it’s merely nuance. just the subtlety of shades, leaves begging for us to notice.
surrounded by meadows filled with wildflowers and a splendid array of color, these leaves are blend-inners, standing out only by their presence in size. so beautiful.
it’s like people, sort of. there are blend-inners and there are stand-outers. both are necessary in the balance of the meadow or the prairie.
the stand-outers are noisier, more assertive – colorful and obviously there, attracting attention, striding.
the blend-inners camouflage into the surroundings, quietly supporting efforts of others, tenaciously pursuing their own bliss, no wish to be flamboyant or noticed.
the surprising thing, however, is when – like this prairie dock plant – there is suddenly growth that is astounding. flower stems begin to shoot up skyward.
if you only passed by in early june you would not know this. you would assume that these broad leaves were in monochromatic zen with the rest of the meadow. you would assume that they would silently simply green their way through the season, other wildflowers growing up and around them, perhaps stifling them.
you would not know that later – just a little bit of time later – these seeming blend-inners would herald tall leafless stems – even as high as eight feet tall – sporting bright yellow daisy-like flowers. it becomes a towering plant, high above the rest, hardy and pretty much invincible. not so silent anymore.
you just can’t judge a book by its cover, can you?
the last thing i expected to see – when we left the building – was anything of beauty.
and yet, there it was. just a little down the hill. growing out of a crack on the city sidewalk, a prickly thistle – with all its thorns – in full bloom.
the flowers were dynamic and dimensional. spiny. seuss-ish.
the plant stopped me. it stopped all thought. it stopped all manner of anything. it was that unexpected. and suddenly, i was distracted. and it was all about the musk thistle blooms. the mystery of prickly and stunning co-existing, a plant that can grow where others cannot.
and for a few moments, i was lost to texture and color…fuchsia and pink, purple and maroon, my heart lifting.
it is said – in the celtic tradition – that the thistle represents resilience.
friends of ours asked if we had cicadas yet. they live a short distance away in illinois and their friends – in another close-by illinois town – have so many cicadas that they cannot sleep at night. we haven’t heard a one. at least not yet.
instead, our nights are quiet. we can hear the gurgle of our pond, maybe a little wind. seems about right for the sweet phase.
dogga wakes us early – this morning his first attempt was at 5 – jumping on the bed for pets and snuggles, he encourages us to get up and put the coffee on. but in those exquisite minutes between slumber and plugging in the cuisinart we can hear the birds greeting the morning, the spoon stirring in a mug through our dear west neighbors’ kitchen window, the quiet strains of symphony as the sun streams in through the window and spills onto our quilt. it’s a tender beginning to a day.
last night was warm – we sat out late after we ate dinner on the deck. sans air conditioning it was warm when we went to sleep. i woke up numerous times through the night…always trying hard not to start thinking – because once i go down that road – the thinking road – i have no real chance at going back to sleep. nevertheless, i went there.
it seems – most times – when you end up on the thinking road it is on autopilot, as if you have no ability to steer. last night, though, i tried to stay in control of the steering wheel. and each time my mind wanted to veer off and ruminate over something else, something of concern, i tried to gently bring it back to my breathing, to the sounds of quiet night, to the feeling of d laying next to me, to the gentle snores of dogga.
i’m pretty sure the cicadas will arrive. i hope so. i don’t know if they will be so loud that i cannot sleep. i’m not too worried. there are plenty of other reasons i don’t sleep. and i have actually been a cicada fan my whole life – i love the summer night sounds of crickets and cicadas and miss those when they disappear in the fall. i try to memorize the sound – until the next season of them. i find both reassuring and pointedly centering – “you are in summer,” they seem to say, “relish it.”
the sweet phase. it’s begun. every day. every night. we are fortunate, no matter what. because we are here. period. this is the time to remember that.
and the daisy turned skyward – cup-full. and as i passed, it reminded me of abundance and plenty.
for the measure of both abundance and plenty is not rigid. it is variable. my plenty is different than yours. and different expectations apply to abundance. it does not serve me well to gauge mine – my plenty, my abundance – by your standards. no, that comparison is not right. there are similarities. there are dissimilarities.
instead, i’ll look at the daisycup. i’ll set my face to the sun. i’ll count the times the dogga runs around the pond. i’ll gaze at the pussywillows on the white bathroom windowsill. i’ll savor the creak of old floors under my bare feet. i’ll tighten the back screen door handle. i’ll watch the house finches dine on grape jelly. i’ll feel his hand wrapped around mine.
we’ll go look for turtles from the bridge. we’ll clink glasses on the deck. we’ll listen to the wind in the chimes. we’ll paint rocks, write words and create big pots of soup. we’ll walk in sync on the sidewalk. we’ll make leftovers and serve them with happy napkins. we’ll relish time with family, with friends. we’ll make plans; we’ll revise plans. we’ll kiss goodnight.
