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Tag Archives: john o'donohue


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the squirt in the old-fashioned. [kerri’s blog on d.r. thursday]

mid-december. we are hiking. our favorite local trail that we know so well. carols are playing in my head as i sort through the christmas tasks yet to do, a little shopping left to finish. we round the bend and there – stretching in long shadows from a low sun across amazingly-green-green grass – is a music staff of lines. 

if there is any season that is closely associated with music, it is this. the shadow-staff pushes my focus into memories as we walk. 

i am deep into advent preparations back there in the recesses of thought. it’s been a bit since i have allowed myself to really think about it. in my last position as a minister of music i brought three decades of experience, the wisdom absorbed from many congregations, intuition gleaned as a stage artist and performer, and a heart full of dedication to the community. though it may not seem apparent to a churchgoer (or any religious institution attendee) the research and time that a music director will undertake for the music in that venue is immense. when it is well done, there is more to it than assigning a few songs to a few slots in a service.

the other day we had old-fashioneds with our dear friends. we stood at their kitchen counter and jen brought out a new recipe along with a very nice bottle of bourbon and deluxe cherries and an orange, complete with pre-cut curly peels for the side of the glasses and swizzle sticks. it was lovely – an experience in itself – we celebrated our time together in this season. as we each took sips following her cocktail-making, she looked up and said, “wow. this is really bourbon-forward!”. it was too much, too strong, too bourbon-ego, too solo. yowza! to continue to sip on a bourbon-forward old-fashioned can leave you cold to old-fashioneds in the future; it may even kill your yen for an old-fashioned. it will definitely undermine your bartending je ne sais quoi and the bar you are serving may suffer from your mixology. we all laughed and added some squirt to tone it down, swizzle-sticking to perfection. and suddenly – with jen’s good instincts – an exquisite old-fashioned, all ingredients integrated!

this morning we listened to the song that i am attaching to this post. it’s called “you’re here” and i wrote it while i was rehearsing the choir for the christmas cantata i arranged in 2019. it was recorded on an iphone sans proper mics with an out-of-tune church piano, so it’s pretty raw tape (so to speak). the thing it reminded me was of my approach as a minister of music. 

for me, any notes on a music staff in a church need be about resonance. how might i help the people there connect with their faith, that which cannot be seen, that which is fragile and strong, that which elicits love and joy and many questions, and that which tethers us to each other in the community? any worthy minister of music knows that is fluid and knows that each year in their work will bring more answers. this is not something you start out knowing. it is a practice and one must be humble enough to be learning from those around you, honing as you go. one must bring one’s game – professionalism, collaboration and service-oriented, stellar learned gut on-the-fly flexibility, tenderness and sensitivity in delivery, the innate ability to shape a worship service and its emotional journey, the buoying of others, joy-joy-joy of creating music and emotion together, the integration of every musical gift you have been given. and love. it’s what you put forward.

because i had never experienced it – ever- before – in any position i held, there are days i still wonder about being fired – particularly in the middle of a global pandemic – particularly after eight years tenure there. wondering, even now – three years later. especially at christmastime. because in every way i knew how – in the music programming of any church in which i was involved or employed – i was the squirt in the old-fashioned. 

oh well. in the words of john o’donohue, “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”

i get these specific emails – practically every day. they are from some church-administrative-oriented website. the latest emails address church staff and salaries. oh my! what a can of worms that is. though i don’t usually open them, i was forced to one day – the devil made me do it. the email was called “why fair compensation matters” and the first lines in the email read, “we believe when those employed to service in the church are paid adequately and fairly, they’re free to focus on their ministry work. the result? freedom from financial burdens and a flourishing ministry.” flourishing. it makes me think of green grass on the trail – even in december – despite all odds.

yes. yes. just as in choice of bourbon – or, for that matter, bartenders – you will get what you pay for, what you value. remember – you are about your customers and their experience – the community in your seats and on your barstools. skimp at the bar and the reputation for your old-fashioneds will get you in the end. likewise, the thing you don’t want in your place of worship? the bourbon-forward director. it’s too much, too strong, too bourbon-ego, too solo. not enough squirt.

it is truly about what you put forward – in your life, in your work, in love – and how you smush it all around, integrating it, with a swizzle stick.

merry advent from my place off the bench, sans baton.

