reverse threading

the path back is the path forward


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the trail in. [merely-a-thought monday]

when i was choosing seats for the elton john concert in north carolina, the – predictably – least expensive seats were the ones with an obscured view. a pillar, a speaker, a wall…something was in front of the seats, not allowing you to see. or maybe the seats were behind the horizon line of the stage, the apron, making elton basically invisible.

clearly these seats – still dang expensive – weren’t right. i mean, if you can’t see him perform and you can’t really see the jumbotron why not just sit and listen to ej cd’s instead? clearly, that’s not the point.

so i stayed away from the obscured-view-seats and chose seats from which we could see all the action. high up, yes. but we could see it all.

we passed a sign in the chicago botanic garden, posted by a tiny trail. “by screening out views and creating hidden areas, this garden entices you to explore just beyond what you can see.” we couldn’t see into the garden…so we took the little trail in. it was beautiful and a little magical. a little secret garden. not obvious. beyond sight.

the work of an artist – of any medium – is like that. find the places just beyond. find the line of melody that tugs, that urges, that compels. bring those places to others so that they might explore them as well. past the horizon. past the stage. you can still hear elton from the obscured-view seats and you can still feel the energy.

in a thirty-plus year career as a minister of music i always felt that it was my job to introduce the obscured secret garden to others. for faith – regardless of denomination – is that which we cannot see, that which we cannot touch. my mission was simply to open hearts through music to see beyond what you can see, to explore beyond sight. grounding in the most basic of tenets – love, kindness, generosity, peace, embrace of all others, support, truth, fairness, equality, grace – i felt it imperative to offer music that might viscerally touch a person who might not otherwise be touched, to hold it all out there gently so that a soul could easily grasp it, hold it, be wrapped in it, be comforted by it. faith in something bigger in this universe is found in a river of changing times and circumstances and staying steadfast is like the path a leaf takes on that river, both raging whitewater and lazy currents. we open our hearts to explore, even though we cannot see.

it might be time to play my piano again. maybe. it’s been a long time – a couple years now, save for a few moments a few times. i haven’t been able to play it – the magic has been obscured from view – since, well, since i felt blindsided. but now…maybe now…finally…i can see the trail into the studio. maybe now the black and white notes lifting into the air – will heal hurting even just a little, will allow exploration and sight beyond the obvious tangible horizon, will open a heart again.

mine.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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drive it or pull it? [saturday morning smack-dab]

we can’t decide between the kind you drive and the kind you pull.

i mean, if you drive it, then you have to drive it everywhere, unless we tow littlebabyscion behind it, in which case it would be a really-really-big rv and neither of us can picture driving that kind of lumbering size down the highway. but if it’s the kind you pull, you have a vehicle. but then you have to pull it. and back it up. and fit it into parking lots. and juggle it around to get it into camping spots. that brings me back to the kind you drive. the small kind you drive.

the imperative?

a bathroom. and, preferably, a shower.

with a tiny kitchen, a bathroom, a shower and wifi we can go anywhere; we can rule the world. every other day i talk about this. because who doesn’t think about this, i wonder…

the wander women have figured it out. of course, they planned with great intention and are retired, so access to wifi on all workdays is not a sink-or-swim. for us, right now, we need to just-keep-swimming and wifi is the life preserver as we continue to work on our own plan.

i keep transferring visiting the rv place from one weekend to the next. probably because my rent-it-now signature pen is itching, the brochures are stacking up. ahhh. plan….

but really. it’s just delicious to think about all those backroads, all those mountains and canyonlands and seashore beaches at our disposal, dogdog hanging out with us, a tiny fridge filled with good food to make on our tiny stove, grilled on our tiny grill. music and art and wordswordswords created on an adventure Out There on-the-road-again.

i’m totally game.

d and me and dogga and willie nelson.

*****

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SMACK-DAB. ©️ 2022 kerrianddavid.com


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stretching, not ripping. [k.s. friday]

the threads are stretching, stretching…but not ripping.

barney stretches and yawns, still a piano, always a piano. his soul – tenacious and flexible and resilient – centering back to itself, despite weather, despite weathering. it’s late day and the shadows are long. there are small mounds of birdseed, assorted fallen leaves, bits of white at the leading edge of the keyboard. no matter. his aging exterior belies the zeal inside of him, the sorting of memories being played, sustain pedal lifting notes into the air and holding them there. barney has come to knowing that all the notes are still there – stretched across the atmosphere, lingering. he is not fearful of this process in the sun and the rain, snow and blustering winds.

“if you let your fears control your actions, then you are not going 100 mph through it, enjoying it.” (sue aikens)

barney does little these days. he is home for wildlife, the birds, the chippies, the squirrels – they know him well. but he is still going 100 mph through it, whirling and dancing in his beautiful body in our backyard. one day he will look even less like an upright.

but the chickadees and house finches, the cardinals and robins will glance over at him and think, “there’s that sweet piano.” for they, too, will still recognize him.

