in the days when i had new vehicles, i don’t remember tuning into sounds with as much trepidation. now’days, ambient sounds that are seemingly happening to the vehicle we are in can be really disturbing. we try to explain them away quickly, pushing the thunk or the creak or the whine or the rattle to the back of our consciousness, but to no avail. invariably, we call steve and i try to mimic the sound that littlebabyscion or big red made. i’m sure he looks forward to these calls – from the middle of kansas or south dakota or our driveway, or, if he’s really lucky, acting it out in his shop.
neither of us have worked on cars, but it counts that my dad and my brother did. somehow that gives me an edge and david will look at me thinking i might have an idea as to what is going on. with no divine intervention coming from the heavens where my dad and brother are rolling their eyes, i make it up, hoping to be somewhere near the mark and we keep driving, if at all possible. to be perfectly honest, in more recent years, i have found the mechanics of these older vehicles really interesting to learn about. if only it didn’t spell a repair.
the perils of driving something with 252,000 miles on it are numerous. but, as you can see by the absolute affection we have for our xb, the rewards are also numerous. it astounds me time and again that this little box car has driven this far, equivalent to over 80 times across the united states. and now? now it needs a catalytic converter. a little hiatus for littlebabyscion. but – as steve reminds us – it’s not a monthly car payment. “there’s no winning in that,” he says. and for right now, though many of the friends we have are purchasing new vehicles for their retirements, we agree.
winning is climbing in big red and driving up over the pass. winning is littlebabyscion turning another thousand and another thousand. winning is appreciating good and solid vehicles, nothin’ fancy, but steadfast and with big hearts. mutual love.
besides, standing in the local, family-owned tire store the other day, it was with great pride i answered a young guy who walked in and asked who had the “cool old truck out there”. “that F150?” i said, “that’s ours.”
“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)
i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.
i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.
though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.
i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.
we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.
none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.
i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.
to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.
“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)
first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.
that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.
taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.
this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.
and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.
“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)
each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.
i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.
i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.
but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.
the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.
i started a business when i was young. nothing cost more than about a dollar but i was a zealous salesperson. i pulled a red wagon around my neighborhood, going door to door – in the days when that was actually safe – and sold cactus. my sweet momma had prolific succulents and would pot tiny offshoots and volunteers into cups or chipped mugs or little clay pots, turning them over to me to sell. it’s amazing how many people would buy a 25 cent baby cactus from an eight year old at the door. i was thrilled counting my earnings at the end of the day and would impatiently wait for the next proliferation of cactus pups.
after a while and some market research, i decided to add candles to my stock. i purchased wax and three-dimensional plastic molds, tape and had a perfect little finnish knife to trim the wax after taking it out of the mold. i never lit any of those candles. they seemed more like decorations and less like candles-to-burn. funny to think about not-thinking-about-lighting-them and i wonder how many of the candles i happily sold on the streets of my growing-up were ever burned. though i’d love to revisit that project now, for fun and maybe to actually try the candle as a candle, my supplies are stuck somewhere – since 1979 – in the somewhat-finished attic room closet of a methodist church on long island, where i had helped with a youth group and taught them how to make candles.
i wonder now about what someone will think when they stumble upon all of that – my dad’s old hard plastic luggage case with molds and wax. i wonder if they will laugh thinking about the simplicity of it. after all, for my tiny business all i really did was melt the wax in a double boiler, choose a color dye, place the wick, tape and set up the molds, pour the wax into the molds and wait. once they were set, i trimmed along the seam line to create a seamless looking alligator or snail or mushroom or a variety of other marketable shapes of candles i can’t recall. i simply changed the form of wax.
i suppose it’s all like that. changing the form. the notes float and the composer grabs them out of the atmosphere, placing them together into a piece of music, changing the form of their ethereal bobbing-around-out-there. color bursts around us, nature offering us every iota of choice, and the painter gently retrieves them and places them together on the canvas, translating the iron oxide red of delicate arches into a vibrant sunrise or the flower of a still-life. the butterfly on the wing dances and the ballerina’s steps mimic the form, an expression of freedom and joy. words and expressions whirl around and turns of phrases hide inside dictionaries and the writer plucks and chooses, creating poetry and story from the raw.
my sweet momma and poppo discovered ikea in their 80s. they were intense fans. from time to time i would get big ups packages from them – ikea runs – with new wooden spoons or lanterns or cork trivets or tealights or whatever was their latest discovery there. and so i became a tealight fan. we burn them often. to light the table on our deck, to light our pop-up, inside all around the house, to honor someone with a flickering flame all day, safely burning on the stove. i guess that these are a lot easier to make than alligators or snails. and i know that they are obviously a lot easier to light and actually burn.
