it is most astounding to me. each and every time. it doesn’t matter the shining of the sun or the drizzle or the misty humid air or dusk falling around us. and though it is familiar – oh, so familiar – it is new when we visit, our footfalls on the path erased and lasting as we walk. i’m comforted by this trail. and it teases me – into truly wondering about thru-hikes and exquisitely ordinary days that explode into extraordinary just by entering them.
this is an easy trail. we have hiked many others. easy trails, moderate trails, difficult trails. elevation gains, a little scrambling here and there. but when – and it is often – we need an old quilt of a trail and time to be quiet, to think, to talk, to sort, to sink into astounding beauty, stillness and ever-percolating life, we hike here, close by.
my camera is ready. i try to capture it all to remember. the trail is full of linear lines now as the underbrush succumbs to the season. a bounty of astounding. even in transition.
i believe – as we enter the woods – that it greets us back.
and as we leave – filled up – it waves and whispers, “see ya.”
“have you ever tried to enter the long black branches of other lives — tried to imagine what the crisp fringes, full of honey, hanging from the branches of the young locust trees, in early morning, feel like?” (mary oliver)
texting with our son, who was about to attend a music festival out west, he wrote that i would probably like the artist. he sent a link to the teaser of above and beyond’s song “gratitude“. i followed the link, loved it, jaunted over to the full-length, and loved that.
the everest youtube paused, we followed the soundtrack song to find that new favorite i wrote about in may, “you and me“.
it is not likely we would have just stumbled upon either. there had to be a tiny opening, a tiny window, a door to something new.
explorations don’t have to be gigantic. they can be mini adventures, pocket-sized, teeny-weeny, a moseying into something unknown, a reminder that there-is-just-so-much-out-there. exploring creates a yearning to explore, a synergy of sorts, to keep-on-ing.
mary oliver, in her book, “long life”, writes of “what she calls ‘the little alleluias’ in her days and in her doings.” (frederic and mary ann brussat) those tiny noticings. micro adventures. “nature, animals, the soul, place, and literature.” and sound. and music. and touch. and color. and laughter. and cooking. and creating.
in these days we don’t get far. our roadtrip juju has been poking at us for months now; our last roam was in december. that’s a long time ago for two people who love roadtrips. but work and an intentional budget and, yes, covid, have kept us closer to home. “soon”, we say to each other, “soon.” and then we sigh. the mountains are calling, the coast and points north, family down south, family out west.
in the meanwhile, we scout out other exploring. we paint rocks and hide them. we dance on the deck. we listen to music we don’t know. we pay attention to the girl, the boy, friends tell us about things we might like. we use two tortillas instead of one.
last night we had the best pancakes for dinner. gluten-free. and real-live maple syrup. my niece sent me the link to them. breakfast for dinner. it’s not a trip to the mountains, but it gets us to the foothills of adventure. something different.
exploring is like snickers minibites. sometimes five grams of delicious feeds us.
we do love to read together. we’ve hiked the appalachian trail, the salt path, treacherous trails in iceland. we’ve read deeply moving novels like the shack, the best of us, factual accounts like 102 minutes, the 33….. we read mary oliver and rumi and john o’donohue and the book of joy and lyrics of songs and pablo neruda. it’s actually pretty magical to read aloud to each other.
romantic poetry is the stuff of friday night date nights. we haven’t read poetry on a friday night lately, but it sure sounds like a good plan – a fire out back, the gurgling pond, a fan gently keeping the pesky mosquitoes at bay, a glass of wine, a book of poetry and an itty-bitty-book-light to illuminate the pages.
our newest pablo neruda book asks questions – in spanish and in english. it is my preference to read them to david in spanish (neither of us having had any spanish instruction). we stare at each other – no, no, gaze adoringly at each other – and he tries to sort out what i asked. eventually, i give in and read the question in english. there are no answers in the book. only questions. and they are truly sink-your-teeth-into-them questions. we ponder and pull on them like taffy.
