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pink. [k.s. friday]

there is a single tiny pink tulip stenciled in one corner of my daughter’s room. when i repainted her room as a surprise for her during her college years, i could not bear to paint over all the tiny tulips i had stenciled along the ceiling for my little girl’s room what seemed like five minutes before, so i left one. there is something about pink.

just looking at this peony – in full blossom – you can catch a whiff of the sweet scent of this flower. my niece sent me a picture the other day of her peonies with a note, “i wish they lasted longer than five minutes.”

our peonies sat tightly in bud for a few weeks until – suddenly – they exploded into glorious bloom. five minutes later – or maybe a split second or so – petals were scattering onto the patio but we could still catch whiffs on the breeze. but those five minutes…wow.

the botanic garden had all varieties of peonies, in all stages of bloom. you could stand in one place and twirl to see peonies in lush green growth, peonies in bud, peonies in bloom, peonies with blossoms wide, petals falling. there was something about these pink peonies.

my dear sister was recently diagnosed with breast cancer. a devastating blow, she has ridden the coaster of emotions and arrived at warrior. her surgery was a couple of weeks ago and she is waiting now – the interminable wait – for the pathology results. when she found the lump and the dimpling on her breast, she felt pretty sure it was cancer. but it was in the moments of biopsy results that her life changed. the five minutes during which she became a pink ribbon holder.

soon she will know more. she’ll know about the margins and the treatment going forward. she’ll know about how her recuperating pain will change over time. she’ll know about limitations and about percentages. she’ll know about genetics and maybe why she was diagnosed with the same – rarer – cancer our sweet momma had.

right now, she knows about these moments. the moments of abrupt change. the moments of gearing up for a fight. the moments of absolute vulnerability. the moments – from the very first one – of being a survivor. the moments of leaning on others to garner strength and hope. the moments of desperately trying to stay grounded. the moments of grabbing onto now and holding onto the gossamer ties.

there are no right ways. this is cancer and the journey is brutal, unfair, f-ed up. she is one patient in a world of patients. i desperately wish that was different.

my sister. she ordered chocolate ganache cake for lunch. she’s thinking about a pink ribbon tattoo. she is being a beautiful peony.

*****

read DAVID’S thoughts this K.S. FRIDAY

IN A SPLIT SECOND from AS SURE AS THE SUN (©️2002 kerri sherwood)

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all that mylar. [k.s. friday]

they are a mystery. vhs tapes with no labels. now, how on earth can you send them to the vhs recycle place if you don’t know what they are? there could be priceless memories on that magnetic tape, mylar possibilities gone missing.

fortunately for us we still have a vcr machine. i’m not quite sure if it will just simply connect to our tv, but there is a gigantic plastic bag in the basement workroom with all kinds of cords and cables and such, so maybe we will find something in there that will help. or maybe we will have to get some kind of converter. nevertheless, we have hours of viewing fun in front of us for some rainy evenings and we can find out what’s on those unlabeled tapes.

there are plenty labeled as well, which makes it infinitely harder to dispose of them. movies of my girl and my boy as tiny babies, ballet recitals and soccer games, birthday parties and christmas mornings, movies my sweet poppo recorded off the tv, shots of family times, recordings of cantatas i directed, footage of some of my concerts and of me performing on qvc. they all demand a viewing and i’ll set them aside in a bin and someday, well, many somedays, serve them up with popcorn and m&ms.

the pre-recorded vhs tapes are no less sentimental. the million times we watched under the sea singalong songs, the ridiculously infinite numbers of times barney made an appearance at our house, disney movies, the nutcracker. it goes on and on. not just in the basement, these movies are in the chimney cabinets, waiting.

and then there’s the 8mm tapes, which were converted to dvds and carefully labeled a few years back. goodness! memories à gogo.

i guess someday someone will find our fuzzy purple cd case with the zipper and our daughter’s marker drawings all over it, the one we even take on trips. they’ll unzip it to find all our favorite dvds…the ones we default to, over and over and over, for we are those people who love to watch movies we love to watch again and again.

and they’ll wonder how to watch those dvds; they’ll seek out a dvd player, ponder what cords or cables they need, if they need some sort of converter. they’ll pick a movie out of the fuzzy purple case or maybe one home-recorded and labeled. they’ll load it up and push play.

then they’ll settle in with some popcorn and m&ms.

