careers and, at the time of retirement, chose to retire and were ready to change directions and do something new.
some of them are grandparents now and wee babies and rambunctious toddlers, children growing, growing, take up their time. precious moments spent with these tinies, indelibly etched on their hearts, both.
some of them have chosen to spend time immersed in reading. they have cultivated friend groups who share their passion for diving into books, they discuss and ask questions and share.
some of them have opted for sizing up, adding acreage and livestock to their lives. i can think of no better example of this than linda who, with bill, has adopted multiple alpaca and a horse and a goat and the-most-adorable-donkeys.
others have elected sizing down, heading south, condos and pools and beaches and sun in their future.
some, like the wander women, have chosen a plan, shedding much of the life paraphernalia we all accumulate – absolute free and loose adventure in their sixties, opening themselves up to thru-hike and bike and camp and, inbetween, live full-time in their rv.
and some feel lost, trying on various hobbies for size, seeking satisfaction and fulfillment, an elusive goal.
i am not retired. i am no longer holding a we-pay-you-to-do-this-job but i’m not retired. i haven’t quite figured it all out yet, much like, well, probably, many of you. but i spend lots of time creating…writing, cartooning, writing. i have found birds and plants are speaking to me more these days and i have also found that i don’t require being around a lot of people. i guess i’m a little bit more introverted than i thought.
people have told me that – in losing my last position in a four decades long career path of music ministry – i can redefine. they, in all innocence and with sincerity, have told me that it’s an opportunity for a new beginning. i hasten to say that they might be sighing inside to themselves as they say this, grateful that they don’t have to start anew. we’ve all done it…sometimes it’s easier to be generously gracious when it’s not your challenge. nevertheless, it does feel like a new beginning, so that part is right.
but, in seeking inspiration, coming from life, from the universe, from reading an article, from a conversation, from moments blowing dry my hair, i realize that maybe in looking forward i am avoiding that which is obvious.
linda had more time to pick up knitting needles after she retired. she uses the wool from her alpaca, which she has cleaned and spins, to create beautiful knitted gifts. my favorite fingerless gloves, the ones that always remind me of the canyonlands with my beloved daughter, were made by her. she returned – in this time of a-little-more-space – to what she knew, what she loved to do.
the map of inspiration may bring me forward. but in its forward-ness, it may remind me also of what i know. the map might point out my waiting piano, the pencils scattered on the music stand, the boom mic stand in the corner. it might point out the pieces of writing i’ve started and put aside. it might point out the glee i get from producing our cartoon. it might point out the camera and the poetry and the ahhh’s they bring me. it might connect the dots back. to me.
i hearted the comment by one of their instagram followers. it read: “boss move. inspire when you go. inspire when you stop. along for the ride whatever’s next.” exactly our sentiments.
the wander women HAVE inspired us. they have entertained us, taken us along on their adventures, encouraged us to plan, made us dream. we have watched them thru-hike the appalachian trail, the continental divide trail, the pacific crest trail – the triple crown. we have seen them in their rv, bemoaning the ailments that aging graces us with, yet, embracing those ailments, researching, asking questions, dealing with the cycles of grief that accompany those kinds of changes and, mostly, doing something about them. they self-care through the trappings of difficulties; they are solution-oriented and flexible. they are thriving.
their latest undertaking is to ride across-country on surly bikes – rail-trailing – from “sea to shining sea”. they rode from the pacific ocean through the state of washington, into idaho and entered montana. things got sketchy in montana – this country is not yet equipped to ride straight-across – and they were riding on shoulderless roads next to semis going 70 and 80mph, gravel or wobbles threatening their every pedal.
we are proud of their decision to stop. 700 miles in and they have decided to find a new plan, they have decided their safety and the enjoyment of each day is more important than just keeping on in a precarious situation.
and yes….it’s a boss move.
the wander women’s fortitude and courage and open-armed seize of life and experiences have made us realize that, though we have not thru-hiked before, we can set it as an intention. we can picture ourselves outside, weeks, months at a time, reveling in nature and quiet and every step. we can see the toe guards and the snack bags and the ponchos and the headnets. we wonder how we might arrange amazon-drone-drops of wine every so often.