*****

YOU’RE HERE ©️ 2019 kerri sherwood

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in the great pause. [k.s. friday]

in the great pause we are experiencing, things have risen to the top.

they are the cardinals on the fence, the house finch sipping from the dogdish, the hummingbird at the feeder, dogga sleeping on the deck, the smell of sauteing onions and garlic, ice water in a glass, the sun rising out the sunroom window, the play of first light on our quilt, the sound of the trail under our feet, the mayapple flowers tucked in and peeking out from the canopy, the piney scent through the stand, the repeating arvo pärt on the cd player, photographs, the gurgling pond out back, bunbun and the chippies, glass doorknobs, the basil plant on the potting stand, the first coffee, a hot shower, lavender soap, open windows, butterflies, five-year-aged cheddar and sips of wine, writing next to each other, repeated ritual touchstones in our week, unrushed hugs, the squirrel highway, the sound of a text on the phone, anticipation, generosities, idiosyncrasies, the peonies, sunny days of little humidity, the feel of old wood floors under bare feet, hagstones, smooth worry rocks tucked in our pockets.

and with these things of absolute greatness, we slow down and – in the way of centripetal forces spinning, spinning, around, around – we center. and wait.

“this is the time to be slow,

lie low to the wall

until the bitter weather passes.

try, as best you can, not to let

the wire brush of doubt

scrape from your heart

all sense of yourself

and your hesitant light.

if you remain generous,

time will come good;

and you will find your feet

again on fresh pastures of promise

where the air will be kind

and blushed with beginning.”

(john o’donohue – to bless the space between us)

*****

taking stock ©️ 2010 kerri sherwood

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this, too. [merely-a-thought monday]

in the middle of tempestuous times, you stand firm, dedicated and focused. you fight for what you believe in, you hold fast to what seems important. you are a warrior and you have a mission and you are unparalleled strength.

and the times pass and the seas level out and you slowly allow the storm to dissipate and the roiling foam on the waves to evaporate. you are a survivor and you have grace – for yourself, for others – and you are immeasurable learning.

“the way you look at things is the most powerful force in shaping your life.” (john o’donohue – anam cara)

it is in the tight holding-on, the clenching, the grudge, that the embers burn hot, easily sparked. it is in the loose acceptance, the fluid release, the forgiveness, that the embers are merely for warmth.

i could hear the firetruck getting closer and closer, until suddenly red lights were spinning around our living room. our neighbors had a chimney fire. they were fortunate and the fire department responded quickly and doused the inside of the chimney with chemical to extinguish the fire. we’ve gotten several chimney estimates in recent months, now put aside for a bit of time in order to budget in the pricey work. our neighbors have the stainless steel flues we want to install and so we wondered about how those could allow a fire to start; we thought the reason to install those was to avoid such a danger.

but it seems that even with stainless steel flues, one must chimney sweep them every few years. because the residue builds up. and then it waits. for the perfect moment, so to speak. a spark – uncontrolled – to ignite.

life lessons from a chimney. we hold dear to things we never want to forget. these memories are close to our hearts and cherished. i guess we need be mindful of those other things…the residue…the things best lived through and then forgotten, washed out to sea, chimney-swept from the places in our hearts residue might hide.

