we are each other’s best rant-stoppers. sometimes we can stop it at the gate and sometimes we can just sort of sway the after-effects at the other end of the crescendo. either way, we have found that we are pretty well equipped – specifically balancing for each other – to offer consolation or lighthearted redirection or nudges of positivity or reminders to not get stuck in a maelstrom of yuck. if none of that works, then a midnight bowl of cereal might do the trick.
in the moment it may not be so funny, but, sometimes, looking back on a venting-rant and, always, promises to never-rant-again are pretty doggone hilarious.
this morning i read a lovely piece about an elderly woman who made it a point to dress each morning by 8 and was ready for her day, looking fresh, put together and smartly attired. i instantly felt guilty. it gets better, though. the piece then went on to say she had just made the decision to move into a retirement facility and was waiting in the hall for her room (note: room, not whole apartment) to be readied for her entrance. an aide was describing the room to her and this generous woman’s reply was, “i love it!” the aide commented to her that she hadn’t yet seen it and the woman nodded. she said that she had decided to love it, regardless of how it was arranged or how it looked. she added that her happiness was a choice she made each day and, no matter her aches or pains or worries, she was going to choose to be happy in the moment she was in, in the circumstance she was in. so now i felt even more guilty.
how many mornings have i risen with worry in my heart, trepidation for the day, feeling dissonance or hurt or angst-ridden?
i read aloud the piece about this sweet woman to david over coffee. he said we should print it out and hang it somewhere. i suppose that i could do that. but instead, i’d rather just try to remember it. to do the best i can each day to rise and be smartly dressed by 8 with an ‘i love it’ ready at my lips. to not worry about the guilt of seeing that printed and any shortcomings i might have, any times i don’t measure up, i fall shy of the happy-choice.
as the cooler air filled our room early-early this morning, we pulled up the blanket. it made me sigh with relief to feel the gentle breeze blowing through the window and as i look out now, there are a couple monarchs flying over our deck. a few cherry tomatoes are ready and the basil and lavender are smiling. beautiful. a fresh day. everything is green, vibrant, healthy.
there is something about green grasses i love. even out on trails i photograph grasses, on my knees at the level of chipmunks and daddy long legs. it feels somewhat dr. seuss-esque to say i love them on the trail, i love them in our yard, i love them in the mountains, i love them in our gard-en.
probably because of our proximity to the lake, our soil seems to speak to ornamental grasses. they grow really well in the gardens around our house. other people have many beautiful flowers and there have been times that i have wondered why i do not seem to be very good at growing various flowers. we have had a spot in the front that was blank. the plant we had planted years ago, despite any effort we made, was just not thriving. last sunday, in a moment of brilliance – preceded by much research that ended where we started – we bought an ornamental grass to go there. i took a peek at it out the front window while the sun was still low in the sky and it is happier than happy. and so, with my newfound wisdom this morning, i will choose to celebrate how well we grow grasses. not yard-grass, per se, for that is another one of those not-quite-there’s, but graceful ornamental grasses that send up beautiful plumes, that help with erosion control, that spread naturally and that make us look like successful gardeners…of a sort, anyway. celebrate what we do well. dressed smartly and looking fresh.
and i will remind myself, especially in these times, to rise gently. to hold this morning, tomorrow morning, that morning someday – any day – close to my heart. with gratitude. bowing to the sun and gracefully moving in the wind.
*****
THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL (kerri sherwood)
the quiet is one of my favorite things each early morning. the world has not yet awakened, save for the birds. as the sun rose red into the sky today it was as if a silent movie was playing in the sky, strewn with color.