*****

let me take you back

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LET ME TAKE YOU BACK from AS IT IS ©️ 2004 kerri sherwood


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cowboys and mayapples. [k.s. friday]

he sat easy in the saddle, cowboy hat planted on his head, his horse striding down the trail. “have you seen the mayapples?” he turned his head toward us. “yes, you were the one who told us about them,” i replied. satisfied, he rode on.

it’s hard to miss the canopy. they stand tall and the leaves intersect like a three-dimensional jigsaw puzzle, gone a little wild. it is as if the mayapple all joined hands, agreeing that their mutual umbrella is the point, their canopy of protection a priority. the green is beautiful, lighting the floor of the forest. i bend down to photograph them, again.

and there it was. a stunning white flower. hidden under the umbrella of a wide expanse of leaves above. only stems with more than one leaf will flower; the delicate white bloom grows out of the axil of two leaves.

we had never noticed the flowers before. i don’t know why. but the canopy stretches on and on and you must bend and peek to see the flowers. they exist in this other-world, beautiful, showy, fragrant. it came as a shock to us – how many times we had passed by the mayapple – to not know the existence of these pinwheel flowers, each one ever-important to the thriving of the colony. the canopy provided shelter, guarding the precious flowers that will need be cross-pollinated and will then produce a berry ripe with seeds, ensuring mayapple’s continued spread. so much going on in this tiny underworld of the forest. nature continues on her merry way.

the cowboy seems to really love the mayapple. though he doesn’t remember, each year he quietly tells us about them as he and his horse walk by. it never appears that he is in a rush. instead, he is slow and deliberate. and those mayapples.

what beauty we all might find…were we to bend down and peek into the world. what shelter we might provide were we to join hands, spreading out like the canopy of mayapples. how we might protect what is precious to us, the delicate, the fragile, the children among us. how we might lift each bloom and help it thrive.

we walk under a canopy of blue sky and inky stars. we can do this.

*****

nurture me

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NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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the burtons. [k.s. friday]

i wondered if it was too predictable. each spring, now, a dandelion. each spring, now, the song “fistful of dandelions”.

yet the lyrics – “you remind me of the simple things” – they still count. maybe even more than before.

singer-songwriter: a musician who writes, composes, and performs their own musical material, including lyrics and melodies. (wikipedia)

composer: a person who writes music, especially as a professional occupation. (dictionary)

pianist: a person who plays piano, especially professionally. (dictionary)

i have not written, composed or performed my own musical material in quite some time now. does that change who i am?

when i wrote “i haven’t been playing” a dear friend asked me, “what’s that about?” i didn’t answer. i wasn’t trying to be rude. i just didn’t have an answer. i still don’t.

we, d and i, decided – in a pillow moment one night – to call all the stuff that has happened (to me) since i broke both of my wrists “the burtons” (naming every-single-weird-thing after the brand of snowboard i was on when i fell.) it matters not – the broken wrists, the scapholunate ligament tear, the firing, the oddball itinerant tendonitis, two broken toes, other strange and disturbing body stuff – we are choosing to call it all “the burtons”.

so, i guess i blame the burtons. i wrote, “i’m not sure of much that isn’t different these days.”

i am learning – ever so slowly – that different is ok.

and as i clear out, clean out, declutter, put away all that is no longer useful – i am beginning – again – to see the simplest things that are left. gratitude for those things is starting to overtake any yearning for more. “all the riches i will need today.”

each day now i write. not lyrics. not music. but words. it is part of the natural rhythm of my day and not something i could sacrifice without great regret.

writer: you’re a writer because of the things you notice in the world, and the joy you feel stringing the right words together so they sound like music. (writer’s digest)

“…so they sound like music.”

and one day, maybe soon – maybe after my studio has been cleared out, cleaned out, decluttered and all that is no longer useful is put away – i will put down whatever my resistance is and place my hands back on the keys.

“hard to imagine you are not playing,” she wrote.

that kind of knowing – the riches.

