10. there are now ten teeny tomatoes tethered to the tendrils of our tomato plants in our tiny tabletop garden. it’s amazing! i am ridiculously dedicated to them and watch each day as they grow.
on sunday i went outside to this old barnwood and pipe planting stand and, for the second time now, snipped off fresh valentino. it’s heavenly, the scent of fresh basil. with a little olive oil and some boughten* grape tomatoes tossed with leaves of basil, we had a meal from our little farm. (try to contain your amazement, millennial farmer.)
i still marvel at this minor little miracle, simple and so utterly complex, this growing edible food. we clinked our glasses of old vine zin in celebration and reveled in the good fortune we felt having successfully – at least for the last three weeks – raised a few plants, who seem to be happy and flourishing in the hot, humid, rainy days we have been having.
around the corner is an empty and beautiful grass lot on lake michigan, owned by the people who live across the street from it. they have planted a vegetable garden and we watched as they tenderly watered it the other day while we walked past. i wonder if they started with a container garden on their potting bench.
i don’t know how long it will be before these teeniest babies will grow and ripen into cherry tomatoes that will grace our salad bowls or join with basil in pasta-union. it will be a journey of enlightenment for us. what i do know is that we are seriously loving every bit of it. and the tomato and basil plants seem to know it.
*****
*boughten: though i don’t normally use it, this is indeed a word and, for this writing, seemed like the right one to use.
“perhaps we are here in order to say: house, bridge, fountain, gate, pitcher, fruit-tree, window . . . to say them more intensely than the Things themselves ever dreamed of existing.” (ninth duino elegy: rainer maria rilke)
every day i take a photograph. at least one. the photo-of-the-day was started by my all-grown-up children at the height of the pandemic and, for it, i am forever grateful. as a group text we’re not as singularly dedicated as when it started, but it still exists and i seriously cherish each and every picture and text on it.
but i know it must come as no surprise to you that i take a lot of pictures anyway. both my phone and what we call the island-phone have gigantic photo streams, backed up by the cloud’s extra coverage. it’s obvious that i stop often while hiking, but what might not be as obvious is that i stop often, period. there is always something interesting, something fleeting, something to record and there are times that i must steer myself away from the very thing begging my capture just to keep on keeping on.
today i write the 1013th post on my blog. we looked back at the mélange weekly screenshots, five days a week each week. i wanted to spend a few moments looking at the things i stopped at, the things i wanted to hold, the notes or quotes i jotted down, the things designed, our thoughts through the years.
i would like to think that each of these photographs have brought a bit more intensity to the ‘thing’ photographed, that which is featured. it makes me wonder. does the ladybug on this coneflower marvel about its photo being taken, does it hear me draw in my breath when i expand the photo on my iphone, not knowing it was there when i composed the picture. does it realize, when i quietly gasp, “look! there’s a ladybug!” that i am honoring its existence, tiny-in-a-vast-world?
and that makes me wonder. is the universe – whatever the divine you believe in – doing the same? are our names whispered intensely into the galaxy, weaving around stars and lit by the sun and the moon, honoring our existence, tiny-in-a-vast-world? i think it must be so.
coffee was a recurring theme in our early days. it does not have as big a spotlight role these days, sharing the limelight with wine and lets-try-to-drink-more-water. but back in the day of our writing-back-and-forth-and-back-and-forth it was a super star and you could see how often our bucks were spent on it in photographs taken of coffee cups around the country to send each other. (which literally gives me pause for thought, wondering if that is how starbucks got its name….)
these days? it is more of a guiding light, illuminating the mornings-after-little-to-no-sleep, the balm to heal insomnia, the salve of achier joints, the massage of slower starts. though it is not the only star smack-dab in our beverage list, it is a lifesaver. and there are some days when there simply is not enough of it.