“stillness is the canvas against which movement can become beautiful. we can only appreciate movement against the background of stillness. were everything kinetic, we could not know what movement is. as sound is sistered to silence, movement is sistered to stillness.” (john o’donohue – beauty)
sistered.
it’s the rests that give meaning to the music – the breathing that makes owning a passage only yours.
it’s the white space that gives design power – balance revealing subject, a viewer’s ability to see.
it’s the negative between the positive – giving definition, directing eyes to move.
it’s the imperfection that accords perfection.
it’s standing still that makes dance dance.
it’s less words that gives impact to more words – wisdom is not measured in the verbose.
it’s dark that gives the stars life – a stage for shimmering pinpricks of light, gigantic close, tiny from afar.
it’s noise that makes the whisper worthy of delicious goosebumps.
it’s the tide going out, coming in that makes the waves, the low-tide sand pushing the wave higher.
it’s absence that reminds us of the potency of presence.
it’s sleep that gives energy to awakeness.
it’s dreams that give shape to reality.
it’s quiet – gentle hushed sunrising birdcall-punctuated quiet – that feeds the wearied cacophony in our minds as we start anew. offered with possibility, with crayons or colored pencils or thick oils to fill in our day, peeking into spaces of nothingness, seeing past what we see, coloring over the lines, entering the negative space, uncluttered and still.
“not like my mom at all,” she said, talking about decorating in an exquisitely joyful conversation. she described her template, “the colors of a desert sunset.” i was instantly in a different place, watching the sun go down over canyonlands and high desert. i can sooo understand surrounding yourself with the divine colors of these moments; i can sooo relate to taking them with you.
as a person who has surrounded herself with rocks and sandstone and sticks and branches and feathers and pinecones of the high mountains, i get the connection to these places and the desire to live within them, even if you are not there. she went on to describe the colors, a template that made me want to immerse in them, like a favorite quilt. i lingered in every word she spoke, this beautiful, creative daughter of mine, trying to remember each one just as she described it, store them away in the kaleidoscope of treasured bits of knowledge.
i walked around our house after that. black and white. a little bit of flour-tortilla. green plants. old clay pots. old wood floors. there’s a certain ochre in our sitting room and in the stairwell going upstairs. and there’s some barn red in the bathroom. it’s kind of a cross between the extremes of ansel adams’ color palette or sheet music tablature, golden sunrise moments, a new england farm, deep woods in the mountains, canyonland red rock.
the photographs i take everyday and everywhere vary. but lately, i have found myself drawn to these small canvasses of almost monochromatic still-life outdoor paintings, just waiting on the side of the trail, waiting in flower gardens, waiting in the woods. nuances of shade, a tiny pop of color … nature’s natural inclination to visual cohesion. i’ve been especially seeing the greens in the greens, really delicious shadings, no competition for spotlighting, just color intertwined and inclusive. i’ve noticed even more distinctly the genius of a single bloom, petite berries, nestled in all the verdant green.
i came home from such a hike one day recently and took out the 1940s opalescent aqua blue hobnail glass vase that was my sweet momma’s. it reminds me of sky and water; it reminds me of grocery store flowers my dad always bought my momma. it doesn’t go with our house, i had thought, going through bins and boxes. and then, i placed it in the window seat of our black and white and flour-tortilla living room, a gentle nod to days spent in the grass drawing with clouds and on long island beaches with coppertone floating in the air. a “yes” to my daughter.
she is right. the colors in our home aren’t the incredible desert pastel spectrum, the intensity of sage peacefulness our girl described – the sunsets she holds close to her soul. but it is as particular to the desire to surround oneself with that which is meaningful, to what resonates inside, to what gives you serenity, keeps you still in all the whirling world, brings you contentment, is part of the nirvana of tranquility, is your sanctuary. it’s decorating with true heart.
brad was off-zoom-camera when he asked, a little incredulously, “you mean you haven’t put in the air conditioners yet?!” i sheepishly replied, “no…not yet.” everyone on the screen laughed and then stared. i mean, it is clearly hot out. hot and humid and sticky – those dog days of august, though even dogdog is not a fan of sultry so-called-dog-days. every thing and every one is sluggish, moving slower.
