towering cloud. monochromatic tones. i took this photograph. i may not have taken a second look but for the wire cutting diagonally across it. it was the interruption that made it – a gorgeous cloud – even more interesting.
i’m not from here.
i am proudly from new york and sunday night out on our deck i reveled in feeling new york. i haven’t felt as new york as i felt that evening in a long time. we were playing records outside and painting rocks. i had selected a few albums – dan fogelberg, john denver, michael murphey, survivor, fleetwood mac – and i was playing dj, picking and choosing the songs to play. we sang along, somehow remembering lyrics of songs we hadn’t heard in ages, a mondegreen or two slipping in.
then i went inside to find a certain album, leaving david to pour a little wine and wonder what i was searching for.
i came back out with the double-album-set of saturday night fever. there is nothing that quite defines 1977 like that album and the bee gees. instantly transported back to the discos and beach bars of long island, i got up and, in the new privacy of our backyard, danced. the more i danced, the more i danced.
i texted a few friends, asking them if they remembered the steps to the hustle. crunch wrote back that he didn’t remember all the steps, but he remembered the spins and sent a picture from a beach bar on the island he was at as he typed his message. marc reminded me he didn’t dance – which i, of course, remembered – and told me – if i was indeed sending him snippets of “stayin’ alive” simply to annoy him – not to be such an “assassination” (which, back in the day, i would say for the word “ass” so as not to cuss. friends would tell you i have come around from those days.)
interrupting our 70s mostly-mellow flow, saturday night fever disco drew a line through the soft wash of memory in which we sat. it invigorated us. it made us dance and it made us laugh. it made a perfect night even more perfect. and it woke up the new york in me, never too far away but always a little at-bay, a little tempered.
new york is a little noisy for wisconsin. new york is a little demonstrative for wisconsin. new york is a little talkative for wisconsin. new york is a little emotional, a little animated for wisconsin. new york is a little exuberant for wisconsin. new york is a little brash for wisconsin. it’s a little center-stage, a little aggressive, a little assertive, a little interruptive.
we have all done something like this. did we lock the door? did we close the windows? did we leave the iron on? (who irons these days, anyway?)
my sweet momma’s sign on her mirror – “old age is not for wimps” – was prophetic. it’s not just the aches and pains that seem to grab your hand one day and skip along with you, all jolly-like. it’s the yiiiikes moments. those moments when you wrack your brain to try and remember if you did something. and your silly ole brain won’t let you get there. i mean, what IS that?
these are the moments that we can talk about while sitting around with the up-north gang or at friday potluck dinner. these are not moments you wanna mention to the kids. as it is, our stories are less than captivating to them now. add to it a level of aging-hazard and we’ll soon be the proud owners of whatever gizmo will help us be less feeble.
goodness! my momma was right to put that sign on her mirror. it’s not for wimps, these, err, challenges. good thing we are all doin’ it together.
described as “too vigorous”, creeping bellflower, gorgeous purple flowers and all, is considered noxious and invasive. i know people like that.
as a matter of fact, the other day while we were strolling along the lakefront, we passed someone i know who is quite bellflowerish. without hesitation, i immediately began an animated conversation with david, complete with hand gestures and enthusiastic arm movements, my face intent on his as i told him the non-story and he stared at me, knowingly.
there are just some people who are best avoided.
had we stopped, even to exchange pleasantries, the conversation would have shifted to mining. this person mines for details, details, details, for gossip, for information. too vigorous, noxious and invasive, masked by curiosity and feigned intense interest, this person has always been a miner. avoidance is best, just like creeping bellflower. it looks lovely and inviting, beautiful purple flowers standing tall, but it will reseed – your newsy news – and spread it all out in gardens near and far, your personal story strewn all over, regardless of soil, aggressively spread like a weed.
the most robust plant can produce up to 15,000 seeds annually and self-sow in the wind. bellflower can overwhelm other, less aggressive, plants as they strive to co-exist. they are tough to eradicate in a gentle garden.
beware. creeping bellflowers will run over you and your garden.
we cleaned the garage. now, this is not my favorite chore. there are spiders in the garage. lots of them. and they peer out at me, lurking, waiting for me to walk by, so that they can drop down a line and swing right in front of my face. their decibel-tolerance for closed-mouthed-screams must be vast, for they elicit many of these from me as they plot and scheme, surprising me.
regardless, we cleaned the garage.
david went in first, broom held in front of him, sweeping as he stepped. in a gallant move, he tried to clear the way for me. his heroics helped; there were fewer surprises as we worked.
