“easy living” it advertises on the cover of the wayfair summer catalog. inside, you can purchase everything you need for easy living. for a price, you can create easy living spaces on your deck, your front porch, in your kitchen, in your bath, by your pool, in your backyard. most items are really beautiful, beckoning you to believe in the power they have to help you live easy. this summer, we actually added a few small things to our own deck, though our deck is a mostly-target-added-to-repurposed-stuff deck. i have to say, a few cushions and outdoor pillows make an inviting difference.
we have changed our schedule a bit these days. we used to stay up really late and watch late night news and comedy talk shows, but through the pandemic and the political-rah-rah times it has tended to get us riled up. so instead, after the sun has fallen from the sky and mosquitoes having joined us on the deck, we watch minimal tv and go to bed early to read aloud or watch trails on a laptop. we wake up early, with rising sun and birdcalls streaming in through the wide-open windows in our bedroom.
this morning, just as the sun rose, i plugged in the coffee, fed dogdog, opened the windows in the sunroom and went outside. i greeted the tiniest farm on our potting stand, tested the soil for dampness, looked for ripe cherry tomatoes, pinched back the sweet basil. i checked on the lavender. i added bird seed to the feeder. i looked for magic in the pond and pulled a couple weeds. i watched dogga sniff around his yard and drank in the salmon sky lightening in the east. i came back inside and wandered from plant to plant, saying good morning to succulents and KC and snakeinthegrass. the coffee pot beeping drew me out of where i was standing by the window, looking out, and i pulled out cabin coffee company mugs. every day is different and every mug brings with it a different set of visceral memories. it was a breckenridge mug kind of day.
it was quiet; all was still. i thought: this. this is easy living. a little bit of ritual, a little peace at the beginning of the day, a little peace at the end of the day – these are ingredients you cannot purchase from a catalog. these simple gestures we make to being present-here-now are contagious. they spread the intention of simplicity to the rest of our day. and though we don’t always stay there, in peace, we know we can find our way back there.
because at the beginning of the next day we can try again. we can find the wonderful in this wonderful world.
“it is a serious thing just to be alive on this fresh morning in this broken world.” (mary oliver)
really, truly exquisite. the last few mornings have been exquisite. we woke up early-early on saturday and sunday morning, nowhere to be, sat and sipped coffee and listened to the quiet world outside. our impulse was to be home, to read together, to write, to go slow, to exercise in the basement, to sit on the deck and watch the birds, the squirrels and the chipmunks, to cook good meals. we felt no need to go anywhere. instead, feeling the sun and breathing in a cool breeze, we reveled in the staying-here.
as headlines point out, the pandemic is heating up. again. the prediction that there will be 300,000 diagnosed daily in mid-august is stunning. so much sickness, so much loss. we feel fortunate to be vaccinated and we are dedicated to continued safe practices. we want at least ten thousand more exquisite mornings, at least ten thousand more days, ten thousand more sleeps. to sacrifice now, we feel, is to bestow upon ourselves a chance at those ten thousand wishes. it IS a serious thing just to be alive. and, even in moments of taking it for granted, we don’t take it for granted.
if i could find a four-leaf clover or blow the puffball off a dandelion or spot a shooting star or spy a haywagon from the back, i would issue a hope for each of us to recognize the gloriousness of this very day, each very-day. to stand in responsibility for each other and to seriously choose to mend the tiniest piece of this broken world for the rest. to stitch together the biggest quilt honoring the inhabitants of this good earth, each thread an acknowledgement of gratitude, each piece of fabric a choice to take care of each other, to live in community the best we can, to do everything possible to keep each other healthy.
just to be alive in this broken world takes some chutzpah. sacrificing for the whole takes some humility. bowing to safety guidelines in a pandemic takes some love.
in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.
for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.
and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.
this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.
i imagined just that. staring at the flames flickering in the wind, taking in the perfect and imperfect of our lives. with the sun setting and the firepit column dancing, a rare quiet night in the neighborhood, it’s easy to lose yourself into the flicker.