*****

HOLDING ON, LETTING GO ©️ 2010 kerri sherwood

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a chicken and a cow in autumn. [two artists tuesday]

my nephew called. i guess technically he isn’t my nephew now but neither one of us cares about the technicality of it. we talked a couple years ago but not since. no matter. he was ironing and he thought of me. he described how ironing makes you just kind of slow down and lets your mind wander. and so he followed his instinct and dialed. i told him i was glad he wasn’t thinking of me as he was washing the floor. he agreed and said that a washing-the-floor conversation wouldn’t be as whimsical.

whimsical.

i loved how he used that word. we slowed down our hiking, shuffling our feet through the leaves on the trail, david encouraging me to chat. my nephew and i laughed and told stories, asked questions, laughed some more. later, in some text-reminiscing, he asked me if i still had the beer cap earrings he had bought me when we were together up-north many years back. he said, “you’re one of my favorites.” i walked slowly into flashes of another time of life. it was a gift.

from the deck it looks like a chicken. suddenly a chicken leaf fell from the maple tree and landed squarely on our little curlicue-fence. i stopped at the top of the steps and drew d’s attention to it. “look at the chicken back there!” i insisted. we laughed at the chicken on our fence. ok, not exactly. but imagination is a funny thing. we make castles out of refrigerator boxes and gazelles out of cumulus puffs. we create out of thin air.

“have you noticed that autumn is like a yellow cow?” (pablo neruda) “have they counted the gold in the cornfields?”

we are not alone in our imaginings. pondering leaves, clouds, swirls in the lake’s surface, rocks on the trail, i wonder what it would be to not ponder these things. i feel like i might laugh a little less, like there would be a little less whimsy.

i’m not sure how autumn is like a yellow cow, though i am sure that is valid for pablo. it’s all good. it makes the world go round with a little more pizzazz. there is gold everywhere.

right now i’m just wondering where exactly my beer cap earrings are.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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just three. [k.s. friday]

we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.

we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.

budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.

there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.

we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.

last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.

i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.

but it will truly be magical.

*****

MILLNECK FALL ©️ 1996 kerri sherwood

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alive. [k.s. friday]

marty was the first man i knew who was a breast cancer survivor. we also learned he was deathly allergic to shrimp – while we were all at joe’s crab shack devouring seafood. yiiikes. it feels like a zillion years ago, but it was a great community of folks – all who were dedicated to their craft and showing at large wholesale shows, lining up accounts with small and large shops across the country. it was before streaming was really The Thing and i was moving boxes and boxes and boxes – thousands – of cds with displays, all to be sold by real people in real places. the days were long – yamaha delivered in a piano and it was hours upon hours of playing, talking, writing purchase orders, selling cash and carry. in the evening we would all sometimes gather together somewhere, to share stories, to unwind. that one night, joe’s crab shack made us a little bit nervous. we traded seats around so marty wasn’t near any shrimp and wondered why we didn’t go to a steakhouse.

community makes a difference. in this latest lean time of community that is now particularly pronounced.

i watched as my dear big sister shared her breast cancer story on facebook. she is now, thankfully, on the other side, mostly healed from surgery and radiation, slogging slowly through a period of difficulty adjusting to a long-term hormone blocker. i know, without a doubt, that the people who sent her their love – even online – helped her. a community that rallies around is the village we all need, especially in desperate times.

heidi and i spent so very much time together. our mutual work was in the oncological field – performing at large and small cancer survivor and breast cancer awareness events. there are many posts in this blog about places we have been and i consider them to be moments i was honored to be a part of the supportive oncology community and a part of the story.

my grandmother-who-i-never-knew, my dad’s mom, died of metastatic breast cancer. my sweet momma had a double mastectomy at 93. my dad was a lung cancer survivor and my brother died because of lung cancer. this year my sister’s breast cancer diagnosis scared us.

in the middle of the night, when things are raw, i decided that a “sisu” bracelet was in order so i found an artist who designed and crafted it out of silver so that my sister could wear it and know i was with her, a part of her community, holding her close. i ordered one for me as well. because the middle of the night can be a scary time when you are thinking too much.

marty didn’t mention the whole shrimp-thing until we were already at joe’s. i guess he had decided to just go-with-it, to just live. he had already been through so much.

though i really wouldn’t change it – as i love my “sisu” bracelet – i wonder if it should just say “alive”.

