reverse threading

the path back is the path forward


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in fields of flowers. [kerri’s blog on merely-a-thought monday]

and soon, the world around us will explode with flowers. and spring ephemerals will rise out of thawing ground. crocus follow on the heels of earliest rising snowdrops. and then daffodils and tulips and maybe even hyacinths sneak into view. skunk cabbage joins the fray of the dance and trilliums send up their periscope stalks. jack-in-the-pulpit stands righteously in the savanna underbrush, sharing energy with jill-in-the-pulpit. and the mayapples…those mayapples wait to burst their canopy umbrellas up, protecting their delicate white blossoms. all together, it is a community of the transitory, sharing space. all thorns are set aside to regale the world with beauty.

george told us on the trail that many, many – most, he ventured to guess – do not look about as they hike. he said that it is rare to see someone stop on the trail to really notice, to pay attention, to ponder. he was pleased to see us – two strangers – standing and photographing.

for us, it is most-of-the-time impossible to hike and not pay notice. but, i can tell you, it is very difficult to hike – and really, truly pay attention – if there is something heavy on our hearts. i would think it impossible to hike – and wander in the fields of flowers – if there are thorns in your heart.

as far as i know, thorns in your heart may preclude your seeing of any beauty at all. they may predispose you, color your view, cloud your eyes to what-really-is, ruin any chance of you experiencing the ephemerally blissful moments of this life.

because – in terms of this world, this universe – we are really more like spring flowers than any other. we emerge and are quickly fading. we are gifted with ever so little time.

and, just like we are like spring flowers, we are also unlike spring flowers. we are not perennials. this moment – now – is our chance…to grow and bud and bloom.

how much better to wander in fields of flowers – of beauty – than to squander time and languish in thorns.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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training wheels. [merely-a-thought monday]

perennial-training-wheels-mode.

i would say this quote – “everyone has their training wheels on” – is one of the best descriptions of life i have heard lately. when jack spoke the words in his pct-thru-hike documentary, i jotted them down.

because nothing is absolute, and nothing is perfected, and no one can stake claim to knowing-all-ness, i see everyone in my mind’s eye on their banana-seat-two-wheelers, training wheels attached, riding around the globe, pedaling fiercely, trying to get somewhere, anywhere, even nowhere.

i am thinking that if we all could acknowledge how little we actually know – i mean reeeally know – and how nothing we think we know is actually certain – i mean reeeally certain – we might all get along a little bit better.

the stubborn stancers, the unbudging discurious, the omniscient narcissists – these are the troublemakers. the universe is – again, in my mind’s eye – guffawing at their misguided haughtiness, the sheer arrogance of fallacious righteousness, delusional at best.

for each and every day, perspective strikes us once again. and we see that we really know very little and we realize that nothing is for sure. so we learn – in these daily lessons – to embrace these little easily-attached helper-wheels. because life is full of unnatural skills and pedaling through can be tough.

somewhere, there is a long line of humankind-humans who are waiting to size up their training wheels so they can add them next to their ten-speeds, their roadbikes, their colorful cruisers, their folding ebikes. they – the canny ones – know they are always in training.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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peonies in perpetuity. [d.r. thursday]

the time for our peonies has passed. they have been momentary, ephemeral. yet, even in their briefest of moments, their impact has been profound. their sweet fragrance wafted through the backyard, their stunning pink punctuated the green of the garden, their blossoms – from bud to full bloom – have been enchanting. and now, the green remains. i understand the plant is in full working mode – storing up energy for the next season of blooms. i already can’t wait to see them.

we planted a small herb garden on our potting stand this past weekend. basil, rosemary, mint, parsley. we added one dwarf indeterminate cherry tomato plant. and we placed a potted citronella on the deck. there is something infinitely satisfying about going outside with kitchen scissors to snip off the herb i need for a recipe. caprese salads or skewers, mint tea, parsley because heidi’s mom said everything is lifted with a little parsley, and rosemary – it reminds me of the brunch we had one day a couple years ago on the porch of the gingerbread house bistro up west of milwaukee. we split a steak seasoned with rosemary – i can still taste this delight. i’ll be using the rosemary today with roasted baby potatoes. all from steps away, an extension off our patio.

