reverse threading

the path back is the path forward


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more ellsworth than i thought. [d.r. thursday]

i like fine-tipped pens, both regular ink and markers, though i do love the wrinkle sound and feel of a notebook page written on all lines on both sides with a medium-tip pen…the physical-fingertip bumpy-words-on-the-page and that crunchy sound it makes when you turn it over or flip to the next. so there is definitely merit in medium-point. but fine-tip? there’s a grace and allowance of white-space that fine-tip encourages.

this tall red pole installation at the chicago botanic garden makes me think of a ball jar i have holding an assortment of wooden paintbrushes. standing and waiting. because i’m not sure if these poles are part of the lightscape show or an art piece, i am drawing my own conclusions about its presence. somehow, this striking stand of red seems to communicate an invitation to the sky and, in its simplicity, was one of my favorite pieces on our walkabout. stark color, plain. i suspect ellsworth kelly would have loved them too, regardless of their context.

there were lots of people there on sunday, a picture-perfect fall day. our drive down and our return were on the back roads, keeping the lake close, past ravines and through beautiful neighborhoods filled with sprawling yards and wise old trees touting autumn. the trip there – for us, we agreed – is just as important as the time spent at the garden. we love the-back-way and never take the interstate down if we can help it. even to visit our son, we build in the time it takes to meander to his home. we’ve encountered magical snowfly on the return home at night, flakes illuminated by our headlights and sunday didn’t disappoint, as golden and crimson leaves fell around us as we drove this windy-back-road-route.

although i prefer to walk in the woods on some trail in the quiet with hardly anyone else around, our time with our dear friends at the crowded garden was the perfect early november gift-of-a-warm-day escape. we picnicked on a blanket, chatting. we wandered, chatting. we took pictures and googled interesting plants, chatting. we admired installations and gardens with themes, chatting. there are ornate sculptures and formal walled gardens. there are fantastically groomed flowers and trees. there are preparations for an intricate holiday light celebration.

we took our time together, the four of us, promising to return again soon, and then d and i drove back on the roads through northern suburbs, wishing we had time to stop and sit at one of the tiny restaurant bistro tables we saw, spaced on sidewalks, against brick walls with the later afternoon sunlight warming the faces of many people who had chosen to dine al fresco.

when we spoke of our time at the garden, it wasn’t the intricacies i remembered, walking in beauty. it was the simplest stuff. the vertical slices of rock in a pondside rock garden. the candlepots on the rails in the lake. the lone rosebuds on a bush inviting fallow. golden grasses waving in the breeze. the evergreens up close. the past-waning bowed blooms on the hosta. the white birch calling out from the green. and the red fine-tipped pens reaching for the sky. there was definitely something about those.

though i – at first introduction – questioned his work, i guess there’s more ellsworth in me than i thought. we really never stop discovering. any.where.

*****

read DAVID’S thoughts this D.R. THURSDAY

his gallery website – this link is to the EARTH INTERRUPTED series, but a cup of coffee in-hand and i know you’ll enjoy perusing around


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polka-dot mantra. [flawed wednesday]

there is really nothing unhappy about polka dots.  it is rare that polka dots are scorned, even more rare that polka dots are looked upon as harbingers of negativity.  polka dots get a bye in the fashion world, seemingly always advancing to the next round.

yesterday we spent about five hours on the phone with spectrum trying to fix our internet.  we unplugged our two-in-one modem-router combo, drove to the store, exchanged our equipment and tried to self-install (underscored in its excitement rating) and then spent another hour on the phone.  it was never fixed and we are hopeful for today, as a tech person will come and “evaluate the problem”.  we were ridiculously weary with internet-failure by the end of the day and solaced ourselves with a favorite holiday dvd movie snuggled around the laptop under the covers before sleep. 

our dear friends texted us a youtube of a spectrum skit on SNL that we could watch on our phone.  it was hilariously accurate and made us laugh.  we had literally spoken to an insane number of reps during this tech-debacle.  chris was one of them.