*****

click here for a few other words about “i am alive”

I AM ALIVE ©️ 2005 kerri sherwood

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faces on a bridge. [k.s. friday]

this darling face was larger than life, a giant print by simon te tai hanging on the wall at our airbnb in charlotte. many times we would find ourselves standing in front of it. it compelled you to do so. is there a “hug-a-sloth” day? we both would like to participate.

other than our sweet dogdog, the next animal face we were close to was the hawk’s.

it was out front in the yard, seemingly enjoying the sprinkler. d watched it out the office window, checking on it while he worked. when he went to turn the sprinkler off and remove the hose from the lawn, it stayed there and watched him. he sent me a photo of it, merely ten feet away, calm and steady. the next time he looked out, it was in the street and in trouble. grabbing a blanket he ran down to it. we have brought other birds to rehab centers so this would not be our first. the hawk was in distress and laid while david talked quietly to it. as he went to gently scoop it up, it flew off, straight up into the tree limbs above.

when i came home d was standing in the middle of the street, staring up, so i knew it had to be something to do with this hawk he had photographed.

there it was. a small raptor perched on a limb 25 feet above us.

we watched it for a while and then thought we should leave it be, believing it must be recuperating from – perhaps – being somehow stunned.

just a bit later, from across the street, at the front door, we watched with horror as this beautiful creature flapped its wings up in the tree and then fell out. grabbing a bin and the blanket we tore out the front door and ran across the street.

i implored him to wait. the eye i could see was closing and i caressed him softly, telling him how grateful the world was for his presence in it, how stunningly beautiful he was.

i don’t know when his tiny spirit floated away.

it was profound for both of us. david wrapped him carefully in a blanket and we placed him in the bin, hopeful that our suspicion was wrong and that it might be possible he was simply unconscious for a bit. but the time went by and each time we checked on him revealed no change. we called all the bird rehabilitation centers.

wisconsin dnr asked us to photograph the hawk. “take as many pictures as you can,” she instructed, “that way we can try to determine what kind of hawk it was and maybe a little information about what might have happened.” there were no obvious signs of injury and we know that the avian flu has been seriously problematic, especially for waterfowl and birds of prey.

his face was truly beautiful. feathers the color of bold coffee and caramel, amber eyes just like dogdog’s, a bit of green above his curled beak. really beautiful.

it’s these two faces of wildlife i will remember this past month.

the face of a sloth – though not three-dimensional – friendly and open, practically begging for a giggly snuggle.

and the face of a hawk – transient, evanescent and spirit-filled – visceral and, quite astoundingly, stroked by our fingertips – a moment we shared we will not forget – when this creature crossed over and we were all one, together. on a mysterious bridge that goes both ways.

BRIDGE from AS IT IS ©️ 2004 kerri sherwood

*****

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cheese curds and awe. [d.r. thursday]

the table is staged, ready for diners. linen napkins rolled, silverware inside. water glasses turned over and candles unlit. waiting.

block 37 on state street in chicago has at least a dozen eateries, a highrise group built post-2005 of dining restaurants with napkin rolls, bakeries with cupcakes and sticky donuts, coffeehouses and grilled cheese spots. all waiting for eaters. there are shops and there is a residential development, multi-use skyscrapers.

eighteen years ago today. block 37. the yamaha concert grand was on an outdoor stage in the sun in a tree-canopied park when we arrived. boom mics. monitors. staged. ready. waiting.

it was the tour of hope, a giant oncology event sponsored by bristol-meyers squibb. lance armstrong, a cancer survivor and chosen sports hero for those moments, was biking – with an entourage – across the country to raise awareness about cancer and survivorship and hope. and we were there to be part of the rally. the piano and boom were waiting for me.

in the way of not-knowing-when-important-stuff-is-happening, we meandered through the people getting ready for the arrival of the posse of bikers. we sound-checked, we did early photo shoots, we sipped water on a perfectly-perfect early fall day.

it was the day i met him. a dear friend who i’ve only seen in person once in my lifetime. scordskiii became the rock in my world as the years went by and, were we to sit and visit over coffee or sushi or a glass of wine, i suspect the conversation would be easy and constant, filled with reminiscing and laughter, not just a little wonder, and hushed moments in awe of it all. this would be a good thing. eighteen years is a long time.

we are slowly coming out of the cave. slowly. ever-so-slowly. we have actually been to a couple restaurants now. and this day – last week – was one of those times.

the tables at the restaurant were ready and we walked in to find david’s dear friend waiting. they have known each other for decades, though – since they live far apart – they haven’t had opportunity to see each other much. no matter. it is the gift of true friendship. the moments when all time sloughs off and, in awe of this magic, you return to the organic core of your relationship.

we had fried wisconsin cheese curds. it was a farm-to-table restaurant. we were surrounded by relics from farms and warehouses, all dating back, maybe even a century. we sat and sat, talking, sharing. people came and went around us, though no one was seated close.

i glanced at the other tables when we stood to leave. the napkins were rolled and the water glasses were turned upside down. and the dining tables were waiting for the next time people would sit and ponder life, its questions, its challenges and joys, the next time people would share a little space together. the next time people would look at the face of a dear friend before it was time to go.

the years…they fly by.

*****

read DAVID’S thoughts this D.R. THURSDAY


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quilts > duvets. [k.s. friday]

…and i will comfort you…

given a choice, we will stay in airbnbs. they are homes – real people’s places where they laid their heads – and they offer a comfort that hotels just can’t.

perhaps i have never stayed in a hotel resort that reaches its arms around me, snugged into its chest. it is true. i haven’t ever been to an all-inclusive. when we hotel-it, we stay at the hampton inn, where they offer breakfast and wash the duvet cover daily. they are very clean, mostly updated, the beds are goldilocks-worthy and there is a refrigerator and microwave for the food we are carrying with us.

we arrived in richmond, kentucky on a thursday evening. a fire truck was diagonally across the road, blocking it, and my heart flipped a little, wondering what might have happened. instead, a small town, it was the night of the homecoming parade. we got to the corner by our airbnb, but only to the corner. it was the final approach for the parade route and the police officer at the corner stopped us with a sheepish smile, “just pull over and watch.” he added, “sorry”.

we weren’t sorry. it was a delight to see the parade up close and personal and we cheered and the high school football team threw us candy. after all the convertibles with king and queen candidates drove by and the final police car with lights, the police officer allowed us to turn toward our lodging.

we wrote to andrew, the host of our roomy and perfectly-appointed loft, just to let him know what a joy it was to pull into his town and find such fun. he responded immediately. a real person. a real home. he pays attention. we sat on the tiny balcony and sipped wine while the church carillon rang out post-parade. after more than eight hours on the road, we felt comforted.

the little house in brevard was known to us. we stayed there before. so we knew exactly what we would find…a home with a front porch… our window into the tiny mountain town. we chose to stay there again because it had held us the first time…in comfort. home away from home.

the ukulele band i directed played the van morrison song “comfort you”. “i want to comfort you. i want to comfort you. i want to comfort you. just let your tears run wild like when you were a child. i’ll do what i can do. i want to comfort you. you put the weight on me…i want to comfort you.”

comfort, invisibly wrapping us, giving us pause.

i can think of nothing more important in these times – really, any times – but especially these times – than people comforting other people. the capacity for a human to give reassurance and hope to another must surpass all efforts to compete, to one-up, to undermine. surely as the south begins to clean up from hurricane ian, the evidence is obvious.

i will comfort you – words unspoken perhaps – but deeds spell it all out. people loving one another.

quilts > duvets.

*****

AND GOODNIGHT ©️ 2005 kerri sherwood

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and the parade greets us as we arrive


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vertically. [k.s. friday]

they move them vertically. not horizontally. vertically.

the yamaha CFIIIs is a powerhouse 9-foot grand. a piano, it is a canvas waiting, blank, black and white.

they move it in, attach the legs. the technician shows up, tunes, voices, listens. the artist plays. the technician futzes some more. it’s a dance, making sure it is ready. the piano is patient and steady.

i have had the good fortune of being a recipient of these pianos. they have been delivered to recording studios, to stages, to televised venues, to big outdoor parks. the CFIIIs and the C7 are THE pianos. hands down.

at the elton john concert in charlotte, north carolina with d, my daughter and her boyfriend, he marveled at the load-in-load-out that it must take to move the ej piano, band, set, lighting, media show every night or so on the “farewell yellow brick road tour”. mostly, he talked about the piano, about how amazing it was, and how much it must cost, and how it must be moved, and how not just anyone gets to play that, for sure.

because most people believe it is moved as is – horizontally – i explained that it’s moved vertically, on its side.

but i didn’t explain how i knew. i didn’t talk about how many extraordinary pianos had been brought to me that way, how many on which i had performed or recorded. we were at elton john’s concert and he is – truly – a shining star.

inside, though, i knew. i could feel it, that urge to run up on stage, grab a boom mic, stand at the piano and play and sing. poking at me like a snickers bar. “i’m still standing. yeah, yeah, yeah.

the other day – at the daniel stowe botanic garden – there was a small grand in the atrium. my daughter looked at me when we walked in and said, “it says you can’t play it.” i went over to look at it. “no worries,” i said, laughing.

but at the ej concert….now that’s another story. he played and sang and i was proud to also be a yamaha artist.

“my gift is my song and this one’s for you.” (elton john – your song).

the words rang in my ears and my heart attached the exclamation mark. my gift IS my song…all of them…the ones with words and the ones without. the ones with music and the ones without. the ones written and the ones not written yet.

maybe there are still vertical pianos out there waiting. for me.

*****

WAITING (from JOY) ©️ 2005 kerri sherwood

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