reverse threading

the path back is the path forward


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la vida. [two artists tuesday]

i don’t remember what grade i was in when it was assigned: a project detailing what your ideal life would look like. it was either later junior high or early high school years. if i could find it in one of the bins in the basement i’m sure it would be predictably naive. i remember designing a house, writing about family, but not too many other details come up for me. designing an ideal life is never really inclusive of actual reality, difficulties, disappointments, hardships. i think it would be interesting to find this report anyway. the 1970s were a different time and this project would reflect that. were i to write a report now to reflect my ideal life, it would be a much simpler picture than i would guess that old paper would paint.

i remember columbus saying that he worked his whole life to have weekends with his family. to enjoy his backyard, his garden, a little fishing, time with the masons. he was living his ideal life each day, though the look in his eyes when we took him back to iowa and he stood in the fields gazing out at maize corn and blue sky would belie that. his dream was to raise his family in his hometown and, though he ended up in colorado, his other life was, i’m sure, somewhere in the farmland daydreams that swirled in his heart. he was wise, though, and didn’t wait to live until he was back in the midwest. instead, he set his sights on now. he didn’t wait. and each time his children or grandchildren visited he would cry upon their leaving, giant tears falling on this rugged man’s face. dolce.

some people are fortunate enough to have both: real life and the other life, la otra vida. crunch always felt that way about his boat too, so he’d understand the boat owner who named his boat ‘the other life’. moments of escape away, drifting, piloting to block island and fishing in long island sound, these are crunch’s ideal moments. though many of the boats and yachts in our harbor never leave their slips, perhaps just sitting on them in fresh lake air yields much peace for these boaters.

a house with lots of windows and open space, lots of repurposed old stuff, a kitchen in which we love to cook. nothing fancy. wood floors and a lot of white paint. a fireplace, my piano, david’s easels, places to sit and write and room for our beloved children, family, friends to come with significant others and visit. mountains and a lake out the window, a couple horses grazing.

last night as we sat on the deck in waning light turning to dark, tiki torches and our tiny firepit burning, dogdog sprawled out at our feet, we listened to the soundtrack of richard curtis’ movie about time. arvo pärt’s piece ‘spiegel im spiegel’ came on, a long piano-cello interplay of simplicity. we both had tears. if contentment was a piece of music, it would look like this.

though there are not mountains, a lake and horses out the window, perhaps someday there will be. it’s my maize-corn-blue-sky vision. but columbus was right. there’s the rest of it. the other life is always right there.

andrea wrote to me in 2009, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.”

la otra vida = la vida. ideal living.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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nine-million-dollar people. [merely-a-thought monday]

so, yeah, i agree with frankie of ‘grace and frankie’. nine million dollars would solve everything.

i once was in a meeting with a person-in-power who said to me that he could direct me to a financial counselor who would teach me how to budget. it was all i could do to not retort, appalled at his gall. i answered instead that – at that time – it wasn’t a matter of budgeting. it was a matter of not having enough money TO budget. as a life-long math-lover having grown up with a mother who taught me how to balance checkbooks and make soap-socks at a young age, remembering clearly my first $50 calculator and my high school math teacher both fondly, the act of budgeting – and doing taxes and paying bills – is something i kind of enjoy. especially with enough money. that would probably still hold true if i had nine million dollars.

what i do know, even though nine million dollars would be pretty amazing – keeping that out there in the universe – is that it hasn’t taken that kind of money to appreciate here and now, to be present. i know we would love the ability to be more altruistic and generous; those things are gifts that are more rewarding than the money in the first place. but we try to be giving the best we can in any circumstance we find ourselves. and for us, we find joy in the simplest stuff around us – the repurposed, the long-pondered, the deals. each little thing is something we celebrate as we bring it into our home.

there have been people over the last year and a half who have shown up for us. they have acknowledged hard moments and have helped in a variety of ways. when you break both wrists and lose jobs to a pandemic and tear ligaments in your wrist after you had finally healed and get fired from a long-term position – it’s pretty intense. civil unrest, political mayhem, isolation all spice up the anxiety.

but the nine-million-dollar people have written, have called, have sent cards, have helped out with generous gifts. they have surprised us in their magnanimity and we have been the recipients of bounty even from people we have not even met.