i wrote the album this part of the journey in 1997. piano-based instrumentals, a few of the pieces on that album had their moment on adult contemporary radio. and then, like all good peonies, they faded a bit, stoking up energy in the plant for next. but as i pull up the album and listen – last i saw you, the way home, good moments – i can still hear the pink, can still feel the peaceful wafting, can grasp its relevance. i still hear about this album from people out-there listening. it’s steps away from now, but it’s on an extension of the patio of my discography.

instrumental music – like peonies – has no half-life. both evoke emotional reactions – visceral reactions – both are steadfast in their passive zeal to just be. both wrap one in the right now. both go on.

i suppose, in a rare moment, i might one day put this album – or as it is – or any of my instrumental albums – on the cd player. i might sit down in an adirondack chair next to the peony within the concentric scent-circle of mint and basil, and simply listen.

i might be reminded of the moments in composition, the moments in practice, the moments in recording, the moments in concert.

and i might be able to see the peonies that will surely arrive next season.

*****

read DAVID’S thoughts this D.R. THURSDAY

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the ellipses at nightfall. [merely-a-thought monday]

it was the last night. we stood out on the porch and then out in the east field, the farmhouse behind us. the dark of iowa-night rained down on us as we peered into the sky to see the constellations. we could feel the “last” of the last night. but out there, on the horizon – in the way an ellipsis works – the ellipses had a reminder: it’s never really over. the horizon lights suggested the story would be trailing on and on – up till now and then dot-dot-dot…

the story dot-dot-dot – without definition, without a distinct end, unrestrained – keeps on…

last week’s time in iowa and return home gave us grounding…reminders…learnings. feet firmly planted…spine tall…solid and trusting, we intentionally rearranged our thoughts – trying (because it’s not easy and it always takes the work of trying) to put aside worry and angst, instead centering on being steady and calm. the decision to not panic. the ellipsis of keeping on…

the impermanence sticks with us.

and we know it doesn’t matter that there is rust on our hubcaps or that our countertops are chalkboard/food-safe-wax-painted-wood. we know it has no bearing on real life that we don’t wear trendy name-brand clothing or that we actually like $2.50 old navy flipflops. we know that leftovers nourish us just like restaurant fare and we are not worried if we never get to sit at the table of a three-star-michelin. we know that there are wines of great robust but we continue to sip apothic and splurge on the new broadside (paso robles) we found. the ellipsis of keeping on…

the transitory taps us on the shoulder.

gathered, we listened to stories of the past, suddenly way long ago. we went to the pioneer cemetery high on a hill overlooking planted cropfields. the 1800s were just a moment ago there. and, just as the years fly by, we know that the incandescent kite we each fly has fragile filmy threads. our hands – holding the moment – age before our eyes. the ellipsis of keeping on…

the ephemeral sounds harmonic overtones we can hear.

we gaze at the peony buds in the backyard. they will soon bloom – in their sweet time – and they will stun all who walk by. their beauty will not be forgotten. each one has opened to the sun and told its own story. each one. and then dot-dot-dot…

the ellipses remind us.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY


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clover fluff. [two artists tuesday]

the tiny fluff of clover lives at the edge of the stone step. sweet one-half-inch beauties, they grant wishes to passing chipmunks and chickadees lingering at the birdfeeder. beauty at the edges, innocent, simple, unnoticed mostly.

the big picture often doesn’t validate the tiny edge fluff. it’s too big-picture-ish. lofty goals, high aspirations, gigantic expectations, unreasonable accomplishment demands – all take the focus off the soft sides, the padding between imposing idealism and reality. the shallow depth of field captures the up-close and blurs the rest, giving pause to some of what is overwhelming.