*****

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FISTFUL OF DANDELIONS from THE BEST SO FAR ©️ 1999 kerri sherwood


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the assault on women. [k.s. friday]

rykä: a made for women movement, where our individuality is rightfully celebrated and actions speak louder than words. because women deserve better. better shoes, better rights, a better world.

i am a sexual assault survivor. this is not new news if you have been reading this blog. but it’s pertinent, as always, and, once again.

one in five women in these united states has been sexually assaulted. (cdc.gov)

one in thirty-eight men in these united states has been sexually assaulted. (cdc.gov)

of ten persons sexually assaulted, nine will be women and one will be a man. (rainn.org)

every 68 seconds an american is sexually assaulted. (rainn.org)

rape is not a walk in the park. it does not wash past you. it leaves lingering effects. it is a violation of everything free and sucks from you everything intimacy should represent.

i was fortunate. i have lived with – and dealt with – the ugly emotional reminders of this act of control over me for forty-four years. it has played into my relationships, my confidence, my physical health. but i was not impregnated by my attacker. and for that, i was fortunate.

there is no doubt in my mind – no matter how much i value life – every one’s life – what i would have done had i been left with a pregnancy as a result of this abuse. i would have exercised the choice i had as a free woman in a country that supported my freedom to do so, my responsible freedom-to-choose in any circumstance i may have found myself in, my voice. i know that, beyond anything, that choice would have been profound and would be something i would also live with forever. but i would have ended the pregnancy. period.

in an obviously warped, personally-agendized move of a fraternity of mostly-ridiculously-wealthy-less-statistically-likely-to-have-experienced-anything-remotely-like-this narrow-viewed clearly-politically-driven non-impartial-“impartial court” conservatives failing – failing this country – to apply equal justice equally, our country is poised to eliminate the choice women have over their own bodies. and we retrograde back in time in rapid motion, like someone falling into a mine shaft.

it IS a mine shaft. it is horrifying.

and what will be next?

women deserve better.

period.

*****

SILENT DAYS

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SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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just like toadshade. [k.s. friday]

one of nature’s market umbrellas, this toadshade. research states that its prairie trillium leaves – in a salad – taste a little like sunflower seeds, though the idea of harvesting as we hike is not really appealing to me. in due time we will be on the trail and the sessile blooms will burst open, deep red flowers punctuating the woods. the mayapple will spread and vast areas of decaying leaves will be covered by its natural awning. it is a joy to watch the forest wake.

soon i will move into the studio to pare down and rearrange. it has needed this for some time. like decaying leaves, but without the nutrients those generate, i will put away vestiges of places or times i simply cannot tolerate thinking about any longer. a plastic bin will hold the artifacts and, in that clearing out, i suspect light will stream in. i will not merely glance into the studio. i will walk in, breathe, and step the next step of whatever the journey in that studio is. even if only to watch it wake right now.

with the cantilever umbrella of my piano full-stick, maybe i will sow mustard seeds of possibility. and, maybe, just like toadshade, blooms will burst open.

*****

PULLING WEEDS

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PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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“went to visit mom.” [k.s. friday]

it’s an octave. though it is not obvious to most and though it is difficult to see, it is an octave. well, slightly more than an octave, actually. d to d and then e and f. f# too. there are still 88 keys, even aged. still 88 keys, even devoid of their black and whiteness. still 88 keys, even in their new patina. still 88 keys, even though some may now be missing. it is still a piano. its soul is intact.

my sweet momma has been gone seven years today. seven.

the other day, in a group text with some dear friends, i read one friend’s response to a question from another about whether she was home. “not home yet,” she wrote. “went to visit mom.” it stopped me in my tracks and i stood still for a moment. those words – “went to visit mom” – were powerful moment-freezers. time suspended just for a few seconds as i pondered what it would be like to be able to write those words – “went to visit mom”.

i know that i was fortunate. my sweet momma was almost-94 when she died. and i was 56, so almost six decades of me sharing the same plane of existence. her life was inspiring and i was lucky to have her cheering for me in every success, in every travail. she was steady and a rock who was always there, whether or not, in different phases of my life, i recognized it. it was true for me that there was no one who was a bigger cheerleader for me – she had pompoms out the moment i was born and never hesitated to use them. and, as is true for most of us, i’m quite certain there were times i took that for granted, took her for granted.

“went to visit mom.” wow. what i would give to have minutes, hours, days with her. to seek her wisdom, watch her enthusiasm, see the glint in her eyes and hear her laugh, coffeesit with her, have a giant bowl of pasta fagioli or a big slab of crumbcake or some silly adventure. to feel enormous unconditional love. to hug her. to be hugged by her.

“neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.” (desiderata)

barney will reside in our backyard for a long time to come. this gorgeous instrument will continue to be worn by weather and the elements. its keys will fall off, the wood laminate will peel. it will still be a piano and each octave will still be an octave.

my sweet momma, i know, is the same. she is still there, as perennial as the grass. i know her love supersedes my loss of her.

maybe sometime today i’ll go out by barney. i’ll take a candle and light it. and i’ll text d, upstairs in the office working, “went to visit mom”.

