“still, what i want in my life is to be willing to be dazzled – to cast aside the weight of facts and maybe even to float a little above this difficult world.” (mary oliver)
we check on the world right before sleep these days. we feel like it is a citizen’s duty to know what is happening in our own country, what is happening because of our own country, to be aware of the chaos, to be somewhat versed in the goings-on, to try – without success – to understand where it’s all headed and to – somehow – grok why. it’s all nearly impossible. and it is overwhelming.
we check on the world when we wake these days. we feel like it is a citizen’s duty to know what is happening in our own country, what is happening because of our own country, to be aware of the chaos, to be somewhat versed in the goings-on, to try – without success – to understand where it’s all headed and to – somehow – grok why. it’s all nearly impossible. and it is overwhelming.
and we know that there is less and less probability of it all making sense. for this must be intended-chaos and the world is ever more difficult because of it.
we sat at the bistro table in our sunroom with a glass of wine. dusk had fallen, the happy lights were on, dogga was on the rug at our feet.
we talked about the unsteadiness of these days.
and we talked about our own steadiness. we talked about the sweet phase.
we talked about sitting on the rocks in the middle of the stream way up in the mountains on a cool, quiet afternoon.
we talked about the change in our own chase of success – what that word even now means to us.
in spite of the world outside our sitting room – even with all that in mind – we could feel a sense of amazement.
we listed little things – the happy lights, the chiminea in the corner, the muddy hike, the score of finding an eight dollar glass candlestick lamp, the celebration of homemade pizza.
we listed bigger things – things more personal, more close-in, adulting things, things of quiet but profound accomplishment.
we acknowledged that – despite the broken road meander of our lives – even in the weight of all the cruel, mind-bogglingly destructive actions of this planet – we can see the dazzle around us.
and that’s the thing. the dazzle.
we need to recognize its presence. we need to keep seeking it. we need to keep reaching for it. we need to wrap our freaking arms around it – for dear life.
“i don’t want to end up simply having visited this world.” (mary oliver)
“survival lies in sanity, and sanity lies in paying attention…” (julia cameron – the artist’s way)
here’s the thing i have discovered about mint: it is a survivor.
we bought the scrawniest mint plants – looking like they were fading away even as we paid our $2 for them. we brought them home and planted them in some good soil in an old barnwood planter that is somewhat self-destructing. we put the planter on the seat part of an old kitchen chair in the corner of our tiny potting stand garden, knowing that the sun would reach these tiny hopefuls and that these container gardens would have my rapt attention. and then we basically backed up and let nature do its thing.
and, despite some seriously hot weather, some seriously wet weather, some serious challenges from neighboring vines wishing to choke off access to nutrients, the mint has prevailed. it just keeps keeping on and the planters are burgeoning with mounds of luscious green mint.
i had heard – from people who know their stuff – that it would be important to keep mint in a planter rather than planting it in the ground. they said that mint would take over all else in the garden. i can see where that might be true – it is pervasive and aggressive about growing – resilient and tenacious and not at all timid.
which brings me to what i believe might be a good definition of an artist.
i had to have a crown re-affixed this past week – my utterly superb dentist simply popped the crown back on and aimed a blue light of some magical quality that will make it stay there. while i had my mouth gaping open he asked how we were and what we were up to. without the aid of consonants i said, “artist stuff” and he nodded.
artist stuff.
probably a better answer than “oh, we’re just being mint. you know.”
and yet, it is the job of an artist … to be mint. to be pervasive and aggressive about growing, resilient, tenacious and not at all timid. to keep growing despite all the odds, to keep creating regardless of acidic soil or toxic chance of sunstroke or over-saturation or dehydration. to keep paying attention and asking questions and pushing the boundaries – to simply survive.
I wouldn’t have compared myself (or d) to mint before. I would have preferred being sweet basil or maybe spicy jalapeños or willowy dill. or, better yet, i might like to be a pale pink sarah bernhardt peony or a daisy or a sunflower rising above a verdant farm field. mint seems so….survivalist.
but – even as i mosey through that fantasyland – the one where i am gracefully encompassing a body that is tasked with, well, different tasks – ones that are rewarded in traditional fiscally-rewarding ways – i am grateful to have been burdened with these tasks, the task of mint.
to keep on keeping on. to be as beautiful as the ordinary can be. to cling to living and to encourage others to pay attention to the very littlest things. to dance and laugh and sing raucously and to raindance sanity from the universe-sky to a world that is not sane.