maybe tonight. a saturday night date night. glass of wine. firepit (though it will be about 80 degrees). if the lights strung across the yard aren’t enough, the itty-bitty will be nearby. and we will read delicious words of love and promises of bluebells and dark hazels. i won’t expect the bluebells or the dark hazels or gifts to be bestowed at the door, arriving through david’s remarkable ability to order them via AI or siri sending them as we read aloud (which may not be far from reality some day). unexpected gifts are rare these days, for many reasons. as we go through and declutter and clear out, we see we need little.
because, truth is, the sitting together is actually the gift.
it was, without a doubt, one of the holiest moments i have felt in the middle of almost ten thousand people. it was more organic and held more of a sacred hush than most church services i have attended or of which i have been a part, which is saying a lot since my professional work as a minister of music was over three decades of tenure. it was, without a doubt, something i will remember – a visceral memory – forever, probably.
matt maher was singing onstage at red rock ampitheatre, nestled in gigantic red rock formations and mountains in colorado. mostly just him and his piano, his simple but profound lyrics had everyone on their feet, arms around each other, strangers and friends all alike. moving from one song to the next, this man-who-was-not-the-headliner wove a net of love-for-humankind around us all and, for a few moments in time, we were transported to a place where love was – truly – the way.
“…and love will hold us together make us a shelter to weather the storm and I’ll be my brother’s [sister’s] keeper so the whole world will know that we’re not alone…”
the aggression of our neighbors, our leaders, our country, our world is a broken path, filled with trolls and ogres, bastardizing efforts of goodness.
this time is surely fleeting. we are reminded, sometimes cruelly, of this every single day.
i walk on dusty trails, on the cement sidewalks of our neighborhood, in the grasses of mountain meadows, on the sand of seashores, always looking, looking. our walks, our hikes – these are the places of true sanctuary. for, often, in those other places there are bellicose voices, desiring argument, pushing agenda. so instead now, we walk and breathe in the granola of the universe, under the sky of all possibility.
and in the way of nature, they appear. heart-shaped rocks, heart-shaped leaves, heart-shaped raindrops, heart-shaped puddles. reminders, always, they stop me, sometimes to pick them up, sometimes to photograph them, sometimes to just simply ponder. always, always, they give me pause…moments to think of beloveds, moments to have quiet gratitude, moments to think of love.
“love is a place
and through this place of
love move
(with brightness of peace)
all places
yes is a world
and in this world of
yes live
(skilfully curled)
all worlds”
(ee cummings – love is a place)
though the world does not shake out the way we might choose it to be, we have the choice whether or not to reach out and put our arms around the person next to us, whether we know them or not. we can choose to be shelter for each other or we can choose to be antagonistic. we can choose to weather the storm or we can choose to be the storm.
we can choose to be alone or we can choose to be together.
“tell me, what is it you plan to do with your one wild and precious life?’ (mary oliver)
picture-of-the-day is a driving force. every day now – straight – for over two years – i have posted a picture of the day on our thread. when covid was first present in our world, now two years and a couple months ago, my son suggested that each of us, my son and daughter and i, post a photo a day and it would keep me feeling more in the loop; the connection would be reassuring. i oh-so-agreed and have been really deliberate about these images.
no words necessary, though any kind of descriptor is welcome, these photographs are a glimpse into each other’s lives. i take it really seriously and i celebrate any time either one of them posts a photo, loving the window-in. and all day i look for the photo-capture that will be my picture-of-the-day. it’s a practice i love. intentional observing of the world around me. we all see the same things; we all see different things. i love noticing. and i have found – as in anything – the more i notice, the more i notice.