“this, too, shall pass.” (my sweet momma)

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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but those rustic barrels. [saturday morning smack-dab.]

we do love to read together. we’ve hiked the appalachian trail, the salt path, treacherous trails in iceland. we’ve read deeply moving novels like the shack, the best of us, factual accounts like 102 minutes, the 33….. we read mary oliver and rumi and john o’donohue and the book of joy and lyrics of songs and pablo neruda. it’s actually pretty magical to read aloud to each other.

romantic poetry is the stuff of friday night date nights. we haven’t read poetry on a friday night lately, but it sure sounds like a good plan – a fire out back, the gurgling pond, a fan gently keeping the pesky mosquitoes at bay, a glass of wine, a book of poetry and an itty-bitty-book-light to illuminate the pages.

our newest pablo neruda book asks questions – in spanish and in english. it is my preference to read them to david in spanish (neither of us having had any spanish instruction). we stare at each other – no, no, gaze adoringly at each other – and he tries to sort out what i asked. eventually, i give in and read the question in english. there are no answers in the book. only questions. and they are truly sink-your-teeth-into-them questions. we ponder and pull on them like taffy.

maybe tonight. a saturday night date night. glass of wine. firepit (though it will be about 80 degrees). if the lights strung across the yard aren’t enough, the itty-bitty will be nearby. and we will read delicious words of love and promises of bluebells and dark hazels. i won’t expect the bluebells or the dark hazels or gifts to be bestowed at the door, arriving through david’s remarkable ability to order them via AI or siri sending them as we read aloud (which may not be far from reality some day). unexpected gifts are rare these days, for many reasons. as we go through and declutter and clear out, we see we need little.

because, truth is, the sitting together is actually the gift.

but those rustic barrels of kisses…

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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sistered. [d.r. thursday]

the quiet is one of my favorite things each early morning. the world has not yet awakened, save for the birds. as the sun rose red into the sky today it was as if a silent movie was playing in the sky, strewn with color.

“stillness is the canvas against which movement can become beautiful. we can only appreciate movement against the background of stillness. were everything kinetic, we could not know what movement is. as sound is sistered to silence, movement is sistered to stillness.” (john o’donohue – beauty)

sistered.

it’s the rests that give meaning to the music – the breathing that makes owning a passage only yours.

it’s the white space that gives design power – balance revealing subject, a viewer’s ability to see.

it’s the negative between the positive – giving definition, directing eyes to move.

it’s the imperfection that accords perfection.

it’s standing still that makes dance dance.

it’s less words that gives impact to more words – wisdom is not measured in the verbose.

it’s dark that gives the stars life – a stage for shimmering pinpricks of light, gigantic close, tiny from afar.

it’s noise that makes the whisper worthy of delicious goosebumps.

it’s the tide going out, coming in that makes the waves, the low-tide sand pushing the wave higher.

it’s absence that reminds us of the potency of presence.

it’s sleep that gives energy to awakeness.

it’s dreams that give shape to reality.

it’s quiet – gentle hushed sunrising birdcall-punctuated quiet – that feeds the wearied cacophony in our minds as we start anew. offered with possibility, with crayons or colored pencils or thick oils to fill in our day, peeking into spaces of nothingness, seeing past what we see, coloring over the lines, entering the negative space, uncluttered and still.

sistered. beautiful.

*****

read DAVID’S thoughts this D.R. THURSDAY

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the waxing moon. [not-so-flawed wednesday]

“the beauty of the earth is a constant play of light and dark, visible and invisible.” (beauty – john o’donohue)

i prefer to think of it as waxing, not waning. growing in illumination, not heading toward darkness. the moon on our ceiling just above the crown molding shows up from time to time. the conditions need be right, the lighting need be perfect. and then it’s there, waiting to be noticed. i ran for my camera the first time i noticed it, afraid the shadow-and-light interplay would quickly disappear.

like everything else around us – waiting to be noticed – we are always in choice about noticing or not. we can take the time or not. we can nuance our time to scurry past or we can slow down, just a little, to see.

i recently saw an article about spain, a country that embraces the siesta, a time of rest within the day. there is consideration there to move to a four-day work week in an effort to balance work and life. it is hard to imagine that there is much more important than paying attention to that balance. what else is living? why are we rushing through it?