“tonight while the lights are shining and the microphone is on, i’ll play for you…” (seals and crofts)
or no lights.
a piano perched among the boulders looking out toward the mountain range – in this very special place. a boom mic.
in my dreams, i can see it.
the bigrocks are seats and the program is not written. it all comes from the spirit in this place, from air, from healing. and – even more specifically in my dream – a yamaha disklavier pro minus the fancy-schmancy newfangled stuff – an instrument to record directly to disk…on-the-fly on-tape, in the vernacular.
in my dreams – in my regaining of feeling relevant – my fight to regain relevance – as a 65 year-old recording artist who broke both wrists snowboarding and then tore my scapholunate ligament (leaving me with a rh grand total of 45° forward rom) – i am sitting at C7 pros all over – in fields of boulders, in canyonlands, perched on mesas, in meadows of wildflowers, on a cool sand beach. i am playing the boulderfield, the canyonland, the mesa, the meadow, the beach. it is a conversation between us – even, maybe – through me. it is simply an offering to anyone – or any one – who wishes to listen. it’s a dream awash in unlikelihood but with maybe-just-maybe the smallest iota of possible. maybe we can make it happen.
i stood – again – on the most obvious rock from which to bow to my invisible audience. and i bowed low.
because sound or not, there is music. sheet music or not, there is composing. audience or not, there is listening. it is all happening – simultaneously. right there. in that place.
the boulders on the grassy knoll know it. and i can see it.
“i’ve practiced many years and i have come a long, long way just to play for you… my life is but a song i have written in many ways, just to say to you…”
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we waited until the really torrential rain stopped before we drove on to aspen. the forested slopes, sagebrush-dotted mountains and an amazing canyon are just too much to miss in driving rain. the marmot, the bighorn sheep and the mountain goats were all out on our way there – the reward of patience and not rushing. they grinned as we went by, slowing to gaze at them, all pretty close to the shoulder of the road.
we were gifted with a herd of elk lounging in a meadow on our way back from the ditch trail. it’s not to be underestimated – the size of an elk. they grinned at us from the field and told us that the real hulksters – the moose – wouldn’t be making an appearance that day.
and then, back a couple hours on the other side of the canyon, right in the middle of breck, this tiny family of foxes. momma fox watching over her kits, the incredibly adorable curious little babies romped around the old building, scurrying from one plaything to another, scooting under the foundation. none of them seemed fearful and we were grateful that people weren’t chasing after them like the nincompoops in national parks seem to be doing these days. they were grinning at their audience, just happy-go-lucky-living life and momma fox was watching over her brood carefully. we were enchanted.
we saw them a few times while we were there. each time we laid back, quietly watching, enthralled at their courage and delighted at their zeal.
this is always a hard place to leave – these mountains. we try to make the most of the gloriousness while we are there. every breath here counts.
and i wonder if someone is watching from some other planet or galaxy or dimension. they can see us – david and me – romping and scurrying, playing and scooting – just like the baby fox. they might think we were just happy-go-lucky-living life. they might be enchanted.
no matter where i am there comes a point when this happens.
when i was little – and everyone else went to sleepaway camp – i tried it on for size. twice. the first time it was ok. we went to camp koinonia in upstate new york and i was with my best friend susan. we stayed in a screened-in cabin with bunkbeds and there’s not much else i remember, save for the lanyard-making. the second time it was another upstate sleepaway camp and, again, i was with my best friend susan. that time did not go well. it rained a lot that week and that contributed to my wistful homesickness. i remember kickball and crafts and i remember a bit of weeping. i didn’t try it again.
i guess – as much as i now love going away – traveling and adventure, immersing in new places – even my favorite places – i am also kind of a homebody. i miss our house, our routines, my feet on our old wood floors, our dogga.
paradoxically, i feel fortunate to have gotten away from home. we needed a little bitta time out of town, a little bitta time away from the usual stuff, a little bitta time near family, a little bitta time in the mountains.
i think even a short stint of time away interrupts us. it grants us fresh air. it pokes us to not take loving our home lightly. it stirs up the wish-we-were-closer proximity yearnings. it gives us fresh eyes to return to our routines and the projects and challenges on our plates. it makes coming home sweet.
i am really, really familiar with the view out the front door of our house. this tree has been there the entire three and a half decades i have now lived here. and i have seen the sky and the seasons change through the arc of its branches.
the trees next to the sidewalk on our road have been aging out. one by one we wake up or arrive home to the roar of heavy chainsaw sounds. it makes me worry about our tree. it would be tough to see that tree removed.
going away and exploring – meandering around – is good for the soul. it’s invigorating and can take you out of your comfort zone. it’s rejuvenating. it gives you space.
coming back home – after going away and exploring – is also good for the soul. it affirms the everyday, the mundane, everything you consider ordinary, the very-familiar. and it elevates appreciation of all of it.
i saw the letter k immediately. one always sees ones initials, i suppose.
it immediately made me think of the way i used to sign everything – back in the day. (note: “the day” means the 70s – which is now – shockingly – half a century ago – which makes me laugh aloud!!)
i used a combination of my initials K, E, A – joined together – nothing extraordinary, it looked like this:
i used it everywhere. i signed my poetry with it. turned in lab reports with it. i autographed my lyrics in black-and-white-speckled composition books. i signed all my greeting cards with it and left notes on crunch’s windshield adorned with it. my monogram traveled with me everywhere.
and soon, recipients of my dedication to this began to use it back to me. i even have a beautiful gold necklace that was gifted to me with my cherished self-designed monogram.
and then, the guitar strap.
it was a present.
it was during the time that tooled leather had more than a minute. like everyone, i already had tooled leather keyfobs, bracelets, belts, change purses and full-sized handbags.
but the guitar strap stood out.
i used this guitar strap for five decades on my guitar. i had compartmentalized what it represented, the person who had given it to me, the time of which it reminded me.
until one day, a few years ago.
when you join together with a partner much later in life, you are full of the stories of the rest of the time you were not together. it’s rich history, narrative begging to be shared. and so, these stories start to tell themselves a little at a time as you get to know each other. and so one day i told him the story.
in horror he listened. he held me as i wept. he gently asked questions. he was quiet with me.
the bungie cord tightly lashed around the compartment of the sexual abuse flung free, snapping back, narrowly missing us. and the box was opened.
i removed the guitar strap from my guitar, unweaving the leather cord that held it onto the neck just under the tuning pegs. i stared at it for a few minutes, my monogram tooled into stiff leather that had somewhat softened through all the years.
and i took it outside and placed it in the garbage can.
there was no mosh pit. but you could not underestimate the thrill in the audience.
freddie mercury was not there. but you could not underestimate the support of the audience.
it was not the 70s or even the 80s. but you could not underestimate the throwback zeal amping up the audience.
we were gifted tickets to a queen tribute band concert. one vision of queen with marc martel was a blast. we were surrounded by – and i truly mean surrounded by – about 2400 people in our own age bracket. now, there may have been a few here and there, scattered throughout the theatre, who were younger (or maybe older), but – for the most part – this was a 60s-something event.
and everyone sang along. now, being a dedicated john denver/carole king/james taylor/england dan & john ford coley/loggins & messina/dan fogelberg et al fan, i have to say i did not know all the lyrics to all the songs. but there are some that are just indelible – they will forever stay in your mind, ready to be excavated at any moment – more easily than last week’s memories.
there were grousers, of course. the woman behind us kept grumbling because the guy in front of us stood up to dance along. but his joy was palpable and everyone was on their feet at some point. plus, he was a great dancer.
marc martel was phenomenal – you cannot deny his talent for lifting up the songs of queen. mostly, you cannot deny that he was having a great time. it does a heart good seeing someone having that much fun.
and my favorite moment – the encore during which – of course – they played we are the champions. everyone stood, everyone danced, everyone sang along.
and then – the words that lingered over all of us and snuck into the balcony and box seats and twirled around in fog machine fog and reverberating glee – “for we are the champions – of the world“.
it’s not a bad thing – this tribute thing.
it occurs to me that, although clearly a tribute to the original band, it is also a tribute to our earlier years, life a few decades ago. the visceral memories of time gone by brought back to the moment.
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we co-wrote an absolutely brilliant song when we were on washington island in the summer of 2019.
[i’m thinking i already posted about this. 1900 + blogs and redundancy is a thing, i guess. my apologies – i know some people really detest redundancy. i, on the other hand, don’t really mind it at all. you can tell me the same delicious story over and over and i will still be a happy listener. (these rules don’t apply to david, of course)]
anyway…now, every-single-time i see a butterfly (and even yes-yes, technically, a moth as well, yup-yup) i cannot help myself. i immediately think of this song and sometimes – ok, most times – i start singing it. “butterfly, butterfly, spread your wings. butterfly, butterfly, fly. butterfly, butterfly, flutter by, to the big blue sky.” (see audio file waaaay below if you are dying to hear this brilliance!)
we cannot help laughing.
really laughing.
like the kind of laughing when your cheeks hurt and your ribs begin to ache, tears start streaming from your eyes and you might even snort. THAT kind of laughing.
we were so inspired back then by our butterfly song, we decided – while still on island – to write another song – fun in the sun – and we tried to record it (see below)…ridiculously harsh sunlight, anything-but-flattering-up-angle, very-very-insanely-close-up…but the moments are recorded no less. for all time.
the red admiral butterfly – that fluttered by and landed right next to us on the adirondack chair on our patio – according to the great google – symbolizes spiritual awakening, transformation, and renewal. all beautifully restorative. truly a gift.
but there is nothing like a good laugh to put things in perspective. for all time.
reverse threading 