“i believe art is utterly important. it is one of the things that could save us.”(mary oliver)
“you are a child of the universe. no less than the trees and the stars, you have a right to be here.” (desiderata)
i don’t suppose i ever really fit in. i was the youngest in my family – separated by a decade – while most of my friends had siblings their own age. i grew up in a neighborhood where the kids were somehow athletically gifted, while i took organ and piano lessons and sat in my tree writing poetry. an early entrepreneur, i pulled a wagon around our neighborhood selling baby cactus cuttings and candles i had made. i didn’t go to – or get invited to – wild parties or cut class or skip my homework. i took bike-hikes and walked on the beach in the winter while everyone was at the mall or the bowling alley or the movies. i didn’t listen to the stones or grateful dead or led zeppelin (with the exception, of course, of stairway to heaven – everyone’s prom theme). i listened to john denver and gordon lightfoot and the carpenters. i wore off-brand clothing and didn’t keep up with fashion trends. my momma bought me less expensive boy-pants and found the offbeat stores for shoes-that-look-like-trendy-shoes-but-are-not, like my cherished construction boots. my first car was my dad’s vw beetle, nothing fancy but beloved. i had numerous part-time jobs through high school and then in college and knew the joy of serving corn flakes to both me and my dog missi for dinner. i never thought of myself as weird. but i suppose – if one considers the definition “may have unusual habits, interests or ways of thinking that set them apart” it could be true. i don’t see that as negative, though i also suppose that – depending on the way you see yourself fitting into the world – one might consider it such.
so the sticker “stay weird” hung upside down and backwards made me laugh aloud. somehow my laughter summoned mary oliver and she and i enjoyed a good chuckle about the infinite extraordinary of the insignificant and the everyday, the value of seeing the usual through a filter of unusual.
weird took a very long hiatus – it was safer, less vulnerable, and kept me out of trauma i had shelved. i pursued the inevitability of having to make money, to help support a household in a more meaningful way than the way of an artist. for this society – though its love for the arts is profound, its support of the arts is less so.
it was after my children were born, after the imperative was too loud to ignore, after the perils shushed a bit – when it was time to start releasing music. writing, practicing, recording, performing, marketing, booking, hawking – none of this is necessarily standard-work fare – it is unusual, it is tenuous, it requires a bit of courage. it doesn’t have the same parameters as a workday in corporate or structured america. it has no guarantees of reward, no regular paycheck. it is steeped in personal challenges, the need to be scrappy and the sisu to put it out there.
in the time that was the heyday of my recording career i would call absolutely anyone, regardless of their position. as the owner/artist of my label i have talked directly to vice presidents of sales of barnes and noble and borders books and music, owners of publishing houses, the personal managers of ridiculously successful recording/performing artists. i’ve sat in j. peterman’s messy office chatting (of the j.peterman catalog and seinfeld fame) and in the spare chair of radio program directors. i’ve danced across the stage at qvc-tv under a disco ball and played songs live over phone conferences with oncological pharma higher-ups. i’ve stood in the rain on flatbeds playing, embraced boom mics over my piano on theatre stages of all sizes, sang in front of 35000 people in support of cancer survivorship in central park. pushing the boundaries, carrying a little chutzpah along with belief in my own artistry was everyday life – and necessary. and i’d remind myself each time i picked up the phone or stepped into the unknown the very fact that we all breathe in and out the same way. this thing we have in common, i would tell myself – breathing. surely i could connect on that most basic of levels.
as outside the conventional box as it all seems, i didn’t feel weird. i felt in my skin.
and so, apparently, the weird continues. we know we are different than others. we have a certain run-and-jump into vulnerability that others do not. we have a certain pull towards creating, experimenting, learning – all in the public eye. we share because we have to, not because anyone has to receive it.
so, yes, the “stay weird” sticker really spoke to me.
though my life – and our life – is quite a bit different than the traditional lives or retirements of lovely people we know and care about, it is somehow just right for us. i never forget the corn flakes and he never forgets the sleeping bag in his studio space. every everything counts and we are reflexively careful about not being frivolous. for us, weird has granted us a certain appreciation of the littlest things, honoring simplicity and leftover pasta, redundant black thermal shirts and a shared bin of socks, used notebooks and repurposing taken to a new level.
what one does with one’s “wild and precious life”*…
“may i be the tiniest nail in the house of the universe, tiny but useful.” (mary oliver)
it was astounding. we were on a hike and heard a crack in the woods. we looked to our left – where the sound had come from – and watched a towering tree fall onto the forest floor. powerful. humbling. just stunning to witness.
naturally, we looked it up – is there meaning to being the sole persons witness to a tree falling in the woods?
in what would seem narrative written for the moment, these words: transformation, renewal, release, resilience, cycles of life, interconnectedness, impermanence.