i really love to take photographs. our hikes in the woods and walks in the ‘hood and time-just-being-time are punctuated with my stopping-stopping-stopping to grab a photo here or there. some things are just blatantly beautiful, visible and full of light. they need not beg to be captured on film. others are not so obvious. they are not so visible, darker, perhaps even invisible, courting imagination. on the trail they disappear silently behind the woods-models, the fashionable haute couture of the forest. instead, they are quiet and steadfast. they have a certain je ne sais quoi that cannot be easily named. and they are indeed beautiful.

on the trail, the tiniest pink petals rising from the decayed leaves, the green-and-green variegated leaves tucked behind the flowering shrub, the fallen tree – home to symbiotic white rot fungi – in and amongst the stately, the healthy. the thistles, dried and browned wildflowers, inosculated trees sharing soil, underbrush, like understudies, taking their usual back seat to the crowns of the woodland.

in our daily routine, the way the spring rain forms a heart-puddle on the patio, the way the snow piles on the wrought-iron table, the way rays through the miniblinds shadow the wall, the way barney ages in the backyard, the way wine glasses clinking catch the light, the way the quilt gathers the morning sun, and the way the light in the living room gifts us a waxing moon.

the balance of the obviously beautiful with the less-obviously, less-definitively beautiful.

we take a bit of time as we can – we slow down just a little as we are able – to make sure that we notice the play of light and dark, visible and invisible.

we look around us, through waxing and waning, standing in the light and the dark. to make sure we notice all the beauty of the earth.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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dog and cat. [not-so-flawed wednesday]

his best friend. he waits at the door for his best friend to return. his sorrow is quiet, subdued. his grief is confusion, dedication to a belief that babycat will come home. he has never been in this house without him – not even a day – and this last week has been heartwrenching to watch his reaction. his sadness is palpable, his loss profound.

the first few days after his babycat disappeared he was almost silent. dogdog is never a silent dog, so this was noticeable. without a sound, he looked everywhere for his cat. with lydia’s wise recommendation i tried to visualize for him all that had happened once his babycat had left the house, to give him some context, to let him know he did not have to wait, to tell him that his babycat was now in our hearts. he looked deeply into my eyes and then looked away, as if to dismiss my explanation, to hold close his own perspective, his own interpretation.

‘the boys’ spent the days together – every day since we brought dogdog home as a puppy. they’ve navigated through changes and ups and downs with us. they’ve kept us amused and entertained. they’ve nuzzled us in our times of angst. the rare times they were apart were very few times that we were on a trip. they moved to the littlehouse on island with us and adapted, finding mutual spots at the place where the kitchen met the living room and the sun streamed in. the noise of the ferry on the crossing scaring babycat, dogdog stayed close to him, signaling all was well. they channeled reassurance to each other, touchstones of steady, ever-present. they shared their water bowl and cheered each other on when it was time for treats. where one would go, ultimately the other would follow. and at the end of the day, butt-to-butt, they lay on the raft, waiting for us to sleep. babycat ruled. they were best friends.

last tuesday morning as i sipped coffee on the bed and babycat lay curled up down by my feet, dogga jumped up and laid down. gently, with all absence of play and what seemed in all seriousness, he moved his face over to babycat’s face. they laid nose to nose, heads on the soft old quilt, their hushed stillness, in retrospect, a clear display of their great love for each other. after a bit of time, babycat’s symptoms surfaced suddenly. and everything in the world changed for our sweet dedicated-to-his-cat aussie.

i understand dogdog’s quiet. though our presence and snugs and words to him might help, solace will only come in time. “woundedness is one of the places where normal words and descriptions break down.” grief is not limited to human hearts.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the soul of the earth. [two artists tuesday]

