and so it started. surrounded by sagebrush and cactus, with the sun rising across this desert, unfamiliar land, we began our adventure.
we got up early to see it rise – knowing it would take some time to come up over the mesa. we held mugs of coffee in our hands, excited to begin exploring with our friends in this other part of the country.
and as we stood there – ever so patiently waiting for this new day, the juniper called to us – “go…have fun…be in this place…begin something new…we – the juniper, the sagebrush, the cactus, the red rock will hold you…start now.”
we skipped back to the airbnb house, mugs empty and hearts full.
the warm morning breeze was blowing in the west window. the sun was streaming across the quilt. dogga was laying at our feet and we were sipping coffee. we could hear the slight echo of the windchimes out back and the birds were singing up a symphony.
perfection.
in-between all the other moments – the ones that are not so perfect – somehow there slips one that is.
and the axis of the earth gives a little shake-off and the flecks of yucky-dust that have accumulated from those other moments fly off.
“as the wind loves to call things to dance / may your gravity by lightened by grace.” (john o’donohue – to bless the space between us)
we swoop the plastic sheet from the proverbial magic slate, clearing the picture that was so clearly there, and we start the new year. all images of the year we have tugged along with us – each of the years we have scribbled and tugged along with us are erased – even though all the evidence is still there as impressions on the wax. the slate is ready for a new drawing. the stylus is at hand. the wind is blowing.
“it is a serious thing / just to be alive / on this fresh morning / in this broken world.”(mary oliver)
we babystep into this new day, crawling toward life goals and intentions, aware of our rapidly beating hearts and the fearlessness we are trying to adopt as a mantra. we are gingerly. we are bold. we hold hands. we brush others away. we are independent. we are always interdependent. we are open to horizons we don’t recognize, yet our pinkies hold onto barely discernible wistfulness threads, like helium balloons tied to our wrists, weightless yet there.
“when you should have felt safe enough to fall toward love…” (john o-donohue – for someone awakening to the trauma of his or her past)
we lean toward the whispers that pull us forward, trying to shed that which has tethered us behind. we recoil less. we are brave. we revisit. we recount. we shuffle the next step and the next, eventually picking up our feet, courageously trusting our breath – that it will truly still be with us a few yards down the way, that this scrutiny and release will be stretching. that our daring will eventually invite us to dance, just like the wind.
“i went searching in a foreign land and found my way home.” (sue bender)
and the universe holds us under the sun and the moon and we – actually – have more than we need. and it is a new year. and – no matter where we are – in any river – we are home. we are ready to dance.
“you are not a drop in the ocean. / you are the entire ocean in a drop.” (rumi)
with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.
“pussywillows, cat-tails, soft winds and roses rain pools in the woodland, water to my knees shivering, quivering, the warm breath of spring pussywillows, cat-tails, soft winds and roses”
smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.
as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:
but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.
i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.
“riding on the roadside the dust gets in your eyes”
it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.
“slanted rays and colored days, stark blue horizons”
the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.
“treasuring, remembering, the promise of spring pussywillows, cat-tails, soft winds and roses”
treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.
“shivering, quivering, the warm breath of spring”
to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.
ricko and nick could be friends. they are on the same page…that trite-but-true one of potentiality.
in “my big fat greek wedding” nick portokalos quotes dear abby, “don’t let your past dictate who you are, but let it be part of who you will become.” out in the middle of the arctic tundra, ricko dewilde firmly states, “the best way to lose an opportunity is to believe it’s not there.”
john denver in “looking for space” lyrics writes,
“on the road of experience join in the living day if there’s an answer it’s just that it’s just that way
when you’re looking for space and to find out who you are when you’re looking to try and reach the stars it’s a sweet, sweet, sweet dream sometimes i’m almost there sometimes i fly like an eagle and sometimes i’m deep in despair…”
we are all out there – looking for space. no matter the ladder rung, no matter the age, no matter the skill level, no matter the lifeline of work and education and privilege and lack thereof, no matter the past, no matter what we believe, no matter the matter we are looking for space. the place to stand and breathe and be exactly who we are.
this week i flew like an eagle. this week i was deep in despair. i would guess – were we all to be candid – there were many with me up in that eagle-sky and many with me scrambling in muddy-despair. it’s both-and. life is a correlative conjunction.
and – in that infinitely latent and screaming way of possibility – the space we inhabit on this good earth is full of it.
there is no limit to how long you can stare at rushing water. cool mist enveloped us as we stood there, watching. in the land of 250 waterfalls, we, as even babbling-stream appreciators, stood and took in this gorgeous sight.
it is unusual for us to be in the midst of many people these days, even outside. yet, here we were, transfixed by the looking glass falls, along with at least thirty other carsful. everyone, with different accents and languages, exchanged greetings on the way up or down the rock steps. everyone was smiling. everyone was kind. the waterfall brought us all together before we parted and looked for the unbeaten path, the trail in the woods, the less-trod, less-populated places that would be quiet. in those moments of togetherness, though, the sheer force of the water spilling over granite seemed to be a cleansing balm to anything that would keep us all separate.
we stood still on looking glass rock trail the next day, just listening to the stream below us. a hiker jaunted by us, intent on making tracks. he turned around and asked us if there was something worthwhile to look at. that, in itself, was a funny question, considering the absolute beauty of the place we were standing. i responded that we weren’t looking, “we’re listening.” he nodded and said something about serenity, then pushed on.
if there were a place i could choose to stand as this year turns into next, i think i would pick one of the 250 waterfalls, or, for that matter, the stream. a reminder that all things keep moving. that everything is fluid. that the edges are smoothed by the water that runs over and over and over them. that dropping worries and angsts and all negativity into the moving, rushing fall or even the whitewater river or gurgling brook, will allow that very water to carry it all away.
“it’s time to let it all go,” he said as we were visiting together. he’s right.
as this year turns its head toward the sun of a new year, i drop it all into the water and start again. we are merely riverstones in this fluid looking-glass-filled life.
reverse threading 