the snow swirled outside the floor to ceiling glass – the city was blurry beyond the wind. it was brief. it didn’t stick. it was a statement. fall was gusting a bit of winter. everyone shivered, glad to be inside during the band of squall.
there is much still to be done. time seems to have raced by and we chose trails instead of pruning, talking in adirondack chairs in disappearing sun instead of packing away. procrastinating, holding onto the last vestiges of warmth and perfect autumn days, we opted to do the minimum, knowing the rest would need to be done in the colder days; the season keeps moving on.
we rise now in early quiet morning, without multitudes of birds out the windows, without sunny-the-chipmunk calling from the fencepost, without the sun beckoning us, “outside, outside.” we check the temperature…24 degrees…we reluctantly turn the heat up a smidge. we re-stock the nespresso pods, choose warm holiday teas for the coffee-pot-canisters over the counter, and seek out new soup recipes. we think about placing the shovel by the back door, its winter home. we crack the window just a bit now and sleep with an extra quilt.
the mums bow in the hush of the brisk mornings, chillier daytimes, less sun, more clouds, frost at night, all delivered by the magic wand of the calendar marching on. they are still beautiful and, from this view, we see the intricacy of the bud, sepals nestling and supporting petals, protecting the pink. we dig out my miracle mittens, his warm gloves, earmuffs, scarves, baselayers.
we talked about the silence this morning. it is still and the sun is trying. it may snow.
there were tiny flurries as we walked on the sidewalks of chicago, down coats and gloves, our heads bowed to the wind. it’s time to be inside more and we recognize – in the way of the universe – that we are much like the mums.
i suppose this is one of THOSE things – when you look back and see, with more clarity than you could ever have had in the moment, that you were nudged, pushed, prodded, indeed, shoved along. as you stood resolutely in the spot to which you were dedicated, something prompted change and things were no longer the same nor would they ever be. one of THOSE things.
i remember the early days of hearing garth brooks singing the country song “unanswered prayers”, decades ago now. he released the song and it exploded on radio not too long after i moved to wisconsin, away from family, away from two jobs i loved. i stood outside my then-husband’s workplace and gazed out at soybean fields wondering where i had landed, what on earth i would do. i went to the grocery store and wept in the pasta aisle; no mueller’s pasta to be found. i read the local paper and was disconcerted. i found solace in long-distance letters from my mom and brought lunch to the office at the local airport every day, the place my husband worked. i was lonely and lost.
but the universe had a way of catching up to me and consoling my soybean-cornfield-factory-town angst. that next year, my beautiful daughter was born – my first baby, i found new friendships, and a job i loved in a community of people who grew to be important to me. my amazing son was born in years to follow and then, in serendipitous ways, i started recording albums and i looked back and knew that, though my discomfort in – literally – moving was justified, life would not have been the same had i not moved. the complacency i had earlier adopted was not going to be enough and life had some gaps to fill in. nevertheless, i still sometimes wonder how it all would have turned out without the big jostling-along-to-wisconsin. for that matter, i still sometimes wonder how it all would have turned out without the big jostling-away-from-new-york. things to ponder and never know.
i will never know – really know – how it came to be that i am sitting next to this lovely man right now, writing separately together. how we each have grown and how we each have struggled and sorted through our figurative attics and basements, stuffed with things that have happened, things we have saved, things we have discarded, things we’d rather not remember, things we celebrate. how, from two entirely different places in this vast country, we found each other. i suppose love has a way.
time and again the understanding of events, situations, disappointments, things-that-are-really-hard is delayed. in-the-moment it – the why – is not clear. sometimes it is never clear or perhaps it’s just that by the time clarity arrives, it is far, far after the fact. so far that we have forgotten our dismay or our agnostic questioning or, in those that seem synchronistic miracles, our awe. it is in the looking-back, the time-line reflections that we might parse and question and realize that there was a reason, a cause and effect, maybe a prayer or two gone unanswered. though i could still list those and wonder why – through actions of others, good and bad, or decisions i’ve made, good and bad, or stuff that just happens, good and bad – i would guess that somehow the puzzle fits together in the end. no doubt the discomfort brings learnings we may not have signed up for, given the choice. the story is a mystery.
as i find myself in yet another nudged-pushed-prodded-shoved place, i’m trying to remember to stand still for a moment. to take it in – the discomfort – and to be open to what might be. and, in watching what shows up, in really looking and studying and listening, to take baby steps and move. maybe later on it will all make sense.
“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)
i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.
i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.
though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.
i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.
we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.
none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.
i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.
to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.
“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)
first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.
that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.
taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.
this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.
and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.