our garage is old – like our house – and nails are pounded into the exposed 2x4s to hold bagchairs and hoses and the bike pump and various gardening tools. in one of my best organizing-learnings about a decade back, there is an old tall plastic garbage can in the corner which holds things like shovels and rakes and a fence-post-hole-digger and a metal thing i can’t identify but which seems important. there are two bikes hanging from the ceiling. and up above on wood laying across the rafters, like a mini attic, there is a red tricycle (pause for an “awww”), an old red wagon (repeat), a few old doors and a rooftop turtle that has a big dent in it from when – a few decades ago – we drove into a parking garage late at night forgetting it was up there on top of the bronco. oopsies.
like anything else i do, it was a time of revisiting stories.
the best thing in the garage is the volkswagen. our 1971 super beetle is tucked in, while littlebabyscion and big red suffer the elements. tenure counts here.
we finished cleaning, triumphantly and without any horror, and sat on the deck with a gorgeous saturday afternoon stretching out in front of us. i poured two glasses of white wine and brought out a snack, some brown paper bags, scissors, a few rocks and some paint. time to have some fun.
because we have been the grateful recipients of gift-rocks-on-the-trail we decided to leave some of our own. story of our lives, come to find out there are better tools for this than the ones we had. we had dollar store paint and brushes. those didn’t work. we moved on to david’s good acrylic paints from his studio and the dollar store brushes. these worked better, but didn’t yield precise lines. we found out later that there are real live paint pens – ones you can paint rocks with. they draw precise lines and tiny little scenes. (well, you draw them, they just make it all a possibility.) we’re going to get us some of those, i say.
in the meanwhile, our rough-hewn works of rock-art will have to do.
the next day, we hid the first round of rocks the first time we walked the loop on our trail. by the second time around, some of them were gone. i guess rough-hewn was acceptable.
elephant or bear. i’m trying to decide which i’d rather be called. both momma elephants and momma bears defend their young, protect their clans. i’ve decided to go with elephant (obviously, sans political statement), for it is said, “female elephants continuously protect each other from predators in the wild, providing one another a sense of security.” and i’m less grizzly-bear-growly than wrap-my-tail-around-them-draw-them-close. hmm. well, maybe i’m a little of both. either way, i’m not going to forget if you are mean to my children. i’m not going to forget if you are mean to my family. and, in this case, i’m not going to forget if you are mean to my spouse.
people can pretty much think anything they want. we artists are pretty much used to that. questions like “what do you reeeeeally do for a living?” have peppered us our whole lives. people stare and furrow their brows when we answer. and i’m guessing that it’s not just what we say. we must … look … and act … a little artsy… or something.
sidewalks are generally pretty black and white. concrete. stamped or not stamped. seamed between squares. jointer-tool-etched or not. dyed or not. though my sweet father-in-law would have happily described all the varieties of concrete possibilities to me, i am having trouble getting through on the heaven-line so i will have to linger in my narrower spectrum of understanding.
we have concrete. in our front walk by the street, in our driveway and in our walk to the front door. all of that concrete is permanent now – post-lead-water-line-replacement-the-story-that-would-never-end – except for one square (which i hasten to point out is actually a rectangle, though far be it from me to get stuck on a detail.)
this one square, er, rectangle, is up by our front door. temporary concrete lays cracked in the spot waiting for the real concrete, contraction line between it and the old sidewalk that has welcomed visitors for about, well, 94 years, i guess.
and it continues to wait.
because it’s a “weird little job” – not worthy of attention – uh, hello? every size audience counts. just sayin’. – and because the sub-sub-contractor is “afraid the guy won’t be happy because the color and curve won’t match the sidewalk that’s already there.” uh, hello? we are intelligent beings who can grok that different ages look different. letmetellyou, we can grok that. even in sidewalks. – and because he also said, “and he seems a little different.”
wait! what?!?
“he seems a little different.”???
i’m a-wonderin’ “whatintheheck?!” while i am reading this email that was forwarded to me from the sub-contractor-to-the-city, one step above the sub-sub in the project ladder.
“he seems a little different.”
funny. david had walked in from visiting with the sub-sub when he came to take-a-gander at our “small, weird project” and had said – about the sub-sub, “wow. he seems like a really nice guy. really knowledgeable and pleasant.”
i guess the sub-sub was a good actor.
because really nice guys don’t report – even sub-sub to sub – that the client, the customer, the resident – seems “different”. that’s just kind of mean.
i don’t know what i am supposed to glean from the forwarded-email-with-no-additional-message, but the elephant in me (or was it the grizzly bear?) did write back that, though tempted to ask for clarification on what precisely was meant by “he seems a little different”, i was not going to belabor the rudeness of such a statement. what does that have to do with anything here?
it begs the question: does this mean that the sidewalk won’t be done because “he seems a little different”??