i remember living in florida and working in a career where suits and business office attire were expected. you’d search for toe-cleavage-touting etienne aigner pumps on sale and score big on scarves to finish it all off. everything was air-conditioned: your home, your car, the office, the lunch deli. everything except the outside. so, after carefully attending to your ensemble and your make-up, you would get into your car in your garage and drive to the office – for me, this was downtown brooksville at the courthouse, as i worked for the state attorney’s office as the victim-witness counselor – and you’d drive around the downtown looking for a spot, hoping for something close to the square. you’d park -finally – a few blocks away, jump out of your car, grab your attache and purse and walk through 1000% humidity to the office while your make-up was sliding off your face and every wrinkle you had ironed out returned through the miracle of sultry-water-saturated air effects on clothing that does not have physical separation from your body. it is hard to look fresh and crisp when you, your clothing and your make-up are melting away. dog-days in florida are not merely a few days here or there in a month or two during summer. they last much longer than that and i always wondered how my elegant boss debbie managed to look pristine. but, i digress.
i felt compelled to answer brad’s question with a little more explanation.
last summer, in the middle of the beginning of the pandemic, in the middle of civil unrest, in the middle of dog-days in more ways than heat-inspired, we put our air conditioner units in the windows – early. the first day we were the slightest bit uncomfortable, late-spring sometime, we – well, david – lugged them upstairs from the basement and installed them in the sitting room and the dining room. we barely went anywhere. with the pandemic raging, we followed safety guidelines to limit our exposure to others, to limit our trips to the grocery stores, to refrain from eating out or gathering. we closed the windows and flipped on the air conditioners. we were isolated, insular.
the summer of 2020 seems like the summer that never was. neither of us can remember much of the summer-part of the summer. the usual backyard gatherings, trips to the mountains, music festivals and park concerts and farmer’s markets on the lake – all were absent for us. and, because the air conditioning was turned on, we basically left it on. it was easy to stay temperature-comfortable and that seemed like the only comfortable we had. as the spring turned to summer and summer turned to fall work and security fell away for so many and we were included in that. insular. temperature-comfortable but not life-comfortable. we knew having the units in was a splurge but it was our only splurge.
this year we are resisting. the windows are wide open. and some days it is hotter than roasting or sizzling or broiling or baking. but, like the environmentally-responsible outdoor company stio taglines, we “let the outside in.” my hair dries curly on its own and sometimes – gasp – i don’t even have any make-up on. our clothing is not smart and tailored and it definitely has a little drooping going on. but we can FEEL the outside. we can hear the birdcalls and sometimes the frog, the gurgle of the pond and chipmunks ranting. lawnmowers and music from the kingfish ballpark. the ice cream truck playing ‘it’s a small world’ and the street sweeper on its way down our street. we feel a part of the world, even in our continued vigilance of covid safety guidelines. we feel summer. and, to be fair, we look at the weather app for breaks in the heat, breaks in the humidity and count the days, knowing it is within our ability to get there without actually melting away. on days when it’s too too much, we sit in littlebabyscion with dogdog and have happy hour in the driveway, going nowhere.
soon fall will arrive – our favorite season. we’ll keep the windows open. we’ll smell the change of seasons and we’ll start sleeping under blankets. it will be easier to think, easier to move about, heck, easier to wear clothes. we are hoping everything will be easier. insular-island-at-home dwelling is not easy. in an opposite-reaction it seems that the more open, safe and healthy the world will become, the more likely we would be now to put in those air conditioners. maybe next summer.
and just a tiny word about linen. though it is supposedly breathable and plant-based and high quality, what’s up with all these wrinkles??? i could hear my sweet momma in my head the other day as i left the air-conditioned car, having driven a distance in a flowy linen handkerchief dress, trying to look fresh and crisp, perhaps a swipe at cooly-elegant, “you look like a ragamuffin!”
i can’t imagine what it would feel like to have written enormously happy screenplays like ‘when harry met sally’ or ‘sleepless in seattle’ or ‘you’ve got mail’. my sweet momma loved the play of meg ryan and tom hanks and billy crystal and, even in face of a double mastectomy at 93, she would watch these movies and she would feel good. nora ephron had feeling good dialed in. her recommendation to “laugh in the face of calamity” is not surprising and deborah copaken’s recent article in the atlantic with snippets of deborah-nora 2011 conversation includes two more of nora’s rules for middle-age happiness: gather friends and feed them and cut out all the things (people, jobs, body parts ) that no longer serve you. these seem to be sage tidbits of wisdom.