“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)
each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.
i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.
i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.
but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.
the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.
there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”
“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)
now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.
the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.
thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)
instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.
in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)
true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.
it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.
what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.
iowa and kansas were full of summer-on-its-waning-edge, the sun streaming into the truck making merely having windows open not enough. the highway noise was loud and the air conditioning a welcome buffer so we could talk and ponder what the next days would bring.
we saw it from a distance and assumed it was farmers plowing in dry fields of dirt, billowing cloud dust across the horizon from afar. and then we drove into it. in minutes, touching the window glass cleared up the mysterious billowing. the beyond-blustery front was bringing cold air and as we drove from kansas into colorado, the gusts delivered autumn.
we walked into their living room this morning and the fire was lit. there is nothing like a cup of coffee by an early morning fire. the day is cool and the sun is out. those of us who traveled for yesterday’s celebration of columbus’ life and are still here will gather later around a fire out back. in the meanwhile, we’ll walk and talk and have a little quiet time after much visiting and catching up till later last night. the service is over and next follows.
when these flowers were blooming, they were vibrant and gorgeous, spilling over the old fence along the sidewalk. the petals started to drop off as fall started to arrive, dropping in little by little. bright yellow pistils started to turn mustard then cocoa brown. the picture begged to be taken – beautiful and fallow on its eventual way.
as we drive back to wisconsin, we’ll again pass fields of corn waiting to be cut down, plowed over, vast brown rolling land. we’ll miss the green, we know, even at home, even in our little gardens, on our little potting stand.
but we know that time just doesn’t jump from one season to another. it actually shows signs as it comes, gives fair warning, allows us time to process a bit and adjust. it transitions and gently encourages us to move on, into the next season.
summer yields to fall and we will bring home a little wisdom harvested from the side of the highway.
and so, september has arrived. and the texture of day for many is changed. fall is around the corner; the cooler mornings whisper that to us, ushering in – with little fanfare – the color transformation of leaves, the waning of the garden, the ultimate fallow of winter.
autumn is my favorite. and as i look to it, i see transition rising out of the horizon. undefined, but transition nonetheless. unfolding.
i got a letter a few days ago from the insurance company handling my wrist injury from falling. they have decided to stop my treatment. as of right now.
back in july they hired a physician to do an IME – which is the acronym for, ironically, “independent medical exam”. don’t be fooled by the word “independent” for when an insurance company chooses and hires and pays a physician time and again to do medical exam reports for the insurance company that wishes to stop paying for treatment, that physician is questionably “independent”. in an unsurprising result, the physician, who has not been the treating physician all along, gave them the verbiage they were looking for and BAM! they instantly wrote-a-lettuh to me discontinuing my medical treatment.
to say that i was disappointed would be to grossly underexaggerate the complex and intense emotions that came with opening that envelope. my own froedtert hand specialist and stellar OT, who both recommend continued treatment, have helped me make much amazing progress – as a professional musician who kind of uses my hands in lifelong work – and i am now able to bend my wrist to 60 degrees from the initial 20 when i started with them. it’s not the 85 – 90 degree forward range of motion of a normal wrist, but i guess the insurance company et al have decided it’s plenty. wow. and wow.
so the texture of my days will change as well. i’ll try to translate exercises and stretching my OT has done to home, without the benefit of specialized therapy center equipment or knowledge or her hands aiding my movements. and undefined transition will rise out of the horizon.
and we’ll see. things will unfold as they unfold. and summer will turn to fall. and fall will become winter. and we’ll see.
“get outside.” “expand the confines of your life.” “surround yourself with beauty.” the youtube backpackers wander women kristy, annette and lynn have mantras displayed at the end of their videos. we somehow stumbled upon them; likely it was because they are currently hiking the pacific crest trail and they looked to be somewhere around our age. we have watched joey coconato backpack an inordinate number of times, and we know that we cannot be joey. we can’t even be joey-like. twenty years younger than us, he is stronger and bolder and with a vast amount of experience. the wander women, though also with decades of trail-savvy, made the trail look more accessible to us.
i have been moved by them. a few years ago they talked about what they wanted in life, made a plan and deliberately went about executing their plan. they sold houses, bought a diesel pickup and an rv and started living an itinerant lifestyle that suits their mantras. they are intrepid. one foot in front of another they have ticked off many of the big thru-hikes that linger on the edges of other people’s bucket lists. and, though we have watched them in question and answer videos and in gear videos and on various trails, right now we are following their progress on the pct. amazing. “home is where you are,” annette says, in answer to a question about how they feel about living in an rv and hiking. “you bring home with you,” she explains, totally secure and happy. they are a joy to watch.
most times we pull into the driveway – arriving from anywhere whatsoever – i say, “hello, sweet house.” it matters not how long or how briefly we have been gone; i am happy to be back and i guess i want our house to know it. animating a house is not likely on the restrained-unemotional-dispassionate-disconnected-unsentimental-apathetic spectrum but then i am pretty much an antonym-icon for all that. and i love our home.