there have been other people, who, for some reason or another, have not been there. they have disappeared and would, i suspect, hide behind an end cap should they spot us in the grocery store. they didn’t bring casseroles when i had two casts and didn’t call or write to ask how we were. kind of salt on the wound-ish. but they have their story too and as max ehrmann in desiderata points out, “whether or not it is clear to you, no doubt the universe is unfolding as it should.”

life has a way of letting you know who the nine-million-dollar people are. they aren’t the ones with an actual nine million dollars. instead, they are the ones whose hearts are huge, who stand up for you, whose compassion is not measurable by budgets, who have reached out, who want to listen, who ask questions, who inquire what you need, who, oftentimes, just know.

this time of pandemic has been eye-opening in so many ways. it has peeled back layers. the isolation has taught us that, though it is difficult, trying at times, we can be apart. it has shown us those whom we choose to stay in touch with, those who stay in touch with us. it has shown us – with wistful hearts – who we miss, who we wish we could see, who we want to wrap our arms around. it has pointed out those who have stuck close by and those who have fallen off.

we don’t really need nine million dollars, though i doubt we’d turn it down. we already have that in the people who have loved us through this time, in one generous way or another.

and that, like those really wise mastercard commercials say, is priceless.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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just as particular. [two artists tuesday]

“not like my mom at all,” she said, talking about decorating in an exquisitely joyful conversation. she described her template, “the colors of a desert sunset.” i was instantly in a different place, watching the sun go down over canyonlands and high desert. i can sooo understand surrounding yourself with the divine colors of these moments; i can sooo relate to taking them with you.

as a person who has surrounded herself with rocks and sandstone and sticks and branches and feathers and pinecones of the high mountains, i get the connection to these places and the desire to live within them, even if you are not there. she went on to describe the colors, a template that made me want to immerse in them, like a favorite quilt. i lingered in every word she spoke, this beautiful, creative daughter of mine, trying to remember each one just as she described it, store them away in the kaleidoscope of treasured bits of knowledge.

i walked around our house after that. black and white. a little bit of flour-tortilla. green plants. old clay pots. old wood floors. there’s a certain ochre in our sitting room and in the stairwell going upstairs. and there’s some barn red in the bathroom. it’s kind of a cross between the extremes of ansel adams’ color palette or sheet music tablature, golden sunrise moments, a new england farm, deep woods in the mountains, canyonland red rock.

the photographs i take everyday and everywhere vary. but lately, i have found myself drawn to these small canvasses of almost monochromatic still-life outdoor paintings, just waiting on the side of the trail, waiting in flower gardens, waiting in the woods. nuances of shade, a tiny pop of color … nature’s natural inclination to visual cohesion. i’ve been especially seeing the greens in the greens, really delicious shadings, no competition for spotlighting, just color intertwined and inclusive. i’ve noticed even more distinctly the genius of a single bloom, petite berries, nestled in all the verdant green.

i came home from such a hike one day recently and took out the 1940s opalescent aqua blue hobnail glass vase that was my sweet momma’s. it reminds me of sky and water; it reminds me of grocery store flowers my dad always bought my momma. it doesn’t go with our house, i had thought, going through bins and boxes. and then, i placed it in the window seat of our black and white and flour-tortilla living room, a gentle nod to days spent in the grass drawing with clouds and on long island beaches with coppertone floating in the air. a “yes” to my daughter.

she is right. the colors in our home aren’t the incredible desert pastel spectrum, the intensity of sage peacefulness our girl described – the sunsets she holds close to her soul. but it is as particular to the desire to surround oneself with that which is meaningful, to what resonates inside, to what gives you serenity, keeps you still in all the whirling world, brings you contentment, is part of the nirvana of tranquility, is your sanctuary. it’s decorating with true heart.

not so different after all. ❤️

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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wonderful world. [k.s. friday]

“easy living” it advertises on the cover of the wayfair summer catalog. inside, you can purchase everything you need for easy living. for a price, you can create easy living spaces on your deck, your front porch, in your kitchen, in your bath, by your pool, in your backyard. most items are really beautiful, beckoning you to believe in the power they have to help you live easy. this summer, we actually added a few small things to our own deck, though our deck is a mostly-target-added-to-repurposed-stuff deck. i have to say, a few cushions and outdoor pillows make an inviting difference.