“we’re out of practice,” writes elizabeth bernstein. her article in the wall street journal is about reconnecting with others as we move slowly and cautiously out of pandemic-mode and back into the world. since this past year-plus has levied many and varied challenges upon all of us, her words seem prudent, reminding us to realize that we are each in different emotional places and honoring those will be absolutely necessary.
as we hike on trails we are alternately silent and chatting-up-a-storm. we find ourselves reminiscing, going over the last year-plus, reviewing. we are both awed and aghast at the things that have happened through this time. simple moments of bliss and moments of raw hurt. surprise at the time flying by and impatience at the time dragging. gratitude for the generosity of others and anger and anxiety at agenda we don’t understand. much time spent as just the two of us…the two of us plus dogga and babycat. we stop – mid-river-trail – and stare at each other, remembering the time, the losses, the learnings. this moment in time – all the circumstances that have brought us to this moment in time – and we look forward, wondering.
“we’ve all been through so much. we’re all so raw. and there is a strong sense of longing,” says sociologist and yale professor marissa king. though we long to be together with family and dear friends, communities of people we have been missing, we have come to realize that we have made it through, continue to make it through, the storm of this time. we have established rituals of our own, personal reassurances, moments of goodness that have arced us into next each and every time. we have failed from time to time and we have succeeded from time to time. mostly, we have made it from Time to Time, each then to each now.
reconnecting, we understand, will be complicated, perhaps intense, perhaps exhausting, perhaps selective. but those moments will, too, be worth it, whatever concentrated effort it takes. we all have a story to tell, narratives to share, things we have gained and lost and learned and forgotten, things we haven’t shared. “reconnection is not a one-and-done undertaking,” writes ms. bernstein. like the time that has gone by and the hard work it has taken to grok the necessity of being apart, it will require some practice to be together. we haven’t walked in the shoes of others and we haven’t experienced what they have experienced. the vice-versa is also true. we all have a story to tell, narratives to share, things we have gained and lost and learned and forgotten, things we haven’t divulged, things we haven’t mutually endured. there is much ahead, likely to be profoundly emotional.
we stand on the river trail and think about belly-laughing in a circle of friends, crying in the arms of family, dancing on the patio, snacktime on the pontoon boat, ukuleles in the park, happy hour in the backyard, floating in florida pools, rooftop and mountaintop times. and we know that, though there have been many good moments and though there are many good moments right here, there are many good moments…waiting.
“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)
in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.
the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.
we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.
for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.
“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.
each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.
to pay attention, this is our endless and proper work. (mary oliver)
we still wear masks. at festival, at target, at lowes, at costco, at woodmans. these flipflops are one of the reasons. though we have been totally vaccinated and, according to the cdc guidelines, could discard the masks – like most people in these parts – we are still vigilant. this is not because we don’t want the pandemic to go away. oh no. we would love to think that it’s over. but we know it isn’t. because, well, science. and these flipflops stop us from any cavalier disposal of all the masks on the hook on our refrigerator.
we have only eaten in one restaurant now since march of 2020. it was about six weeks ago and, admittedly, wonderful. phat thai in carbondale, colorado and our girl and her boyfriend. priceless. we were nervous – being newbies back at a restaurant – but the benefit/risk factor was obvious, the reservation was later in the evening when there were not as many diners there. we pass many restaurants in our own downtown area and they are often mob scenes of patrons. we couldn’t do that yet; it would make us uncomfortable. phat thai was relaxing and truly a lovely evening. we remain cautious though. because of these flipflops.
i just checked the cdc website. since covid statistics are no longer posted as chyrons we have limited exposure to the toll of deaths from this pandemic or other such concerning numbers. i scrolled around as there is much information available on this government site. i noted that our county has a 40-49% rate for folks having at least one dose of the vaccine. i’m a bit surprised by this number. this county has made it inordinately easy to be vaccinated. it is hard for me to wrap my head around why so many people have not gotten even one dose of any of the readily accessible shots. 47.9% of the state of wisconsin is vaccinated. 45.7% of the country. the whole united states. a population clearly not united in covid-vaccines. it’s perplexing. once again, i am at a loss as to why a larger percentage of this country is not vaccinated. surely there are flipflops in the lives of the 54.3% ‘out there’.
