reverse threading

the path back is the path forward

Tag Archives: recording artist


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divots and heart. [k.s. friday]

we checked our bags. southwest airlines lets you check two and, as long as you trust that they will actually get them to the same destination to which you are traveling at the same time that you are traveling there, it’s a relief for the prior-to-travel packing frenzy.

there were many golf bags going ’round the baggage claim conveyor. none of them were ours.

i have golf clubs. in the basement. or maybe in the garage. no, i think the basement. i am not much of a golfer, though i have golfed. let’s just say that i am not gifted at the swing…or the stance…or the putt. really, none of it, save driving the golf cart.

i think golf would be more fun without the scorecards and the tiny pencils. so much pressure. everyone – despite their ability level – chasing after this one little ball, getting all crabby-like and self-deprecating…all under so much pressure.

one time i got a 91. people seem relatively impressed with this score. they comment, “wow! that’s pretty good for a total novice! (they can’t think of a word that is lower on the golf-ladder than novice.) really, that’s good! a 91 on 18 holes!”

i take my time replying.

“it was 9.”

“9 holes.”

their look tells all – they are trying not to burst into laughter or look astounded and are likely internally blaming me for all the divots on the course – every last one of them. because i have swung the club a zillion more times than any of them, in every part of the course. at least twice as many times as they have. and i am exhausted just thinking about how tired my arms – and really, every part of my body – have been after a “fun” round of golf. yes, indeedy.

i do think that d and i should go play golf together. we would likely laugh our way through the course, so we need to go when no one is behind us, grousing about how long we are taking or commenting on our pathetic swings. if no one was around we could replace our divots without judgement or sneers from the sideline. a smirkless round of golf could actually be fun. pressureless. pencil-less. one of these days. first i need a few golf lessons from sisu sue. she would be the best teacher.

we walked on the bike trail a few times recently. once, it was just after a few snowflakes fell. the tiny divot in the asphalt caught the flakes just so we would notice the heart as we hiked by. prior to that – though i put my heart into every one of those swings and they all just didn’t notice – the word “divot” made me cringe a little, thinking of my personal golf je ne sais quoi.

but now…i’m honoring the chop.

*****

the entire album: RELEASED FROM THE HEART
©️1995 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY


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something so delicious. [d.r. thursday]

it was the perfect “welcome home”.

there is something so delicious about going away. we left town and the cold north for florida. it was just for a few days, but the difference in climate is stunning. when you are not – in general – wearing your 32 degrees base layer or your earmuffs on a walk or your furry boots and you have traded it all for cropped jeans and flipflops and no-sleeves, it is a joy. the sun shined down on us as we visited together – our family – a ridiculous and unbelievable four years since we had seen them. we stuffed conversations into nooks and crannies of time and cheered glasses and cooked and took walks and played thomas-the-tank-engine with the tiny two-year-old-miracle who is now in the fam as well. in the middle of it, we suddenly realized how fast it was all going. and then, it was time to board. masks on – two of like four people in the entire tampa airport – we got on the plane and zipped through the air back home.

there is something so delicious about getting home. behind us we had left dogdog in the ever-capable hands of our 20. behind us we had left the worries and angsts of the moment, of this time. behind us we had left our 32 degrees base layers and hats and gloves. behind us we had left all vestiges of our normal schedule and normal routines.

we exited the plane, stopped at the meditation room at milwaukee airport and got into a cold but completely happy-to-see-us littlebabyscion (i may be projecting here) and drove home, getting more excited each minute. 20 had soup and bread ready for us when we got there. he knows how to tend to those basic comforts – those things that reassure when you have left part of your heart behind somewhere else. and then…that deep tiredness – that happens after you have been away and have arrived back home – sunk in.

sleep came early and then we woke early. looking out the window we watched the snow fall. it’s winter in wisconsin and it looks like winter. i like that. i need the seasons to go by…it’s part of my own process as well.

as the flakes get larger and i write this i know that today is a home-day. i just need to stay home, do the laundry, look at the lists i left, process leaving family-i-love behind. tomorrow i will go out. tomorrow is soon enough.

today i just need to absorb the “welcome home” and listen to the quiet snow fall.

*****

read DAVID’S thoughts this D.R. THURSDAY


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flannel people. [not-so-flawed wednesday]

“…eat bread and understand comfort….” (mary oliver – to begin with, the sweet grass)

flannel is like that. flannel shirts, flannel sheets, flannel pjs. the touch of flannel on our skin and we become swaddled babies, small children held in the arms of a loved one, cozied, reassured, comforted.

though there are expensive flannel sheets ‘out there,’ our flannel sheets are from target. two sets of them now. both soothing, serene, bread-like.

we sat in paris – on park benches, cathedral steps, in the grass – with baguettes and cheese, bottles of wine, olives. when i think of paris now, i think of this…comfort – sinking in to the place, like sinking in to flannel sheets on a cold winter’s night, gordon lightfoot’s webs of snow drifting outside our window. i wonder how we could have had a better time – i know…the butter, the starred eateries, the crepes, the cuisine. but we are flannel people, i suppose, and we learned – for us – the way to really feel paris was to sit on its steps, in its parks, in the grass. it was to shop its markets, its boulangeries, its tiny groceries. it was to simplify and to feel the flannel.

because we ate bread and understood.