we sat – later – on our deck – and talked about these words.
the experience of something so rare fell right in line with another experience we had this week. for the first time while hiking, we encountered a bobcat. the big cat was on the trail and watched as we approached. it didn’t take too long before it glided into the underbrush, over toward the river. but it left us just as stunned. such an elusive creature.
and…at a time when looking for meaning in what is going on around us seems so difficult…we wondered, is there any? we found that our very rare bobcat sighting was a reminder to acclimate to shifting circumstances, to embrace change, seize new opportunities, to thrive though all that is ever-unfolding.
now, that’s two stunning events in less than a week. i might say we are paying attention. we have been present to the rare; we pay homage.
so as we carry on here – doing the best we can to be tiny nails – to make a tiny difference, our theme song is one of adaptation. in variations on the theme we do what we can to seek new beginnings, to shore up our inner strength, to be useful, to be aware of the profound impermanence of it all.
i told him the other day I wasn’t sure if i had anything left to say. in the lostness following this horrific election, i still feel all the things i have already written about – truly gutted.
i would imagine that there are many of ‘me’ out there. heart-broken, infuriated, exhausted, confused, feeling betrayed.
and in that wanderland of grief sit the questions of “what is real?” and “who is real?”. they nag at me – wherever i am. we escaped to the trail and they followed me – sitting heavy on my heart, ponderous.
real (adjective): 1. actually existing as a thing or occurring in fact: not imagined or supposed.2. (of a substance or thing) not imitation or artificial; genuine.
and
real: behaving or presented in a way that feels true, honest, or familiar and without pretension or affectation.
and so i look at life now and think about what is real and who is real.
the “real” i knew would have stood by me, by my family, by values i assumed we shared, by the lifting up of humanity.
the “real” i knew would have been morally aghast by the cruel, devastating intentions of the new maga-regime.
the “real” i knew would have pushed back against all of it – leading with goodness and kindness.
but i guess the “real” you wanted me – and everyone else – to see wasn’t really real. and i will now admit, you fooled me.
i suppose – like many others will – that i could pretend it doesn’t matter. i could act like it doesn’t matter. i could interact like it doesn’t matter. i could just go on as if it doesn’t matter. but it does. it matters. it’s real.
mary oliver wrote, “you can fool a lot of yourself, but you can’t fool the soul.”
so even as i fight the internal fight – trying – irrationally – to hold onto what or who is really not real – my soul knows.
and, like many of you trying to process this soul-knowing, i am deeply sad.
“have you ever seen anything in your life more wonderful than the way the sun, every evening, relaxed and easy, floats toward the horizon and into the clouds or the hills, or the rumpled sea, and is gone –
and how it slides again out of the blackness, every morning, on the other side of the world…” (mary oliver)
and, in the high desert of moab, i watched as the sun took its rest from day. slowly it sunk down below the mesa in the distance, slowly hiding behind the mountains, slowly the sky echoed that it would be night, that we could now slumber and wake to yet another new day.
and, in the morning, we rose before the sun had graced the top of the east peaks. we stood and watched, waiting for this next new day, another day that would be filled with beauty, with grand landscapes, with awe.
“and have you ever felt for anything such wild love – do you think there is anywhere, in any language, a word billowing enough for the pleasure that fills you, as the sun reaches out, as it warms you as you stand there, empty-handed…”
here, back at home, in our adirondack-chaired backyard, we try to recover from covid. we move slowly, slower than the sun, with far less energy, far less potential at the moment. we review our time out west, looking at pictures, telling stories. we are in a strange fog right now – waiting for the sun of restored health to burn off the woozy.
we sleep, we eat bits of food, we hydrate, we sit outside. we write a bit. we scroll. we, unfortunately, are compelled to watch the news.
and it is as we watch the news of this election – as i think of the people who are supporting the madness of a candidate who has vowed retribution on the american people, i am stunned to my core that i know these people, these maga voters.
i am stunned that under the very sun that has graced each of us with warmth, with life itself, there are supporters who will elect this distorted human being with dreams of fascism in his blank eyes. i cannot imagine he has ever watched the sun rise or the sun set – for, if he has, he has lost the dream of what life itself is, what living together under the sun could be.
“or have you too turned from this world – or have you too gone crazy for power, for things?”