i suppose beauty is meant to be like that. the curl of your baby’s tendril of hair, the new leaf bud on the tree, the wisp of pink cloud in the sun-setting sky, the quiet birdcall at dawn – nothing enormous, just simple and life-giving.

so how is it that we get ourselves mixed up in so much measuring, so much set-up for disappointment. we live our minutes as if they are infinity itself. we compare and contrast and yearn and regret. we are striding, striding. even while the clover waits.

and then, sitting on the step of the deck, pondering for a few minutes, we look down and see this magical sight. the tiny world of the tiny clover beckons our attention. it will not be there forever, and, likely with the drought, will disappear before too long. but in the meanwhile it is there and verdant and growing and it counts.

once again, i am reminded, in a wondrous way, of my own tiny-ness. though i know the mark i make on the world is ephemeral, fleeting, and i sometimes, anyway, get lost in the demands and the challenges and the ups and downs of the accompanying emotional seesaw, i hope that there is something up-close about me that gives pause, that offers kindness, that is love.

my-big-picture is actually very tiny and at the edge of the step of the universe. hopefully it is like clover fluff.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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eleanor’s tea bags. [k.s. friday]

she was a rebel. radical and progressive, eleanor pushed with all her might, a rogue in a traditional world. eleanor roosevelt is held in high esteem, a social justice mover-and-shaker, deliberate and smart and very, very strong. she wasn’t afraid of hot water. she often dove right in.

we women all know eleanor. oftentimes, intimately. for she resides in each of us – that spirit of strength and fortitude, bravery and courage, mighty in beautiful bodies.

forest trillium, in all its slender elegance, takes quite some time to mature. after years of growth, it will eventually bloom, its three leaves gently cupping the blossom. an early spring flower, white ages to pink, a color often associated with softness, perhaps even meekness. but in its ever-present flower-wisdom, trillium is anything but meek. it is particular and ephemeral, stunning as a star of the woodlands. its bloom scents as fruit or decaying meat to attract pollinating insects, its attempt to ensure its propagation. heralding spring, trillium is fragile and endangered. in new york it is labeled “exploitably vulnerable.”

the path we each choose differs. our goals, our intentions, our dedications, our wishes and dreams run a vast spectrum. we have different journeys; we have different origins. we are quiet; we are noisy. we go with the flow; we make waves. we may not agree, but we are zealous.

we are the guardians of our ambitions, the preservers of our pilgrimages, the shielder of our adventures, the great protectors of our beliefs, the fuel of our passions, the champions of our beloveds, mama bears with or without cubs. we are fragile; we are damn strong. and we are most definitely exploitably vulnerable. yet, in that vulnerability, in those moments of hot water, each and every woman i know is eleanor.

i say we tea bags stick together and celebrate each other.

*****

from my seat in 2021 sharing with you the stay strong/strong-woman song i wrote in 2002 for the album AS SURE AS THE SUN: COUNT ON YOU:

COUNT ON YOU (kerri sherwood – from the album AS SURE AS THE SUN)

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COUNT ON YOU ©️ 2002 kerri sherwood


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and we become shadows. [d.r. thursday]

“the shadows from the starlight are softer than a lullaby…”(john denver)

in the shadows you can’t tell. nothing is precise. the edges are softer. you can’t tell age or race or gender. you can’t tell shoes or clothing style; you can’t tell anything really specific. it is all gentler, fuzzy, and, depending on the angle of the sun and the texture of the ground, a little bit blurry. seems like it might be a good way to live – softer than a lullaby.

the sun is often closer to setting when we get around to the part of the day when we release all else and go for a walk or go hiking. as we hike through the woods or trek around our neighborhood, the worries of the day, the week, the times, begin to float above us as we attempt to let them go. sometimes, in lieu of laptop-focus-sitting, we will go for a long hike to sort…to discuss…to brainstorm. those are the times it is daytime, when hours are plenty, long shadows are scarce and the sun is high in the sky. but at the end of the day, when it is time to quell the angst a bit, to ease our minds, the shadows prevail and we linger in them, often making play of their gift, snapping pictures of silly poses or just a capture of the very moment on the trail. to look at them later is to hear the lullaby of soft shadows’ reassurance.