we have changed our schedule a bit these days. we used to stay up really late and watch late night news and comedy talk shows, but through the pandemic and the political-rah-rah times it has tended to get us riled up. so instead, after the sun has fallen from the sky and mosquitoes having joined us on the deck, we watch minimal tv and go to bed early to read aloud or watch trails on a laptop. we wake up early, with rising sun and birdcalls streaming in through the wide-open windows in our bedroom.

this morning, just as the sun rose, i plugged in the coffee, fed dogdog, opened the windows in the sunroom and went outside. i greeted the tiniest farm on our potting stand, tested the soil for dampness, looked for ripe cherry tomatoes, pinched back the sweet basil. i checked on the lavender. i added bird seed to the feeder. i looked for magic in the pond and pulled a couple weeds. i watched dogga sniff around his yard and drank in the salmon sky lightening in the east. i came back inside and wandered from plant to plant, saying good morning to succulents and KC and snakeinthegrass. the coffee pot beeping drew me out of where i was standing by the window, looking out, and i pulled out cabin coffee company mugs. every day is different and every mug brings with it a different set of visceral memories. it was a breckenridge mug kind of day.

it was quiet; all was still. i thought: this. this is easy living. a little bit of ritual, a little peace at the beginning of the day, a little peace at the end of the day – these are ingredients you cannot purchase from a catalog. these simple gestures we make to being present-here-now are contagious. they spread the intention of simplicity to the rest of our day. and though we don’t always stay there, in peace, we know we can find our way back there.

because at the beginning of the next day we can try again. we can find the wonderful in this wonderful world.

PULLING WEEDS from RIGHT NOW (kerri sherwood)

and – click here – just because everyone should listen to louis armstrong every day

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read DAVID’S thoughts this K.S. FRIDAY

PULLING WEEDS ©️ 2010 kerri sherwood


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forget-me-nots. [k.s. friday]

A0, B0, C1 are missing. entirely. gone. they have disintegrated and have dissolved into the ashy dirt of the piano. it is likely that if we planted the forget-me-not seeds we received when our beloved babycat died, tiny blue flowers would grow, for this spot – the lowest on the keyboard – seems rich soil. though we do not see A-zero, B-zero, C-one, the tones are still there, the timbre of these lowest notes ever-present, the grounding of all else still grounded.

“wherever you are, that’s where i will be…” is needlepointed in an old black frame on the wall in the bedroom. in the way that notes forever linger in the air, that frequencies dance waiting for us to listen, i know that this is also true: those whom we love surround us any where we go, any where we are, they are a whisper away. i plant virtual forget-me-nots each time i speak of or ‘to’ my sweet momma, my poppo, my big brother, dear ones who have gone on. i plant virtual forget-me-nots each time i hold close in embrace or in mind those whom i love who are here, whether near or far. the garden is lush with these tiny blooms, the wind a symphony, even maybe a gentle cacophony, of harmonics, seeding my steps each day.

in the midst of it all – changes and challenges, absolute joys and abysmal sadnesses – all that has been whirls around us, all that will be beckons us. we pick and choose the bouquet each day…our words and actions, our intentions. we learn and grow and send roots while at the same time becoming tall and independent and resourceful and capable of blooming.

yet, the wisdom of the ages, the ages themselves, are where we are. the notes play and the harmonics ring. the flowers blossom and spread and the wind takes on seeding, propagating on breezes and stout gales, encircling us. the universe cheers for us. we try to believe it is, ultimately, on our side. as albert einstein encouraged, ‘the most important decision we make is whether we believe we live in a friendly or hostile universe.’ we can bring nutrients or malnutrition to the garden.

the low notes swirl. still there. and all those who have loved us, all those we have loved, all those who love us, all those we love, the greater spiritual power in each of our lives – there. always with us. rich soil for our every single day.