the column just made its way into our backyard. it is not large. at merely 22″ it is portable and does not take up much room. there are not a lot of things i see while browsing that i lust over. this small tower-of-fire, however, was one of those things. it was not at a pricepoint i could justify, so i watched it.
sometimes when i watch items – or look at them time and again in a catalog – the yearning for that item goes away. as an artist, this is necessary, as buying whatever-suits-my-fancy is not reality. so it is convenient that my appetite for whatever-it-is is sated simply by looking at it over and over again. but the fire column didn’t fit under that category.
we don’t buy things willy-nilly these days. everything takes deliberation and an intention for the item’s use. and in my mind’s eye, i could see this firepit giving us countless hours of ambience on our deck – our sanctuary – the place we will spend most of our free time this summer. i started to give it some serious thought.
and then . . . there was a flash sale. thirty percent off. i stopped pondering, ordered it and picked it up at the store.
we really love it. funny how this tiny firepit elevated our space. we have surrounded ourselves with simple things out on the deck this year. inexpensive pillows – for the first time – on furniture that dates back and back, furniture that was handed-down, re-purposed, a wrought iron table and chair set i have painted time and again. an old door we pulled out of the basement storage room leans against the house next to a ficus we re-positioned from the sunroom. a couple old stepladders act as end tables. old barnwood and pipe hold our precious tomato and basil plants. there are a couple adirondack chairs on the patio and our wood-burning firepit; a chiminea is tucked over by the garage.
we read an article about a man who designed his outdoor space. it was pretty gorgeous. somewhere in the article the author shared the cost of this patio-deck-extravaganza: $550,000. five-hundred-fifty-thousand-dollars. seems slightly high to us; ours was just shy of that.
i seriously don’t know what we’d do if we had five-hundred-fifty-thousand-dollars to spend, but i’m guessing it wouldn’t be spending it on our outdoor space. though our grass isn’t perfect and the textures of our patio and pond and cement and stone pad don’t necessarily coordinate and dogdog has holes he loves to dig, we find this space brings us peace.
we gaze into the small flames of this tiny fire column and feel the darkness drop out of the sky around us. we are grateful for these moments of reflection, the moments when we see how perfect it all is, even in the midst of imperfection. we sit back, awash in the ahhh of having pillows behind our backs, watch the fireflies and a couple swooping bats, look at dogga laying quietly on the deck near us and take stock of our good fortune.
the morning dawned crisper and drier than previous days. there is nothing like sleeping with the windows wide open and a blanket on. even dogdog was feeling refreshed. we looked at the weather app. there is a tiny reprieve of the weather of late – yesterday and today. and then it’s going to soar back up into the 90s, with humidity making all the ferns and the basil outside grin.
the fourth of july will be beastly hot – as fourths often are. we may or may not walk to the lakefront. we know it will crowded and this still feels like time to be careful, pandemic-wise. fireworks will culminate the festivities with people on blankets and bag-chairs, with coolers and bugspray. there is a possibility that this plant – on the side of the trail as we hiked – may be our sole firework. and that’s ok.
each morning lately i have awakened around 4. and each morning i hear loud pops. i don’t know what these are. i assume they are fireworks, though i hardly know why someone is setting them off in the wee hours of the night. i hope they are not gunfire, though i’m not sure i would know the difference from a distance. since the violence that erupted in our town last year, merely blocks away from our home, i always wonder now. so i stay awake, waiting to hear if there are sirens. i find it unnerving.
dogdog is not a fan of fireworks; though he does not cower from them, he is clearly nervous. babycat would also be wary, sticking close to dogga and us. i know there are many people who have expressed how nearly terrified their pet is of fireworks. and, in these times we have been through, with the insane rise of gun violence in this country, i can relate to people being wary, being nervous.
i consider this too: fish and foraging creatures ingest the debris from these fireworks, often set off over water or rural areas. loud noises cause wildlife to flee. without plan and disoriented, birds and bees and so many other animals-sharing-earth-with-us panic, bringing undue harm to themselves. they are not celebrating. they are not even understanding. they are in flight mode, scared.