though we watch many trailhikers, many backpackers and, as you know, have a certain affinity for, among others, that elusive my-own-frontier joey, it is the wander women – kristy and annette and, on earlier journeys, lynn, who inspire us, people of the same ‘certain’ age. they made a plan and set goals – retired, sold off their homes, their stuff, paid off their remaining debt, bought an rv and have a somewhat itinerant life full of fabulous escapades.
our plan will not likely mimic theirs, but who knows. the important thing is that it is making us excited about planning, excited about deliberate movement in that direction. those amazing wander women have been active hikers together all along, for decades. they have paid attention to their growth, their middle-age-changing-bodies; they have been mindful about their self-care and their continued movement. they “get outside”. but, they had to start somewhere. our hats are off to them – kristy and annette.
“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)
each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.
i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.
i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.
but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.
the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.
now i understand. at least, i am beginning to understand.
my sweet momma and poppo would linger…watching birds, gazing at flowers, studying the horizon – be it shorefront or mountainside, cityscape or tiny town or rural farmland, slowly taking it in. in the hurry-hurry of my younger years, i would scurry past, noticing but maybe not really.
i am moving slower now. not because i can’t scurry, but because i am choosing to list to the linger side. though we still watch re-runs after re-runs of joey hiking and climbing and backpacking and pitching tents any and everywhere, imagining ourselves in those canyonlands keeping up, imagining ourselves on the pct or the john muir or the colorado trail, i know that our pace would not match the pace of joey or the exuberant younguns on heading somewhere or walking with purpose or the meticulous norwegian xplorer. we would be slower, lingering, lingering. i’m not sure that would get us from point a to point b successfully or in a timely manner, but i’m thinking that our definition of ‘timely manner’ may have to just be different. because now – in the middle of this grand middle age – is different.
for now i want to watch the birds and gaze at flowers up-close. i want to stop and stare, drop to sit on a nearby log and take it in. i want to notice the intricasies of all of it, the undertones, the overtones.
as i look at the close-up of this milkweed trailside i am struck by the layers of detail. it somehow makes me recall decisions between the major chord and the relative minor, a continuum of impact. it makes me think of melodic gestures, a spectrum of color and of grace. a horsehair brush extended from the heights of the universe, painting perfection in the woods. artists’ hands waving paint on canvas, cupping clay on a wheel, flying over the white and black on a piano, coaxing lines that make you weep from a cello. all the same. creation in all its iterations.
on the call pat told me that the music – my music – had harmonics, tuned with the universe, that made her travel. humbling.
for i see that is what my momma and poppo were doing. traveling. they allowed the beauty around them to touch them, to slow them down, convincing them – in all the infinite glory that beauty -and art- can muster – that ‘a timely manner’ was relative, that time was relative. that time spent in a slow linger was precious.
the little river band sings it, “time for a cool change….i know that it’s time for a cool change.”
that’s for sure. on so many fronts.
the horizon looks promising…the sun setting on the toxic, the sun rising – now, tomorrow, soon – on a deep cleansing breath of new.
we could feel it in the air on saturday. we wondered if it was our imagination. there was something. something kinder. something more generous. something hopeful.
we felt it at the gas station, pulling in just as a pickup pulled in from the other direction. the pickup stopped, backed up and pulled around to the other side, the driver waving as i called my thanks out the open window. we felt it at the corner, turning to head to the park, the trucker waving us on instead of taking his turn. we felt it on the trail, people wearing masks, allowing distance, eyes smiling above their masks, hands waving. something was different.
time for a cool change. time for healing. time for unity. time for responsibility. time for leadership.
yet, the next day, in the wake of this deep breath, in the wake of a called election, in the wake of inspiring victory speeches, i could sense the waves of anger rushing to the shore. the grace of the day before was a little less pronounced, the relief a little less relieved. the pulse of the nation had quickened and there was a bit of uneasy quaking.
i sat this morning for a bit, reading the narratives of the angry. i read the fights that people were picking with others. i read both intelligent debate and angry spew, baseless rhetoric. i read attacks on people of the populace, people fuming at an election loss, verbally going after other voters, some barely acquaintances, ugly, threatening words of vitriol splashed across social media and the news. my brilliant son put it well when he wrote of the harmful mean-spiritedness of conservatives toward anyone who voted blue. he wrote of the marked difference between that and the reactions of the left, who have specifically directed their dismay to those committing the heinous and not to everyday people. he pointed to the difference in the celebratory reactions of the left vs the right. his words ring true. and, devastatingly, this violence, whether verbal, emotional or physical, is incited by this president, his administration and the party that sits there, silent, complicit. it is indeed time for a cool change.
