i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.
from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.
the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.
but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.
he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.
i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.
accuweather predicts a blizzard. and we wonder if it is truly imminent. on days of heavy holiday travel, there may be fierce winds, whirling snow, no visibility, bitterly cold temperatures well below zero. such extremes, circumstances that might dictate the comings and goings of loved ones trying to be together to celebrate.
we’ll keep watching the weather and the warnings. we’re hoping it’s wrong, that it’s exaggerated, that it’s cautionary but not totally necessary. that we will get to this day without the extremes.
it is days before the day before the eve of the day. and though i respect that app on my phone i continue to plan as if it will be days of celebration and joy and not snowplows and shovels and heet and de-icer.
there is still much to do. there are packages to ship, a few to wrap, a couple to deliver. there are trips to the grocery store and maybe a tiny bit of shopping. there is de-dogga-furring by vacuum and a little dusting and much tidying up.
and all the while sitting in the wonder of the season. people celebrating love and generosity, time spent gathered, kindnesses and the reminder of ancient stories carried into this time, open hearts, hope and light.
but have no illusions. you cannot purchase them in december. at no time – when i have gone searching the stores in december – have i been able to find them. for they are already all gone, scooped up by zealous ornament-gatherers, present-wrapping-embellishers, holiday-magic-creators.
so if you want them – these delicate snowflakes that sort of resemble the ones people used to make of string and flour or glue and glitter – you need to plan ahead. you must be ahead of the curve, at the front line of festivity-planning, your dollar bills in your hand as you troll the stores, scooping.
i purchased numerous packs of these one year. it was a time of transition for me. i had realized that i, actually, didn’t really like tons of bright red and green together and that christmas was fraught with all kinds of stress for so many people, including me, and i just wanted to simplify a little bit.
it started years ago when i decided not to ornament-decorate the tree. we kept it a little more natural with just white lights and it felt serene when – late at night – we’d turn off the light fixtures in the living room and just sit, keeping vigil with the tree. we are still trying to keep tranquility at the center. i’ve added tiny pine trees – sans anything. we’ve added branches and white lights. and we’ve added snowflakes and silver balls.
one of these days i would like to have a big retro tree. i’ll add all the ornaments of history to it – a tree full of salt dough stars and bells and paper mache snowmen, treasured gifts from family and friends, former students and choir members, memories to spark stories for hours. though i haven’t hung it in years, i can see the rogers christmas house ice skating ornament clearly in my mind’s eye. and small pine, a reminder of the sweet story my children and i loved.
and one of these days i would like to have another big retro tree. it will be decorated with old delicate mercury glass ornaments of my sweet momma’s and poppo’s. i remember these, as i take them out of the box, like it was yesterday. i remember decorating the tree on abby drive and my dad painstakingly adding tinsel, one strand at a time, christmas carols playing in the background. i was a child and lots of it was magical, but even then i could feel the holiday stress, expectations, frenetic energy.
the last time both of my own beloved children were home together for christmas was 2014. they have been living far and wide on mountaintops and in big cities and, with limited time off, haven’t been able to make it. we’ve celebrated on the phone, on facetime, on zoom, and we watch them open presents from our couch. a couple times we had real-life moments in chicago with our son and last year we sat with him on a restaurant patio, clustered under gas heaters in 17 degrees in january, having dinner and watching him open gifts in a time of pandemic. it is with great anticipation we wait for his arrival later this week, an opportunity to hug on him and his boyfriend.
sometimes i wonder if my children would both be more likely to be home here together if their dad and i were still married. i know that holiday magic might be far less magical in a less-than-perfectly-perfect household. the thought brings sadness to my core. i struggle, just like so many, some who are living “traditional” lives, some in unconventional lives, some in times of challenge and some with everything they ever needed. nevertheless, i – like moms everywhere – want the magic to continue, want the dreamy holiday and the warm cocoon of love and celebration. i want to create the quintessential stuff of snowflakes and big family dinners and gingerbread and sugar plums. and i – like moms everywhere – know that i can only do the best i can.
the stats on a blogsite show the individual blogs that have been read. this morning – the day i am writing this for today – there was a post from 2018. i talked about roots and wings and children and yearning. i quoted my daughter stating that i was “high maintenance” and laughed it off back then, comparing myself in my mind to other moms through the years whose behavior i have witnessed as indeed much higher maintenance. for, though the words of desiderata ring true for all of us “do not compare yourself with others, for you will become vain and bitter….for always there will be greater and lesser persons than yourself” we still do it. we still compare and measure and wish and feel ourselves come up lacking. i also wrote in that post that if wanting more time with one’s children was high maintenance, then i supposed that the adjective fit. que sera sera.
joyce maynard used to write a column – called domestic affairs. she shared a 1985 column on sunday, writing about the attempt to make christmas perfect and the bitter reality of its imperfection and its crazy-making. it is a roller coaster of emotion – this holiday season. and there are times that i sit and wonder, trying to magicalize it for my family, for my children, now adults, who i love with all my heart. i have wanted to help the universe dazzle for their holiday, to make each christmas perfect. yet i know that they won’t be. perfect, that is.