the point is the sidewalk. finishing the job. the one that started last november. really nothing else. not david’s artistic look or his intelligent conversation. not how he seems. the point is the sidewalk. not his “seeming different”.
lusting over brochures is kind of my thing. there is nothing quite like the dreamy four-color-magazine-quality-glossy-coated-silk-card-stock intrigue that beckons me, inviting imaginative adventure and exploring. a good brochure will take you there, place you there, let you sink in and never want to leave. i am clearly the targeted recipient of their magic. and i am – ahem – a collector.
like my relationship with catalogs, i can immerse in the story of the place, the action…it’s deeply satisfying.
sometimes we stop at the welcome center and i load up with all the possibilities of our destination, never to crack them open. it’s like having a treasure chest, knowing you have the treasure chest, not-knowing what’s in the treasure chest but knowing it’s enough you have it. a back pocket full of shiny coins, should you need them.
and sometimes we stop at the welcome center and i find something in a brochure that will not let go. i wonder and ponder and strategize and scheme how to get there, how to experience it, how to afford it. i’m a little overwhelmed by the draw of whatever the thing/place/action is, but i know the likelihood of it is relatively dim.
we clicked on an article on the-island-phone the other day. like shiny card stock, it beautifully featured a resort in utah: amangiri. there was nothing about this resort that wasn’t stunning.
i’ve never stayed in a resort, nonetheless one where your pillow-piled-down-comfortered-bed was out under the stars in the desert, your space open to remote canyonlands of red rock. my breathing got more rapid as i showed david. i clicked on “make a reservation”.
$12,000 a night.
deeper reservation diving revealed a range of pricing, verbose reviews, glamorous indeed, this place.
$12,000/night.
a little fancy.
clearly we won’t be staying there.
but, in the way that catalogs and brochures also function for me, i saved it and looked at it a few more times. i’ll probably glance a time or two more at this wildly expensive place to stay. and then i’ll delete it. because, by then, i’ll be satisfied.
and besides, the tiny blue airbnb house on one of the side streets in the mountain town in north carolina is also magical. it will afford us a chance to unplug, to hike unfamiliar trails, to cook and eat out on the front porch watching traffic go by, to immerse in a new place, a getaway.
it’s easy to recognize that we have germinated, that we have early growth with initial leaves. we send down a taproot, stabilizing just a bit. we are nurtured and we learn self-care, both. changes during the vegetative stage are a little easier to see as we grow upward and outward, green and healthy.
flowering and early fruiting…these are easy to discern in the striding of early decades of life. rushing to accomplish, to get up the mountain and down, to run without ceasing, to move without pause.
the presence of ethylene – a gaseous hormone – triggers the fruit to ripen. i suppose i would like to think this is much like the graying of my hair, the wrinkles on my brow, laughlines evident, jowls mysteriously appearing. coming to maturity. ripening.
early season varieties require 50-60 days to mature. mid-season require 60-80. late season varieties require more than 80 days to reach full maturity. and later, senescence, a natural progression.
i wonder how that all translates to human years.
the fruit of determinate tomatoes ripens all at once. indeterminate tomatoes ripen fruit throughout the growing season, extending the crop harvest…longer and longer.
we can all wager our own guess; i’m thinking late season variety. this still-learning thing makes that abundantly clear.
and i’m hoping for indeterminate. never quite done.
every time we drive south we go through that town. a quintessential midwest tiny city, highland park has shops, restaurants, galleries, parks, clean green space. everywhere there are signs posted about kindness and responsibility and community. i’ve played at and attended art fairs in that town, eaten pizza in that town, strolled and window-shopped in that town.
we had already decided not to go to the fireworks on monday. we threw on shorts and t-shirts and went for a hike in the later morning, not sure what else the day would hold. we expected it to be peaceful. we expected it to be relaxing.
it was neither.
we returned home and, within a few minutes, learned that less than an hour away, in this town we always choose to travel through on the back roads to chicago, to the botanic garden, to crate and barrel, to anywhere south, the horrific had happened. it changed everything about the day. if i had to draw a mark in the sand, it would be there. at the moment we learned the unexpected had occurred, that people celebrating independence were no longer breathing because someone had sniped them during a norman rockwell fourth of july parade, the kind where bikes with streamers and strollers gather on the sidewalk and people sit on the curb clapping and watching their children’s faces light up with glee, their hands sticky with ice cream popsicles.
the moment tipped the balance for us. again. gun violence. we did not expect to be weeping, feeling like we are held hostage by politicians who insist that guns are more important than lives, feeling like there is nowhere safe. we expected to take a walk in our own neighborhood, perhaps wander to the waterfront in the daylight to see the festivities. but it was daylight in highland park.
