in direct contrast with the front door we pass on our way to the trail – the one that says “go away!” – there are many, many “welcome” signs at the front doors, on the front stoops, propped against the porches of other homes. big wooden signs, rubber door mats, hanging signs – all varieties of these ‘you are welcome here’ messages.
we make assumptions about other places. we believe we are welcome – at grocery stores, in bistros, in boutique shoppes, in schools, in religious institutions, in galleries and museums. they don’t really need a sign because we believe that the whole purpose of their existence is to encourage people to come in, take part in what they offer – whether it is shopping, dining, browsing, studying, being in community – whatever their mission. and we believe that we will be welcomed with open arms, open hearts.
but there are go-away-ers out there, even those without signs of loud proclamation. they are uninterested, unmoved, closed, uninvolved, unquestioning, passive, complicit. they are not with open arms, open hearts. their apathy is clear; their aloofness is cold.
we passed the magical heart entrance to a tiny home inside the trunk of a tree. i was drawn to it, for – as we know – hearts are sometimes where we least expect them. but here it is…the way in, through a heart-door.
there are people each of us know who are heart-door people. the people who are always happy to see you, the people who never turn away from you, the people who hold you when you need holding, the people who listen when you need to talk. heart-door people are not found in one particular place – they are not simply gathered, waiting for you. instead, heart-door people keep their eyes open, their minds open. theirs are doors that open into empathy and compassion. they are the comfy quilts of our lives, the steadfast longtimers, the warm newbies, the balance-givers, the standing-by-you folks, the speaking-up-for-you truthtellers.
there is a big disparity between the go-away-ers and the heart-doors. sometimes it’s easy to see the difference. sometimes it’s not.
it’s important to learn good discernment.
and then, it’s important to be grateful for your heart-doors.
it can’t be easy to be the lone tree in a big, big farmfield. the wind will batter you. the sun will parch you. the snow and ice will pile next to your trunk and bend your limbs down low. the rain will pummel you. you will be tested and you must be steadfast. your very presence may be questioned; it would be easier to plow straight lines than to plow around you.
but consider this: the birds will flock to you. any creatures needing shade or shelter will curl up under your canopy. you will exhale clean oxygen. and wildflowers and grasses will grow at your base. you will interrupt the horizon line with your very beautiful tree shape. you will give visual perspective to the vast fields.
and so you stand there – alone. ready to greet the next day and the next. despite it all.
you know it would be easier if there were other trees standing with you – perhaps a simple stand of trees or maybe a small woods or forest. you know it would be easier if there were even just one other bush or plant holding vigil with you in the big field. you know it would be easier if the west winds would not assail you, you with nothing to block their assault.
and even if the elements push on you, if the farmer ponders your value, if the aloneness feels void of hope, you keep standing.
because you know that you are a tree and that your truth matters and that your presence counts.
i used to know someone who really despised redundancy. this person would interrupt and say, “you already told me that” or “i heard that already”. ask them about their day and they would reply, “same-old-same-old.” it was hard for me – a new yorker – born into repetition and long-story-telling.
d and i sat on that iowa porch only four days, but it doesn’t take long to grow fond of something beautiful.
in front of us – facing east – were two trees. beyond the trees were fields. before they were mowed down, the fields were wildgrasses green with sunny yellow flowers. in the distance – quite a ways off – was the road. a country highway, it was populated by many pickup trucks, an occasional sedan, rarely a semi and, at one point, more booming harleys than we could count.
the light changed during the day. no surprise there. the sun rose to the left of the trees and burned its way into the sky. the trees glimmered and reappeared through the early morning thin layer of smoke from wildfires in canada, jetstreaming its way into the heartland. it was bright in midday and then the sky took on the echo of the western sunset. at night, the trees were still a presence, silent, rooted strength.
i took many photographs of these two trees. they were somehow very comforting and reassuring; it was a time of memorial for columbus and emotions were all over the place. and the trees stood there, steadfast.