that doesn’t mean i couldn’t love another home. i fall in love every time we are in the colorado mountains. i wish i owned most of the airbnb’s we have rented, so incredibly at home we have felt in them. i fell in love with the littlehouse on washington island; it was magical and we instantly bonded. we visited a tiny town in north carolina’s smoky mountains and thought, “we could live here.” we pined over a general store for sale in a tiny town in vermont, a place we could see ourselves hang our hats. my sister’s house, my nieces’ houses, all bring a sense of security and love. each one conjures up comfort. the up-north cabin for the up-north gang is a place of tranquility and laughter. 20’s condo is a place of serenity. friends have homes that are tranquilizing, soft places for our visits.
kristy and annette and lynn carry backpacks with less than 25 pounds of weight: their tents, clothing, food, water, supplies. that makes long-distance hiking sound more doable. “be bold” “challenge yourself” “create your life” they state at the end of another video. these are not empty words, not do-as-i-say-not-as-i-do words. they are living life in just this way. home sweet home for them is most undeniably inside them wherever they go.
the woodpecker who pecked out its house in this tree was just as fearless. undaunted by the size of the fallen log, it did what it knew – it created home. just watching a woodpecker create his own digs makes rv-living or driving up our driveway look like a breeze. i imagine that as the seasons change and life and time move on, there will be other trees in other forests, other home-holes, other places to nest, other welcome mats for this indomitable bird.
at a time when redefining is imminent, i look in the mirror and start to sketch out a plan, start to dream, to re-create life. it’s all amorphous right now, but our happy house – home, sweet home – cheers me on.
anna quindlen writes about it in “a short guide to a happy life“. the dividing line between before and after. we all have them. though mathematically incorrect for this lyric, as “sawed in half” only leaves the other half, many of us have more than one dividing line, more than one qualifier of our lives, more than one change agent.
i remember my first apartment. it was on long island in a basement partially paneled and partially wallpapered with red brick wallpaper. my dog missi and i moved in with my old piano, a convertible couch, beanbag chairs, a bookshelf and a bistro set. i had free bank-account-giveaway plates and cheap silverware my grandmother gave me, forks, spoons, knives still in my drawer to this day. i had a tiny kitchen in this studio and, though i cooked often, missi and i both ate plenty of cornflakes for plenty of meals. it was not fancy but it was mine.
after i was sawed in half i had to move and, ultimately, found myself in florida, seeking safety from a man whose aggressive pedophilia was predatory, for whom vengeance was foremost. everything was different. from those moments on. there was no going back, no return to innocence. the dividing line was stark and, in 1979, there was no real resource for processing it.
since then i’ve had a few more dividing lines. but, i have found in many purposeful meanderings through my lifeline in recollections and in much intentional parsing out of cause and effect relationships, that many of them relate back to the first sawing-in-half.
having children did not ‘saw’ me in half, but it indeed sawed time into before and after, for nothing would ever be the same and all my after has been waking and going to sleep thinking about them and wishing for their good health, good relationships, good work, love. there can scarcely be a parent who has not been profoundly changed by having children. before. after.
the loss of my big brother came as a mortality-blow. i had lost grandparents at that point, but their lives had been full and eight and nine decades long. my brother had merely reached his fourth decade – forty – an age twenty years ago now for me – and it was premature and devastating. he had been a stalwart rock for me in my years-post-first-sawing and to lose his wisdom and strength had me questioning how the world could go on without him feeling it. it divided time – from a more casual look at life to a more intensely emotional connection to those around me than i already had. if i am needy, emotionally, it is grasping on to beloveds. though i know i must not hold too tightly, i have likely not always succeeded at that, but i try to be at least close enough to always at least feel the wind from their wings. it’s not always possible and it’s sometimes impossible, and i yearn to have my family right close to me as many friends have, but i try – that word again – to trust life and its gifts.
the day i realized that there was no one left to ask questions of my birth, my childhood, my teenage years, the intrepid and enduring memories moms and dads have, i stared at lake michigan. i won’t forget that moment. i was wondering about my first time on the lake on a sailboat and i suddenly was aware that, without my sweet momma and poppo still here, there would be no answers that i could not remember myself. it came with intensity and orphan-hood surprised me – even then, at 56.
there are other lines in the sand, other befores and afters. relationships, jobs, places, mistakes and learnings, successes and failures. they all count, like every slice of blueberry pie making up the whole, even every rich ingredient making up the slice. the passage of time is a vast bakery of experiences, some more contingent on others, some more independent.
so when the song “life is long” came on at the end of the grace and frankie episode while i was on the treadmill and david was on the bike i was struck by the lyric “sawed in half by the passage of time”. i spoke into my phone recording the words i had just heard, words that made time pause like the button on the netflix video.
and i stared into the timeline in my mind, thinking about life sliced up like pie – a little less vigorously than a saw – but with just as much impact.
reverse threading 