anticipation (noun): the action of anticipating something; expectation.
they say anticipation is everything. planning and devising and strategizing and dreaming – so much before actually executing. it all looks so good in your mind’s eye. getting there can be a let down, anti-climatic.
often we go out to hike at the end of the day. sometimes this is merely a walk around the ‘hood, along the lakefront. sometimes we drive to a trailhead and walk in the woods. it just depends on how much time we have before the mosquitoes.
there is one common denominator, however. we always end up talking about food. the conversation falls on dinner plans and seems to hang there, treading water in an eddy of food-possibilities as we get hungrier and hungrier.
on the trail and on the sidewalk we often have grandiose designs for dinner, thinking of some of the new recipes we would like to try or zeroing in on favorites that take time and are particular.
and then reality hits.
it’s like when you go grocery shopping and have a huge basket of groceries. you wander the store with your vast list, fuss over produce, price compare, fill the cart, stand in line, check out, load the bags in the car, drive them home, unload them and put them away. and then – the fridge and the pantry replenished – you no longer want to cook. you have had your fill.
the same happens walking. after talking so much about choosing a recipe, listing the ingredients, talking about how lovely it will be to prepare this dinner, we have exhausted ourselves. no longer is it possible to go all out and cross the fine dining line.
we give in. it’s time for charcuterie and a glass of wine. or take-out.
“easy living” it advertises on the cover of the wayfair summer catalog. inside, you can purchase everything you need for easy living. for a price, you can create easy living spaces on your deck, your front porch, in your kitchen, in your bath, by your pool, in your backyard. most items are really beautiful, beckoning you to believe in the power they have to help you live easy. this summer, we actually added a few small things to our own deck, though our deck is a mostly-target-added-to-repurposed-stuff deck. i have to say, a few cushions and outdoor pillows make an inviting difference.
we have changed our schedule a bit these days. we used to stay up really late and watch late night news and comedy talk shows, but through the pandemic and the political-rah-rah times it has tended to get us riled up. so instead, after the sun has fallen from the sky and mosquitoes having joined us on the deck, we watch minimal tv and go to bed early to read aloud or watch trails on a laptop. we wake up early, with rising sun and birdcalls streaming in through the wide-open windows in our bedroom.
this morning, just as the sun rose, i plugged in the coffee, fed dogdog, opened the windows in the sunroom and went outside. i greeted the tiniest farm on our potting stand, tested the soil for dampness, looked for ripe cherry tomatoes, pinched back the sweet basil. i checked on the lavender. i added bird seed to the feeder. i looked for magic in the pond and pulled a couple weeds. i watched dogga sniff around his yard and drank in the salmon sky lightening in the east. i came back inside and wandered from plant to plant, saying good morning to succulents and KC and snakeinthegrass. the coffee pot beeping drew me out of where i was standing by the window, looking out, and i pulled out cabin coffee company mugs. every day is different and every mug brings with it a different set of visceral memories. it was a breckenridge mug kind of day.
it was quiet; all was still. i thought: this. this is easy living. a little bit of ritual, a little peace at the beginning of the day, a little peace at the end of the day – these are ingredients you cannot purchase from a catalog. these simple gestures we make to being present-here-now are contagious. they spread the intention of simplicity to the rest of our day. and though we don’t always stay there, in peace, we know we can find our way back there.
because at the beginning of the next day we can try again. we can find the wonderful in this wonderful world.
i can’t imagine what it would feel like to have written enormously happy screenplays like ‘when harry met sally’ or ‘sleepless in seattle’ or ‘you’ve got mail’. my sweet momma loved the play of meg ryan and tom hanks and billy crystal and, even in face of a double mastectomy at 93, she would watch these movies and she would feel good. nora ephron had feeling good dialed in. her recommendation to “laugh in the face of calamity” is not surprising and deborah copaken’s recent article in the atlantic with snippets of deborah-nora 2011 conversation includes two more of nora’s rules for middle-age happiness: gather friends and feed them and cut out all the things (people, jobs, body parts ) that no longer serve you. these seem to be sage tidbits of wisdom.
when i was younger, there was no shortage of reader’s digest issues in our house. i grew up reading these excerpted and short stories. one of the features was called ‘laughter, the best medicine’. people would submit their own stories for a chance to be published and paid $100. some of these paragraph-stories would elicit a snicker or two, others a real chuckle, though i don’t remember ever out-and-out guffawing. i suppose guffawing is not so young-girl-like; perhaps i should substitute another word. regardless, they were clean jokes and real-life experiences of people that were there to make you laugh. i loved watching my mom and dad laugh over them.