i look around me, around our life. sometimes i think that the raucous sounds of holiday music and cookie-baking and a turkey in the oven and wrap all over the floor are the only things that would make it ideal. and sometimes i know – deep in my heart – that all i want, really, is to love and be loved, to share a little time and know that my presence makes a tiny difference – in the unique way of a snowflake – in the lives of all those i adore.
yes. entrenched in the land of hallmark christmas movies. ’tis the season.
two years ago we actually purchased one – our favorite hallmark christmas movie – a season for miracles. and, though we know it by heart – much like my big fat greek wedding or love actually or about time – we watch it over and over, never tiring of its sweet story.
weeks ago, we walked through downtown to mail our voting ballots. having proximity to town and the waterfront – all within walking distance – seems to be one of our leanings for all potential future places to live. the other is to be far away from everything hectic. it’s a toss-up. that late fall day with golden leaves, we walked along the lakefront and then cut in west – past the historic library and library park.
i must never have looked up there, because it took me by surprise.
an angel statue.
there’s history to this statue, but that wasn’t what it brought up for me. instead, it was a reminder of this ultra-sweet hallmark movie, with a very similar angel statue at the center of the fictitious town of bethlehem and a person who looks strikingly like this angel – an angel who is cast as multiple characters in the movie. it’s a heartwarming story.
we spent the rest of the walk, wondering about never noticing this angel statue before and talking about the generosities and grace in the movie we love. it cast a magical quality to our walk that day. we were surrounded by what-felt-like a gentle cloak of hopefulness, of light.
we’ve held off so far. but soon. soon we will pull out this movie and the fleece sherpa blanket on the couch. and we will sit and watch – once again – knowing exactly what is going to happen and still getting teary-eyed. both of us.
it will remind us of those around us without whose goodness we might be lost.
each time the trail curves, i can imagine it. next.
but as weeks go, this one has been harder. we tried our best to be positive, to believe that the new bend in our road is not so fraught. but, the fact of the matter is that it is. fraught.
we are pretty tough. kind of scrappy. definitely frugal. well, most of the time. we have both been presented with lean times in our lives. even our life together has had its lean times. we always eat leftovers. we always repurpose things. we always turn the shampoo bottle upside down. we always keep the heat low. we haven’t bought a vehicle in sixteen years. in some unknown intuitive move for which we are now grateful, we put off the big chimney-fireplace project, necessary but ridiculously expensive. we haven’t flown in three years. we find sanctuary in a forest we know well. we know where the trail curves.
and each time the trail curves, i can imagine it.
as the sun glimmers on what-looks-like the other end, i think – this is just one day, one week, one time in our lives. tomorrow will dawn and it might be a completely different day, starting a completely different week, a completely different time in our lives. and we just don’t know. again.
we are now in a woods we do not recognize, on a path we can not anticipate. off the trail we know. anxiety hikes with us, as do worry, sadness and disappointment. we worked hard on our plan, but the best laid plans are laid down. and this week, as weeks go, this one has been harder.
the sun quivers through the trees in front of us, setting. we keep walking.
day is done,
gone the sun,
from the lake,
from the hills,
from the sky;
all is well,
safely rest,
god is nigh.
fading light
dims the sight,
and a star
gems the sky,
gleaming bright.
from afar,
drawing nigh,
falls the night.
(taps - d. butterfield/unknown)
a merger between old navy and, say, dupont could bring play to the whole wide world. stands of thongophones could be simply everywhere. i can see it…people gathering, favorite flipflops in hand, making music.
it was hard to resist the pull of this two-octaved structure. flipflops – the paddles provided – were chained to the wooden stand, laying on the ground, waiting. it was just a delicious invitation – “try me, try me,” it called. and then, channeling the group chicago, “thongophone, in the park…”.
pretty crazy, it had good pitch for polyvinyl chloride, not necessarily known for its musical talent. and the flipflops? well, everyone knows how i feel about flipflops. they are the symphony of summer, so definitely a good choice.
i, generally, don’t walk up to faux musical structures like this. i usually stand back and watch others discover and play, reveling in their adventuring and exploring sound.
but this time was different.
i played first on the lower octave side. for some reason, the first piece i played was the first piece on my first album, galena. the first day i played galena was also in one of those situations i don’t usually take part in…instead, sitting back and watching others and supporting their fun.
that time was different too.
that time – encouraged (read: pushed) by three girlfriends, playing at the piano in the restaurant in galena, illinois – set me on a road i didn’t know was coming. less than a year and a half later, i released my first album. now, fifteen albums and a variety of singles and blahblah later, i look back.
and i look forward. i’m not sure what’s there. but this past week i stood at my piano and played and sang three songs for d and one of his dear friends. it’s been a long time. i apologized for the dust in the studio. i apologized that it was a little messy in there. d said rob cried. despite the dust and remnants of previous work piled around.
by sheer coincidence, today is the anniversary of that first album – 27 years ago. lots of flipflops ago.
today is a good day for a dustcloth, some garbage bags and a storage bin or two.
it’s not a thongophone in the park. it’s my piano.
the midterms are rapidly approaching. the rhetoric is amping up. the tv ads, the phone calls, the billboards, the texts, the email messages, the political mail in the mailbox – all dedicated to sway our vote.