so this year, as spectacular as planned fireworks are, i find myself thinking that it might just be nice to stay in the backyard, quietly contemplating this democracy and all its flaws. we’ll maybe turn on the torches to keep away the mosquitoes and light the firepit tower and watch the flames in the breeze. we’ll play music and maybe dance on the deck. we’ll keep dogdog reassuringly close, sip wine and try to remember last fourth of july and the one before that and the one before that…
we’ll hear fireworks all around us. our neighborhood on the lakefront will be noisy and packed with cars – people who have driven here and parked on all the streets, toting their picnics and rolly-coolers and blankets down the sidewalks.
and i will hope that all will go well all over this country in this celebration of a day – a celebration of things so many seem to have forgotten, things written into the declaration of independence: “we hold these truths to be self-evident, that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness.”
when i was a child i didn’t know. i watched fireworks with no sense of irony. i was in awe at the spectacle of the parade and the pomp and circumstance.
now i understand. at least, i am beginning to understand.
my sweet momma and poppo would linger…watching birds, gazing at flowers, studying the horizon – be it shorefront or mountainside, cityscape or tiny town or rural farmland, slowly taking it in. in the hurry-hurry of my younger years, i would scurry past, noticing but maybe not really.
i am moving slower now. not because i can’t scurry, but because i am choosing to list to the linger side. though we still watch re-runs after re-runs of joey hiking and climbing and backpacking and pitching tents any and everywhere, imagining ourselves in those canyonlands keeping up, imagining ourselves on the pct or the john muir or the colorado trail, i know that our pace would not match the pace of joey or the exuberant younguns on heading somewhere or walking with purpose or the meticulous norwegian xplorer. we would be slower, lingering, lingering. i’m not sure that would get us from point a to point b successfully or in a timely manner, but i’m thinking that our definition of ‘timely manner’ may have to just be different. because now – in the middle of this grand middle age – is different.
for now i want to watch the birds and gaze at flowers up-close. i want to stop and stare, drop to sit on a nearby log and take it in. i want to notice the intricasies of all of it, the undertones, the overtones.
as i look at the close-up of this milkweed trailside i am struck by the layers of detail. it somehow makes me recall decisions between the major chord and the relative minor, a continuum of impact. it makes me think of melodic gestures, a spectrum of color and of grace. a horsehair brush extended from the heights of the universe, painting perfection in the woods. artists’ hands waving paint on canvas, cupping clay on a wheel, flying over the white and black on a piano, coaxing lines that make you weep from a cello. all the same. creation in all its iterations.
on the call pat told me that the music – my music – had harmonics, tuned with the universe, that made her travel. humbling.
for i see that is what my momma and poppo were doing. traveling. they allowed the beauty around them to touch them, to slow them down, convincing them – in all the infinite glory that beauty -and art- can muster – that ‘a timely manner’ was relative, that time was relative. that time spent in a slow linger was precious.
the file drawers are bursting. there are three bank boxes in the closet, next to and on top of the file cabinets. there is still music to be filed away, but it’s almost done. the ukuleles and the strum stick are hung on hooks. the cello sits silently in the corner. the black metal music stands are cleared of sheets and books. everything needs to be dusted or waxed. the wood floor needs to be swept more thoroughly – to chase away the dust bunnies. a few pencils wait. the storm is gathering. the sustain pedal begs for attention.
i’ve played maybe twice since last november. i stacked music and calendars and binders of slated songs and folders of research in there. i dragged in a box or two of supplies and cantatas that i brought home. i laid the ukuleles on the rocking chair, the poster behind the door. but i didn’t play. except for a day or two after our babycat died and maybe one or two other times. the piano is tacet. and the sustain pedal waits.
because i played and sang constantly for work before the end of november, and i was surrounded in my studio by all the tools and resources i used for that work, it has been, in the these last few days, important to me to finally move all that which i had been playing, all that which is no longer relevant to my life. this studio needs to be clean. it needs space. it needs room for new. it needs to no longer represent life doing that work, that dedication, that place. my studio needs a refacing. the sustain pedal holds its breath.