when i googled reader’s digest, i stumbled across an article about bob carey, a man whose wife has been battling breast cancer since the early 2000s. he, in his hope to help, pulled on a pink tutu and went all over the country having his picture taken to raise money for breast cancer research. there is nothing like a man-who-doesn’t-have-a-tutu-body in a pink tutu struttin’ his stuff in the middle of new york city or at the grand canyon to make you laugh. his honoring his wife linda through the tutu project he embraces her spirit, her courage and the power of laughter in their lives. it’s good stuff, this laughing.
laughter triggers physical and emotional changes in our bodies. even a smile elicits goodness in our own selves, relaxing stress muscles, encouraging others around us to relax. it’s the reason i will always start a concert with a story that will likely make people laugh, a story of vulnerability, even a self-deprecating story. a relaxed audience is a participatory audience who has been invited in. there’s no second chance to make a first impression.
my sweet momma would have been good friends with nora, had she had the chance. she would have applauded bob carey in his pink tutu, had she seen him. the sound of her laugh and the dancing light in her eyes stay with me.
in the words of pablo neruda, “…deny me bread, air, light, spring, but never your laughter for i would die.”
sweet laughter. like the whisper of words of your beloved or a gentle kiss to the top of your head, the laughter of your beloved.
there is a book i haven’t read yet – by richard cohen, about nora ephron. it is called ‘she made me laugh’. can you imagine a better legacy?
i was ten with a camera in my hand. we were in the woods at sleepaway camp and there was a teepee. particular about photographs even back then, i wanted to take a full-length photograph of the teepee and the best way was to step behind a big pine tree and part the branches to take the photo. i brushed aside the branches and aimed my pocket instamatic camera only to realize that i needed to step back just a bit more to get the picture i wanted. i stepped back the teeniest bit to get my shot. and suddenly there was no ground.
i fell backwards about thirty feet off the cliff.
in my zeal for the photo i hadn’t noticed the cliff edge hiding behind the pine tree, which was precariously perched just off its side. after moments during which i’m guessing i was knocked out, i could hear the camp counselor and my best friend freaking out up on the trail and i tentatively moved things around – arms, legs and such. everything seemed to work. and in the odd swimming motions i was making down below teepee-land, i realized i had fallen into a gigantic pile of pine branches, all piled up, generously softening my fall. a few feet to either side and the dry ground was as hard as the large rock outcroppings scattered in the woods of camp koinonia in upstate ny. it seemed completely shocking to fall three stories and be absolutely fine and, when they made it down to where i was in the middle of branches and just a bit scratched up, the counselor, susan and i started laughing uncontrollably. how it went right is beyond me, but, somehow, luck prevailed.
we finished reading the salt path, a profoundly moving account of a newly-homeless couple hiking the entirety of the south west coast path in the UK. as one of the reviews reads, “inspiring…a true story of love, hope, and survival against impossible odds.” (j. santlofer)
five pages before the end, raynor winn wrote, “the shock of something going right is almost as powerful as when it goes wrong.” i was reading aloud. i read that line and stopped. i told d i had to re-read it. i read that line again and stopped. and i cried. not giant loud sobs like any of us in these fraught times deserve, but tears sliding down my face, uncontrollably, salty like the mist on the coast path. i was brought to a standstill by one sentence.
these times have proffered many surprises. we have felt challenged by challenges, betrayed by betrayals, silenced and minimized, left in the lurch. we have been cautious, we have bootstrapped. we have been canny by need, scrappy by necessity. we have found surprises at every turn. and, just at the time difficulty has made you get used to things going wrong, suddenly, you are shocked by something going right. someone has reached out. someone has cared. something – even one tiny thing – changed in the frequency pitches around you. something – even one tiny thing – is on the horizon. something – even one tiny thing – lifted the mist, that fog of uncertainty with side orders of confusion, grief.
and when you stepped off the cliff, you landed in a soft pile of pine needles.
“it is a serious thing just to be alive on this fresh morning in this broken world.” (mary oliver)
really, truly exquisite. the last few mornings have been exquisite. we woke up early-early on saturday and sunday morning, nowhere to be, sat and sipped coffee and listened to the quiet world outside. our impulse was to be home, to read together, to write, to go slow, to exercise in the basement, to sit on the deck and watch the birds, the squirrels and the chipmunks, to cook good meals. we felt no need to go anywhere. instead, feeling the sun and breathing in a cool breeze, we reveled in the staying-here.
as headlines point out, the pandemic is heating up. again. the prediction that there will be 300,000 diagnosed daily in mid-august is stunning. so much sickness, so much loss. we feel fortunate to be vaccinated and we are dedicated to continued safe practices. we want at least ten thousand more exquisite mornings, at least ten thousand more days, ten thousand more sleeps. to sacrifice now, we feel, is to bestow upon ourselves a chance at those ten thousand wishes. it IS a serious thing just to be alive. and, even in moments of taking it for granted, we don’t take it for granted.
if i could find a four-leaf clover or blow the puffball off a dandelion or spot a shooting star or spy a haywagon from the back, i would issue a hope for each of us to recognize the gloriousness of this very day, each very-day. to stand in responsibility for each other and to seriously choose to mend the tiniest piece of this broken world for the rest. to stitch together the biggest quilt honoring the inhabitants of this good earth, each thread an acknowledgement of gratitude, each piece of fabric a choice to take care of each other, to live in community the best we can, to do everything possible to keep each other healthy.
just to be alive in this broken world takes some chutzpah. sacrificing for the whole takes some humility. bowing to safety guidelines in a pandemic takes some love.
“but grace can be the experience of a second wind, when even though what you want is clarity and resolution, what you get is stamina and poignancy and the strength to hang on.” (anne lamott)
resilience. strength. sisu.
we have flown through many storms, we have weathered many droughts and much deluge. we have built nests from scratch and we have re-built them again. we have given birth through birth canals and through love choices. we have sought security and food for our young when security and food were scarce. we have attached wings to ideas and rube-goldberg solutions; we have made do. we have made piss-poor decisions and grandiose ones that have changed everything. we have broken treasures and fixed stuff; we have learned reverse threading. we have been emotional and we have necessarily let go. we have withstood fires of damaging words and we have recuperated from physical blows to our body, our sexuality, our hearts. we have tried to understand, we have been seekers of closure in times of strife. yet, even without understanding or closure, we have kept on keeping on. we are soon old birds and we have stronger wings.
because life, as life, presents gain and loss, winning and losing, achievement and failure, rich and poor, rising and falling, young and old, crepey and supple elasticity, as juxtapositions, as two sides of a pendulum ever-swinging, we have been measured in these competing narratives.
but we are aging birds with wings who have felt the sun of more than twenty-thousand mornings, the moon’s gravitational pull of decades, the grace of time and gardens through fallow and fruit. we are aging birds who have both soared and plummeted. we are aging birds who do not need the measure of others for our definition, for defining ourselves, continuing to learn, takes enough time and is complex enough.
we imagine unicorns in clouds, names in the stars of the galaxy. we catch the scent of sunshine on a wafting breeze and listen to the calls of mourning doves, wondering. we have come a long way. the path we have taken has not been straight. we have been courageous and we have been tenacious. we have flapped our way to here. we proudly wing our way forward, ever-forward. we are ever-stronger.
there is no question – whatsoever – that i lay awake inthemiddleofthenight waaay more than he does. i ponder and wonder and fret and worry and perseverate and plan and make lists and sigh and re-start the cycle over again. i lose sleep over things that are troubling me and during times of discontent. it is impossible for me to not carry these concerns into sleep – it’s disquieting and, most definitely, interruptive.
on the other hand, it takes david about six seconds to fall asleep and – perish the thought – stay asleep. there is little to no tossing, turning, blankets-on-ing-blankets-off-ing, staring-at-the-ceiling, looking-at-the-clock. somehow it is possible for him to empty-his-mind-of-all-troubles and just sleep.
A0, B0, C1 are missing. entirely. gone. they have disintegrated and have dissolved into the ashy dirt of the piano. it is likely that if we planted the forget-me-not seeds we received when our beloved babycat died, tiny blue flowers would grow, for this spot – the lowest on the keyboard – seems rich soil. though we do not see A-zero, B-zero, C-one, the tones are still there, the timbre of these lowest notes ever-present, the grounding of all else still grounded.
“wherever you are, that’s where i will be…” is needlepointed in an old black frame on the wall in the bedroom. in the way that notes forever linger in the air, that frequencies dance waiting for us to listen, i know that this is also true: those whom we love surround us any where we go, any where we are, they are a whisper away. i plant virtual forget-me-nots each time i speak of or ‘to’ my sweet momma, my poppo, my big brother, dear ones who have gone on. i plant virtual forget-me-nots each time i hold close in embrace or in mind those whom i love who are here, whether near or far. the garden is lush with these tiny blooms, the wind a symphony, even maybe a gentle cacophony, of harmonics, seeding my steps each day.
in the midst of it all – changes and challenges, absolute joys and abysmal sadnesses – all that has been whirls around us, all that will be beckons us. we pick and choose the bouquet each day…our words and actions, our intentions. we learn and grow and send roots while at the same time becoming tall and independent and resourceful and capable of blooming.
yet, the wisdom of the ages, the ages themselves, are where we are. the notes play and the harmonics ring. the flowers blossom and spread and the wind takes on seeding, propagating on breezes and stout gales, encircling us. the universe cheers for us. we try to believe it is, ultimately, on our side. as albert einstein encouraged, ‘the most important decision we make is whether we believe we live in a friendly or hostile universe.’ we can bring nutrients or malnutrition to the garden.