“…i have become older and, cherishing what i have learned, i have become younger….” (mary oliver)

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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tree lessons. [two artists tuesday]

we know the trees well. on all three of the hikes we usually take in our area. we watch them as they change through the seasons, giving their leaves over to fallow, holding snow, reawakening. their portraits shift against the sky – from dense to sparse and back to dense. we notice when limbs fall and when nests are built in their branches. we watch as they turn from photographs of trees to graphic images, of dark and light. ever-changing. evolving. we use no filters.

eyes wide open – sort of – we move about our days. we see the people we see, do the work we do, go the places we go. some days are all about the familiar, the patterned, the every-day-ish-ness of it both reassuring and maybe a little stifling. we look at the days without noticing the days, at the people without noticing the people, at the work without noticing the work, at the places without noticing the places.

sometimes i stand just inside the front door of our home and look in. i try hard to pretend that it is my first step into this home. and i look – really look – to see what i see, feel what i feel, notice.

and days, and people, and work, and places.

the trees are teaching me.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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our mirepoix. [merely-a-thought monday]

“…all mixed together for a mirepoix of a day,” jonathan-the-wise-one wrote.

what a delicious word. meer-pwah.

i did exactly this a few days ago. made a mirepoix – a sautéed combination of carrots and celery and herbs – in preparation for our homemade chicken soup. chicken soup is “good for what ails you,” according to my sweet momma. really, good for anything that ails you. we had spent time writing ahead – like this post – for there will be a few days we are away. and we had had a glorious fresh air walk – our faces were still flush from the cold wind.

i thought about a dear friend as i added fresh baby spinach leaves and ladled hot soup over them, wilting them. i thought about loida as we ate out of beautiful williams and sonoma bowls. we sipped red wine and talked about our families. we watched videos of jaxon. i thought about jen – who always has fun napkins – as i pulled out our 2023 napkins, willing 2023 to be a good year. we talked to 20 on the phone and sat up late-late-late to watch our son mix music on a livestream youtube. 2am is later than it used to be.

a mirepoix – the base – for flavorful soups and stews, that which is nourishing, life-giving, warming.

i can think of no better way to describe those around us – those people who have loved us into existence and those who hold on – than “our mirepoix”.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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the pink backpack. [k.s. friday]

“it’s projection,” he wrote. yes. bill penzey is right. it is projection. we project love onto objects and we “really see these objects as love.” he continues, talking about his desire – were there to be a fire in his house – to grab the six-quart stainless kettle he has popped corn in for every movie night he has had with his wife, and his love of the heavy-duty spatula his father gave him, adding, “and in a world where nobody gets too much love anymore, i want to do all i can to hold onto that love.” he is clearly thready. i’ve never met him, but he is on my list – people with whom i’d love to have dinner.

we have a pink backpack. it’s packed from back in the days our town was on fire, days i can feel and hear and smell and taste – viscerally – but would rather not. we’ve kept it packed, realizing that it’s wise to have one thing to grab and one place to go to find that one thing. it has important stuff in it…papers and such. it doesn’t have the tiny cheese knife we use every day, the one that was my sweet momma’s. it doesn’t have the wedding ring my dad wore or the matching flannel shirt of a pair. it doesn’t have the toddler drawings of my children or the small bowl turned trinket-holder that babycat ate from. it doesn’t have zillions of photographs. it doesn’t have masters of all my albums or a collection of jpgs or pngs or printed photos of all of david’s paintings. it doesn’t have the rock i picked up hiking with my daughter or the cork i saved from the first fancy dinner my son made for me. it can’t hold my piano or the vintage typewriter 20 gave me or the bowls we love from ken and loida or the snuggly scarf jen gave me or the old torchiere lamp from my growing-up. it doesn’t have room for the old quilt or our favorite mountain mugs or our ukuleles or my guitars or our dvd favorite-movies-collection or the cardinal towels from my sister or the ‘i-found-you-you-found-me” painting of early k.dot-d.dot days.

the one thing about antique stores is that they give you perspective. lots of it. so many items in the world. so much stuff. you ponder why someone might have held onto a plastic flower arrangement in a plastic flower pot long enough that it became part of an estate that passed into an antique shoppe or how it is possible that there are so so so many 45 rpm records out there, collections of so many long-playing albums, and, someday, so many cds. even mine.

and then you know. it hits you like a spatula upside the head.

though none of that will fit in the pink backpack, were there to be any sort of emergency – and all we could grab is the backpack – we would not lose it all.

it’s love. all love.