i got an email from a lovely woman somewhere in new mexico. she wants to order a baker’s dozen cds and wrote that she includes owning them up in her wish list of “large sacks of $100 bills and 25 hugs and smiles received daily for life”. i’m grateful to her and her dedication to analog music. it will be fun to pack it all up and ship it to her, though i will have to direct her to amazon for a few titles i no longer have in stock. her order is a reminder. and even in these days when i have been actively submitting titles to pandora for streaming (there are now nine titles available on pandora.com and everything on digital platforms everywhere) it is refreshing to go to the stock of cds and pull out shrink-wrapped copies of music to ship off. the sustain pedal giggles.
i’m getting anxious to finish the studio cleanse. to walk in and see possibility. to sit and listen to the quiet. to see the new project, the new song, the new composition through fog, fallow and passing time. to one day again depress the sustain pedal and place my hands on dusted keys under a full stick. i don’t know when that will be.
it is said – and clearly there are many people in the news now’days who subscribe to this – that any press…good or bad…is better than no press. you have to wonder.
way back in 2002 i released this album. ‘as sure as the sun’ was the culmination of much writing, practicing, arranging, driving, singing, hydrating, listening, reviewing, re-writing, more singing, more practicing, more driving, recording, listening, sitting and watching my producer, more sitting and watching my producer, re-recording tracks, more practicing, more driving, more hydrating, more singing, more writing, more listening, more reviewing, re-writing, practicing, singing, hydrating, more driving and a lot of worrying. i recorded the album in nashville and drove back and forth for sessions, in between which i spent my time finessing each piece of music, each song i had composed for the project.
as an independent solo artist and not a complete band with others to lean on or a label financially chugging it forward, it was a big project, a big investment in heart, time and money. my producer and i had to believe in it to keep it going. bottom line, i had to believe in it to keep it going. when it was done and i drove home with a mastered CD, it was with a mix of feeling proud, wiped out, anxious and full of dreams. ‘as sure as the sun’ was my sixth album and the first that was a full-length vocal. it was stepping out of my comfort zone. it was the edge.
i hired an agency to help with its release and a radio promoter to aid in its adds to radio airplay. i don’t recommend either. to the tune of almost $40,000 they took me for a ride and i wonder now how this was possible. but when your professed dreams come knocking it is hard to turn away and do it yourself. in retrospect, i should have just continued doing it all on my own as i had done with all the instrumental albums that preceded it. but ah, that whole retrospect thing is such a fine perspective arranger.
amazon, and various other entities, added the album to my lineup online and radio stations added songs to their airplay. ‘slow dance’ charted at number 13 on the secondary adult contemporary radio chart. i’m not really sure how important that was now – at the time, however, it kept me paying for the promoter. i suspect that was the goal.
i played concerts and interviewed on radio and drove around to wholesale and retail shows with product, selling to large box brick and mortar chains and small privately owned shops that played music and displayed cds for customers to purchase. at the label in our offices on lake michigan we put together more cardboard display boxes than i can count, shipping out displays and cds regularly. it was busy and fun and a time when people still purchased actual cds.
in the zeal of the after-release glow, i looked everywhere for reviews of this new album. i wanted to know how it resonated with people, how it measured up, what i could learn by reading others’ commentary.
and then there was this.
the title was just the start. dang. sounding like a “hoofed mammal in heat” or a “squealing pig” was a tad bit much, i thought. the first-grader-lyric-writing comment was, well, kind of first-grader-like. i noted the misspelling of norah’s name. and, much as i appreciate his style, i really wouldn’t use “soulful” to describe jim brickman’s vocal music. but i digress.
i was stunned to have such a review and didn’t know what to think. i spent lots and lots of time, an inordinate amount of time, pondering who might have written such a statement. for some reason, i did not give as much time to the emails i received, the notes, the non-promoter-sought airplay, the adds in box stores and shops around the country, and the thousands of cds that were shipped out. this review nagged me.
it’s funny to me now how i let this one commentary puncture a pinhole in my confidence. but that’s the way of negativity. to stand firmly rooted, to take on the edge, to step new steps, to grow, to believe in your ability to shift gears, sway in the wind – the inner job of every artist. one moose and one pig should not be enough to undermine you and yet, there it was.
