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Tag Archives: pandora artist kerri sherwood


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kneeling on the stripes. [d.r. thursday]

“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)

i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.

i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.

though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.

i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.

we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.

none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.

i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.

to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.

“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)

*****

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tennis with diebenkorn and pärt. [two artists tuesday]

“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)

each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.

i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.

i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.

but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.

the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.

*****

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images of water ©️ 2021 kerri sherwood


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creaks and clunks. [saturday morning smack-dab.]

one of the things i love about our old house are the sounds it makes. it’s like the house is talking to us, saying hi, greeting us, reassuring us. i know that i, more than most, animate inanimate things, including our house. yesterday, i got a little weepy just talking about the possibility of a different vehicle beyond littlebabyscion – ahhh…connection is both joyful and painful in all things. our house is among those, sweet connection to its every square inch.

between our old wood floors creaking, the radiators clunking, the vinyl lap siding expanding in the sun, the rain dripping off the roof onto the window, the gutters’ last licks after a storm, and just general sounds of 1928 settling into 2021, we have a symphony in this home. when you aren’t familiar with a place, these are all passive sounds that could keep you up at night, and i remember when david was first here, questioning the sounds i no longer really heard, the ones that simply faded into the blanket of “home”.

it’s one thing to hear the click of the deadbolt on the front door or the screen door slam or the wooden step-step-step thunks or the whoosh of clothing streaking down the laundry chute – these are all active sounds caused by another person…explainable. it’s the other ones – especially in the wee hours – especially with an empty nest – the ones that take you by surprise, make your adrenaline race, make you wonder and imagine and maybe get a littlebitscared. those are the ones that made him sit up and take notice.

the funniest moment was when our beloved babycat – quite the large cat – was upstairs and decided to come down in the middle of the night. his descending the steps – thud-thud-thud-thud – made david sit straight up in bed, whispering, “there’s someone in the house!”. as he looked around, unsuccessfully, for a weapon (perhaps a bedside book or an iphone plugged in?), i couldn’t stop laughing.

it doesn’t take decades of living somewhere to intimately know a place, to intimately love a place. but, decades of living somewhere makes that place love you back.

*****

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SMACK-DAB. ©️ 2021 kerrianddavid.com


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cactus, candles and a red wagon. [d.r. thursday]

i started a business when i was young. nothing cost more than about a dollar but i was a zealous salesperson. i pulled a red wagon around my neighborhood, going door to door – in the days when that was actually safe – and sold cactus. my sweet momma had prolific succulents and would pot tiny offshoots and volunteers into cups or chipped mugs or little clay pots, turning them over to me to sell. it’s amazing how many people would buy a 25 cent baby cactus from an eight year old at the door. i was thrilled counting my earnings at the end of the day and would impatiently wait for the next proliferation of cactus pups.

after a while and some market research, i decided to add candles to my stock. i purchased wax and three-dimensional plastic molds, tape and had a perfect little finnish knife to trim the wax after taking it out of the mold. i never lit any of those candles. they seemed more like decorations and less like candles-to-burn. funny to think about not-thinking-about-lighting-them and i wonder how many of the candles i happily sold on the streets of my growing-up were ever burned. though i’d love to revisit that project now, for fun and maybe to actually try the candle as a candle, my supplies are stuck somewhere – since 1979 – in the somewhat-finished attic room closet of a methodist church on long island, where i had helped with a youth group and taught them how to make candles.

i wonder now about what someone will think when they stumble upon all of that – my dad’s old hard plastic luggage case with molds and wax. i wonder if they will laugh thinking about the simplicity of it. after all, for my tiny business all i really did was melt the wax in a double boiler, choose a color dye, place the wick, tape and set up the molds, pour the wax into the molds and wait. once they were set, i trimmed along the seam line to create a seamless looking alligator or snail or mushroom or a variety of other marketable shapes of candles i can’t recall. i simply changed the form of wax.

i suppose it’s all like that. changing the form. the notes float and the composer grabs them out of the atmosphere, placing them together into a piece of music, changing the form of their ethereal bobbing-around-out-there. color bursts around us, nature offering us every iota of choice, and the painter gently retrieves them and places them together on the canvas, translating the iron oxide red of delicate arches into a vibrant sunrise or the flower of a still-life. the butterfly on the wing dances and the ballerina’s steps mimic the form, an expression of freedom and joy. words and expressions whirl around and turns of phrases hide inside dictionaries and the writer plucks and chooses, creating poetry and story from the raw.

my sweet momma and poppo discovered ikea in their 80s. they were intense fans. from time to time i would get big ups packages from them – ikea runs – with new wooden spoons or lanterns or cork trivets or tealights or whatever was their latest discovery there. and so i became a tealight fan. we burn them often. to light the table on our deck, to light our pop-up, inside all around the house, to honor someone with a flickering flame all day, safely burning on the stove. i guess that these are a lot easier to make than alligators or snails. and i know that they are obviously a lot easier to light and actually burn.

i still have a round yellow happy face candle i received years ago. i haven’t burned it. something about not messing with its form, i guess. why do we have candles we aren’t going to burn?

today, i think i might take out that round happy face candle. maybe i will put it on the stove, in a safe-to-burn-all-day spot. maybe it will infuse inspiring form-changing into the air around me. there’s much to purge from more recent times and much to welcome in next days. it’s worth a try.