i liked him immediately.  he promised me a ferrari and a pizza as well as finding us a “package” to fix our internet grief.  i told him to keep the pizza and he thanked me profusely because, on a diet sans pizza, he has been craving it and did not want to think of me, his newest friend, eating pizza.  i told him to maybe have a piece of pizza, that life is too short.  it’s not good to crave things and deny yourself everything.  anyway, after our philosophical discussion, he again said that he would find a plan and he would fix our internet once and for all.  he was basing our success on “my demeanor and clothing choices”.  my ripped jeans and moccasin boots railed in protest but recognized we weren’t on a video call, after all, and gave up the fight.  it sounded like clothing really mattered to him and so i’m imagining that he had a dark blue gingham-checked shirt and jeans with a solid dark-blue skinny-but-not-too-skinny-to-be-out-of-sync-with-his-body tie and very cool rich medium brown tie shoes, since brown shoes seem to be really vogue with blue these days.  though chris was delightful to deal with – since it could have been different and dry and kind of like having a tooth filled at the dentist so I was relieved to be laughing and joking – chris did not fix our internet. neither did any of the other reps, all nice and scripty polka-dot-ish, but unable to address the problem. 

so, no ferrari, no pizza AND no internet.

we are determined, after last night’s movie made us predictably mushy, that today will be a polka-dot kind of day. 

we mantra: the tech will come – dressed in spectrum attire – and voila! fix the internet.  we will suddenly go from 30mbps (an old time warner cable plan no one told us to upgrade) to ultra wifi 400mbps (I will believe this when I see it).  we will have no issues with brand new equipment we just brought home.  we will easily engage wifi on all our devices.  we will carry on, having woefully lost a whole day in spectrumland, but rapidly recuperating back into reality.

we will be in polka-dot happiness with real polka-dots.

*****

read DAVID’S thoughts this FLAWED WEDNESDAY


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fuchsia shibui. [k.s. friday]

“rather than being a fall away from beauty, ageing can be the revelation of beauty, the time when the inherent radiance becomes visible.” (john o’donohue)

perhaps i would have noticed these leaves in the prime of their life, clotheslined on the branch, hanging in the sun. their verdant green might have captured my attention and the focus of my camera. but i kind of doubt it. for, indeed, they would have blended into the rest of the woods, the rest of the underbrush, the colors, the shrubbery, the landscape.

in the autumn of their lives, these leaves are ravishing. they gesture to the camera and invite my study. their ageing is their invitation to relish their presence, the visual “hey! look at me!”.

these days it is predictable. there is something – each day – we will say that is a reminder, though gently and with soft humor, of the very fact that we are ageing. we poke at ourselves, with self-deprecating comments about wrinkles or crepey skin or bellies changing or achy joints. we roll our eyes and then one of us reminds the other to be present in it and joyful and grateful, mostly grateful. we are not eloquent in those moments. they involve words like “sheesh!” or “stahhhhhhhhp!” or comparisons “but look at MY wrinkles!”. to suggest we are ageing gracefully is to ignore the american cultural emphasis on youthfulness, with ageing depicted negatively. in contrast, ageing in japan is revered. the elderly have the utmost respect. in the autumn of their lives, turning toward mid-life and beyond, the flaws earned throughout life are considered the very things that intensify beauty. shibui, it is said, is an aesthetic turn toward subtle and unobtrusive beauty, textural in elegance and roughness, diverse in spontaneous and restrained, a balance of simplicity and complexity, understated but not innocent, gorgeous words about meditation over spectacle. (wikipedia)

yesterday, in the middle of thinking about kneeling on the stripes, i found myself stumbling upon hearts. there was the heart – a random piece of ripped tissue – on the hinged lid of the stainless wastebasket. the hearts on the shower curtain, light somehow filtering through the holes holding curtain rings, reflected down onto the curtain itself. the heart leaf on the sidewalk. this morning the heart, shaped from the skin of the potato, on top of the tiny wedge of breakfast potato. it was a little uncanny. but was it?

or perhaps it is some kind of universe message – raising its voice over the din of flaw-noticing and in-the-pause-thinking and liminal-space-white-noise – reminding me of being loved. in this autumn-of-my-life. that the fuchsia is showing up, is a statement in the middle of a dense forest, raising the ordinary to extraordinary, the natural presence of shibui.

