“the thing that is really hard, and really amazing, is giving up on being perfect and beginning the work of becoming yourself.” (anna quindlen)
and maybe that’s the true gift of the sweet phase. time to embrace it all; time to let it all go.
like the heggies pizza truck touted on the highway into minnesota, “uncomplicated. unapologetic. authentic.”
and so we jump in. with both feet.
well, after a nap or two.
we are suddenly aware of time ticking-ticking and we are aware that there will be a day when our stardust will simply return to the sky.
we speak of our ages now, unapologetically. we are-who-we-are authentic. our uncomplicated is a complex mesh of realness. nothing flashy, nothing fancy. simple stuff.
in the way that making history works, we know we started penning the autographs we will leave behind long ago. there are brilliant moments in the swirl of pen; there are shameful moments in the kerning. all are part of the whole. it’s clearly why we need a nap or two.
suddenly now, though, there is a stillness after everything that has come before. there is a bit of time to catch our breath. there is quiet and rest. there is acceptance.
we wake up from the disorienting hibernation-from-quietude of trying-to-get-it-all-right, the long immersion into striding-striding sans the perspective gift of rest, the push-pull of the aggressive nature of competition. we stretch achy joints and revel in the sun rising through the window. we take time to reflect, to ponder, to learn.
we glance in the rearview mirror and laugh at the deep creases around our eyes, choosing instead to focus on now and what is ahead. we release the breath we have held for so long.
we jump in, the concentric circles of our splash into the river rippling out.
“i’m sure not afraid of success and i’ve learned not to be afraid of failure. the only thing i’m afraid of now is of being someone i don’t like much.” (anna quindlen)
and the daisy turned skyward – cup-full. and as i passed, it reminded me of abundance and plenty.
for the measure of both abundance and plenty is not rigid. it is variable. my plenty is different than yours. and different expectations apply to abundance. it does not serve me well to gauge mine – my plenty, my abundance – by your standards. no, that comparison is not right. there are similarities. there are dissimilarities.
instead, i’ll look at the daisycup. i’ll set my face to the sun. i’ll count the times the dogga runs around the pond. i’ll gaze at the pussywillows on the white bathroom windowsill. i’ll savor the creak of old floors under my bare feet. i’ll tighten the back screen door handle. i’ll watch the house finches dine on grape jelly. i’ll feel his hand wrapped around mine.
we’ll go look for turtles from the bridge. we’ll clink glasses on the deck. we’ll listen to the wind in the chimes. we’ll paint rocks, write words and create big pots of soup. we’ll walk in sync on the sidewalk. we’ll make leftovers and serve them with happy napkins. we’ll relish time with family, with friends. we’ll make plans; we’ll revise plans. we’ll kiss goodnight.
the magic dots showed up. it is a happy day to wake up and see them.
with just the right angle of the sun and just the right angle of the miniblinds across the room on the east side windows of the bedroom, they sometimes – but not all the time – appear.
it is a little bit like fairy dust, the twinkle at the end of a magic wand, floating bubbles, glimpses of angel wings. and what could possibly not be good about all that?!
i have awakened in this room most of the 35 years i have lived here, save for bedroom rebuild/remodeling time and other moments here and there. with five windows, there is no shortage of light. it is bright and, though – like rooms in old houses – not big, it is airy.
it is spirit-lifting to wake up and see them…these magic dots dancing on the wall. and, during a time that is testing my spirit in more ways than i care to think about, i am grateful for the dots.
they poke at me, prodding me with mary oliver urgency – “what do you plan to do with your one wild and precious life?” “eh??” they add. “well?” they insist.
they know – these magic dots – that there is much to be done. they know there is much to work through, to see to the other end, to process.
but seeing them reminds me to carry them with me. to not forget the fairy dust, the magic, the bubbles, wings in the middle of it all. to hold it all more lightly.
for, like, the magic dots, it will all disappear as the sun rises and the rays tilt in a different angle. with one turn of the miniblinds, they will be gone.
but in the meanwhile, they invite me to dance with them.
“…simple…elegant…splendid…” she wrote about the branch from the big old tree in our front yard, the branch we wrapped in lights and on which we hung a tin star. last year’s christmas tree. sometime after the holiday, we changed the tin star to a tin heart and kept it in the living room, in front of the big window.
i suppose it goes without saying – for anyone who knows us – that each of our christmas trees has a story. well, not just a story, but a full-fledged novel full of threads that wrap around them like $2.99 twinkly lights fresh out of the box. we’ve given meaning to the tiniest pine tree from the side of a trail, to the carcass of a tree behind our garage, to the branch that fell into our back yard, to a straight trunk-of-a-tree we lugged out of the woods, to a christmas-tree-on-a-stick.
this year, we were going to get a permit and go to a state forest to cut one down. only we didn’t.
