just like when i take a photograph of a person i try to avoid having extraneous people in the picture, when i take photographs outside i try to avoid any messy unnecessities.
this time i did it on purpose.
on july 29th i will have lived in this house for 33 years. i have sat out back watching the sky turn orange over the garage for 33 years. i have watched the trees grow up over the rooftops in my view. i have watched squirrels on their highways-of-highwire for 33 years.
it suddenly occurred to me that there might come a day when i can’t simply walk out the old screen door onto the deck, stepping onto the patio to watch the sky in the west. there might come a day when i live somewhere else and i won’t have access to this view.
and so the messiness of wires sectioning off the sky became important. important enough to photograph. important enough to remember.
we’re surrounded by things – and views – we have taken for granted. we see them every day – though we don’t really see them.
they seem unimportant.
yet, these familiar sights are the very things that help ground us. in a world that is politically volatile, climate that is destroying mother earth, bombastic leaders itching to reduce freedoms, disrespect and aggression out of control, it would seem that we need grab onto that which grounds us, centers us, slows down our breathing.
because i’m thready, i notice – and try to memorize – things like how the old wood floor creaks in the hallway, what it sounds like when the glass doorknob falls off, the feel of the small chain on the basement door and the decades-rubbed indent it has made, the sound of a double-hung window with ropes and weights opening, the deck cracking in cold weather, the cool painted-cement floor under bare feet in the basement, the places where the plaster has cracked. they all spell home.
and, with a world in turmoil, everything in flux, so much anxiety and grief and worry, things that are solidly familiar help.
i read it on a thread. someone commented to an author i follow. “never be shy about your work,” she encouraged. i took a screenshot.
never be shy about your work.
humility is a virtue, we are taught. desiderata reminds us, “if you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.” always.
but somewhere in there – in the spectrum between meekness and arrogance – is the space to be proud of what you do, to stand in it, to share it.
“what do you do?” people ask. many people can answer that in a word. as artists, it often takes a paragraph, all run-on sentences with no breath so as not to get that lost-in-space glazed look on the asker’s face.
when i broke both of my wrists, the medical staff wrapped up both of them, casting and explaining the possible ramifications of the breaks “at my age”. when i fell the second time on a wet floor and re-injured my right wrist to the point of it having a frighteningly small amount of range of motion, the specialists asked questions and each politely said, “i heard you play the piano” as if i sat around noodling, surrounded by porcelain figurines and teacups, playing chopin-light or maybe little easy-piano-pop-hits. i was literally hesitant (!) to speak and qualified my statement-to-come by saying, “i’m not saying this to be self-aggrandizing, but….” and then i continued, “but because it’s a fact that i have 15 albums out in the world and piano is my major instrument and this could change my life work.”
those specialists had no qualms about saying they were specialists. none. i wondered why i hesitated, why i was apologetic.
never be shy about your work.
i have worked hard in my area of specialty. i have struggled like any artist, have written on scraps of paper and flimsy napkins, have squeezed out time in-between everything else that takes time, have stood in the rain playing and singing on flatbeds, have lugged boxes and boxes and boxes of cds. i have also sold thousands and thousands of albums and have millions of streams. it doesn’t equate to any kind of riches except the kind that is the deep satisfaction of doing something you love.
i used to be much more aggressive – and assertive – about “getting the word out” about my music. though i recognize that vocal styles come and go, instrumental piano is not irrelevant…it has no shelf life. it’s just as peaceful and evocative today as the days i composed it, the days i recorded it. so that would mean that 14 of these 15 albums still have some sales merit, not just the $.000079 cent so “generously” royaltied by online streaming.
never be shy about your work.