*****

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EVERY BREATH from AS IT IS ©️ 2004 kerri sherwood


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already. [k.s. friday]

“her mother told her she could grow up to be anything she wanted to be, so she grew up to become the strongest of the strong, the strangest of the strange, the wildest of the wild, the wolf leading wolves.” (nikita gill)

inscribed in the sidewalk in frisco, colorado right outside the door to next page books and nosh, this quote begged me to take its picture. even under the bluest sky, embraced in high elevation rocky mountains, in and amongst the most golden aspen, it stood out. my sweet momma giggled from the other dimension as i took out my camera, and momentarily blocked the entrance to this independent book store.

we wandered for a long time in the shop. like deb’s fair isle books on washington island, it was exquisite and welcoming and easy to sink into. we touched the spines of books, chose another set of prayer flags, read greeting cards, bought our girl a magnet. i wanted to sign up for many of the upcoming masks-on gatherings there, sip coffee, browse the ‘be kind’ stickers and study the hiking trail books and maps on a center display. i would have liked to have been at “not your mother’s book club” on the 25th. my momma thought that was funny and assured me she would have attended as well. yes, it would be easy to spend magical days there; i suspect chatting and being quiet would pass the time and suddenly the sun would dip behind the mountains and we would be gently nudged out the door, past the nikita-inscription and onto the sidewalk.

i learned on their website that october is conflict resolution month. back in wisconsin, unfortunately, we were unable to be present on the 19th for the event at the shop called “conflict resolution for holy beings” (joy harjo) but i know plenty of people who should have attended.

nikita gill, a poet and writer with huge instagram following, also penned: “you have been praying so long for the strength to outlive the pain they inflicted on you, that you have forgotten – you are already strong.”

my sweet momma nods in agreement and whispers “oh yes!” to nikita and me.

glancing over at me, she adds, “hang the flags in the wind.”

*****

SISU: a finnish concept described as stoic determination, tenacity of purpose, grit, bravery, resilience and hardiness.

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thriving. [k.s. friday]

there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”

“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)

now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.

but we still keep on keeping on anyway.

successful (synonyms): prosperous. profitable. booming. fruitful. thriving.

the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.

thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)

instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.

in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)

true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.

it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.

what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.

*****

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never-leaving. [two artists tuesday]

it was mesmerizing. we sat on rocks on the edge of the high mountain stream, sinking into the sound of babbling water, sun filtering through the trees and cool air wafting around us. i didn’t want to leave.

i remember a day, long ago, when i stood alone in the middle of a river. pants rolled up high, toes curled into the pebbles under my feet, sunlight on my face. whispering a prayer to the universe, gratitude, honoring time spent, i waded back to the shore, sitting on river’s edge to dry off, not wanting to leave.

i remember a day, a few years ago, when we stood on the edge of a lake. we whispered love to my sweet momma and tossed kindness into the air. it floated for moments on the breeze and settled into the tiny lake she loved with her big heart. and we stood quietly, not wanting to leave.

i remember a day, a couple years ago, when we stood at the edge of this same stream. i stretched out my arms, embracing it. i laughed, sheer joy in jeans and boots, staunchly refusing to move, not wanting to leave.

i remember a day, merely a couple weeks ago now, when we stood at the edge of a mountain lake, watching a candle glow in celebration of a life well-lived. the sun began to wane and the aspen glowed as it began its dip. and we sat on the beach, not wanting to leave.

and a couple days ago, we stood on the dock, the sun beginning its dance with the trees across the lake and we lingered, procrastinating, postponing, not wanting to leave.

and back to this stream. in the moments on the rocks, perfect paintings right in front of us, time lifted from sadness and worry, i wanted to build tiny boats from leaves and send all that angst downstream. i wanted to sit in the peace and the canvas nature created with light, shadow, water, reflection. i wanted to bring that purity with us, carry it out and back to the truck, across the pass, through the tunnel, down the mountain, across the great plains and home.

the tiny rock looks like a coin. a granite reminder, a token, of something always there.