it is unfortunate, but not really mind-blowing, that this current administration continues to dial up the temperature on this. it’s consistent. compassion and kindness, honesty and the democratic principles of this country are not part of the equation for a president who is still coddling his own agenda rather than seeking peace and health for this nation.
this country is exhausted and, while 71 million people voted for this president, 75 million voted for a new administration and new light. because it is *most definitely* *way past* time for a cool change. it’s time to move on.
yes, little river band, “you KNOW it’s time for a cool change.”
so we stand outside, our faces to the wind and take a deep breath.
it is our meditation, our respite, our rejuvenation, to hike. so we find trails everywhere we go. our old hiking boots have stories of mountains and deserts, forests and rivers, dunes and sidewalks.
we choose to trek instead of anything else. for we have found that “in every walk with nature, one receives far more than one seeks.” (john muir, naturalist)
in these times of pandemic, our travel has been of limited scope. we have taken seriously the words of fervent scientists and medical experts to stay close to home, to wear masks, to social distance, to be always aware of putting self and others at risk. and so our spectrum of hiking trails has been reduced in range, the radius from our home none too large.
the river we hike along is well-known to us now. we know the curves in the trail; we know the bend in the river and where the water laps at the bank. we anticipate the small turtles on the rock in the tributary; we expect the butterflies to be numerous as we pass the field of wildflowers. we know where the mile markers are before we see them. we know where the mosquitoes will swarm. it doesn’t change anything for us. we still go. we still hike. for “into the forest i go to lose my mind and find my soul.” (john muir)
each time we start we are aware of how very familiar this place is. each time we finish we are aware of seeing it with fresh eyes. marcel proust’s words, “the real act of discovery consists not in finding new lands but in seeing with new eyes” comes to life with every booted step.
the place we go, the haven we seek, are trails that let us be quiet, trails that let us talk, trails that make us tired, trails that invigorate us. they need not be new.
each time we take any of our beloved trails or walks in the general radius of our sweet home we breathe air into anxious hearts, solace into worried minds, we stretch stress-tensed bodies, we are mindful of glimpses of eased souls, we draw inspiration from this good earth, we find the new in old.
i don’t subscribe to ‘inspirational daily’ but somehow this showed up in my email feed on thursday, a particularly good day to read the wise words of eleanor roosevelt. an activist, the first lady regularly published her musings and views. her accomplishments as a diplomat were far-reaching; her life story difficult and profoundly inspiring. and she was wise. her words remind me of sue bender’s words (from ‘plain and simple journal‘) “to reconcile our seeming opposites, to see them as both, not one or the other, is our constant challenge.”
what would either of these wise women say about our current climate, i wonder?
would eleanor roosevelt pine for the fine-tuned, thoughtful, intelligent discussions of her lifetime? would she abhor the fact-less, jarringly aggressive re-telling of stories, of narrative, all-dressed-up and skewed to one side? would she shudder to hear of attempts to decimate human rights, to place limits, to undermine? i can’t imagine that she would consider the display of indecency, of avenging and putrid name-calling ‘great-mindedness’. i fear she would, instead, point a wagging finger at the players and implore them to be wide awake, to be thinking, to be discussing idea and possibility and wholeheartedly move forward with conscience.
i wonder, does sue bender, in her middle 80s now, feel a sense of deep disappointment in a society that does not attempt to reconcile seeming opposites, does not see them as both, does not cross the aisle but instead builds walls of hateful rhetoric, looks for the worst in each other, advances the ugly? what would her kind soul say about the divisiveness, poisoning all in its rampant siege, a pandemic reaching unsuspecting venues, its toxic arrows out of the quiver and readied. how would she parse out the arguments, the lack of concern for the victimized, the harassment of those on the other side than the leadership?
goodness knows, i suspect both of these amazing women, living in different generations, would be saddened by this climate. they might weep in absolute dismay. or, they might just whisper into the wind, to whomever might listen, “great minds discuss ideas. average minds discuss events. small minds discuss people.”
reverse threading 