in the last church position i held, i was in a meeting with two of the leaders. they were streaming the services and i was commenting on the level of professionalism we needed to try to achieve. i wasn’t willing to link my personal and professional social media to this online streaming until the sound quality (in particular) was indeed much better. one of the leaders stared at me, clear disdain on his face, and told me he had no idea why i would say such a thing or hold such a stance. i explained that i am a yamaha artist and that only PART of my work in the world was the job (which he deliberately pointed out was part-time) i had at that place. for the umbrella of my life i was an artist and that i have always strived to bring the best quality to my work. i told him that it was important to me to make sure that nothing i did musically in the public arena was schlocky (including at that place) and that, as a yamaha artist with fifteen albums, i would hold to my position of not-sharing until there was something more professional to share. i would not undermine my own artistry because mediocrity was ok with him.
never be shy about your work.
he – eventually – found a way to fire me. in the deep dark cloak of covid. with no one really knowing why, including me. well, except, maybe, for retaliation. que sera.
never be shy about your work.
i am proud of the albums that will eventually find their way into antique stores around the country. i see them on resale sites now.
but i also know that – from time to time – someone writes to me. and in their writing they tell me that my music has meant something to them. my music has helped them, given them a sense of serenity, made them think, made them dance.
and that is what counts.
so before the vintage-store-influx i guess it’s my job now to not be shy.
i am a composer. i am a pianist. i am a singer-songwriter and recording artist. i am a writer. i love being on stage, telling stories, playing music. i love the feel of wood under my feet, a boom mic in front of me. i have fifteen albums and a few singles. i’m researching how to get more out of pandora and itunes and all the streaming devices out there. i’m 63 but i’m thinking i might still be relevant. i may need your help because no one gets anywhere in a tiny bubble; no one walks this path alone.
it’s easy to recognize that we have germinated, that we have early growth with initial leaves. we send down a taproot, stabilizing just a bit. we are nurtured and we learn self-care, both. changes during the vegetative stage are a little easier to see as we grow upward and outward, green and healthy.
flowering and early fruiting…these are easy to discern in the striding of early decades of life. rushing to accomplish, to get up the mountain and down, to run without ceasing, to move without pause.
the presence of ethylene – a gaseous hormone – triggers the fruit to ripen. i suppose i would like to think this is much like the graying of my hair, the wrinkles on my brow, laughlines evident, jowls mysteriously appearing. coming to maturity. ripening.
early season varieties require 50-60 days to mature. mid-season require 60-80. late season varieties require more than 80 days to reach full maturity. and later, senescence, a natural progression.
i wonder how that all translates to human years.
the fruit of determinate tomatoes ripens all at once. indeterminate tomatoes ripen fruit throughout the growing season, extending the crop harvest…longer and longer.
we can all wager our own guess; i’m thinking late season variety. this still-learning thing makes that abundantly clear.
and i’m hoping for indeterminate. never quite done.
a good self-actualizing refrigerator and freezer will keep things cold and frozen, respectively, and have no further issues. the job is simple.
now, there are fancy fridges and run-of-the-mill fridges…side-by-sides, french-door-bottom-freezer models, freezer-on-top standards, retro fridges, beverage center fridges, deep built-in fridges…but the one thing they have in common is keeping things cold, keeping things frozen. so, leaking water onto the floor is not in the list-of-things-to-do for a fridge/freezer combo that has any self-respect.
which brings me to the last two years of our kitchenaid.
back in 2013 i spent a literal fortune on a stainless steel french-door-bottom freezer refrigerator because suddenly, after merely 24 years, my fridge had failed. there is limited space in our old kitchen where the fridge goes so i had to choose carefully, measuring tape and measurements in hand.
they installed the new shiny fridge and, i have to tell you, i felt fancy. gleaming stainless steel, sunlight reflecting off its french doors, bottom freezer the coolest-invention-ever, i was pretty darn excited, despite the monthly payment to the temporary credit card issued by the local appliance store. classy fridge and all, i moved on in life.
seven years later, this fridge, that i have babied with stainless steel cleaner and soft cloths, began to weep onto the wood floor.
there was no reason for it to weep. on the contrary, i should have been weeping as i watched rust spots accumulate on its no-longer-gleaming doors. stainless steel that is not stainless. when i asked kitchenaid about the rust spots and streaks, they said, “we’re sorry you’re experiencing rust on your stainless steel fridge. we recommend using stainless steel cleaner.” well, hello. that’s the only thing i have used, frequently enough to have to purchase and re-purchase. somehow i am not feeling their remorse or sympathy.
but, back to the water-on-the-floor. the opening credits of the pandemic on the screen of life, we were not anxious to bring in a service rep, so i googled. there was a gigantic sheet of ice under the drawer of the freezer – and this was leaking onto the floor. apparently, this is a common problem. (which begs the question why this is not addressed.) i defrosted the freezer and fridge, cookie sheet catching the icebergs as i rubber-spatula-ed them off of the freezer floor. cleaned everything, dried it all off, stainless-steel cleaned the doors and body for good measure and turned it back on.
and now? i am doing this every four to six weeks. but i have it down to a science. i use this tiny fan that my sweet poppo made, a rube-goldberg special the rpms i could not guess but the pitch of the whir tells me it’s mighty fast. i only thaw the freezer floor – so i only need one larger cooler for the freezer food and i don’t open the fridge. i wipe it all down (there’s no chance for it to get icky these days) and turn it all back on.
yesterday morning…merely nine days since the last great-thaw…we woke to puddles under the fridge, clearly having a meltdown (no pun intended). we are increasing the defrost-the-freezer-frequency and looking up appliance repairmen.
my conversation with kitchenaid was…interesting and very, very long. they promised to send me a part on the 22nd. a couple days ago i checked on this. they told me the information i provided does not match their records. so i am at ground zero again. no irony there. zero. the degrees the freezer is set at.
i just don’t know. it goes without saying they just don’t make things the way they used to.
in the sweetest of moments – that i will hold oh-so-close and not entirely share – my beloved daughter guided me into a skincare regimen. she generously shared wisdoms and gifted me with new knowledge, exquisite time together i will forever cherish, and products with detailed instructions on how to use them. her gesture of thoughtfulness…i felt like a girl. so deeply appreciated.
i haven’t spent a lot of time at makeup counters or in stores dedicated to makeup or skincare. you can buy covergirl and maybelline and oil of olay at target or even the grocery store or online and the one mac product i have repeated for years is actually because of my girl as well. every now and then a few new products have found their way into my world – marykay when my sister was a rep, clinique when i wanted to be in solidarity with crunch or when my sis got free samples. mostly, budget and a lack of mentors or social informants on the topic have kept me in the simplest of products. i’m guessing that is obvious, for i do not have the glowing skin or flawless makeup of those who have paid attention; i look in the mirror every day and realize i am, indeed, growing older.
i must have complained a little about that the other day when our daughter was here. her response was to do something about it. every day i count my lucky stars for that time together, for all time together.
the wall of brushes caught my attention at sephora. it looks like a kickline – paused and ready for the downbeat. they were all labeled, so it’s clear you could have quite a plethora of brushes for your face. i just loved the art of it, the black and white and grey with a touch of blue. it looked clean and crisp, things i look for when picking out airbnb cottages in faraway places. at ulta, as i followed my beautiful and knowledgeable girl around, i took photographs of marketing taglines, interesting teasers, product promises. it was absolutely and entirely fun.
the day will shine on in my heart for a long time to come.
he sat easy in the saddle, cowboy hat planted on his head, his horse striding down the trail. “have you seen the mayapples?” he turned his head toward us. “yes, you were the one who told us about them,” i replied. satisfied, he rode on.
it’s hard to miss the canopy. they stand tall and the leaves intersect like a three-dimensional jigsaw puzzle, gone a little wild. it is as if the mayapple all joined hands, agreeing that their mutual umbrella is the point, their canopy of protection a priority. the green is beautiful, lighting the floor of the forest. i bend down to photograph them, again.
and there it was. a stunning white flower. hidden under the umbrella of a wide expanse of leaves above. only stems with more than one leaf will flower; the delicate white bloom grows out of the axil of two leaves.
we had never noticed the flowers before. i don’t know why. but the canopy stretches on and on and you must bend and peek to see the flowers. they exist in this other-world, beautiful, showy, fragrant. it came as a shock to us – how many times we had passed by the mayapple – to not know the existence of these pinwheel flowers, each one ever-important to the thriving of the colony. the canopy provided shelter, guarding the precious flowers that will need be cross-pollinated and will then produce a berry ripe with seeds, ensuring mayapple’s continued spread. so much going on in this tiny underworld of the forest. nature continues on her merry way.
the cowboy seems to really love the mayapple. though he doesn’t remember, each year he quietly tells us about them as he and his horse walk by. it never appears that he is in a rush. instead, he is slow and deliberate. and those mayapples.
what beauty we all might find…were we to bend down and peek into the world. what shelter we might provide were we to join hands, spreading out like the canopy of mayapples. how we might protect what is precious to us, the delicate, the fragile, the children among us. how we might lift each bloom and help it thrive.
we walk under a canopy of blue sky and inky stars. we can do this.
my poppo’s cane stands next to a chimney cupboard in the sitting room, propped with a couple of walking sticks. i’ve never been very good at using a cane – for some reason, i find it confusing. you shake your head and wonder, i’m sure, but there is something about placing the stick and the side you place it on and which leg you are attempting to aid that is a little bit baffling for me.
this past week, though, i had a full day of using my dad’s cane. i had broken two toes and needed a little something to lean on to get around. i tried using the foam roller but that proved awkward. and david, well, his shoulder wasn’t available all day.
my dad was most certainly chuckling watching me. i’m sure he was trying to instruct me from that other plane, in-between sipping coffee and nibbling on crumbcake. i figured it out, even though i couldn’t hear him, but not without laughing at my own awkward brain-cane-leg shenanigans. mostly, my hand holding the curve of my dad’s cane was a little bit of a gift. sitting as a decoration, it hadn’t occurred to me that it might come in handy. “use the stick,” i could hear him say. i keep listening for him, a decade tomorrow since i started missing him. always.
i’m not sure why i break my toes. the report from the dr’s office to the x-ray folks read “kicked a door jamb with her left foot.” i beg to differ. i didn’t KICK the door jamb. i ran into it. there is a difference. one sounds like a hissy fit, whereas the other is clearly an accident that happened as i zoomed around in the house, getting stuff done, barefoot.
it seems that every year or so i hurt a toe. most of the time, barefoot. but sometimes i even have my flipflops on. this time, though, was a doozy. two at once! i mean, seriously?
on the third day post-communing-with-the-door-jamb i put on one of the thick snowboard socks of a pair we had gotten when we went snowboarding and i broke both my wrists (another fun day) and i found a sport slide sandal of my son’s (who has much bigger feet than i do). the combination worked like a charm and i found that i could manage to move around. i’m still wearing this winning combo. i don’t look vogue but i am getting from place a to place b. and gaining momentum.
i suppose i should just wear shoes. like all the time. something to guard my toes, since they seem vulnerable. but i really love the sensation of bare feet on old wood floors. the planks creak and groan a little and you can feel the spaces that time and history have created in between the boards.
as much as i don’t look forward to any more broken piggies, i suspect these are not my last.
i wondered if it was too predictable. each spring, now, a dandelion. each spring, now, the song “fistful of dandelions”.
yet the lyrics – “you remind me of the simple things” – they still count. maybe even more than before.
singer-songwriter: a musician who writes, composes, and performs their own musical material, including lyrics and melodies. (wikipedia)
composer: a person who writes music, especially as a professional occupation. (dictionary)
pianist: a person who plays piano, especially professionally. (dictionary)
i have not written, composed or performed my own musical material in quite some time now. does that change who i am?
when i wrote “i haven’t been playing” a dear friend asked me, “what’s that about?” i didn’t answer. i wasn’t trying to be rude. i just didn’t have an answer. i still don’t.
we, d and i, decided – in a pillow moment one night – to call all the stuff that has happened (to me) since i broke both of my wrists “the burtons” (naming every-single-weird-thing after the brand of snowboard i was on when i fell.) it matters not – the broken wrists, the scapholunate ligament tear, the firing, the oddball itinerant tendonitis, two broken toes, other strange and disturbing body stuff – we are choosing to call it all “the burtons”.
so, i guess i blame the burtons. i wrote, “i’m not sure of much that isn’t different these days.”
i am learning – ever so slowly – that different is ok.
and as i clear out, clean out, declutter, put away all that is no longer useful – i am beginning – again – to see the simplest things that are left. gratitude for those things is starting to overtake any yearning for more. “all the riches i will need today.”
each day now i write. not lyrics. not music. but words. it is part of the natural rhythm of my day and not something i could sacrifice without great regret.
writer: you’re a writer because of the things you notice in the world, and the joy you feel stringing the right words together so they sound like music. (writer’s digest)
“…so they sound like music.”
and one day, maybe soon – maybe after my studio has been cleared out, cleaned out, decluttered and all that is no longer useful is put away – i will put down whatever my resistance is and place my hands back on the keys.
rykä: a made for women movement, where our individuality is rightfully celebrated and actions speak louder than words. because women deserve better. better shoes, better rights, a better world.
i am a sexual assault survivor. this is not new news if you have been reading this blog. but it’s pertinent, as always, and, once again.
one in five women in these united states has been sexually assaulted. (cdc.gov)
one in thirty-eight men in these united states has been sexually assaulted. (cdc.gov)
of ten persons sexually assaulted, nine will be women and one will be a man. (rainn.org)
every 68 seconds an american is sexually assaulted. (rainn.org)
rape is not a walk in the park. it does not wash past you. it leaves lingering effects. it is a violation of everything free and sucks from you everything intimacy should represent.
i was fortunate. i have lived with – and dealt with – the ugly emotional reminders of this act of control over me for forty-four years. it has played into my relationships, my confidence, my physical health. but i was not impregnated by my attacker. and for that, i was fortunate.
there is no doubt in my mind – no matter how much i value life – every one’s life – what i would have done had i been left with a pregnancy as a result of this abuse. i would have exercised the choice i had as a free woman in a country that supported my freedom to do so, my responsible freedom-to-choose in any circumstance i may have found myself in, my voice. i know that, beyond anything, that choice would have been profound and would be something i would also live with forever. but i would have ended the pregnancy. period.
in an obviously warped, personally-agendized move of a fraternity of mostly-ridiculously-wealthy-less-statistically-likely-to-have-experienced-anything-remotely-like-this narrow-viewed clearly-politically-driven non-impartial-“impartial court” conservatives failing – failing this country – to apply equal justice equally, our country is poised to eliminate the choice women have over their own bodies. and we retrograde back in time in rapid motion, like someone falling into a mine shaft.
one of nature’s market umbrellas, this toadshade. research states that its prairie trillium leaves – in a salad – taste a little like sunflower seeds, though the idea of harvesting as we hike is not really appealing to me. in due time we will be on the trail and the sessile blooms will burst open, deep red flowers punctuating the woods. the mayapple will spread and vast areas of decaying leaves will be covered by its natural awning. it is a joy to watch the forest wake.
soon i will move into the studio to pare down and rearrange. it has needed this for some time. like decaying leaves, but without the nutrients those generate, i will put away vestiges of places or times i simply cannot tolerate thinking about any longer. a plastic bin will hold the artifacts and, in that clearing out, i suspect light will stream in. i will not merely glance into the studio. i will walk in, breathe, and step the next step of whatever the journey in that studio is. even if only to watch it wake right now.
with the cantilever umbrella of my piano full-stick, maybe i will sow mustard seeds of possibility. and, maybe, just like toadshade, blooms will burst open.
reverse threading 