when i was younger, there was no shortage of reader’s digest issues in our house. i grew up reading these excerpted and short stories. one of the features was called ‘laughter, the best medicine’. people would submit their own stories for a chance to be published and paid $100. some of these paragraph-stories would elicit a snicker or two, others a real chuckle, though i don’t remember ever out-and-out guffawing. i suppose guffawing is not so young-girl-like; perhaps i should substitute another word. regardless, they were clean jokes and real-life experiences of people that were there to make you laugh. i loved watching my mom and dad laugh over them.
when i googled reader’s digest, i stumbled across an article about bob carey, a man whose wife has been battling breast cancer since the early 2000s. he, in his hope to help, pulled on a pink tutu and went all over the country having his picture taken to raise money for breast cancer research. there is nothing like a man-who-doesn’t-have-a-tutu-body in a pink tutu struttin’ his stuff in the middle of new york city or at the grand canyon to make you laugh. his honoring his wife linda through the tutu project he embraces her spirit, her courage and the power of laughter in their lives. it’s good stuff, this laughing.
laughter triggers physical and emotional changes in our bodies. even a smile elicits goodness in our own selves, relaxing stress muscles, encouraging others around us to relax. it’s the reason i will always start a concert with a story that will likely make people laugh, a story of vulnerability, even a self-deprecating story. a relaxed audience is a participatory audience who has been invited in. there’s no second chance to make a first impression.
my sweet momma would have been good friends with nora, had she had the chance. she would have applauded bob carey in his pink tutu, had she seen him. the sound of her laugh and the dancing light in her eyes stay with me.
in the words of pablo neruda, “…deny me bread, air, light, spring, but never your laughter for i would die.”
sweet laughter. like the whisper of words of your beloved or a gentle kiss to the top of your head, the laughter of your beloved.
there is a book i haven’t read yet – by richard cohen, about nora ephron. it is called ‘she made me laugh’. can you imagine a better legacy?
i was ten with a camera in my hand. we were in the woods at sleepaway camp and there was a teepee. particular about photographs even back then, i wanted to take a full-length photograph of the teepee and the best way was to step behind a big pine tree and part the branches to take the photo. i brushed aside the branches and aimed my pocket instamatic camera only to realize that i needed to step back just a bit more to get the picture i wanted. i stepped back the teeniest bit to get my shot. and suddenly there was no ground.
i fell backwards about thirty feet off the cliff.
in my zeal for the photo i hadn’t noticed the cliff edge hiding behind the pine tree, which was precariously perched just off its side. after moments during which i’m guessing i was knocked out, i could hear the camp counselor and my best friend freaking out up on the trail and i tentatively moved things around – arms, legs and such. everything seemed to work. and in the odd swimming motions i was making down below teepee-land, i realized i had fallen into a gigantic pile of pine branches, all piled up, generously softening my fall. a few feet to either side and the dry ground was as hard as the large rock outcroppings scattered in the woods of camp koinonia in upstate ny. it seemed completely shocking to fall three stories and be absolutely fine and, when they made it down to where i was in the middle of branches and just a bit scratched up, the counselor, susan and i started laughing uncontrollably. how it went right is beyond me, but, somehow, luck prevailed.
we finished reading the salt path, a profoundly moving account of a newly-homeless couple hiking the entirety of the south west coast path in the UK. as one of the reviews reads, “inspiring…a true story of love, hope, and survival against impossible odds.” (j. santlofer)
five pages before the end, raynor winn wrote, “the shock of something going right is almost as powerful as when it goes wrong.” i was reading aloud. i read that line and stopped. i told d i had to re-read it. i read that line again and stopped. and i cried. not giant loud sobs like any of us in these fraught times deserve, but tears sliding down my face, uncontrollably, salty like the mist on the coast path. i was brought to a standstill by one sentence.
these times have proffered many surprises. we have felt challenged by challenges, betrayed by betrayals, silenced and minimized, left in the lurch. we have been cautious, we have bootstrapped. we have been canny by need, scrappy by necessity. we have found surprises at every turn. and, just at the time difficulty has made you get used to things going wrong, suddenly, you are shocked by something going right. someone has reached out. someone has cared. something – even one tiny thing – changed in the frequency pitches around you. something – even one tiny thing – is on the horizon. something – even one tiny thing – lifted the mist, that fog of uncertainty with side orders of confusion, grief.
and when you stepped off the cliff, you landed in a soft pile of pine needles.