“the notion of attention … to see that the way the flicker flies is greatly different from the way the swallow plays in the golden air of summer…” (“our world” – text by mary oliver, photographs by molly malone cook)
we hiked over the weekend. we hadn’t been on any trail in a couple of weeks as the weather has been uncooperative. our hike was punctuated with my stopping and stopping again. so much to photograph, so many changes in the forest. i want to go slow, slow; this is not a get-your-heartrate-up exercise, but my heart was exercised nonetheless. so much beauty to see, so many tiny miracles within my reach.
david does not rush me. we were there – on that trail – to rejuvenate, to breathe, to take it all in. how do i capture that in a picture-of-the-day, i wondered. i photograph the new dandelion sharing gravel with the path. i photograph shy tiny pink flowers bending down toward the earth. i photograph the mayapple which has suddenly burst into the underbrush world. i photograph the trillium not yet blooming and wonder aloud which warmer day this week they will open to the sun. so many greens. full spectrum, not just the verdant new spring grass. slow, slow.
“i lean and loafe at my ease observing a spear of summer grass…” (walt whitman – “song of myself”)
it rained the day of this post’s photograph. again. it had been raining for days, grey end on end. my picture-of-the-day would depict the rain, a dissatisfaction with the lack of sun. but, even in that frustration-of-waiting for the lamb days, i knew i could find something to notice about the rain, something to give pause.
the trees in the reflection – still leafless – reminded me. the rain falling here – brutally absent in drought-corners of this world – gentle and insistent, driving and adamant in turn, brings new growth, a transition to a new season, washing away the dust and salt of winter and its tears.
“it was my pleasure to notice such things…” (mary oliver – “our world”)
poised and ready. tiny seedpods waiting. their release will come with the wind and the rain and, surely, this spring is bringing that. and they will float and fall to the ground and be sent swirling and land in the meadow and the pond, on the river and on decaying nurselogs nearby in the forest. some will take root and others will not, for their form has changed too much in the rain and wind for their function to remain the same. but there are many, so the tree’s explosion of blossoms have guaranteed its legacy.
in every moment of communicating with others we are tiny seedpods. poised and ready to release with the wind. what will we scatter?
our words are not without volition; we have the choice of what to say, the choice of how to say it. the moments of measuring a response, of pondering a question…these are moments of great import.
“all summations have a beginning, all effect has a story, all kindness begins with the sown seed.” (mary oliver- what i have learned so far)
how many times we wish we could take back a comment, retract a judgement, shrink back from a story told. how many times we wish an other would-not-have-said-that, would apologize, would consider all the implications of something said in spew, or even in -what they feel is- jest. we know a tiny slowing-down, a quick brain-heart-lips check-in, a fact-check, a compassionate re-wording, would all change the minute our words – or theirs – hit the air, with the wind ready to sail them on and on.
tiny seeds sown on the breezes of everyday life. seeds that take root and grow.
“we plow the fields and scatter the good seed on the land…”(stephen schwartz/john michael tebelak – all good gifts)
good seed.
“i’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.” (maya angelou)
i did a photo shoot with my cello. it’s a gorgeous instrument, elegant and full of tear-your-heart-out melodic possibility.
i am sitting at the edge.
i clutch onto it tightly, yearning to yo-yo-ma, yet knowing this edge is somewhat irrefutable. in my heart, my wrist, the tendons of my fingers ache to bow, to press string to fingerboard. the edge pushes back. i know that it is time and that no dream in the night – onstage with soaring, weep-worthy lines – will change that.
my edges – like conglomerate rock, a mixture of wishes and knowings and new – reorganize in the kaleidoscope of life. and, because life is like that, surprises will show up, lit by spotlights and sunlight.
and, once this stunning instrument has moved, as it should, from my studio to the embrace of someone else, i understand that, though my hands will not touch its graceful lines and resonant soul, there will be other learnings, other touches. and always, other edges.