*****

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adding an image from later that day:


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thriving. [k.s. friday]

there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”

“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)

now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.

but we still keep on keeping on anyway.

successful (synonyms): prosperous. profitable. booming. fruitful. thriving.

the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.

thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)

instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.

in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)

true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.

it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.

what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.

*****

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read DAVID’s thoughts this K.S. FRIDAY


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what we seek. [d.r. thursday]

our favorite thing in the woods, when i was about eight or ten or so, were the salamanders. red-backed salamanders had a red stripe down their spine and, back then, were all over the woods outside our rustic cabins in the upstate new york state parks.

we stayed at many of them: selkirk shores, chenango valley, watkins glen, green lakes, letchworth. my sweet momma and poppo were not tent-campers, but they fully embraced the very-bare-minimum cabins in the woods and my mom would pack for a week ahead; we had to bring everything with us, including pots and pans. the bunkbed frames and mattresses were about all you got, with basic kitchen and bathroom necessities. we’d go for a week and for that glorious week, i would roam the forest and swim the lakes and ride bikes all over the park with my best friend. we didn’t do fancy vacations, but, for me, these trips were heaven. i think about my momma now – for her it was a lot of work, but she seemed happy to be “roughing-it” as she said. and she would run around each night, can of raid in her hand, singsong voice, announcing “raid! raid!” while we buried into our sleeping bags on our bunks and tried not to breathe.

before we discovered the lifeguards, we would hike through the forest, looking for anything interesting we could find, devising paths and mysteries to solve. mostly, we looked for the salamanders. one year, we found one that was particularly sociable with us and we were convinced it would stay around and be our friend. for obvious reasons, we named him sal. once you’ve named something, it is much harder to say goodbye.

now, the thing that’s hard to say goodbye to – out in the woods, high in the mountains – is the whole visceral experience. the cool fresh air, the trail under our feet, the sun filtering through the trees, quaking aspen leaves, the absolute drop-dead-amazing smell of a pine forest, the quiet.

we haven’t found salamanders in colorado woods, though we haven’t been seeking them as i did when i was in elementary school. instead, we have sought the feeling you get after you have hiked miles and some decent elevation. that exhausted adrenaline bursted rush of ahhh. the slightly burning lungs-are-in-your-chest feeling. the your-legs-want-to-sit-down-on-a-stump-for-a-moment tiredness. a little bit of wind-sun-scorched face. and the overwhelming desire to keep going.

*****

read DAVID’S thoughts this D.R. THURSDAY

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‘shrooms and fairies. [not-so-flawed wednesday]

the amazon truck pulled up and the driver got out, ran a package to our door and ran back to the truck. but he didn’t pull away. he pulled up a bit and stepped out again with his phone, aiming it up at the big old tree at the end of our driveway. in the notch of branches was a giant mushroom, super-sized by humidity. he poked at it and a chunk fell off for him to investigate. from inside i couldn’t tell what he was doing, but once i walked down the driveway i could see the giant ‘shroom. perhaps a northern tooth fungus, it was beautiful and mysterious. it’s no wonder the amazon guy stopped to stare and photograph it.

there are years that we have had mushroom rings in our yard. you’re thinking, wow, they mustn’t have great grass. no, we don’t have great grass. but a fairy ring of mushrooms is common and apparently take about a year to form, all underground. superstition says that if you enter a fairy ring, you will dance with nature’s creatures and you will be unable to stop. since we like snacks and sleep, we have chosen not to enter the ring, avoiding the off-chance that this inexorable dancing take over. but the presence of fairies and elves seems magical and since these rings are associated with luck, i choose good luck over bad and we haven’t done anything to prevent them from being there.

one evening as we sat having a late dinner at our covid table in the sunroom, happy lights on and a couple candles flickering, i looked more closely at snakeinthegrass. i was surprised to find the presence of tiny mushrooms, sprouting up and living in community with this sansevieria plant. perfect little fungi, they stood tall and steadfast for a few days and i imagined tiny invisible-to-the-human-eye fairies waltzing under their domes. we laughed at the ballroom on our table.

as fascinating as mushrooms are, i would never be one to go out into the woods to arbitrarily pick them; there are too many doppelgangers out there and we are not informed. but in the way of learning new factoids, it’s amazing to note that mushrooms actually breathe oxygen – just like humans – and emit carbon dioxide, the opposite of plants. and the genetic makeup, the actual dna, of mushrooms is more similar to humans than plants.