they watched us all gather and eat and talk and reminisce and play bags and run with oversized bubble wands. they watched us hula-hoop and dance in the grass and drag chairs following the sun and escaping the wind. they watched us wander and take pictures, play with gracie-cat, pour wine. they watched – as trees do – and we watched them back.
i love each of the photos of the two trees on the east side.
we have adopted this tree and should we ever drive there and find it is gone we will likely be pretty devastated.
we have a relationship with this tree in this farmfield on this road. we never tire of it. somehow it keeps us centered.
this beautiful tree stands there – as weather systems spin around it and time travels on and on, we see the stalwart and steady tree – withstanding it all. it is not ON the mountain in the raging wind, the swirling snowstorm, the beating rain, the ice and drought and cold and heat and night and day and fog – it IS the mountain.
lessons on highway h.
“be the mountain,” the tree calls to us, “be the mountain.”
and before we drive off, “just like me, like me, like me,” it adds, echoing into the wind.
i don’t know about you, but i – most definitely – talk to my dog. not just the sit, stay, come, paw sort of talk-talk. no, i am talking about laying bare my thoughts and questions and deep despairs and utter joys.
dogga usually looks as though he is paying attention; he is a really gifted eye-contact dog – better than many people i know. he doesn’t act like it’s unusual that i am divulging my innermost fears or existential ponderings. instead, he keeps eye contact and listens, his ears moving forward and back as he recognizes words…or maybe it’s because he thinks i am drawing to a close. either way, he is a really good audience and, though he never answers in words, his presence is comforting and steady and sometimes that is all i need.
i do believe, however, that somewhere deep inside of him is all the knowledge. somewhere in there he is all-knowing and all that is divine can be found in our dogs (or cats) and we are fortunate to share any tidbits of life with them.
somehow dogdog knows that steadfast and quiet are the real answers. he knows that letting me lay my head on his side is reassuring. he knows that his job is simply to love me back.
he does that without any hesitation. his gentle snoring, the rise and fall of his body breathing in sleep, his eyes closed in trust – he models how to do life. one moment at a time.
and we find the simplest answers to our hardest questions.
it is said – and clearly there are many people in the news now’days who subscribe to this – that any press…good or bad…is better than no press. you have to wonder.
way back in 2002 i released this album. ‘as sure as the sun’ was the culmination of much writing, practicing, arranging, driving, singing, hydrating, listening, reviewing, re-writing, more singing, more practicing, more driving, recording, listening, sitting and watching my producer, more sitting and watching my producer, re-recording tracks, more practicing, more driving, more hydrating, more singing, more writing, more listening, more reviewing, re-writing, practicing, singing, hydrating, more driving and a lot of worrying. i recorded the album in nashville and drove back and forth for sessions, in between which i spent my time finessing each piece of music, each song i had composed for the project.
as an independent solo artist and not a complete band with others to lean on or a label financially chugging it forward, it was a big project, a big investment in heart, time and money. my producer and i had to believe in it to keep it going. bottom line, i had to believe in it to keep it going. when it was done and i drove home with a mastered CD, it was with a mix of feeling proud, wiped out, anxious and full of dreams. ‘as sure as the sun’ was my sixth album and the first that was a full-length vocal. it was stepping out of my comfort zone. it was the edge.
i hired an agency to help with its release and a radio promoter to aid in its adds to radio airplay. i don’t recommend either. to the tune of almost $40,000 they took me for a ride and i wonder now how this was possible. but when your professed dreams come knocking it is hard to turn away and do it yourself. in retrospect, i should have just continued doing it all on my own as i had done with all the instrumental albums that preceded it. but ah, that whole retrospect thing is such a fine perspective arranger.
amazon, and various other entities, added the album to my lineup online and radio stations added songs to their airplay. ‘slow dance’ charted at number 13 on the secondary adult contemporary radio chart. i’m not really sure how important that was now – at the time, however, it kept me paying for the promoter. i suspect that was the goal.