we expected there to be fireworks in the neighborhood. it’s not unusual. but they were frenetic and close and we could see the reflection of explosions on our house as the back neighbors set off one after another. the loud booms and cracks scared dogdog. we closed up the house – all the windows and shades – despite having no air conditioning – and tried to console him. and a bit later, even as the thunderous thunder and lightning pummeled our ‘hood, the fireworks all around us continued. i was still awake at 2, listening to them through closed windows. we did not expect that level of frenzy. it seemed feverish.
the day was fraught. without a party to attend, with no gathering to gather at, with family and friends scattered, we expected to enjoy a low-key day. instead, we found ourselves in littlebabyscion driving past a creepy house located on the path to our trail, remembering that, on our way back from the trail, with an appropriate amount of time to arrive there from a devastated highland park, there had been a car matching the description of the vehicle the shooter-on-the-loose was driving, wondering if that car would still be in the abandoned house’s driveway, a driveway in which we had never seen a car before. it wasn’t there and there was no way of knowing what the license plate was nor if it had anything to do with the day’s events. it was just suspicious enough to make us go look, to try and help if we could. we couldn’t shake it.
we didn’t expect our fourth of july to be turbulent. but it was.
the people of highland park didn’t expect their fourth of july to change the course of their lives. but it did.
there were eleven mass shootings on july 4th alone. one of them was in our town.
four of us. there were four of us at costco with masks on. me and three costco associates.
yet, we personally know more people – right now – who have covid, who just got over covid, who were just diagnosed with covid, who are in the hospital with covid – than at any other time during the pandemic.
yes. it is a royal pain to wear a mask. yes. they are completely optional. yes. you don’t have to do anything you don’t want to do. but every time – which is daily – we hear about someone else “testing positive” it serves as the impetus to – again – put on our masks before heading into the grocery store, into costco, into the home repair store, into crate and barrel, into the ace.
maybe we are overly conservative. we wonder this aloud. as artists, we have taken many chances, we have risked much, including financial stability. these choices – as artists – have not rendered us the label “conservative”. our political views are not conservative. our leaning toward simpler living is not run-of-the-mill conservative. “granola” maybe, but not “conservative”.
but the whole mask thing has us pondering over and over and over. in truth, we are trying to recognize the interconnectivity of everyone – what we do affects you, what you do affects us. we are trying to – in community – be cautious, be responsible. and we are trying not to test positive.
weeks – maybe even a couple months – ago we railed against it all. for one day we literally went into every store maskless. it was liberating. we could breathe easily, we could smile at other people. we wandered, our faces exposed, reveling in what-used-to-be. we exchanged glances at each other, an “ahhh”, rebels out and about.
later we heard that an entire family we knew was covid-positive. they were very ill and it had already lasted at least a week. we sheepishly donned our masks the next time out.
with all the home tests, we know that “the numbers” are not actually significant these days. there are many, many more people who have covid (or have had covid) than the government is aware of. it’s not like john or jane doe picks up the phone and calls the cdc when their home test is positive. we scarcely know the reality anymore.
we missed the phil vassar concert – twice now – because of this. we still haven’t dined out in our own town in two and a half years. you can still count the number of times we have dined out – period – on two hands over the entire course of this pandemic. we measured our risk those times and the benefit outweighed them. they were opportunities to be with our children, our family or ones very dear to us. when phil was playing a very crowded people-sandwiched-with-people summerfest last saturday, we were playing phil vassar on our deck, sipping wine, singing along in the waning light. granola.
yes, it’s completely optional to wear masks. and yes, you don’t have to do anything you don’t want to; you are free – well, unless, of course, that includes things that the “apolitical” (ahem!) supreme court is now overturning or wishing to overturn, in which case your freedoms are limited and anti-abortion, anti-gay marriage, anti-contraception, anti-equality, anti-environment-protection, pro-gun-carry, pro-christian-only-public-prayer, pro-gerrymandering rulings will rule over you, should their push-against be successful. kinda makes masks child-play.
it gives me pause for thought as i think about all the people who have been giant and loud anti-maskers. are these all the same people? (yes, that’s rhetorical.)
the other day in costco i was walking down an aisle. coming the other way was a young woman, a worker, also in a mask. our eyes met. our eyebrows raised up a little. tiny lines appeared at our temples. and we exchanged a little granola love. i swear i could see a rainbow appear out of nowhere, peace signs floating, unicorns singing lyrics, something about “liberating strife”.
i took off my mask after i exited. and i breathed in the air of the land of the free and the home of the brave, the sweet land of liberty. from someone’s car radio system i could hear aretha spelling out “r-e-s-p-e-c-t….just a little bit…”
my sister texted her dear friend was in the hospital, with covid, on oxygen.
i tucked my mask into my purse, to use the next time.