“whatever a house is to the heart and body of man-refuge, comfort, luxury-surely it is as much or more to the spirit.” (mary oliver)
we’ll travel a bit soon. a trip that’s been semi-planned – and postponed – for some time. even before setting out, we know it will be great fun, adventuring with friends, moseying the country with them. there is a sweetness to anticipation.
and it’s funny. every time i get close to going away – anywhere – i have a distinct appreciation for our own home. there is something that rises up for me before a trip – a reminder of how really dear home is to me – our old house, our backyard, this amazing lake just a bit to our east, our dogga, our life here. we take walks in the days before leaving and mother earth does her very best at impressing us – a showcase of unparalleled beauty, a display of what’s-right-here.
and it’s no different this time.
even the unexpected worn-gasket-water-pipe-union spewing water into our basement cannot change this feeling. even d’s all-day wet vac duty, carpet that was soaked, stuff that needed to be moved out of the way, the unplanned cost of an expert plumber – even all that didn’t dim this appreciation of home.
we have traveled a lot together and i have become aware of how true it is that you carry home with you. we’ve taken home – together – overseas and all over our nation. this trip will be just the same – a great exploring – while holding home between us.
we are excited to go, to be fed by new places and new experiences, fodder for our muses, our spirits expanding with the time away.
and, at the same time, here i am – smitten by our own home, my spirit filled before we even leave.
there was a tornado watch. because i am pretty storm-averse, i was vigilant about checking whether it would become a tornado warning. i have things prepped for such moments and have put them into practice each time a warning has come our way.
some storms, though, are not forecasted with such specificity. these – the ones we can’t prep for – are the stuff of bootstraps. these are the ones that test our levels of fear, our anxieties, our outrage, our limits of patience. we try not to imagine the worst as it all starts to shake out. we struggle. sometimes we simply flail and tread water, wondering when it all might stop. we are surprised by the people around us – in both good and not-so-good ways.
we’ve all been through these storms. to be human is to encounter them. health, relationships, work – the storms come and test us, buffeting our attachment to things-staying-the-same, our cling to the season.
and after a bit of time – and some mussing of our lives – we emerge.
and the pilot light* is still there. it’s still lit. the job of pilot lights, it hasn’t dimmed nor gone out. it’s just simply waiting. a tiny flame. waiting. and burning. and waiting.
and then, eventually, after a great deal of time or a very little time, the new season begins.
“…for some things there are no wrong seasons. which is what i dream of for me.” (mary oliver – hurricane)
*****
*crediting mark with this superb expression – “the pilot light”
the magic dots showed up. it is a happy day to wake up and see them.
with just the right angle of the sun and just the right angle of the miniblinds across the room on the east side windows of the bedroom, they sometimes – but not all the time – appear.
it is a little bit like fairy dust, the twinkle at the end of a magic wand, floating bubbles, glimpses of angel wings. and what could possibly not be good about all that?!
i have awakened in this room most of the 35 years i have lived here, save for bedroom rebuild/remodeling time and other moments here and there. with five windows, there is no shortage of light. it is bright and, though – like rooms in old houses – not big, it is airy.
it is spirit-lifting to wake up and see them…these magic dots dancing on the wall. and, during a time that is testing my spirit in more ways than i care to think about, i am grateful for the dots.
they poke at me, prodding me with mary oliver urgency – “what do you plan to do with your one wild and precious life?” “eh??” they add. “well?” they insist.
they know – these magic dots – that there is much to be done. they know there is much to work through, to see to the other end, to process.
but seeing them reminds me to carry them with me. to not forget the fairy dust, the magic, the bubbles, wings in the middle of it all. to hold it all more lightly.
for, like, the magic dots, it will all disappear as the sun rises and the rays tilt in a different angle. with one turn of the miniblinds, they will be gone.
but in the meanwhile, they invite me to dance with them.
most of the time i can feel this. though sometimes, i am too busy or rushed. and though sometimes, i am frazzled with thoughts. and though sometimes, i am worried or distracted. and though sometimes, i have forgotten the simplicities in the midst of complexities.
i felt it though. and it was palpable.
the driveway greeted us as we pulled in – familiar cracks along its way. the wires overhead tugged and dipped in the wind. the leaves leftover from fall and winter blew in front of us. the house whispered, “welcome home.”
and this time – this time – i heard it. clear as day, as they say.
the whisper of a home – this place i have gone to for rest and nourishment, for creative work and rejuvenation, for the growing of beloveds and the gathering of friends, for belly-laughter and sob-filled tears, for refuge and solitude. this sanctuary. this place.
as we drove – on our way home – i could think of nothing better than to enter our home, hug on dogga, throw on my sweats and comfy boots, prepare a small meal. in this place.
my nest.
“this morning, in the fresh field,
i came upon a hidden nest.
it held four warm, speckled eggs.
i touched them.
then went away softly,
having felt something more wonderful
than all the electricity of new york city.”(mary oliver)
reverse threading 