i played concerts and interviewed on radio and drove around to wholesale and retail shows with product, selling to large box brick and mortar chains and small privately owned shops that played music and displayed cds for customers to purchase. at the label in our offices on lake michigan we put together more cardboard display boxes than i can count, shipping out displays and cds regularly. it was busy and fun and a time when people still purchased actual cds.
in the zeal of the after-release glow, i looked everywhere for reviews of this new album. i wanted to know how it resonated with people, how it measured up, what i could learn by reading others’ commentary.
and then there was this.
the title was just the start. dang. sounding like a “hoofed mammal in heat” or a “squealing pig” was a tad bit much, i thought. the first-grader-lyric-writing comment was, well, kind of first-grader-like. i noted the misspelling of norah’s name. and, much as i appreciate his style, i really wouldn’t use “soulful” to describe jim brickman’s vocal music. but i digress.
i was stunned to have such a review and didn’t know what to think. i spent lots and lots of time, an inordinate amount of time, pondering who might have written such a statement. for some reason, i did not give as much time to the emails i received, the notes, the non-promoter-sought airplay, the adds in box stores and shops around the country, and the thousands of cds that were shipped out. this review nagged me.
it’s funny to me now how i let this one commentary puncture a pinhole in my confidence. but that’s the way of negativity. to stand firmly rooted, to take on the edge, to step new steps, to grow, to believe in your ability to shift gears, sway in the wind – the inner job of every artist. one moose and one pig should not be enough to undermine you and yet, there it was.
somewhere along the line i mostly forgot about this review and got on with the business of the music business: making more music. nine albums and several singles followed this album’s release. but i never really looked for reviews. i listened to what was inside and kept stepping. one of these days, maybe when i decide that i am still relevant, i will step again.
artists of every medium adjust and re-adjust too often to the whim of the viewers’/listeners’ fancy. they lose something every time in their pursuit of wanting their work to be liked by others. yet, the artist is most certainly riding the value-train with every project released. for that project, the last project, the next new project – all represent making a living. they represent a vulnerability not broached in other life-work paths. they represent a piece of someone’s heart and soul, hoping against hope not to be pounced on. all together – the projects of all artists of all mediums – they represent the woven fabric of our narrative, diverse and rich.
as my sweet momma used to say, “if [someone] has nothing nice to say, [someone] should say nothing at all.”
though i generally like moose and pigs and am in good company either way, i trust the moose and the pig agree with her.
yet, in these times, calm is elusive. it is the floating dust glistening in sunlight. it is the golden ray through the cloud. it is the snowflakes silently falling in the woods. it is the sound of soft laughter, the sound of the dog’s feet running in dreams and the cat snoring in slumber. it is hard to hold onto, hard to touch; it is hard to find.
in these times, with coffee in our hands, we start the new day. we wake, wishes and burdens on our minds, both. the things that kept us awake in the middle of the night, the things that pushed us into sleep: exhausting, worrisome, celebratory, quietly reassuring, sleep-depriving, sleep-inducing. we start the morning, on the roller coaster, one of us holding the “calm” mug.
we have found that – the conversations over-morning-coffee, the conversations over evening-wine, the conversations on the trail, in the sunroom, at the kitchen counter – these conversations need a little help, a little preface, a tiny guideline. for him, a guy, though not a-macho-guy-type-still-a-guy-nonetheless, he is looking to solve. for me, a girl, well, i am looking to just talk, to just go on, to be redundant, to vent. we discovered early on that any talk-talk could easily dissolve into ugly if we didn’t clarify a few things, well, really one thing, first. was this a conversation where i wanted comfort or solutions? was this a conversation where i wanted him to listen or problem-solve?
i honestly can say these two questions – just this simple strategy – could have saved many a relationship moment dating back decades and decades. it took me way too long to realize this glaringly obvious simplicity – that men and women, women and women, men and men – any two people in relationship – approach from vastly disparate directions. i am riding my feisty mare in from the rising sun in the east and he is galloping on a sassy stallion from the setting sun in the west. meeting in the middle ground requires a little gps-ing, dispensing of the drawn word-swords and negotiating some clarity shortcuts. that simple. that makes all the difference.
in these times, though calm is illusory, we find that we can be in this world of unknowns mostly by just being. solutions are hiding with the calm, behind puzzling shadows.
but comfort, listening, empathy are right out in the open, in that field of possibility between the rising sun and the setting sun, riding a steady quarter horse, bareback and honest.
my emotional well was full when i woke up today. thinking of us, our children, our families, our dear friends, our community, this world. i desperately want to gather our beloveds in, hold them close, protect them.
i have no words for all of this; i have too many words for all of this. i fear that none of them are helpful, none of them are wise. it’s just me. and, like you, carrying the weight of the world one step at a time, one quiet minute at a time, staring out the window and wondering.
we loved the old dock on this property. with the exception of the spider webs that formed in-between the metal tying posts and the snakes that took to sunning on the warm old boards of the walkway, it was charming. the old bench at the end of the dock invited us to sit. it stood stubbornly during rougher waters, its weathered patina and rusting pipes.
******
they decided it was time to refurbish the dock and two strappy island guys came in to do the job. they took a few days over the period of a couple weeks to re-construct, to lay new boards over the old, to eliminate the spider-web-gatherers and to build a new bench. then they were done and the new dock was open for business.
less than a week, only one brief sit-on-the-bench moment and probably-before-the-bill-arrived later, the storm blew in. the waves crashed on our shoreline, eroding away a good two to three feet, throwing debris onto the grass.
the dock tried. it stood firm against the waves, larger than they said they had ever seen them in twenty years. but it didn’t last. the bench blew apart into the water, the new boarded walkway listed, listed. and finally, gave way. pieces of the new dock were angrily tossed to shore; even still, wood floats in the bay, riding the waves ever-closer to our little beach.
the best-laid plans, carefully schemed and financed. much thought and choosing, each angle pondered. solid weather-proofed wood purchased, big wood screws that could withstand stress chosen. yet, the storms come.
it is against the odds that this tree clings to rock and doesn’t topple into the lake with a great splash and float away. instead it stubbornly holds on, a steadfast intention. the rock, the basso ostinato.
at a time when holding steadfast seems mightily important, i wonder about the questions we have been asked. will you stay? will you leave? will you love it here? in the midst of all the infighting, are you going to give up? will you hold on?
the answers may not be directly related to the actual intent of those questions.
will we hold on? yes, we will hold on. we will hold steadfast to our integrity. we will hold steadfast to the reasons we came here in the first place. to make a difference, to bring ideas and change, to apply that which we have learned, studied, experienced over at least 80 combined years of work, higher education and profession. to be honest and transparent and collaborative. to try and instill a sense of working together into a community divided by narratives too numerous to list.
will we hold on? yes, we will hold on. we will hold steadfast to our belief that people should be kind to each other, that people should not work around others nor should they undermine others, that people should instead lift each other up, not drive stakes into another.
will we hold on? yes, we will hold on. steadfastly. to honoring art, the driving force behind this initiative. to honoring creativity and the blossoming of beauty and wisdom, staunch tenets of artistry.
will we hold on? yes, we will hold on. steadfastly. to believing all is possible.
but, in answer to the real intent of the question asked us….will we hold on?
we will not hold on if others cannot join us in what is real, what is truth, what is most important. we will not hold on in the fire of pettiness or shameful self-serving underhandedness. we will not hold on, holding still while others take turns throwing rocks at us, at the real goals of this place, if those are indeed about art.
the answer to the question is not up to us. we can either cling to the rock, holding steadfast or we can topple, with a refreshing splash, into the lake and float away.
download HOLDING STEADFAST from BLUEPRINT FOR MY SOUL on iTUNES or CDBaby
with the exception of the spider webs that formed in-between the metal tying posts and the snakes that took to sunning on the warm old boards of the walkway, it was charming. the old bench at the end of the dock invited us to sit. it stood stubbornly during rougher waters, its weathered patina and rusting pipes.
reverse threading 