i still have a round yellow happy face candle i received years ago. i haven’t burned it. something about not messing with its form, i guess. why do we have candles we aren’t going to burn?
today, i think i might take out that round happy face candle. maybe i will put it on the stove, in a safe-to-burn-all-day spot. maybe it will infuse inspiring form-changing into the air around me. there’s much to purge from more recent times and much to welcome in next days. it’s worth a try.
the tomato plants are coming to an end. the temperatures are dipping at night and, three times now, we have covered them in plastic to keep them warm, encouraging them a few more days, a few more days.
i’ve read up on what to do with all those green cherry tomatoes. i know the time is near. i’ll put them all in a brown bag with a banana, hoping that the ethylene gas released by the banana will aid in the ripening of those tiny green orbs. i’m not anxious to pull the plants out of the pots and clear the potting stand. it all feels like it went by fast. but there is no doubt that fall is here. the sun isn’t bathing the barnwood stand in light anymore and there are not happy red tomatoes beckoning picking each day.
regardless, our tiniest of farms was a grand success and we are looking forward to having a repeat season next summer, maybe with a few additions besides the tomatoes and basil and a little more wisdom.
the thing we guess for sure that helped was the nurturing. every morning we greeted those sweet plants, watering gently and snipping off stems of browned leaves. we watched carefully as they grew, adding support for the branches, checking for disease, trying to provide the most positive environment for their growth. since we are not tomato or basil plants ourselves, clearly, we intrinsically knew that most of the work would be done by these tiny living things, most of the wisdom would come from them and we would follow their lead, researching to aid them and not deter them, to encourage them and not quash them, to provide all the essentials for them and not undermine them with anything toxic, to extol goodness on them and not to be aloof or reckless.
it occurs to me that these are likely ingredients for any successful growth. in a garden, in a family, in a community, in an organization or business. it’s too often nurturing goes by the wayside. i think of all the fine meals nurturing these little tomatoes and basils provided. i think of all the bursting-with-possibility families provide each other. i think of the fantastic synergy of a community based on wholeheartedly and without prejudice nurturing each other. and i think of all the collaborative, congenial camaraderie, the good work done by an organization actually based on truth, transparency, nurture and goodness.
and i stood in the stream with incandescent bubbles parting around the boulder i was on, watching the miracle of light and sun and dimension and water and rock. every color in the spectrum was represented; none got top billing. mostly, it was gorgeous and inspired happy. i cannot think of a mountain stream that doesn’t.
saturday night, because there was no mountain stream nearby, we stared into the bonfire, listened to the pond gurgle and clinked glasses as the night fell. we lit the tiki lanterns and our treasured small gas firepit and stoked the fire with dry wood we had gathered from our yard and limbs that had fallen in recent months. it was chilly but the fire was warm and we decided to eat outside right next to it, setting up our pop-up-dinner table and stools for some homemade chicken soup lit by candles. some things are magical even in simplicity.
dogdog ran around until he conked out on the patio next to us and the dark settled in, interrupted by tealights and fire and bulbs strung over the pond. there may not have been any mountain stream to sit and tarry by, no bubbles to reflect the light of day, but the fire licked the darkness and its dance…just as gorgeous and inspiring happy.
when i was twelve, my parents took a six-week vacation to europe. pre-departure, they arranged to purchase a brand-new 1971 volkswagen super-beetle in germany, picking it up and then driving all over for adventures at hostels and relatives’ homes and small inns in the countryside that served family-style pork chops. they talked about this phenomenal trip for the next forty years or so, reliving memories and favorite moments. in the end, the last time i saw my sweet momma was the day we delivered her cherished blue notebook to her at the assisted living facility and she clutched it to her chest, cooing, “this is it. this is the notebook.” she had written everything down – diary entries and details to remember – and having this spiral was like re-vacationing with my poppo who had died three years earlier. we had searched high and low for it for a couple days and found it in the very last bin we opened in the garage. a treasure. the one thing she really wanted.
there were other trips – indeed, they attempted to visit each of the united states. never extravagant. always cherished.
when i was eighteen i rode in the backseat across the country with my parents in the front seat. they purchased a cb radio before we left and i spent long hours “10-4”-ing as “goldilocks” across the great plains states and up pikes peak and next to the wasatch mountain range and through the flint hills of kansas, which was clearly on a mission for spare change as they pulled my dad over twice within a half hour, deputies standing on the side of the road waving over long lines of cars they then escorted into tiny towns so that you could place money in an envelope at the post office. (i still invoke my dad when i drive through kansas, especially since we’ve had a few breakdowns in that state.) i developed a huge crush on a cute boy in colorado springs at a motel 6 and almost signed on as the touring piano player for the band that this boy and his brothers were in, their parents befriending mine poolside. i pined for days and days after we drove off with four new tires we got at sears and a broken heart i got in the desert meadows behind the motel. i clutched the record they all signed for me and stared at the cover art. no amount of stuckey’s sticky pecan log rolls helped. but my camera and gorgeous scenery were eventually soothing and, even now, as i chalk it up to opportunity not chosen, i remember my mom’s encouragement to consider an unusual path, a road rarely traveled.
in the middle 70s my mom and dad took advantage of what they called “dunphy weekends”. i couldn’t find any details when i quickly googled that, but i remember three day weekends, in places like providence, rhode island – not too many hours from new york – that hotels offered for dirt-cheap, prompting reservations. because they were thrifty, they also would sign on to drive cars to destinations and be flown back, ever the road warriors willing to take on a highway and add to their growing list of states-they-had-been-to.
when i was much littler, i climbed into the pink lilco (long island lighting company) van that my dad and my big brother had converted to a camper and rode upstate with them. never disappointing their rube-goldberg leanings, the camper would always break down on some back road near basically nothing. my dad would take out wire cutters and, clipping wire off of fencing they found on roadside pastureland, they’d figure out ways to fix the van, while i would ponder being lost and never getting home again. their laughter and bantering on those trips was the key to a successful camping trip and we beverly-hillbillied our way across the catskills and the adirondacks.
camping some, airbnb-ing lots, hampton-inning in between, i’ve spent a lot of time on the road on trips and for work, both. when my children were small, we would drive, drive, drive, hiding easter baskets in the stow-and-go compartments of the minivan and toting all the age-related child-paraphernalia we needed. living away from family means that most of your vacation trips are to go see them. as time goes on, that’s really still the case.
in this last not-quite-a-decade, we have driven together thousands and thousands and thousands of miles and snacked and laughed and sang and were quiet across the country. we’ve slept in rest areas and in mcdonald parking lots. we’ve found hiking trails all along the way and have cooked in lots of kitchens from the boundary waters of ely to the beaches of the gulf to up-north wisconsin to high elevation of colorado to the cape. we’ve raced storms through alabama and through wyoming. we’ve had happy meals in montana and california and washington and tennessee and new hampshire and new york and florida and most of the states in-between. we’ve walked through tiny towns, toasted life on long island, combed the beaches of hilton head and had coffee in unexpected places in appalachia. the four days we spent in paris, as an add-on after work in the netherlands about seven years ago now, was exquisitely low-key. we walked everywhere, training only once or twice. we carried baguettes and cheese and wine and tiny salads into parks, onto cathedral steps, up montmartre and into our boutique hotel, choosing picnics over restaurants and never feeling like we had missed out.
the list of places i’d like to go grows. from a night or two to full-immersion for a longer stay, i look forward to all of it. i’m guessing i come by it honestly.
so i’ve never been on a luxury vacation. never taken a cruise. never stayed at an all-inclusive resort. i’m 62 and haven’t done the let’s-just-go-lay-around-and-do-nothing-or-anything-we-want-and-get-waited-on thing. i don’t know if i ever will. but it hasn’t stopped me from loving vacation. it’s all really one giant blue notebook.
they are addictive, particularly on the road. we will be innocently driving along and, suddenly, one of us mentions munchos, those doggone salty dehydrated potato chips, and we are instantly on a quest. maybe it’s the ferrous sulfate, niacin, thiamin mononitrate and riboflavin, but i’d prefer to think that it’s all about the “light-tasting crispy snack” that’s not greasy like other chips. there are 160 calories in about a quarter of the bag, so that’s a significant snack and salt-fix when you need it without a vast amount of guilt, despite the fact that it would take 45 minutes of walking to burn off those 160 calories. like teenagers and skittles, when we need it, we are singularly focused. we have driven in and out of mini-marts and convenience stores and service areas looking for munchos, sometimes to no avail, leading to desperation. i wonder what the looks on our faces say. i’m guessing they belie the calmness we are trying to exude.
our dogdog is food-driven. we laugh about it all the time. he will do most anything for a treat, learn any new trick for a tiny snack. i bet he snickers at us from the back seat watching us on our munchos-hunt.
there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”
“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)
now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.
the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.
thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)
instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.
in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)
true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.
it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.
what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.
reverse threading 