“it is a serious thing just to be alive on this fresh morning in this broken world.” (mary oliver)
really, truly exquisite. the last few mornings have been exquisite. we woke up early-early on saturday and sunday morning, nowhere to be, sat and sipped coffee and listened to the quiet world outside. our impulse was to be home, to read together, to write, to go slow, to exercise in the basement, to sit on the deck and watch the birds, the squirrels and the chipmunks, to cook good meals. we felt no need to go anywhere. instead, feeling the sun and breathing in a cool breeze, we reveled in the staying-here.
as headlines point out, the pandemic is heating up. again. the prediction that there will be 300,000 diagnosed daily in mid-august is stunning. so much sickness, so much loss. we feel fortunate to be vaccinated and we are dedicated to continued safe practices. we want at least ten thousand more exquisite mornings, at least ten thousand more days, ten thousand more sleeps. to sacrifice now, we feel, is to bestow upon ourselves a chance at those ten thousand wishes. it IS a serious thing just to be alive. and, even in moments of taking it for granted, we don’t take it for granted.
if i could find a four-leaf clover or blow the puffball off a dandelion or spot a shooting star or spy a haywagon from the back, i would issue a hope for each of us to recognize the gloriousness of this very day, each very-day. to stand in responsibility for each other and to seriously choose to mend the tiniest piece of this broken world for the rest. to stitch together the biggest quilt honoring the inhabitants of this good earth, each thread an acknowledgement of gratitude, each piece of fabric a choice to take care of each other, to live in community the best we can, to do everything possible to keep each other healthy.
just to be alive in this broken world takes some chutzpah. sacrificing for the whole takes some humility. bowing to safety guidelines in a pandemic takes some love.
there is no question – whatsoever – that i lay awake inthemiddleofthenight waaay more than he does. i ponder and wonder and fret and worry and perseverate and plan and make lists and sigh and re-start the cycle over again. i lose sleep over things that are troubling me and during times of discontent. it is impossible for me to not carry these concerns into sleep – it’s disquieting and, most definitely, interruptive.
on the other hand, it takes david about six seconds to fall asleep and – perish the thought – stay asleep. there is little to no tossing, turning, blankets-on-ing-blankets-off-ing, staring-at-the-ceiling, looking-at-the-clock. somehow it is possible for him to empty-his-mind-of-all-troubles and just sleep.
bruce said, “i like what you do with frames.” he and ben were visiting from california, having dinner with us on the deck, passing through on their way to the northeast. i haven’t really thought lately about all the frames around our house, but, after he said that and they left, i walked around noticing. big glass-less window frames around small cards, frames around paint on the wall, frames around paintings-in-frames, empty frames. he commented that he even liked the ones outside on the fence. i laughed. the neighbor’s vine is starting to wrap its tendrils around the frames out there and surprised chipmunks bump against the one standing on its corner on the piano, knocking it over. i guess i like frames.
for the longest time – years, really – i carried the frame of a kodachrome carousel slide in my wallet. no film in it, just the simple two inch square white frame.
in times of overwhelm, if you take the slide out and hold it at arm’s length, focusing your attention through it, you will see that it limits your vision to the tiniest picture. instead of looking at the whole scope of the big picture, you can move the slide around and simply take in a morsel, one at a time. as you get comfortable, as anxiety eases, you can move the slide in closer to your face, little by little. and little by little, the perspective will change, until you are back to seeing the big picture. sometimes, you need to dissect things and view all the ingredients of the moment one by one.
i’d forgotten about this tiny frame in my old wallet until the other night. i think i’ll dig it out. you never know when you need to be reminded to take one thing at a time.
reverse threading 