20 was exasperated with the tree he had gotten his momma. the lights were all knotted – a titanic tangle – and the tree was disheveled. he put it in the box and bought her a new one, planning to toss the old one. we wanted a tree out back and figured we could make this messy tree into something worthy of the deck, so he brought it to us.
david spent time – lots of it – patiently untangling and cutting off the attached multi-colored light strands. then he attached the three pieces of tree, stacking them to see how it looked.
the tree – 6′ – stood limply, likely gasping from the trauma.
we decided to let it get some air and put it in the framed doorway between the living room and the dining room, where it could have a little space while we fluffed it a bit and decided about putting it on the deck.
only…
only, it started growing on us, this sweet little tree – just trying to be a loved-christmas-tree – stood there, quietly watching us and waiting for our decision.
we whispered to each other – about her – on the couch, so as not to offend the little tree. and time to time, we’d take turns stepping into the living room to gaze at it. to ponder.
and then he took four hundred lights and gently wrapped them around the little tree.
magic.
we stood back and knew.
i said, “let’s call it e.e.” not for ee cummings, though he would definitely get it – all our christmas trees through these years. but the little tree knows – inside, in its heart of hearts – his poem “little tree” word for word. e.e.
but the e.e. is for 20’s momma, her first and middle name initials. as she – at 99 – struggles a bit with her health these very days, we will honor her, hold space for her, with e.e.
the silver ornaments shine on e.e.’s branches. e.e. holds out her arms graciously. and those lights. and we are entranced.
little tree
little silent Christmas tree…
look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
a water lily rises to sunlight. it is unaware of its astounding beauty, of the draw it has on us as we pass by. we turn the canoe around and attempt to get close, to take a photograph, without paddling over the pads. it is the arvo pärt in the lake…simple, exposed. were there to be music performed by this lily, i suspect it would be clear and distinct, though soft and warm, bell-like fragments of sound, minimal, arvo’s tintinnabuli.
it is never the fancily decorated that attracts me. it is never the overly done makeup-ed, the bejeweled, the gold-and-diamond-studded, the finery in attire, swanky or haute couture. it is never the ornamented, embellished singer, the bombastically orchestrated. it is never the heavy classical painting or big ornately carved furniture or heavy drapery.
it is the old piece of desk that holds a lamp and a few books. it is the small farm table in our sitting room. it is the driftwood on our mantle. the finches at the feeder. our little aspen in the yard. the chippie on the fence out the window. the look of new motherhood on my niece’s face. the framed notes from my children on the bedside table. the ceiling fan chain bracelet from my dad’s workbench. the jeans with holes. the sweatshirt hoodie sans one cuff. the old hiking boots and flipflops thinned by sidewalks.
i’m sure people in the target parking lot stared at me while i took a photograph of the side of the sara lee truck pulled up in front of the store. i’m always the one – lagging behind, trying to capture some image. so many photo ops, so little time…
but these words “how goodness should taste” caught my attention. sara lee, the company of classic pound cake, chocolate creme pie, new york style cheesecake, makes me think of my sweet momma, coffeetime, the round smoked-glass table, white plastic vinyl swivel chairs. my poppo, pouring the coffee out of a farberware percolator, whistling. goodness, indeed.
my growing-up wasn’t dressed up with ganache and crème brûlée or crepes and chocolate soufflé. i was the product of two great-depression parents and they were practical. entenmann’s crumbcake and my mom’s lemon pudding cake, homemade apple pie and chocolate chip cookies, box cupcakes and sara lee raised me, along with an occasional traditional-cheesecake splurge at the bakery.
goodness was simple. it wasn’t prissy nor did it require much money. it wasn’t fancy or haughty nor did it exclude anyone. it wasn’t loud and shiny nor did it bellow “look-at-me”. it wasn’t for show. it was just simply goodness.
when i saw the sara lee truck i called to david. he had stopped on the target sidewalk when he realized i hadn’t made it across the lane from lot to store.
i showed him the picture of the side of the truck “how goodness should taste” and said, “this is perfect for a blogpost.” i continued, “a great reminder!”