in these last days i have begun to realize that which had been close is becoming shadow. i have begun to see, once again, that, in nebulous whirlwind life, time moves on and so do people. i have begun to acknowledge that it is time to let go. we have become shadows in the story of a community. we will fade as the sun drops lower below the horizon, as the moon rises. and with each day passing, we will be forgotten a little bit more. what i believed so deeply mattered has turned out to be evanescent, fleeting and ephemeral, vanishing like a shadow as clouds move in to replace the sun. and for that, there is no lullaby playing, no soft starlight. and there is no way to see our sadness in the shadows on the street.

but there is the promise of another rising sun, another chance for shadow-play, for tender sunlit silhouettes, for the reassurance of the blur of life and stars to come. of new photographs and lullabies.

*****

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in the middle and in the end. [k.s. friday]

were there nothing else to do, no other responsibilities, no outstanding work or chores, no cleaning or laundry or errands, no bills to pay, calls to make, jobs to seek, piles to clear, messes to sort, i could sit and stare at a fire for hours.

it’s easier to evade the thoughts that permeate your worried mind with the heat of fire on your face. it’s easier to stop strategizing around, through, beyond while watching the dance of contained flames. it’s easier to be lulled into all-is-well thinking, sinking into the adirondack chair, moonlight on your brow.

ephemeral moments – the good ones and the bad ones – slip by, each temporary, each a transitory arc, evaporating, evaporating.

yet, our eagle-focus on certain moments, certain actions, certain words, certain emotions, batters us with living, re-living, re-living, re-living.

we obsess. and in a time when there is so much to obsess about, it is none too easy to avoid.

the fire burns through the wood, despite its flammability. it does not choose only wood that is most flammable. with all the different wood in the firepit, it ignites, turning all into ash, intangible and evanescent.

we might do well to toss moments these days into a great cauldron, touch a match to it and light it. perhaps out of that might arise a bit of wisdom, a bit of certainty in the uncertainty, a bit of comfort. maybe living in the recognition it will vaporize would remind us of transience, the impermanence of it all, the pro tempore of any given heated moment, ultimately, the importance of lingering in any goodness we experience, of actually being goodness.

perhaps we should prioritize staring at the firepit. it may serve as a gentle reminder.

in the middle the fire is hot. in the end ash will be ash.

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TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood


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written in your life. [k.s. friday]

written in your life songbox

from the book and the movie the fault in our stars:

i know about you.

the fault in our stars quotes

arrowthis.  this is what this song is about.

 

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read DAVID’s thoughts this K.S. FRIDAY

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WRITTEN IN YOUR LIFE from AS SURE AS THE SUN ©️ 2002 kerri sherwood


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last i saw you. [k.s. friday]

last i saw you songbox

the last i saw him was not the last of this world being this world.  but it was the last moment my world was the same.  i wrote about this yesterday.  it’s all fragile.  like a soaring violin note bowed over a line of piano, it’s ephemeral.  it will vanish in the next moment.  we keep hearing the line in our heads; we keep hearing the cello passionately talking to us; we keep those we have never seen again close.

i wrote this piece to speak to the last time i saw my big brother.  i listen to it now and it is also about the last time i saw my sweet momma, my poppo, my uncle allen, my grandparents, my adored high-school-english-teacher andrea, my not-really-a-triplet-from-elementary-school-on-dear-friend kenny…  it’s about the last time i saw people i’ve loved forever.  it’s about holding on to shared moments with my living-far-away-children.  it’s about the last time – when i don’t know when the next time is.

LAST I SAW YOU is the gossamer strands of connection between us.  it’s how we hold that and honor that.  for me, just know it is a statement of enduring love.

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moon website box

LAST I SAW YOU from THIS PART OF THE JOURNEY ©️ 1998 kerri sherwood