our social experiences over the last year plus now have been pretty minimal. we’ve seen our girl and our boy and their boyfriends. we’ve seen a bit of colorado family and a bit of missouri family. we’ve seen the up north gang on the deck once and, with great celebration, in the dining room once. we’ve gone back to weekly dinners with 20, post daily-phone-calls through the time we couldn’t gather. and we have been with the owners of the flipflops – our dearest friends who have happy-houred with us into late fall and as early as possible this spring – with a firepit and blankets – in their backyard. we know that it is risky for someone vaccinated but with a suppressed immune system and we join force with them in being careful so that we might be with them.
it isn’t a big sacrifice to wear a mask in the grocery store or in the big box stores. we are definitely in the minority. we definitely get looks sometimes. we are quite sure there’s a bit of scorning going on. but these flipflops are worth it. i mean, what’s a little piece of cloth over your nose and mouth to keep loved ones safe? just a little bit longer, we think. we are hoping that the 54.3% will head to a vaccination site and do their part to save lives – of those who they love and those who they do not know, of the lives of children. perhaps the population of this country will heed the cautionary words of dr. leana wen: “there are more contagious and virulent variants emerging that could lead to a surge in infections, especially in parts of the country with low vaccination rates. those unvaccinated, including our children, remain at high risk. (washington post, june 14, 2021) dr. wen concludes, “different families have different perceptions of risk as it applies to the virus and the necessity of the vaccine. for our family, it comes down to this: if you have the option to reduce a low risk of something awful happening to your kids to essentially zero, would you take it?” i would add, if you have the option to reduce risk of something awful happening to any one you love to essentially zero, would you take it?
what flipflops influence your decisions in these times?
susan and i played hopscotch for hours. we’d toss a bobby pin or a rock and hop to our heart’s content, nothing else pressing on us in the summer sun.
the summer sun seems a bit escalated now. temperatures are soaring across our country. it is astounding to open the accuweather app and see places i have saved having highs in the upper 90s or even topping 100 degrees. extreme weather. it’s only june. summer literally just officially opened its season. and yet, there is article after article about drought and rapidly dropping water levels and severe storms and the beginning of oppressive fires and people evacuating.
this morning i awoke to an alert on my phone. pitkin county in colorado sent out an emergency message about a wildfire. i didn’t remember having these alerts but, now that i think about it, i must have initiated something either during avalanches over the winter or maybe when the high mountain county was sending out news about covid. either way, my beloved girl is up there in those mountains so i will not be likely to take the alerts off now.
climate change in all its iterations is upon us. weather pattern changes and global warming are pressing in on us. it would seem that we should pay attention, especially if we want this world to continue into future generations.
yesterday i was forwarded and read an article in the new york times about the giant redwoods and sequoias, trees that have been individually standing for perhaps as long as 3000 years, as a forest for millions of years. the peril faced by these enormous and wise giants of the forest is imminent. old-growth forests are critical, yet there are now less than 10 percent remaining in this country. we are stewards of the future earth. we need pay attention.
summer stretches in front of us now. the stuff of outdoor adventures, barbecues in the backyard, camping in national and state parks, faraway roadtrips and lazy beach days. coming upon the hopscotch chalked on the sidewalk i couldn’t help but hop. the joy of remembering, the muscle memory of the 1-2-3-45-6-78-9-10 or 1-23-4-56-7-89-10, whatever the template, hopping, hopping.
for that same delight, that same closely-held set of childhood memories, it is my hope that concentrated effort and dedicated budgeting is placed upon incredibly important research, on the threat of climate change, on the sustaining of our environment. we must pass on – to our children and our children’s children and our children’s children’s children – a world that is healthy, an earth that can support the drinking water needs of its people, a country that takes responsibility for its ecological challenges.
in the old-growth forests, the trees have somehow survived “fire and clear-cutting, new growth…death, death and life again.” the author continues, “the power of the tree isn’t in forgetting, but remembering.” (nytimes, lauren sloss)
maybe we need grab a bobbypin, toss it into a chalked hopscotch and hop. maybe that will remind us to remember.
“as estrogen declines in perimenopause and menopause, appetite ramps up. … hormone weirdness can impact your sleep (night sweats, for example). insufficient sleep can further elevate sensations of hunger.” (gennev.com)
and this additional news:
“the decline of sleep-promoting hormones including estrogen and progesterone is one big reason for disrupted sleep. and the other symptoms of menopause—from mood swings and anxiety to night sweats—also contribute to sleep problems for women. production of another critical hormone for sleep—melatonin—also decreases with age, which can compound sleep problems for women during menopause and beyond.” (psychology today, m.j. breus, phd)
shocking, isn’t it? it makes you want to sign up, doesn’t it? huh?huh?
as one who is smack-dab in the middle of this estrogen/progesterone/post-peri-full-blown-meno fun, i know i am not alone. there is nothing like lying awake in the wee of the night, filled with swirling angst-filled thoughts and lists and no shut-eye, listening to david gently snoring and dogdog running in his sleep, blanket on-blanket off-blanket on, grateful-for-each-moment-crabby-as-all-get-out, melatonin-deprived and starving. i can’t count the vast number of bananas and bowls of cereal we have eaten smack-dab in the middle of the night.
“levels of the hunger-stimulating hormone ghrelin increase, a reason why many women find themselves frequently hungry during this phase.” (psychology today, m.j. breus, phd)
the file drawers are bursting. there are three bank boxes in the closet, next to and on top of the file cabinets. there is still music to be filed away, but it’s almost done. the ukuleles and the strum stick are hung on hooks. the cello sits silently in the corner. the black metal music stands are cleared of sheets and books. everything needs to be dusted or waxed. the wood floor needs to be swept more thoroughly – to chase away the dust bunnies. a few pencils wait. the storm is gathering. the sustain pedal begs for attention.
i’ve played maybe twice since last november. i stacked music and calendars and binders of slated songs and folders of research in there. i dragged in a box or two of supplies and cantatas that i brought home. i laid the ukuleles on the rocking chair, the poster behind the door. but i didn’t play. except for a day or two after our babycat died and maybe one or two other times. the piano is tacet. and the sustain pedal waits.
because i played and sang constantly for work before the end of november, and i was surrounded in my studio by all the tools and resources i used for that work, it has been, in the these last few days, important to me to finally move all that which i had been playing, all that which is no longer relevant to my life. this studio needs to be clean. it needs space. it needs room for new. it needs to no longer represent life doing that work, that dedication, that place. my studio needs a refacing. the sustain pedal holds its breath.
i got an email from a lovely woman somewhere in new mexico. she wants to order a baker’s dozen cds and wrote that she includes owning them up in her wish list of “large sacks of $100 bills and 25 hugs and smiles received daily for life”. i’m grateful to her and her dedication to analog music. it will be fun to pack it all up and ship it to her, though i will have to direct her to amazon for a few titles i no longer have in stock. her order is a reminder. and even in these days when i have been actively submitting titles to pandora for streaming (there are now nine titles available on pandora.com and everything on digital platforms everywhere) it is refreshing to go to the stock of cds and pull out shrink-wrapped copies of music to ship off. the sustain pedal giggles.
i’m getting anxious to finish the studio cleanse. to walk in and see possibility. to sit and listen to the quiet. to see the new project, the new song, the new composition through fog, fallow and passing time. to one day again depress the sustain pedal and place my hands on dusted keys under a full stick. i don’t know when that will be.
in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.
you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.
i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.
when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.
downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.
some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.
some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.
some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.
reverse threading 