*****

LEGACY

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LEGACY from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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desi is messy. too. [k.s. friday]

because we see desi every day, it is hard to notice its growth. she is likely changed at every sunrise streaming through the window behind her, yet we can’t see it. we’re too close, sitting at the table with her every day; the changes are imperceptible.

desi is a tiny pine tree, an evergreen whose genus and species are unknown. maybe a white pine, we wonder; she’s a messy little thing. her tiny branches are not orderly; she has a bit of wild-troll or kramer-esque (“seinfeld”) hair-branches going on. but her trunk has gone from a tiny needle stalk to something a bit more solid, a bit more grounded.

we talk to desi, just as we talk to all our plants. they each have a name (plants are people too). and, though i haven’t checked on each plant’s tolerance for this, i touch each one. we talk about the sun and the spring ever-coming and their stoic thriving through the winter. i tell them i can see their growth, for i cannot imagine any one or thing not liking positive reinforcement.

yesterday, in mid-basement-clean, i called up to david in his office. i asked him if he could take just a couple minutes to come downstairs and see my progress. i told him i could use the positive reinforcement. plus, if he didn’t look at the progress along the way, he would likely not realize what it took to get there.

it will take tons more time. i have so much to go through…more than thirty years of accumulation. it’s been an ongoing project. but the space i cleared in the workroom yesterday was significant and, if you looked, you could see the change.

some clearing out will not look like much. there will be boxes or bins that i will go through and things will get messier before they get cleaner. it will be hard to discern what i’ve accomplished. it may look a little wild down there. but it’s changing, nevertheless.

not unlike the stuff going on inside. we can’t really see that growth either. we sit at the table with ourselves every single day. one day someone tells us we seem lighter, a good trend. positive – and negative – changes, both worthy of our attention, both glimpses into direction we choose to travel, the way we want to be in the world, how we want to ground, how we want to grow.

clearing out – on the inside – does not look like much. things get messier before they get cleaner and it is hard to discern what we’ve accomplished. it may look a little wild in there. but it’s changing, nevertheless.

desi nods her wild-hair-branch head.

*****

taking stock

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TAKING STOCK from RIGHT NOW ©️ 2010 kerri sherwood


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bird by bird. [k.s. friday]

the mallards are back. a male and a female. they were hanging out across the street on the corner in the grass next to the sidewalk by the bus stop sign. i couldn’t help but smile; they are a welcome sight.

the robins have been gently waking us before dawn – their birdcalls, wafting through an always-partially-opened-window, a soft entry into a new day. i wake, listening to them and other early birds, then slip back to sleep for a few-more-minutes.

after what feels like a long winter, accentuated by the pandemic’s limitations, the mallards, the robins, the tiny flowers poking out of the grass and alongside the trail, all harbingers that spring is actually coming to wisconsin. really, really.

there is a temptation to clean out the gardens, to neaten and tidy up. but rule of thumb – wait until the daytime is at least 50 degrees for 7-10 days – puts the nix on this. wisconsin is not 50 degrees even two days in a row yet. the robins and the mallards roll their eyes.

so, the spring cleaning juju goes inside and we spend any extra energy readying our home for throwing open the windows, allowing the sun to stream in, cleaning out the cobwebs and the (ahem!) dust of the past seasons.

we changed our sitting room last weekend. we put up fresh paintings, moved things around, pared down. the sitting room is between the hallway and the master bedroom and, though with a comfy couch and chair, has often felt merely like a walk-through. we pause now. it feels peaceful and inviting. a little re-arranging, a little re-decorating and it is a space luring me to curl up, read a book, write poetry, sit and ponder.

we are moving around the house now, doing the same as last weekend. the dining room has bags and bins and boxes filling up – things to donate. the basement, also. it will take some time. this is not the first time i have written about this lengthy process, nor will it, likely, be the last. it is a journey. i’m taking it bird by bird. (anne lamott)

the next room up is my studio. it has too many remnants of past workplaces, too many packages of stuff, too much in it to feel inviting or peaceful. i stand in the doorway and wonder if the mallards would turn away, grimacing, were this to be where their homing instinct returned them.

i know that the sitting room’s new persona, so to speak, has encouraged me to sit, to stay there a while.

i wonder if the studio will do the same. cleaned out, tidied, pared down. bird by bird.

full stick and an empty piano bench are a powerful invitation.

*****

BABY STEPS

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BABY STEPS from RIGHT NOW ©️ 2010 kerri sherwood