the low notes swirl. still there. and all those who have loved us, all those we have loved, all those who love us, all those we love, the greater spiritual power in each of our lives – there. always with us. rich soil for our every single day.
bruce said, “i like what you do with frames.” he and ben were visiting from california, having dinner with us on the deck, passing through on their way to the northeast. i haven’t really thought lately about all the frames around our house, but, after he said that and they left, i walked around noticing. big glass-less window frames around small cards, frames around paint on the wall, frames around paintings-in-frames, empty frames. he commented that he even liked the ones outside on the fence. i laughed. the neighbor’s vine is starting to wrap its tendrils around the frames out there and surprised chipmunks bump against the one standing on its corner on the piano, knocking it over. i guess i like frames.
for the longest time – years, really – i carried the frame of a kodachrome carousel slide in my wallet. no film in it, just the simple two inch square white frame.
in times of overwhelm, if you take the slide out and hold it at arm’s length, focusing your attention through it, you will see that it limits your vision to the tiniest picture. instead of looking at the whole scope of the big picture, you can move the slide around and simply take in a morsel, one at a time. as you get comfortable, as anxiety eases, you can move the slide in closer to your face, little by little. and little by little, the perspective will change, until you are back to seeing the big picture. sometimes, you need to dissect things and view all the ingredients of the moment one by one.
i’d forgotten about this tiny frame in my old wallet until the other night. i think i’ll dig it out. you never know when you need to be reminded to take one thing at a time.
i opened my laptop to the facebook tab this morning and this picture was waiting. in the way that facebook picks and chooses memories for you to zip back to, days of throwback, this photo was labeled as “8 years ago” and immediately i was there. it was a celebratory post for the “world premier” performance of the ukulele band. a rainbow of color and delight and what an arc it had.
the best parts of a director’s job as a conductor are to see the coming-together of community, the coming-together of practice, the coming-together of confidence, the coming-together in ensemble. those moments when it all syncs into a piece of music, a song, into utter joy expressed by melody and strummed chords. these are defining moments, moments in the groove, moments when everything jibes, moments when all is in alignment. these ukuleles were a gift both to people who had played or sang before and people who had never experienced the camaraderie of music performance. these ukuleles were a gift to people who watched. i was happy to see this ‘memory’ in my facebook feed early today.
scrolling further, coffee next to me, and facebook was full of the olympics and stories of great athleticism, stories of winning, stories of not-winning.
in the last couple days simone biles withdrew from olympic events. she got a case of the “twisties” she said. in simple terms, as i am not an athlete, this is a dangerous and precarious situation when an athlete mid-air has a time of blankness and is forced to rely on muscle memory so as not to get hurt. her vault suffered and she, aware of the sheer importance of this body she had trained and relied on, turned to her trainers and coaches and stopped. they respected her decision. they respected her physical health, the importance of every appendage as an athlete. they respected that her decision to withdraw was protecting her athletic ability in the future. they did not ask her to place her physical form at risk. they did not label her decision to withdraw and rest that which gave her her life’s work – her body and her mind – as not working for them, as a demerit costing her payroll or esteem. instead, to their credit, those in power trusted and honored her decision and supported her in it, no doubt encouraging her. she placed her physical and mental health over her aspiration to win more metal and, in those decisions, has probably made more impact on the world than maybe anything else she’s done (even while recognizing that she has leaped and vaulted and hand-springed her way into most-outstanding-gymnast-ever-dom). respecting her decision and respecting her mental and physical health, not questioning but relying on her professionalism, her wisdom, her intuition, her knowledge and experience and – this biggie – upholding the value of keeping her safe and thereby keeping her future as an athlete wide open – this is vastly important and profoundly absolute.
scrolling further down facebook i came across a post about kerri strug. after a 1996 olympic vault during which she drastically injured herself, her coach insisted she go back and do it again. despite her best intuition, despite the long-lasting injury she would sustain as a result of not resting after her fall, she was pushed to go on. in some not-honoring-her-but-placing-importance-on-power moment, she pushed on. 1996. 2021. reading posts comparing these, it’s evident there has been some growth. it’s also evident there hasn’t.
i scrolled back up to the top of my feed. i stared at the circle of ukuleles. in these moments post ukulele-band-rainbow-arc, in these moments as covid continues to wreak its wreckage and its wearying challenges, i hope that those people who were in the band still take out their ukuleles. i miss them and our music-making. i hope that muscle memory reminds them how to play. i hope they sing. i hope they remember all those stunning moments of cohesion – making music.
it’s interesting the juxtaposition of what you see on facebook on any given morning.
reverse threading 