to touch it is to touch never-leaving.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

images of water ©️ 2021 kerrianddavid.com


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pop-up dinner. [ k.s. friday]

we popped up at the old beachhouse.

it’s under construction; they are restoring it, this beautiful art-deco historic building, finished in 1940. the southport beachhouse “used recycled materials to cut costs. this way, rather than paying for new materials, the city paid workers to tear down condemned buildings as well as build new ones. the beach house uses luxurious slate, stone and marble materials salvaged from the old kenosha post office, which would have been otherwise unaffordable.” part of the new deal and roosevelt’s wpa (works progress administration) it is a gorgeous structure on the shore of lake michigan and the place we had our reception six years ago, a bonfire on the beach to end a stunning day.

in the middle of the beginning of covid – last year – i read an article about a new york couple’s ingenious solution to the inability to go to restaurants or pubs or gather with others, instead to isolate and social distance. i saved it and thought it was something worth pursuing.

this year, after a lot of research and a couple false starts sent back, i found a lightweight (mostly plastic) folding table and lightweight (mostly plastic) folding stools. i showed them to david and said, “let’s have pop-up dinners!”. small enough to be kept in littlebabyscion or big red, it’s an intention that begs spontaneity.

our first pop-up was this past sunday after our trip to the orchard.

we carried the table and stools and the picnic basket, the one from my sweet momma and poppo, onto the beach and found a spot in front of the scaffolds on the cement by the building, lit our candle-in-a-jelly-jar, set out our plates and cloth napkins and cheese and crackers and olives, our metal stemware. easy.

i imagine this fall, and even winter, will bring many pop-up dinners and happy hours. i can already list the places at which i’d love to pop up. snowpants and mittens won’t deter us. we’ll carry blankets, maybe thermoses of warm soup.

it was a little chilly at the beachhouse on sunday. the breeze was picking up. i picked up my phone and turned on the one piece of music i have saved to it. cherish the ladies began playing if ever you were mine and i watched david rise off his stool. he came over to me, held out his hand and invited me to dance.

as the sun began to dip below the horizon and the colors in the sky began to rise above the lake, on a honeycrisp apple kind of day, we danced on the sandy beach, scaffolding and a smiling cream city brick beachhouse our backdrop, a pop-up dinner waiting.

*****

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MILLNECK FALL from BLUEPRINT FOR MY SOUL ©️1996 kerri sherwood*

*if you are near MILLNECK MANOR on long island, please visit and have a pop-up dinner for us. ❤️


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the chalkboard in the mountains. [k.s. friday]

in a high mountain town this wall was full. chalk layered upon chalk, there was no space left for even a word or two. we stood for a few minutes and started to read it. we were touched. it was obvious that, given the chance, people will share what they are grateful for, will express their gratitude, will put it out there in public. grateful begets grateful.

we had spent time with family, time in high elevation, time on the trail. we had eaten good meals together and we had cried together. we had sipped wine out of yetis, ate halos on a big downed tree, sat in front of a roaring fire on a chilly night. we had lingered at the lake and had found a new bundle of prayer flags to bring home with us. we were grateful. and we were exhausted.

the path home this week was long across the great plains. we snacked our way across, from giant bags of every snack you can imagine dropped at our doorstep before we left from jen and brad. we said a teary goodbye to the mountains – waving to the last vestige of very-distant pike’s peak – and then passed through brown barren land and acres of dried cornfields and rolling farms. we reviewed our time spent. we were quiet. we relished double espressos at a surprise starbucks. and we arrived home to a delicious meal prepared by our 20.

we should all have a grateful wall. i’m thinking we should take the blackboard we had at our wedding, six years ago now, and install it in the house somewhere.

in short order it would be filled, layer upon layer of colored sidewalk chalk, layer upon layer of gratitude, a reminder to – no matter what – stay there.

*****

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GRATEFUL from AS IT IS ©️ 2004 kerri sherwood


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and the wind brought fall. [k.s. friday]

the wind brought fall.

iowa and kansas were full of summer-on-its-waning-edge, the sun streaming into the truck making merely having windows open not enough. the highway noise was loud and the air conditioning a welcome buffer so we could talk and ponder what the next days would bring.

we saw it from a distance and assumed it was farmers plowing in dry fields of dirt, billowing cloud dust across the horizon from afar. and then we drove into it. in minutes, touching the window glass cleared up the mysterious billowing. the beyond-blustery front was bringing cold air and as we drove from kansas into colorado, the gusts delivered autumn.

we walked into their living room this morning and the fire was lit. there is nothing like a cup of coffee by an early morning fire. the day is cool and the sun is out. those of us who traveled for yesterday’s celebration of columbus’ life and are still here will gather later around a fire out back. in the meanwhile, we’ll walk and talk and have a little quiet time after much visiting and catching up till later last night. the service is over and next follows.

when these flowers were blooming, they were vibrant and gorgeous, spilling over the old fence along the sidewalk. the petals started to drop off as fall started to arrive, dropping in little by little. bright yellow pistils started to turn mustard then cocoa brown. the picture begged to be taken – beautiful and fallow on its eventual way.

as we drive back to wisconsin, we’ll again pass fields of corn waiting to be cut down, plowed over, vast brown rolling land. we’ll miss the green, we know, even at home, even in our little gardens, on our little potting stand.

but we know that time just doesn’t jump from one season to another. it actually shows signs as it comes, gives fair warning, allows us time to process a bit and adjust. it transitions and gently encourages us to move on, into the next season.

summer yields to fall and we will bring home a little wisdom harvested from the side of the highway.

*****

read DAVID’S thoughts this K.S. FRIDAY

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PART OF THE WIND from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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mini-marshmallows and gogo boots. [merely-a-thought monday]

if you are wondering where mini marshmallows come from, wonder no more. clearly they grow on white baneberry bushes in dr. seuss-land. passing it on the trail i could not get over how oh-the-places-you’ll-go this bush was. a standout in a green forest floor, confidently colorful and nicknamed “doll’s eyes” for obvious vintage-china-doll reasons, it got my attention and it piqued my curiosity.

we watched a silly movie a couple nights ago. my sweet momma loved sandra bullock so every time i watch a sandra bullock movie i feel like my mom is right there with us, giggling or cheering her on. the movie was “all above steve” co-starring bradley cooper. its silliness is comedic fun, particularly on an evening we were not looking to be intellectually challenged. but there was an unexpectedly sweet message in this movie. mary (sandra bullock), a brilliant young woman who is a crossword puzzle constructor and has a brain full of random knowledge and would kick anyone’s patootie playing trivial pursuit, is trying to be “normal” to fit into the world. in the end she discovers the power of standing in her own shoes, which were, in her case, red gogo boots.

artists are often looked at as misfits, a little outside the box, not quite fitting in. perhaps more colorful, perhaps louder, perhaps more questioning, the job of an artist is to elicit movement in thought, in action, in emotion, in sensitivity. we are hot-pink-stemmed mini-marshmallow plants in a world of green underbrush, ever being told that exposure will grant us the ability to live in this world, to pay our bills, to get ahead. artists everywhere under the sun shudder upon hearing those words, “think about the exposure.” we don our courageous metaphoric gogo boots, go to town trying to be ‘normal’ and realize that we were really ok all along, in our own skin.

often i have heard others comment on the re-purposed stuff in our house. empty window frames, screen doors, travel-worn suitcases, branches wrapped in lights, old coffeepots doubling as canisters. we’ve been asked, “how did you think of that?” i don’t know how to answer that other than “how couldn’t i?”

i’m guess i’m not ‘normal’. in the world of christian louboutin and jimmy choo footwear desires, i’m wearing old navy flipflops and hundreds-of-miles hiking boots. in a world of oscar de la renta and ralph lauren aficionados, i’m wearing my dad’s old flannel shirt and jeans. in a world of cle de peau beaute and guerlain and creme de la mer, my face is lucky to see an oil of olay original and coppertone 30spf combo.

and i, just like artists everywhere, love to be reminded, time to time, that we were all born to stand out. each and every one of us. artist or not. no matter the road we walk. no matter the red gogo boots or hot-pink stems. stand out. in our own skin.

mini-marshmallow, anyone?

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY