reverse threading

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LET ME TAKE YOU BACK from AS IT IS ©️ 2004 kerri sherwood

May 27, 2022
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two little piggies. [k.s. friday]

my poppo’s cane stands next to a chimney cupboard in the sitting room, propped with a couple of walking sticks. i’ve never been very good at using a cane – for some reason, i find it confusing. you shake your head and wonder, i’m sure, but there is something about placing the stick and the side you place it on and which leg you are attempting to aid that is a little bit baffling for me.

this past week, though, i had a full day of using my dad’s cane. i had broken two toes and needed a little something to lean on to get around. i tried using the foam roller but that proved awkward. and david, well, his shoulder wasn’t available all day.

my dad was most certainly chuckling watching me. i’m sure he was trying to instruct me from that other plane, in-between sipping coffee and nibbling on crumbcake. i figured it out, even though i couldn’t hear him, but not without laughing at my own awkward brain-cane-leg shenanigans. mostly, my hand holding the curve of my dad’s cane was a little bit of a gift. sitting as a decoration, it hadn’t occurred to me that it might come in handy. “use the stick,” i could hear him say. i keep listening for him, a decade tomorrow since i started missing him. always.

i’m not sure why i break my toes. the report from the dr’s office to the x-ray folks read “kicked a door jamb with her left foot.” i beg to differ. i didn’t KICK the door jamb. i ran into it. there is a difference. one sounds like a hissy fit, whereas the other is clearly an accident that happened as i zoomed around in the house, getting stuff done, barefoot.

it seems that every year or so i hurt a toe. most of the time, barefoot. but sometimes i even have my flipflops on. this time, though, was a doozy. two at once! i mean, seriously?

on the third day post-communing-with-the-door-jamb i put on one of the thick snowboard socks of a pair we had gotten when we went snowboarding and i broke both my wrists (another fun day) and i found a sport slide sandal of my son’s (who has much bigger feet than i do). the combination worked like a charm and i found that i could manage to move around. i’m still wearing this winning combo. i don’t look vogue but i am getting from place a to place b. and gaining momentum.

i suppose i should just wear shoes. like all the time. something to guard my toes, since they seem vulnerable. but i really love the sensation of bare feet on old wood floors. the planks creak and groan a little and you can feel the spaces that time and history have created in between the boards.

as much as i don’t look forward to any more broken piggies, i suspect these are not my last.

*****

IN THESE TIMES…gaining momentum

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IN THESE TIMES from AS IT IS ©️ 2004 kerri sherwood

May 20, 2022
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the burtons. [k.s. friday]

i wondered if it was too predictable. each spring, now, a dandelion. each spring, now, the song “fistful of dandelions”.

yet the lyrics – “you remind me of the simple things” – they still count. maybe even more than before.

singer-songwriter: a musician who writes, composes, and performs their own musical material, including lyrics and melodies. (wikipedia)

composer: a person who writes music, especially as a professional occupation. (dictionary)

pianist: a person who plays piano, especially professionally. (dictionary)

i have not written, composed or performed my own musical material in quite some time now. does that change who i am?

when i wrote “i haven’t been playing” a dear friend asked me, “what’s that about?” i didn’t answer. i wasn’t trying to be rude. i just didn’t have an answer. i still don’t.

we, d and i, decided – in a pillow moment one night – to call all the stuff that has happened (to me) since i broke both of my wrists “the burtons” (naming every-single-weird-thing after the brand of snowboard i was on when i fell.) it matters not – the broken wrists, the scapholunate ligament tear, the firing, the oddball itinerant tendonitis, two broken toes, other strange and disturbing body stuff – we are choosing to call it all “the burtons”.

so, i guess i blame the burtons. i wrote, “i’m not sure of much that isn’t different these days.”

i am learning – ever so slowly – that different is ok.

and as i clear out, clean out, declutter, put away all that is no longer useful – i am beginning – again – to see the simplest things that are left. gratitude for those things is starting to overtake any yearning for more. “all the riches i will need today.”

each day now i write. not lyrics. not music. but words. it is part of the natural rhythm of my day and not something i could sacrifice without great regret.

writer: you’re a writer because of the things you notice in the world, and the joy you feel stringing the right words together so they sound like music. (writer’s digest)

“…so they sound like music.”

and one day, maybe soon – maybe after my studio has been cleared out, cleaned out, decluttered and all that is no longer useful is put away – i will put down whatever my resistance is and place my hands back on the keys.

“hard to imagine you are not playing,” she wrote.

that kind of knowing – the riches.

*****

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FISTFUL OF DANDELIONS from THE BEST SO FAR ©️ 1999 kerri sherwood

May 13, 2022
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the assault on women. [k.s. friday]

*rykä: a made for women movement, where our individuality is rightfully celebrated and actions speak louder than words. because women deserve better. better shoes, better rights, a better world.*

i am a sexual assault survivor. this is not new news if you have been reading this blog. but it’s pertinent, as always, and, once again.

one in five women in these united states has been sexually assaulted. (cdc.gov)

one in thirty-eight men in these united states has been sexually assaulted. (cdc.gov)

of ten persons sexually assaulted, nine will be women and one will be a man. (rainn.org)

every 68 seconds an american is sexually assaulted. (rainn.org)

rape is not a walk in the park. it does not wash past you. it leaves lingering effects. it is a violation of everything free and sucks from you everything intimacy should represent.

i was fortunate. i have lived with – and dealt with – the ugly emotional reminders of this act of control over me for forty-four years. it has played into my relationships, my confidence, my physical health. but i was not impregnated by my attacker. and for that, i was fortunate.

there is no doubt in my mind – no matter how much i value life – every one’s life – what i would have done had i been left with a pregnancy as a result of this abuse. i would have exercised the choice i had as a free woman in a country that supported my freedom to do so, my responsible freedom-to-choose in any circumstance i may have found myself in, my voice. i know that, beyond anything, that choice would have been profound and would be something i would also live with forever. but i would have ended the pregnancy. period.

in an obviously warped, personally-agendized move of a fraternity of mostly-ridiculously-wealthy-less-statistically-likely-to-have-experienced-anything-remotely-like-this narrow-viewed clearly-politically-driven non-impartial-“impartial court” conservatives failing – failing this country – to apply equal justice equally, our country is poised to eliminate the choice women have over their own bodies. and we retrograde back in time in rapid motion, like someone falling into a mine shaft.

it IS a mine shaft. it is horrifying.

and what will be next?

women deserve better.

period.

*****

SILENT DAYS

SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

May 6, 2022
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just like toadshade. [k.s. friday]

one of nature’s market umbrellas, this toadshade. research states that its prairie trillium leaves – in a salad – taste a little like sunflower seeds, though the idea of harvesting as we hike is not really appealing to me. in due time we will be on the trail and the sessile blooms will burst open, deep red flowers punctuating the woods. the mayapple will spread and vast areas of decaying leaves will be covered by its natural awning. it is a joy to watch the forest wake.

soon i will move into the studio to pare down and rearrange. it has needed this for some time. like decaying leaves, but without the nutrients those generate, i will put away vestiges of places or times i simply cannot tolerate thinking about any longer. a plastic bin will hold the artifacts and, in that clearing out, i suspect light will stream in. i will not merely glance into the studio. i will walk in, breathe, and step the next step of whatever the journey in that studio is. even if only to watch it wake right now.

with the cantilever umbrella of my piano full-stick, maybe i will sow mustard seeds of possibility. and, maybe, just like toadshade, blooms will burst open.

*****

PULLING WEEDS

read DAVID’S thoughts this TWO ARTISTS TUESDAY

PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood

May 3, 2022
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how unprecedented you are. [two artists tuesday]

we don’t really know. we rise each day, bold coffee at our lips, with curiosity. truly, what the day will bring is a mystery. the best-laid plans, well, they are only that – plans. things change and the kaleidoscope swirls around us in mere moments.

“this being human is a guest house. each morning a new arrival…” (rumi – the guest house)

and we rise again the next day…

…the day lilies and the grass blades are rising as well. through the upheaval of their dirt, the excavation of their home, the burying of their fallowed stems, the netting and straw post-waterline-replacement, they are rising anyway.

my thoughts of pulling everything up and starting fresh in the front yard came to a screeching halt when i saw them. if they are resilient enough to bright-green their way into this upheaved spring, i think i would be somewhat dishonoring to remove them. in doing so, i would miss their profound message of fortitude, of courageous no-matter-what-ishness, of their coy laughter reaching for the sun.

“you are so busy being you that you have no idea how utterly unprecedented you are.” (john green – the fault in our stars)

we miss it. in the middle of our don’t-really-know days, we miss seeing the absolute stalwart root in clay we each bring. we miss the credit of finagling another chaotic day. we miss our embrace of the new arrival of mystery. we miss our own unprecedentedness.

yet there it is. rising through the netting and the straw and the mud and the excavated rocks and cement.

“on the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you…”

(john o’donohue – beaanacht)

*****

April 29, 2022
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“went to visit mom.” [k.s. friday]

it’s an octave. though it is not obvious to most and though it is difficult to see, it is an octave. well, slightly more than an octave, actually. d to d and then e and f. f# too. there are still 88 keys, even aged. still 88 keys, even devoid of their black and whiteness. still 88 keys, even in their new patina. still 88 keys, even though some may now be missing. it is still a piano. its soul is intact.

my sweet momma has been gone seven years today. seven.

the other day, in a group text with some dear friends, i read one friend’s response to a question from another about whether she was home. “not home yet,” she wrote. “went to visit mom.” it stopped me in my tracks and i stood still for a moment. those words – “went to visit mom” – were powerful moment-freezers. time suspended just for a few seconds as i pondered what it would be like to be able to write those words – “went to visit mom”.

i know that i was fortunate. my sweet momma was almost-94 when she died. and i was 56, so almost six decades of me sharing the same plane of existence. her life was inspiring and i was lucky to have her cheering for me in every success, in every travail. she was steady and a rock who was always there, whether or not, in different phases of my life, i recognized it. it was true for me that there was no one who was a bigger cheerleader for me – she had pompoms out the moment i was born and never hesitated to use them. and, as is true for most of us, i’m quite certain there were times i took that for granted, took her for granted.

“went to visit mom.” wow. what i would give to have minutes, hours, days with her. to seek her wisdom, watch her enthusiasm, see the glint in her eyes and hear her laugh, coffeesit with her, have a giant bowl of pasta fagioli or a big slab of crumbcake or some silly adventure. to feel enormous unconditional love. to hug her. to be hugged by her.

“neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.” (desiderata)

barney will reside in our backyard for a long time to come. this gorgeous instrument will continue to be worn by weather and the elements. its keys will fall off, the wood laminate will peel. it will still be a piano and each octave will still be an octave.

my sweet momma, i know, is the same. she is still there, as perennial as the grass. i know her love supersedes my loss of her.

maybe sometime today i’ll go out by barney. i’ll take a candle and light it. and i’ll text d, upstairs in the office working, “went to visit mom”.

*****

LEGACY

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LEGACY from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

March 25, 2022
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little by little. [k.s. friday]

“bows and flows of angel hair and ice cream castles in the air. and feathered canyons everywhere, i’ve looked at clouds that way.” (joni mitchell)

it’s march. less bluesky days than gray. more rain than sun. drear > brilliant. march in-the-north is a funny time. it’s neither this nor that. a transition zone. it’s cold. it’s warm. it’s both. it’s never consistent. you just never know.

and so, you realize that you have to grab onto the days that shake you out of cobwebs and from under the quilts of winter. you must go stare at the sky. and those clouds. they hope you.

i walked looking up. watching the play of sunlight. remembering what it feels like to have warm sun on my face and not see puffs of air in front of me as i breathe into it.

in the middle of a time of some worry i drink in the sounds and sights of normal around me. i hold tightly to the returning sound of early sparrows and stalwart chickadees and finches. i stand in blue and fluffy white, grateful for a day that is not a shade of gray.

i sat on the edge of the deck, dogga at my side. we watched two cardinals flurrying about. we listened to the crows and watched for the hawk. there was nothing that had to be done in those moments, no project, no task. it just was. it wasn’t really warm but it wasn’t really cold either.

it’s the grayness that is the challenge. sitting in the question of season. the not-this-not-that. elusive spring. the calendar reads “spring” yet the reality in these parts is not in keeping with the definition of “to leap, burst forth”. an illusion, as there is no leaping, no bursting forth here. it is more of a slow slide into the season. snowpiles struggling to remain in the shadows, shreds of ice on the pond. the good earth will take its sweet time, in bits and spurts, little by little, and, eventually, spring will have arrived and we will glance around and be surprised.

i look at the weekend weather. i’ll turn 63 on sunday. i would like it to be warm, sunny. i would like to gather my children and my family and dear friends and eat birthday cake with lots of candles and singing under a blue-puffy-cloud-sky. wishes.

accuweather tells me it will not be warm. it will be the coldest day of the weeks on either side. and, for many reasons of this time, it will not be gathered with my children or my family or dear friends and i will not be eating cake with candles. i don’t know about the singing. all…little by little.

but it’s supposed to be sunny.

and that counts. every little by little.

“i’ve looked at clouds from both sides now, from up and down and still somehow: it’s cloud illusions i recall; i really don’t know clouds at all.” (and judy collins sings)

*****

read DAVID’s thoughts this K.S. FRIDAY

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February 11, 2022
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momma’s crumb cake. [k.s. friday]

10.5 x 15. the size of my sweet momma’s crumb cake.

back in the 90s, her crumb cake preceded her. everyone knew about her crumb cake. and everyone loved it. “beaky’s crumb cake,” they’d anticipate it.

based on the beloved new york entenmann’s crumb cake, she took crumb cake to another level. she’d, very specifically, tell you about how to make crumbs, that you MUST mix with your hands. she’d tell you how to sprinkle the confectionary sugar on top. and she’d proudly march it into the school, the hangar, the state attorney’s office, the church, the party. her recipe is dated 10/87; she didn’t start making her own crumbs until almost a decade into living in florida.

the other day – the day i was writing last monday’s blogpost – i was craving her crumb cake. i just wanted to sit down with a huge slab o’ cake and a piping-hot cup of coffee and chat with her. i wanted to hear her voice, her laugh, see her raised eyebrow and piercing blue-hazel eyes. i wanted to tell her stories. i wanted to ask her questions. i wanted to hug her tightly. i wanted her to hug me.

i wanted crumb cake.

we went to woodman’s and looked for the entenmann’s display. sure enough, it was there, this brooklyn-based bakery from way-back-when.

if entenmann’s crumb cake tastes like anything, it tastes like long island and the table in the kitchen by the window overlooking the patio where you could look out and see the dog run and the woods and clay pitts park in the distance and, at different times, different years, the above-ground pool or the vegetable garden and the grove with the big stump where we’d place the metal picnic sticks in the ground to hold brightly colored aluminum tumblers. it tastes like family gathered around a table with placemats labeled in the corner with initials that spell out shabaeawaka. it tastes like after-school and sunday-brunch. it tastes like saturday morning. it tastes like my dad, whistling, and pouring coffee from the percolator. it tastes like early spring and forsythia, salty breezes and bike hikes.

we bought the crumb cake.

and each day, for a few days, i made us a nespresso and placed each tiny mug on a clear glass plate with a piece of crumb cake. i savored each bite, each sip, getting lost in thought as only taste and scent can evoke.

and each day, my sweet momma and my poppo smiled from just-on-the-other-side. i could hear my dad whistling and my mom ask, “another piece?”

*****

February 4, 2022
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i’m with vince. [k.s. friday]

it pains me to even write this, but there’s actually more than one. fart-noise-apps, that is. “tap and fart” and “fartworld” are two examples. i could be considered mirthless – and i don’t care if i am – for not wanting to jump on these and install them on my iphone. what kind of person wants a fart app, anyway?

“the devaluation of music and what it’s now deemed to be worth is laughable to me. my single costs 99 cents. that’s what a single cost in 1960. on my phone, i can get an app for 99 cents that makes fart noises – the same price as the thing i create and speak to the world with. some would say that the fart app is more important. it’s an awkward time. creative brains are being sorely mistreated.” (vince gill)

i am on the devaluation-pushback-wagon with vince. we’ve never met, and we are in different stratospheres from a making-bank-standpoint, but there are some basic tenets on which we clearly agree.

i have beat this drum again and again. as an independent musician, composer and recording artist, it is likely i will continue to beat it and beat it and beat it, and each thump of the djembe will float into the atmosphere, unresolved. because times have changed. and apple music and spotify and pandora and tidal and amazon music have it down to a science. point-zero-zero-zero-something of a penny for a stream. i wrote about it seven years ago and it hasn’t changed. 99 cents seems like a gold mine!

yet, doesn’t the thought of feeling like it is striking gold – at 99 cents – take your breath away?

and how would YOUR life be without music?

the imperative for an artist to create – a composer to compose, a musician to play, a painter to paint, a writer to write, a dancer to dance, a potter to throw – is undeniable. it is how we speak to the world. it is a creation, an invention of the heart and soul.

vince gill has had multiple number one hits. he is extraordinarily successful. yet, he is apparently just as disgruntled with the industry’s standard of payment to artists as little-ole-me. though i doubt it’s quite the same for him, it raises questions for me of the great whether-or-not.

whether-or-not to ever record new material, an expensive venture always.

whether-or-not i can ever squeeze more royalties out of my fifteen albums in the world streaming freely in rivers of computers and iphones and tablets and androids.

whether-or-not to pursue stage-performing ever again.

whether-or-not to keep writing.

whether-or-not there is relevancy.

or, since the world seems to value other noises above music – and i am incredulous and saddened about this – whether-or-not to point my imperative to creating some obnoxious noise app.

because farts make up to $10,000 a day.

sigh.

*****

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