“though i play at the edges of knowing, truly i know our part is not knowing, but looking and touching and loving.” (mary oliver)
i don’t believe there is much more frustrating than trying to get the attention of someone you love, someone you care about. you keep upping the ante, waving your arms above your head, metaphorically jumping up and down, raising your own bar time and again. just to get their attention. you try more-achievements-for-1000-please, imploring-for-800-please, passive-aggressive-ignoring-for-600-please, lonely-weeping-for-400-please, poor-acting-out-behavior-for-200-please, but none of it seems to work.
i read in the book “the sentimental person’s guide to decluttering” (claire middleton) a few days ago that the author suspects “people who only need a cup, a plate and a blanket are cold-blooded”. i know this was in application to stuff-in-the-house. but i would hasten to add that it applies to relationship as well. some people, in an unplugged, unsentimental-about-other-people way, don’t need any more than a cup, a plate and a blanket. it all seems such a waste of good time.
when my adored big brother died i was pregnant with my second child so i was an adult, 33 years old. though it is just shy of 30 years ago now i still vividly remember the stunning realization that the world kept going anyway. i had lost grandparents; i was a bit familiar with grief. but this was strikingly different. i could not grok how the world kept going without my brother being able to feel it. this sounds like gibberish to some, i suspect, but grief is not linear nor is it rational. it asks questions of our heart and mind and it slays us with feelings of overwhelm at moments we don’t expect. i looked to a gift i was given – a ceramic sign that says “this life is not a dress rehearsal” – and i thought “pay attention!”.
a few days ago i was talking to one of my long-lost-and-now-found-cousins on the phone. she told stories of her mom, my dad’s sister, things i had never heard. i could literally feel my heart swelling as i listened and laughed and i wanted more tales of my sweet dad’s growing-up years. the summer home upstate new york, the rice in the sweater pockets from mice and the snakes in the outhouse, housekeepers i was unaware they had, the mob boss around the corner in the city. my grandpa’s felt business in brooklyn, piecing felt for pianos, of all things…that connection. a little bit of touch-back, an hour of family-i-had-lost-in-the-confusing-shuffle-of-life. building. paying attention. being astonished.
in a world full of intricacies and details and deadlines and accomplishment and competition and agenda, to stop and pay attention is sometimes a challenge.
to marvel at the song of birds at dawn, to watch the east sky change in answer to the western sunset, to taste the first sip of coffee in early morning, to stare wide-eyed at your grown children…astonishment in exponential depth.
to tell stories of life’s moments, the tiny ones, the top rung ones, the puddle-on-the-floor ones…is exponential sharing of living.
to pay attention to the other, really pay attention – without prompt and without reward – is exponential love.
“it is a serious thing just to be alive on this fresh morning in this broken world.” (mary oliver)
really, truly exquisite. the last few mornings have been exquisite. we woke up early-early on saturday and sunday morning, nowhere to be, sat and sipped coffee and listened to the quiet world outside. our impulse was to be home, to read together, to write, to go slow, to exercise in the basement, to sit on the deck and watch the birds, the squirrels and the chipmunks, to cook good meals. we felt no need to go anywhere. instead, feeling the sun and breathing in a cool breeze, we reveled in the staying-here.
as headlines point out, the pandemic is heating up. again. the prediction that there will be 300,000 diagnosed daily in mid-august is stunning. so much sickness, so much loss. we feel fortunate to be vaccinated and we are dedicated to continued safe practices. we want at least ten thousand more exquisite mornings, at least ten thousand more days, ten thousand more sleeps. to sacrifice now, we feel, is to bestow upon ourselves a chance at those ten thousand wishes. it IS a serious thing just to be alive. and, even in moments of taking it for granted, we don’t take it for granted.
if i could find a four-leaf clover or blow the puffball off a dandelion or spot a shooting star or spy a haywagon from the back, i would issue a hope for each of us to recognize the gloriousness of this very day, each very-day. to stand in responsibility for each other and to seriously choose to mend the tiniest piece of this broken world for the rest. to stitch together the biggest quilt honoring the inhabitants of this good earth, each thread an acknowledgement of gratitude, each piece of fabric a choice to take care of each other, to live in community the best we can, to do everything possible to keep each other healthy.
just to be alive in this broken world takes some chutzpah. sacrificing for the whole takes some humility. bowing to safety guidelines in a pandemic takes some love.
“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)
in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.
the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.
we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.
for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.
“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.
each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.
to pay attention, this is our endless and proper work. (mary oliver)