as i look at the coming and going of these tiny mushrooms in our potted plants and high in our maple tree and ringing in the yard, i think about the necessity of their existence in our ecosystem. fungus, they give back and make it possible for plants to survive. they are synergetic without exception. perhaps their dna is even more advanced than humans.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY


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pop-up dinner. [ k.s. friday]

we popped up at the old beachhouse.

it’s under construction; they are restoring it, this beautiful art-deco historic building, finished in 1940. the southport beachhouse “used recycled materials to cut costs. this way, rather than paying for new materials, the city paid workers to tear down condemned buildings as well as build new ones. the beach house uses luxurious slate, stone and marble materials salvaged from the old kenosha post office, which would have been otherwise unaffordable.” part of the new deal and roosevelt’s wpa (works progress administration) it is a gorgeous structure on the shore of lake michigan and the place we had our reception six years ago, a bonfire on the beach to end a stunning day.

in the middle of the beginning of covid – last year – i read an article about a new york couple’s ingenious solution to the inability to go to restaurants or pubs or gather with others, instead to isolate and social distance. i saved it and thought it was something worth pursuing.

this year, after a lot of research and a couple false starts sent back, i found a lightweight (mostly plastic) folding table and lightweight (mostly plastic) folding stools. i showed them to david and said, “let’s have pop-up dinners!”. small enough to be kept in littlebabyscion or big red, it’s an intention that begs spontaneity.

our first pop-up was this past sunday after our trip to the orchard.

we carried the table and stools and the picnic basket, the one from my sweet momma and poppo, onto the beach and found a spot in front of the scaffolds on the cement by the building, lit our candle-in-a-jelly-jar, set out our plates and cloth napkins and cheese and crackers and olives, our metal stemware. easy.

i imagine this fall, and even winter, will bring many pop-up dinners and happy hours. i can already list the places at which i’d love to pop up. snowpants and mittens won’t deter us. we’ll carry blankets, maybe thermoses of warm soup.

it was a little chilly at the beachhouse on sunday. the breeze was picking up. i picked up my phone and turned on the one piece of music i have saved to it. cherish the ladies began playing if ever you were mine and i watched david rise off his stool. he came over to me, held out his hand and invited me to dance.

as the sun began to dip below the horizon and the colors in the sky began to rise above the lake, on a honeycrisp apple kind of day, we danced on the sandy beach, scaffolding and a smiling cream city brick beachhouse our backdrop, a pop-up dinner waiting.

*****

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read DAVID’S thoughts this K.S. FRIDAY

MILLNECK FALL from BLUEPRINT FOR MY SOUL ©️1996 kerri sherwood*

*if you are near MILLNECK MANOR on long island, please visit and have a pop-up dinner for us. ❤️


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fragile and crucial. [not-so-flawed wednesday]

“and someday the light will shine like a sun through my skin and they will say, what have you done with your life?  and though there are many moments i think i will remember, in the end, i will be proud to say, i was one of us.” (story people)

nature has no pretenses. it isn’t trying to be all-that. no keeping-up-with-the-joneses. it just is. it’s truth at its core. it is color in all spectrums, bold and diffused, opaque and transparent.

this aspen leaf lay at the edge of the lake. no longer vibrant green or golden yellow or even toasted brown, it lay, waiting to be seen. light shining through it; it was exposed. and ever so brilliant. i knelt down and studied the veining, intricate and delicate, fragile and crucial.

my sweet poppo, in his latest years around 90, had delicate skin, seemingly transparent. this man, strong and never afraid of hard work, became more fragile and his arms – that had cut down trees and repaired volkswagens and tiny bulova watch fixings and rube-goldberged nearly anything and made coffee every morning for my momma and drove mopeds in early retirement and whirled me around the ice rink and gently held his grandchildren – turned translucent, telling stories of his life. his eyes, unclouded, spoke those memories – the beloved tales of family, the challenges of being a prisoner of war in world war two, the upstate water hole, the waterfowl games out their back lanai. no pretenses.

i suppose we will all lose our color at some point. we will become more gauzy and our veneer will start to fade. maybe it’s in those moments that we realize that none of it – the veneer and the joneses – really mattered. that all that was important was being. through all the phases – all the color – all that was important was life, clear and true. and that it was fragile and crucial all along.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY


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enchanted. [two artists tuesday]

and golden was the glow from the forest as we walked

into the sun low on the horizon,

our feet swishing through leaves on the trail,

our gaze above us, to the canopy.

the quaking aspen invited us, “stay,”

rustling in percussive background

to our hearts beating and wishing.

the respite in the woods,

the time on mountains,

the black and white of this stand,

we immersed in immense beauty.

stopping in the middle, the path forward and back,

we stood tall,

breathing deeply,

and shimmered with them,

enchanted.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY