for a potato pretending to be a pear, this potato is not doing a great job. “poser!” 20 said, looking at the potato on the counter. we all laughed. and then i took out the peeler and cut it up to boil in the pot and make mashed potatoes. some posers are harmless.
i read the comments on facebook, grimacing. i get a certain pain in my heart when i see this sort of thing. here was a person hoo-rah-ing someone else’s achievement. now, that sounds like a good thing, yes? only in this case, this person – the one doing the hoo-rah-ing – had voted against the rights and freedoms and safety of the person whose achievement they were hoo-rah-ing. a transaction. this kind of poser is a hypocrite. this kind of poser is harmful, for this kind of poser can not be trusted.
i had a lengthy call with old friends on the phone this week. they told of a relative with whom they had conversation. the relative is dedicated to the new administration and its agenda, touting the good hard work the oligarch and his cohort-the-prez are doing for this country. my friends asked how she felt about USAID and this country’s new administration’s position lacking responsible compassion. she had no idea what USAID was. this person is a poser citizen, a poser voter. and this kind of poser is dangerous.
if you are planning on wholeheartedly sticking with the direction this administration is heading – where they have already taken us – then i would merely suggest you get yourself informed. read. research. ask questions. watch news that is factual – something that is not fox news, one america network or any “state tv” that conveniently forwards only things that make this evil self-serving administration look like brilliant people who care about the populace. find out what the ramifications of project 2025 might be to people you purport to care about, to issues you feel are important, to any sense of compassion you think you have.
be careful not to speak out of both sides of your mouth at the same time. you simply can’t have it both ways. be consistent. be honest. be transparent. don’t pretend to care about things or people you vehemently voted against.
you either are – in favor of all this evil – or you aren’t. own it. anything else is posing.
the trees out front and across the street often filter the sunlight, depending on the angle of the sun. we are on the north side of the street and so, we have a southern exposure. gazing outside at the sun filtering through the limbs doesn’t always give me an accurate picture of what it’s like out. i am given to stepping out on the front step to see what it really feels like out there, to see what it’s really like, to see the real.
she said, “you can’t trust people just because of the mask they are wearing.” and she’s right. the masks – the titles – we make assumptions that don’t really depict the person. we grant pedestals upon which others have placed people wearing the masks, donning the costume, assuming the title, but all the while betraying authenticity. our view of others is filtered through their masks, whatever it is they want us to see. the sun through the limbs.
it all somehow makes me think of the song “return to pooh corner”, the hundred acre wood, the world of pooh and piglet. maybe it’s a yearning for that sort of innocence, that sort of blissful good intention. we didn’t wonder about winnie the pooh’s agenda or piglet’s loyalty. they were – clearly- a bear and a pig and they spoke to truth. winnie the pooh says, “i’m never afraid with you.” no filters.
i suppose that truth – sans filters – is like the hundred acre wood – the forest, though. like the sun, it’s always there – always available. a.a. milne states, “but of course, it isn’t really good-bye, because the forest will always be there…and anybody who is friendly with bears can find it.”
his legs wrapped tightly around the garden fence, the cicada gave in to his time of transformation.
i found him when i was watering. i bent down to pull a weed by the low fencing and there he was, clinging with all his might to the thin metal frame, following his call of nature, nymph to adult. the transition is recognizable. the two creatures look remarkably different, so it is easy to tell which is the mature cicada.
it’s the second time we have been witness to part of the cicada’s metamorphosis. the first time the cicada was clinging to the deck and we watched the whole fascinating process. this time, we came upon the cicada after it had shed its old skin, the outer exoskeleton having molted off into the dirt. both were profound for us. the giving over, the trusting of transformation, gaining wings, going on into next as something quite different.
“life is not so much about beginnings and endings as it is about going on and on and on. it is about muddling through the middle.” (anna quindlen)
and in the middle, the holding on. legs – and arms – wrapped around the garden fence of our lives, clutching for dear life. to be in the middle – sorting and pondering, full of wonder and angst – we can only trust that each next will arrive, that the on and on will not betray us, that we will not betray the on and on. the cicada surrenders, relinquishes any worry of what is to come.
and then, it wakes soon after, having pushed its way through the deadened shell. with wings. wings! exuberant noise fills the summer air. i know i will listen for our garden-fence-cicada on hot nights when the sun is setting and dusk is on the sky.
and we – in our metamorphosis from one day to another – sorting and pondering on our fence – begin to know that wings are possible. we learn that we have had them all along. we untuck them, test them out, flex a little, grow stronger. and we are astounded to learn – like the cicada – that we can fly.
“i want to be light and frolicsome. i want to be improbable beautiful and afraid of nothing, as though i had wings.” (mary oliver)
“when she transformed into a butterfly, the caterpillars spoke not of her beauty, but of her weirdness. they wanted her to change back into what she always had been. but she had wings.” (dean jackson)
“trust the wait. embrace the uncertainty. enjoy the beauty of becoming. when nothing is certain, anything is possible.” (mandy hale)
i had an IME on tuesday. an IME is an independent medical exam. it is a brief exam ordered by an insurance company and the physician is both chosen and paid for by that insurance company. it is defined as an independent assessment of an injury or illness, in my case, my wrist, and the determination by the doctor-chosen-and-paid-for-by-the-insurance-company-paying-for-treatment will be placed next to the reports of the medical hand specialist and the occupational therapist who have been treating me consistently for the last five months. a basic review of articles about IME reveals that the insurance-company-paying-for-treatment will pick the report they wish to concur with and that will decide if there is to be future, in this case, my future, treatment. so be it.
there is nothing to do now but wait.
my OT is wonderful. she has encouraged me, pushed me, held me accountable and she has brought me from twenty degrees of forward right wrist movement to fifty-five. this is big news, since, at first, six degrees was all i could muster. brutus and my OT have caused me much pain, but what’s that saying? no pain, no gain. we have worked hard. and, in the way of hard work and healing, there are things i can do now that i wasn’t able to do a few months ago. and there are things i fear i will never be able to do again. uncertainty.
there is nothing to do but wait.
sometimes i wonder what life will look like in a year or two years. i wonder what i will be doing. if i looked back a year i would never have guessed back then what this year would have looked like. no, last july looked very different than right now. it just suggests that truly everything is uncertain, that everything is in the act of becoming, in the middle of the fire, maybe everything is ashes transitioning to riches over and over again. possibility, evidenced in tomato plants bearing fruit on an old barnwood potting stand, evidenced in a nest-home created in a birdhouse hanging empty for years, evidenced in the smell of the rain bringing cool on a summer morning.
there are times, when you are simply going about your business, going about life, that you don’t expect change. you don’t expect to be thrust into ‘different’. times when you find out the caterpillars were talking about you all along. after reeling from the surprise, after trying to grab the wheel to stabilize, after railing about the unfairness of it all – for life does not seem to be fair, you find yourself out of the deep, dark water – in the shallows.
and in the shallows there is abundant life, abundant food, abundant shelter. in the shallows we can rest and nourish and breathe. we can sit in uncertainty and the unknown. we can imagine new. because anything IS possible.
there is nothing to wait for and everything to wait for. it’s now.
even the lake moaned in answer to the cold. waves pummel the ice from below, desperate for release, anxious to swirl and crash, and we can hear the sound of cracking, of squeaking, of water begging to be free. we stand and listen, transfixed by it all, this symphony in a frozen-solid world, a bit of music in the stillness of sub-zero.
for thirteen seconds we record the song of the lake, feeling a little like mother-nature-copyright-infringers. we marvel and watch, up over our knees in snow on the edge of the giant rocks that line the lake shoreline. ice, for as far as we can see, is shifting and the groans signal to us that, soon, water will win over ice, flow over stasis. soon, a lake that appears unmoving will reappear in all its moody glory and the suspended moment-in-time will pass. in the meanwhile, the lake will appear as a tundra, vast and flat, the horizon meeting the clouds, a straight white line of demarcation. the fury, the passion, the tides are hidden below the surface, furrowing their brows and incessantly working to break down the ice.
we stand there inside the song of the lake and take note of this measure of transformation.
we know in a day or two the ice will be broken up, the waves will return and the lake’s song will resume a cacophony of crashing, a minuet of quiet lapping, wild some days and gently calm others. just as we ourselves seem in suspended moments, we, too, trust the return of movement, of purpose, of the tides.
it’s the second time this week i have quoted john denver. surrender. sweet surrender.
this painting in david’s HELD IN GRACE series is called SURRENDER NOW.
giving it over, surrendering, relenting, succumbing, relinquishing. all synonyms with slightly different connotations, slightly different surrenders. within yesterday’s grey-ness and vulnerability, surrendering seems most obvious, most necessary. the letting-go-of-control-and-trusting is difficult. the barricades between you and surrendering a fortress of spider-webbed resistance. we tend to fight surrendering. we tend to forget that we will be held within that yielding.
columbus turns 86 today. somehow, in his ever-joyous soul, he is surrendering to a changing journey. somehow, he is gracefully surrendering to the anguishes of dementia that slowly, but surely, take over. he laughs. he is quiet. he tells stories. he has forgotten stories. he doesn’t remember things. he remembers things. he knows how to do tasks he has done for years. he has no recollection of how to perform tasks nor does he recognize the familiar around him. he doesn’t remember us. he remembers us. we hug him and he surrenders to the tears he feels when we leave. he is held. by his wife jeanne, by his children and his family, by his friends, by those who love him. he is held. his surrender, whether intentional and thought-out or simply reactional grace, is like a fish in the water, like a bird in the air.
“…and whether or not it is clear to you, no doubt the universe is unfolding as it should…” (desiderata by max ehrmann)
when i listen to tracks i have recorded i can either picture the time i spent writing at the piano or the time i spent in studio recording. this piece drums up the same image; in a time of pronounced inspiration and the transferring of much emotion into music, this was simultaneously written and recorded at yamaha artist services in nyc back about 15 years ago.
even then, i could see the willows-bending-in-the-wind characteristic of life – it will unfold as it should, despite our best efforts to stymie it or change it or enhance it. and so i loved when ken, my truly amazing producer, added a bended electric guitar line, arching and buckling, flexing around the melody line, a musical painting. even now, and i suspect as will always be, i try to be that willow, bending as the wind takes me, allowing the universe to unfold.
“unfolding: trying to trust that life is unfolding the way it should be”(liner notes)
“…you must wait patiently, knowing that you’re waiting and knowing what you’re waiting for…” (carlos castaneda)
a balance point. the morsel of the painting WAITING AND KNOWING doesn’t include the obvious visual balance point between waiting and knowing and not. instead it draws you into the words “wait patiently”, “know”, “promise”, ” then a time will come”.
but we all know the point. the trust. the blind faith. with roots we courageously send deeply into the earth of our lives we teeter on the edge of patience and impatience, belief and unbelief, knowing and not knowing, fulfilling and not fulfilling, living and not living.
WAITING AND KNOWING – the painting – illustrates that amazing center of gravity available to us as human beings, our root a fulcrum from which we pivot in our lives, live our lives, celebrate our lives.
i drove back and forth and back and forth to nashville when i recorded this album, each time returning with a cd of the work we had done on the album. i’d play it numerous times, taking notes to share with my producer, re-writing, practicing, sometimes sharing the songs-where-they-were-at-the-time with others.
joan was the one who told me i needed a “strong woman” song included on this album. so i walked across the street home, directly into my studio and wrote one.
now, this isn’t my favorite song – it’s a little kitschy if you ask me – but i have had many tell me how much they like it and one of my favorite performances of it was when beth’s students sang it. (i was long-term-subbing for her. she’s a dear friend and an amazing choir teacher in a middle school in our district.) those kids really rose to the occasion and kitschy fell by the wayside in favor of strength and power and belief in themselves.
recently d and i listened to some of my first recordings. they were from 1979-80 and recorded in a studio in a town called port washington on the north shore of long island. i had found a cassette (now isn’t that retro word dating me!) and we have a boombox (another retro word) that plays cassettes so we settled in to listen to the three songs on what would now be called an EP.
one of the songs is called leaving and is a song i wrote for my parents as they retired and moved from our long island home to florida. i remembered that song well.
the other two? well, it’s funny. i could sing every word, but i didn’t remember the intense emotion behind them. THESE were my #metoo songs, i discovered (rediscovered?) as i listened. one of these days i might share these songs, not because they are great songs but because they are truth and every artist has songs that are life-defining. not the ones necessarily that chart (although those are lovely, indeed!) but the ones that speak from deep inside, with lyrics or music that must be spoken. these two songs were written by a vulnerable (and pretty angry) young woman who wanted to unleash the power of her crayon and live out loud, who definitely wanted to live without fear, who tried hard to break away from an experience i still would rather forget and who prayed – alone at the time – beseeching words. all this is what i wrote about in this week’s melange.
my heart goes out to all those women who are also card-carrying #metoo survivors. the out-loud ones and the silent ones. my wish for each of you: unleash your crayon, live without fear, break away, pray with another, count on you.
from this song of today’s melange post COUNT ON YOU, which may be more #metoo and less kitschy than i thought, “just move forward and then believe – you gotta trust…in you.”
often on sunday mornings, when we get to the offertory slot, jim, the guitar player in the band, and i will look at each other and one of us will make a letter shape with our hands to denote a key…the key of a piece we will improvise on as we go. and then we are off and running. although it is often me (with the piano as my music-making-instrument) either one of us drives the piece. jim loves minor keys – they are so emotional – so he is in his glory if we pick something minor. no matter what, we don’t know where it’s going before we start. but there’s a moment we both feel that it is jelling and we take turns leading and yielding, surprised by the direction and the story, so to speak.
the path forward is like that, i suppose. you don’t quite know until you start. and sometimes, it takes you by surprise. just when you think you have it figured out, the key changes. you lead, you yield, you take a chance not knowing. and sometimes, it comes out alright. especially if it’s in a minor key.
reverse threading 