*****

ALWAYS WITH US – from AS IT IS (kerri sherwood)

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ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood


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frames et al. [d.r. thursday]

bruce said, “i like what you do with frames.” he and ben were visiting from california, having dinner with us on the deck, passing through on their way to the northeast. i haven’t really thought lately about all the frames around our house, but, after he said that and they left, i walked around noticing. big glass-less window frames around small cards, frames around paint on the wall, frames around paintings-in-frames, empty frames. he commented that he even liked the ones outside on the fence. i laughed. the neighbor’s vine is starting to wrap its tendrils around the frames out there and surprised chipmunks bump against the one standing on its corner on the piano, knocking it over. i guess i like frames.

for the longest time – years, really – i carried the frame of a kodachrome carousel slide in my wallet. no film in it, just the simple two inch square white frame.

in times of overwhelm, if you take the slide out and hold it at arm’s length, focusing your attention through it, you will see that it limits your vision to the tiniest picture. instead of looking at the whole scope of the big picture, you can move the slide around and simply take in a morsel, one at a time. as you get comfortable, as anxiety eases, you can move the slide in closer to your face, little by little. and little by little, the perspective will change, until you are back to seeing the big picture. sometimes, you need to dissect things and view all the ingredients of the moment one by one.

i’d forgotten about this tiny frame in my old wallet until the other night. i think i’ll dig it out. you never know when you need to be reminded to take one thing at a time.

*****

read DAVID’S thoughts this D.R. THURSDAY

browse works of art you might frame for your wall


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tiny fountain. [two artists tuesday]

in 1969, when i was ten, i stood on the viewing deck and stared at a motionless niagara falls. they had turned the falls off, so to speak, building temporary cofferdams to divert the water from the american falls to the horseshoe falls on the canadian side. my parents had pitched the trip to me as something very few people would see – in comparison to those who have seen the falls with water. but as i stood there, gazing at a waterfall sans water, i had deep disappointment to not see the majesty of that landscape as it usually existed. the next time i went to niagara falls i was sixteen and there was water, glorious water, and the static electricity made my hair literally stand on end. it’s powerful watching waterfalls…powerful and meditative and inspiring. simply water. falling.

for years it sat motionless on a living room window seat. i suppose it, like the american falls, was waiting. “un-dam the coffers” (or just add water and plug it in), this little fountain was thinking. i would dust around it and wonder why i was holding onto it, my tiny 1969-niagara.

and then one day, a few weeks ago, i picked it up and took it outside to the deck to clean it up. i added water and plugged it in and watched it come back to life. instantly, its flow, a gentle trickle, spoke to me, reminiscent of standing in a cool woods next to a stream flowing just a bit downhill. i moved it inside to the sunroom, put it on the old table we have in the eastern window that catches rays of the sunrise, and plugged it in.

this little fountain’s presence, the sweet sound of water moving, is inescapably soothing. a simplicity, the element of emotion and wisdom, moving freely, continuously, a reminder of the fluidity of these days – the coming and going of change, gentle adaptability. all good as we sit near this tiny fountain full of big lessons.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the piñata. [saturday morning smack-dab.]

middle age is called that because it is the middle of aging. with that comes a bundle of surprises that seem to arrive overnight. suddenly, new wrinkles. suddenly, crepey skin. suddenly, age spots and creeping-on lovehandles. suddenly, menopausal insomnia, achier joints, keeping track of rest areas on the way to everywhere. suddenly, jowls. it’s like a piñata that is slowly letting out candy, treats to relish with this person you are aging with.

we have decided that we simply cannot pine for what our bodies were like or could do back before we knew each other. now is now and we are lucky to have that. and so, we will celebrate the laughlines and the readers and changing bodies and funny long errant eyebrows. we’ll roll with the surprises as they arrive, with gratitude, laughing as much as we can, and we’ll stay right here in the middle of this aging thing – together.

*****

read DAVID’s thoughts this SATURDAY MORNING SMACK-DAB.

SMACK-DAB. ©️ 2021 kerrianddavid.com


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fluid. with wings. [k.s. friday]

“when she transformed into a butterfly, the caterpillars spoke not of her beauty, but of her weirdness. they wanted her to change back into what she always had been. but she had wings.” (dean jackson)

“trust the wait. embrace the uncertainty. enjoy the beauty of becoming. when nothing is certain, anything is possible.” (mandy hale)

i had an IME on tuesday. an IME is an independent medical exam. it is a brief exam ordered by an insurance company and the physician is both chosen and paid for by that insurance company. it is defined as an independent assessment of an injury or illness, in my case, my wrist, and the determination by the doctor-chosen-and-paid-for-by-the-insurance-company-paying-for-treatment will be placed next to the reports of the medical hand specialist and the occupational therapist who have been treating me consistently for the last five months. a basic review of articles about IME reveals that the insurance-company-paying-for-treatment will pick the report they wish to concur with and that will decide if there is to be future, in this case, my future, treatment. so be it.