i realize that this is the way to raise money, that this is the way to get one party ahead of the other. many voters will elect to vote a straight party ballot. some will vote without asking any questions. some will vote without any information at all. some will vote for vapid minds, choosing the rough edges of spewed anger, covert scheming. they are voting on a bandwagon – with truth obscured – and haven’t looked past the exterior of the candidates.
i was chatting quite some time ago with a college professor. he was teaching a class three days a week and was talking about his experiences. “anybody can be brilliant for an hour and a half,” he quipped. i laughed, thinking how true that is.
but it’s the long haul that counts. it’s what’s at the crux that counts. i wonder what is in the center of what motivates the candidates we are considering. what is past the exterior, what are the things they affirm, believe in, wish to move forward?
anyone can look pious, even righteous, in brevity, for short spurts of time. but these same pedestalized people can bring to the table masked and unmasked agenda that is riddled with inequality, marginalization, discrimination, divisiveness, violence, a thwarting of social, racial, gender, financial equity all under the auspices of brilliance. it is our responsibility to peel back the layers, to poke through the season-of-midterm blahblah, to examine the intentions, the integrity, of the people we choose – truly, in every arena – to represent us.
how these people manifest in their communication, their compassion, their fairness, their steadfast evenhandedness, their actual brilliance – not the hourandahalf variety – should tell us something important. if a person does not represent the values we uphold ourselves, the ones we would lay out to each and every one of those we love, why would we elect that person to represent us, to reflect us? if our vote was revealed to our loved ones, our children, our family, friends, community, colleagues, would we take comfort, would we have pride, in what was revealed?
for it is in our vote that we truly show what is beyond the exterior. it is in our vote that we truly show what is in our heart.
when i was choosing seats for the elton john concert in north carolina, the – predictably – least expensive seats were the ones with an obscured view. a pillar, a speaker, a wall…something was in front of the seats, not allowing you to see. or maybe the seats were behind the horizon line of the stage, the apron, making elton basically invisible.
clearly these seats – still dang expensive – weren’t right. i mean, if you can’t see him perform and you can’t really see the jumbotron why not just sit and listen to ej cd’s instead? clearly, that’s not the point.
so i stayed away from the obscured-view-seats and chose seats from which we could see all the action. high up, yes. but we could see it all.
we passed a sign in the chicago botanic garden, posted by a tiny trail. “by screening out views and creating hidden areas, this garden entices you to explore just beyond what you can see.” we couldn’t see into the garden…so we took the little trail in. it was beautiful and a little magical. a little secret garden. not obvious. beyond sight.
the work of an artist – of any medium – is like that. find the places just beyond. find the line of melody that tugs, that urges, that compels. bring those places to others so that they might explore them as well. past the horizon. past the stage. you can still hear elton from the obscured-view seats and you can still feel the energy.
in a thirty-plus year career as a minister of music i always felt that it was my job to introduce the obscured secret garden to others. for faith – regardless of denomination – is that which we cannot see, that which we cannot touch. my mission was simply to open hearts through music to see beyond what you can see, to explore beyond sight. grounding in the most basic of tenets – love, kindness, generosity, peace, embrace of all others, support, truth, fairness, equality, grace – i felt it imperative to offer music that might viscerally touch a person who might not otherwise be touched, to hold it all out there gently so that a soul could easily grasp it, hold it, be wrapped in it, be comforted by it. faith in something bigger in this universe is found in a river of changing times and circumstances and staying steadfast is like the path a leaf takes on that river, both raging whitewater and lazy currents. we open our hearts to explore, even though we cannot see.
it might be time to play my piano again. maybe. it’s been a long time – a couple years now, save for a few moments a few times. i haven’t been able to play it – the magic has been obscured from view – since, well, since i felt blindsided. but now…maybe now…finally…i can see the trail into the studio. maybe now the black and white notes lifting into the air – will heal hurting even just a little, will allow exploration and sight beyond the obvious tangible horizon, will open a heart again.
the threads are stretching, stretching…but not ripping.
barney stretches and yawns, still a piano, always a piano. his soul – tenacious and flexible and resilient – centering back to itself, despite weather, despite weathering. it’s late day and the shadows are long. there are small mounds of birdseed, assorted fallen leaves, bits of white at the leading edge of the keyboard. no matter. his aging exterior belies the zeal inside of him, the sorting of memories being played, sustain pedal lifting notes into the air and holding them there. barney has come to knowing that all the notes are still there – stretched across the atmosphere, lingering. he is not fearful of this process in the sun and the rain, snow and blustering winds.
“if you let your fears control your actions, then you are not going 100 mph through it, enjoying it.” (sue aikens)
barney does little these days. he is home for wildlife, the birds, the chippies, the squirrels – they know him well. but he is still going 100 mph through it, whirling and dancing in his beautiful body in our backyard. one day he will look even less like an upright.
but the chickadees and house finches, the cardinals and robins will glance over at him and think, “there’s that sweet piano.” for they, too, will still recognize him.
we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.
we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.
budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.
there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.
we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.
last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.
i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.
reverse threading 