somewhere along the line i mostly forgot about this review and got on with the business of the music business: making more music. nine albums and several singles followed this album’s release. but i never really looked for reviews. i listened to what was inside and kept stepping. one of these days, maybe when i decide that i am still relevant, i will step again.
artists of every medium adjust and re-adjust too often to the whim of the viewers’/listeners’ fancy. they lose something every time in their pursuit of wanting their work to be liked by others. yet, the artist is most certainly riding the value-train with every project released. for that project, the last project, the next new project – all represent making a living. they represent a vulnerability not broached in other life-work paths. they represent a piece of someone’s heart and soul, hoping against hope not to be pounced on. all together – the projects of all artists of all mediums – they represent the woven fabric of our narrative, diverse and rich.
as my sweet momma used to say, “if [someone] has nothing nice to say, [someone] should say nothing at all.”
though i generally like moose and pigs and am in good company either way, i trust the moose and the pig agree with her.
slowly-but-surely-time-rapidly-rushing we are approaching the holidays. with all the concurrent spinning plates wishing i could slow it all down, wishing i could feel it happening. i want to feel the peace of the season, the peace of quiet winter coming on.
wisdom comes from unexpected places. softly. an instagram post here, a text there, a conversation on the phone, a note. people, wittingly and unwittingly, giving me words on which to linger, images in which to immerse, snippets of thoughts to ponder.
i woke up this morning feeling hopeful. a bit more sleep was restorative. i read wise soul-provoking words of my girl; i received an email from a generous stranger.
i started to recall the times in my life when an obstacle was actually a gift, when a turn in the road was the thing that protected me. instead of railing against the current, i am slowly slipping onto the raft that is taken by it.
i took a picture of the blue sky yesterday – just blue – because it was the first blue sky in days. i felt deep gratitude for it and for the sun i could feel on my back as we hiked. the two masked women we passed on the trail raised their hands, fingers outstretched in the symbolic v, and called out, “peace.”
early this morning i sipped coffee that david brought me, my legs stretched out on the bed tightly snugged between dogdog and babycat, both laying ever-so-close. and we spoke of waking a little bit lighter today than yesterday. it doesn’t change the circumstances. but how we are in those circumstances changes us.
and in the slow-but-sure-rapid-rushing-time advent of this winter, this season, this time of quietude and rejuvenation, it allows space for peace.
with the sun not yet up over the farmlands, the hot air balloon lifted. we slowly sailed over fields and stands of trees, watching the world wake up. as the sun rose over the horizon, we could hear what was going on below us. we weren’t that high up and any conversation in backyards and barns, on patios and decks or driveways was easy to hear. we weren’t intentionally eavesdropping; you just can’t help but hear clearly up there in the wind. it’s an amazing vantage point floating low in the sky, sharing the sunrise with the earth, an endless horizon. a little wary, i had asked the pilot if he had any anti-motion apothecary suggestions. he responded by telling me that none are needed, that you are “part of the wind.” we were. we are. part of the wind.
when we go antiquing and wander around in vast collections of other people’s lives, we pass by paintings on the walls and in stacks against cabinets, displayed beautifully and piled haphazardly. we stand in front of bins full of records and 45’s, stacks of CDs not even alphabetized, the vinyl and polycarbonate/aluminum blend all beckoning us to sort through and remember songs or moments in time. and we, artists of the canvas and of song, draw in our breath. it’s an amazing vantage point floating here in time, sharing this day with the earth, contemplating.
and we wonder if this is where all of our paintings and cds will end up one day…in an antique shop where browsers will pass by, exclaiming, “wow! look at all those paintings!” or “wow! look at all those cds!” we wonder if they will stop, page through, recognize a track or two, an image or two, or if they will be curious or spellbound and buy something to bring home. perhaps we will remain part of the stacks, the bins, ever-growing, the horizon endless.
either way, we are part of the wind.
download BLUEPRINT FOR MY SOUL on iTUNES or CDBaby
reverse threading 