*****

IT’S A LONG STORY ©️1997, 2000 kerri sherwood

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out loud. [d.r. thursday]

and nature studied jackson and drip-technique-painted the leaf on the trail. strategically placing small muddy potholes, it invited hikers and dogs and horses to step in. just as strategically, it placed the leaf nearby, deep brown in leftover autumn paint. soon, creamy splotches and drips and spatterings pollocked the leaf, ever-changed. i couldn’t help but notice as we walked. i felt some slight validation for the paint-spattered-paintings on our walls, the ones where i stood back and threw paint and threw paint and threw paint until i knew it was done.

i was tempted to pick up the leaf, to carry it home with us. i kind of wish i had. i wonder if anyone else noticed it, really noticed it as we did. and then i realize, that it is in our noticing – even just us – that it became a complete work and that it had a place in the world and that it wouldn’t be forgotten.

it was a good reminder for me, and i remind myself to tell d as well, to remind him. the size of the audience never matters, the number of viewers or listeners. even in one person’s experience of any work of art there is meaning.

“if you asked me what i came into this world to do, i will tell you i came to live out loud.” (émile zola)

*****

read DAVID’S thoughts this D.R. THURSDAY


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perspective. [two artists tuesday]

and from the air – way high up – the mountains below appeared to be mostly snow-laden. you could see small groupings of trees, likely stands of evergreen, i would guess. it seemed like tundra, vast and untouched, far from anything. the mountains must have risen out of the ground centuries ago, no rhyme or reason, geological remnants of time past. it looked cold. i shivered gazing down. the altitude flattened it all out.

and, in a moment, i was back at the side of the pond, iphone camera in hand, capturing the frozen windswept surface in waning monochromatic light.

it is – indeed – all about perspective.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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theme and variations. [saturday morning smack-dab.]

it’s a recurring theme. and variations. sleep. no sleep. partial sleep. disturbed sleep. sleep with snoring. sleep sans snoring.

i don’t remember having this problem earlier in my life. it’s not like i wasn’t worrying about things then, so i don’t know what the difference is. other than menopause. and hormones. and…ummm…aging. a fun trilogy.

we try to have good conversation in the wee hours. we generally have a banana (somewhere we read that bananas are sleep-inducing plus they are easy snacks in the middle of the night.) if we are still starving, we have been known to get up and make pancakes. having mid-night pancakes always sounds better than actually making pancakes in the middle of the night – tired and a little ornery from not sleeping. but once they are made, it’s pretty dreamy to indulge in a few maple-syrup laden pancakes at 3am.

david doesn’t really have trouble sleeping. his troubles come from my trouble. he is a generous sleep-giver-upper on those nights, for which i am grateful. he mustn’t have the trilogy, the whole trilogy and nothing but the trilogy. plus, somehow or other, he places all angsting to the side when he lays his head down. he just goes to sleep.

head down on pillow. go to sleep.

seems easy.

not so much.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerrianddavid.com


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church. [k.s. friday]

he wrote, “that building is not God.”* (john pavlovitz)

the light lit up the sky, a golden glow in a fog toward the heavens. it is one of the chicago botanic garden’s iconic displays, this tunnel of light, begging you to look up, be wrapped in its light, acknowledge the goose bumps. the luminous winter cathedral drawing people toward it. they stood, marveling, they strolled slowly, they posed for photographs, the millions of starry twinkling lights enveloping all.

i’m not much for cathedrals, really. i never have been; it’s nothing new. while i can appreciate their stunning beauty and the incredible feat it often took to build or install, they have never brought me closer to faith than any other place…outside, in the presence of others, at the piano, alone in wonder.

in my life – and in three and a half decades of my work life – i have found churches to not only house beauty. i have found churches to also house ugly. and so, i was relieved to read the words of john pavlovitz. it is important to distinguish the difference – the building is not God. and, sometimes, the best place to find the supreme deity you are seeking – no matter the name, no matter the denomination or affiliation, no matter the book of written word – is not in a place, not in a building.

the people – so many gathered there – under the arch of the winter cathedral seemed softer. the glow of light on their faces, they moved slower, offered to photograph others, gazed up. just as a community of people in a church often do, they seemed to come together, one of the benefits of “the building”. but, as i have found time and again – and, if we are to speak truth – those benefits sometimes run out. and people within become consumed by that which would never be considered a basic tenet of faith – the hypocrisies of power and control and discrimination and subjugation and competition, toxic things that “[don’t] feel like Love anymore”*.

as i walked under the night sky i knew that the cathedral would be close to the last installation on the guided path. i steeled myself for its overtones, even with its undeniable beauty.

we stood back and watched people enter it. in awe. it is truly glorious.

we approached and there was this tiny voice inside my head naysaying “church” to the other tiny voice exclaiming “wow”. both.

yet ethereal was there and it shone down on us as we walked through to the other side. and then we were once again under a night sky, full of stars we could see and stars we couldn’t see. just like faith.

“you are fully freed to run into the wide open spaces of this world, and to experience life and faith and beauty in ways you never thought possible…”*

*****

ALWAYS WITH US – solo piano ©️ 2004 kerri sherwood

ALWAYS WITH US – piano with orchestration ©️ 2004 kerri sherwood

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purchase a few hundred ALWAYS WITH US solo piano HYMNS OF FAITH CDs

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read DAVID’s thoughts this K.S. FRIDAY