“it never occurs to us to wonder how the earth sees us. is it not possible that a place could have huge affection for those who dwell there? … could it be possible that a landscape might have a deep friendship with you? that it could sense your presence and feel the care you extend towards it? … perhaps each day our lives undertake unknown tasks on behalf of the silent mind and vast soul of nature. during its millions of years of presence perhaps it was also waiting for us, for our eyes and our words.” john o’donohue’s continued writing in this passage from beauty so reinforces personal responsibility for our good earth.

have you stood in a place, grounded into the dirt, unable to step away? have you hiked in, willing the trail to never-end, to not enter back into the sphere of bustling humanity? have you laid in the grass, your eyes on the clouds, pushing sleep just a bit to the side, creating words and shapes and animals in the sky, laden with sun-color, untouched by crayons or paint? have you touched the bark of a tree that whispered to you wise words with deep roots? have you cradled the petals of a flower gently in the palm of your hand, silenced by its fragility, its complexity?

and what has the good earth felt about us? have we offered the same solace to its soul? has it been moved by our tenderness? is it listening to our carefully-chosen words to each other or is it reeling, dumbstruck, at words thrown willy-nilly, demeaning phrases, curses and mean-spiritedness uttered in its place? does the earth trust we will do the right thing, that we will preserve its goodness for centuries to come? can it feel the love we have for it or is it begging us to notice the litter strewn on the ground or yet another person who throws trash out the car window? do places we go miss us when we leave or is there a sigh of relief as we pass through to the next place? does this soul wait for our soul to return?

the feeling you get when you arrive somewhere you have never been and yet you know you have been there before. the exhilaration of feeling the invisible source of serenity, the tethers of strength. the freedom you feel at the edge of the canyon, your heart beating wildly, a connection to all that has gone before you and all that comes after you.

how can we ever know the difference we make to the soul of the earth?

how can we not know?

responsibility.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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tacet root vegetables. [k.s. friday]

ritenuto: an abrupt slowing down of tempo

tacet: silence of instrument

fermata: pause of unspecified time

and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.

the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.

i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.

it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.

and now.

i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.” (john o’donohue)

it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.

upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.

my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.

read DAVID’s thoughts this K.S. FRIDAY

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unpredictable beauty. [two artists tuesday]

“sometimes beauty is that unpredictable; a threshold we had never noticed opens, mystery comes alive around us and we realize how the earth is full of concealed beauty.” (john o’donohue)

a simple errand. we needed to pick up some furniture to transport in big red for a friend. destination: ikea.

there is something magical about ikea. we hadn’t been there in ages and were relieved to find few people there and everyone masked properly. vowing to hopefully come back soon and browse a bit, we pulled the boxes off the shelves on our pick list. pushing our cart to the front checkout lines, david, more than once, had to re-focus me away from the enormous displays of product. iphone in hand, we wove our way through the covid-floor-circles-disney-style line, waiting our turn at the cash register.

every where i looked, we were surrounded by interesting color, repeated pattern, textures that begged to be touched. david, more than once, softly called my name from the other side of the pushcart, gently spurring me out of the threshold-of-alive-mystery-of-concealed-beauty, snapping pictures with inordinate joy. “k-dot,” he would quietly prod.

the spatulas called my name too, repeating patterns of red-mama-dear-lips making me smile. spatulas are usually not mysterious creatures, but their color, design, stacking lures you out of ordinariness, opening that threshold, the place for glitter to be seen.

it wasn’t just the spatulas, though. i was victim to the lint rollers, the stainless steel utensil holders, the cork trivets. hidden beauty everywhere. i could feel my sweet momma and poppo cheering me on; they were likewise entranced by ikea.

if safety allows, we will return. there are a few small things on my own pick list i’d like to consider purchasing. but mostly, i just want to wander the aisles with my camera, noticing the unpredictable beauty.

yes, not a bad way to spend any day. noticing the unpredictable beauty.

read DAVID’s thoughts this TWO ARTISTS TUESDAY