after all, maybe we should all think more about goodness.
not just how it should taste, but how it should feel inside, how it should sound, how it should be shown, what it should look like, how we can touch it, how we can share it.
wouldn’t it be cool if – maybe instead of [or, even, in addition to] “land of the free, home of the brave” – the united states of america was known as “how goodness should taste”?
the 1977 graduating class of john glenn high school chose this song as our theme song. before the decision and ever since, it has remained a favorite. seals and crofts dominated our senior variety show – the one for which i wore a full wet suit including fins and played a piano duet -, our graduation, our prom, our yearbook. they played over and over in my bedside cassette player, on radio, on stereo systems throughout elwood and, likely, everywhere.
just last week jim seals died. he was 80. and suddenly, again, time flashes in front of us.
because somehow, listening to their music, i am back at 17 or 20 and they are in their early to mid thirties. but the years come and go and the journey keeps journeying, faster and faster it seems.
and so the moments and presence become infinitely more important and the stuff becomes less. the grand illusion of foreverness becomes foggy and we learn – little by little – sometimes, though, with ferocity – that we must be-here-now. we graduate and grow and regress and grow again and start to see that full spectrum is not so bad – that belly-laughing and weeping are both, indeed, necessary and that as we vine-climb from dirt to sky we are only really here to be with each other.
our beloved daughter was here for a couple days. any time we see her or our beloved son are those kind of rare-gift moments. we giggle and poke fun and talk and reminisce and ponder and there’s eye-rolling and i am astounded by them and, always, i cry upon their leaving or upon our parting. it is the hard part.
i know that we just never know. life has a way of teaching us that – again and again – though it is easy to forget, to push it aside. but the further up the vine we get, the more we recognize it. it is all so fragile. we may never pass this way again. simple. true. a calling, an imperative to say the stuff, to be vulnerable, to experience, to love, to acknowledge, to laugh, to cry, to be-with.
you can put most anything at the curb and it will soon disappear. scrappers are on the prowl looking for metal and old appliances, big and small, things that might be repurposed, things that might be tinkered with and sold.
when i put out these three wrought-iron candlesticks i included a sign. i measured the heights and jotted them on the sign that indicated they were candlesticks. i was hoping someone who really wanted some taper holders to jaunt by and find them on our parkway. i didn’t want them to go to scrap.
david said that he saw the person pull up and examine the sign and the bag of candlesticks and that this person gently placed it in the back of his truck, so i’m crossing my fingers he brought them home and showed his partner, suggesting they eat by taper or relax in the evening to the glow of candles. i guess a girl can hope.
because we don’t generally do big giant things, we tend to celebrate the little stuff. this past friday evening was one of those times. right after he finished work, on an absolutely beautiful late afternoon, we got into littlebabyscion and drove south. as is our way, we took the backroads, arriving at the botanic garden, happy to see the parking lot meagerly parked.
we strolled through slowly, arm in arm, talking and quiet. we only had about an hour and a half till its close, but it was an hour and a half of lovely. it shushed our minds and its serenity was contagious.
we drove home the back way, through a few small towns with bistro tables on the sidewalks and people gathered, eating and sipping wine. we pondered stopping and having a bite outside, but continued home to make our own small meal and sip wine under happy lights in our sunroom with our dogga by our side. it was a peaceful way to start the weekend.
you don’t have to lift every little thing, but we have learned it makes a difference. the tiny things – a candle burning, a strand of happy lights, a quiet walk, sniffing peonies in a garden, admiring the wild columbine in the woods, stopping to watch a deer glide across someone’s front yard – these things matter.
you don’t have to be there for each other each moment, but we have learned it makes a difference. the tiny things – helping the other up off the floor after painting shoe moldings, bringing the other a steaming mug of coffee in a tired-time, clinking the day’s accomplishments, crying with the other’s pain – these things matter.
in one of her books, joyce maynard wrote, “when a person gave less, he required less in return.” i suppose life could be easier that way, more centric, simpler. one would not have to notice stuff or do much of anything for another. the give-and-take of relationship would be low-bar and that might work for some.
but time and life have taught me a few lessons, some much harder than others. one is that apathy and paying attention are absolute opposites, particularly in relationship.
there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”
“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)
now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.
the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.
thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)
instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.
in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)
true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.
it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.
what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.
in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.
for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.
and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.
this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.
reverse threading 