there is nothing to do now but wait.

my OT is wonderful. she has encouraged me, pushed me, held me accountable and she has brought me from twenty degrees of forward right wrist movement to fifty-five. this is big news, since, at first, six degrees was all i could muster. brutus and my OT have caused me much pain, but what’s that saying? no pain, no gain. we have worked hard. and, in the way of hard work and healing, there are things i can do now that i wasn’t able to do a few months ago. and there are things i fear i will never be able to do again. uncertainty.

there is nothing to do but wait.

sometimes i wonder what life will look like in a year or two years. i wonder what i will be doing. if i looked back a year i would never have guessed back then what this year would have looked like. no, last july looked very different than right now. it just suggests that truly everything is uncertain, that everything is in the act of becoming, in the middle of the fire, maybe everything is ashes transitioning to riches over and over again. possibility, evidenced in tomato plants bearing fruit on an old barnwood potting stand, evidenced in a nest-home created in a birdhouse hanging empty for years, evidenced in the smell of the rain bringing cool on a summer morning.

there are times, when you are simply going about your business, going about life, that you don’t expect change. you don’t expect to be thrust into ‘different’. times when you find out the caterpillars were talking about you all along. after reeling from the surprise, after trying to grab the wheel to stabilize, after railing about the unfairness of it all – for life does not seem to be fair, you find yourself out of the deep, dark water – in the shallows.

and in the shallows there is abundant life, abundant food, abundant shelter. in the shallows we can rest and nourish and breathe. we can sit in uncertainty and the unknown. we can imagine new. because anything IS possible.

there is nothing to wait for and everything to wait for. it’s now.

i’ve written here about transition before. and again. and again. and i suspect i will yet again.

because life, i am learning over and over, is one transition after another. fluid. with wings.

*****

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IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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only so much summer. [d.r. thursday]

feels like 101. feels like 103. feels like 105. at some point, the details are irrelevant. it’s just damn hot.

david and dogdog and i had about had it. the “cooler near the lake” theory was defunct-for-the-moment and it was hot and humid in and out. our old house doesn’t have central air and the window air conditioners were still in the basement, as both of us love open windows and light and less noise than they put out. and the next day it was all supposed to break. so…one more evening. we tried to be patient. it is summer after all.

we asked dogga if he wanted to go on errands, to which he always gleefully responds. he ran out to the car in the driveway and eagerly got in, looking out the back window to follow our backing-up, which never happened. we sat there. stationary. not moving. he kept looking out the back window. with the air conditioner cranked up to high and on max, we sat there, blowers aimed right at us and into the back, where the dog was wondering about how he ended up with people who called sitting still in the driveway “errands”.

i will admit that we carried out – to our driveway – a glass of wine. so this was the location of the beginning of our happy hour, sans snacks. the snacks were waiting in the sunroom for us, but we just needed this burst of cold air first.

so far, about a week later, post-desperation, the air conditioners are still in the basement. there were a few cooler, drier days. and those nights – perfection – windows-wide-open-fans-on-under-a-blanket nights. yesterday and the day before were humid – curly hair kind of humid. and looking ahead, it seems that it will be up and down. we glance at the accuweather app and look for breaks coming up. there’s one tomorrow. the high will be 73. those a/c units may not be going in any time soon.

instead, our old double-hung windows will be getting a workout. the ceiling fans are running and there is the clicking sound of the ceiling chain tapping against the light fixture. we wake in the night when it’s raining to hear the dripping against the bedroom window from the flat roof above, a signal to close the window. we hear the latest dark-night sounds of crickets and the earliest sounds of the birds as they wake at 4am, sounds we will miss in mid-winter, sounds it seems we should store up, memorize, stock away. we can hear the lake in its response to wind and the train lumbering in the distance. and the exquisite stillness. we can hear the neighborhood go to sleep and the neighborhood wake up.

we know the a/c units will block the heat, will block the humidity. we’re grateful to have them at the ready. we also know that they will block the summer – and in wisconsin, there is only so much summer to have.

*****

read DAVID’S thoughts this D.R. THURSDAY

dancing in the front yard