susan and i played hopscotch for hours. we’d toss a bobby pin or a rock and hop to our heart’s content, nothing else pressing on us in the summer sun.
the summer sun seems a bit escalated now. temperatures are soaring across our country. it is astounding to open the accuweather app and see places i have saved having highs in the upper 90s or even topping 100 degrees. extreme weather. it’s only june. summer literally just officially opened its season. and yet, there is article after article about drought and rapidly dropping water levels and severe storms and the beginning of oppressive fires and people evacuating.
this morning i awoke to an alert on my phone. pitkin county in colorado sent out an emergency message about a wildfire. i didn’t remember having these alerts but, now that i think about it, i must have initiated something either during avalanches over the winter or maybe when the high mountain county was sending out news about covid. either way, my beloved girl is up there in those mountains so i will not be likely to take the alerts off now.
climate change in all its iterations is upon us. weather pattern changes and global warming are pressing in on us. it would seem that we should pay attention, especially if we want this world to continue into future generations.
yesterday i was forwarded and read an article in the new york times about the giant redwoods and sequoias, trees that have been individually standing for perhaps as long as 3000 years, as a forest for millions of years. the peril faced by these enormous and wise giants of the forest is imminent. old-growth forests are critical, yet there are now less than 10 percent remaining in this country. we are stewards of the future earth. we need pay attention.
summer stretches in front of us now. the stuff of outdoor adventures, barbecues in the backyard, camping in national and state parks, faraway roadtrips and lazy beach days. coming upon the hopscotch chalked on the sidewalk i couldn’t help but hop. the joy of remembering, the muscle memory of the 1-2-3-45-6-78-9-10 or 1-23-4-56-7-89-10, whatever the template, hopping, hopping.
for that same delight, that same closely-held set of childhood memories, it is my hope that concentrated effort and dedicated budgeting is placed upon incredibly important research, on the threat of climate change, on the sustaining of our environment. we must pass on – to our children and our children’s children and our children’s children’s children – a world that is healthy, an earth that can support the drinking water needs of its people, a country that takes responsibility for its ecological challenges.
in the old-growth forests, the trees have somehow survived “fire and clear-cutting, new growth…death, death and life again.” the author continues, “the power of the tree isn’t in forgetting, but remembering.” (nytimes, lauren sloss)
maybe we need grab a bobbypin, toss it into a chalked hopscotch and hop. maybe that will remind us to remember.
it didn’t happen often, but every now and then, we got to stop the ice cream man as he jingled his way around the neighborhood. then began The Choice. toasted almond bars or chocolate eclairs or or creamsicles or nutty buddy cones or italian ices (although we most often got those on the way out of modells sporting goods store, which, for some reason, had a stand by the doors). my momma would buy fudgsicles and ice cream sandwiches for in the freezer, so those weren’t viable options. and we would never-ever just buy a cup of ice cream with those wooden spoon things you got in elementary school or with your modells italian ice. that would be lame. it seemed important to get something more novel than what was inside your own house. particularly if it was ice cream on a stick. we knew, at the time, that it was a splurge and we loved every single second of it. we’d sit on the curb or on the grass or on the stoop and relish whatever treat we picked. summer in east northport. summer on long island.
you can hear it coming – “pop goes the weasel” playing incessantly around the ‘hood. it used to drive both my girl and my boy crazy as it approached and passed by – the pitch of the ‘song’ changing keys as it approached, drove by eventually and was in the distance. we laugh now as it passes us these days, for the same reason and because it would likely take a small mortgage to feed ice cream treats to a family from the ice cream man these days. we have marveled at watching families with small children gather together in the park eating dairy queen. a medium blizzard is $4 so a family of five would be $20 just for an afternoon carry-out treat. i don’t know but, to us, that seems like a lot.
harry burt, the founder of good humor, apparently stumbled into ice cream kingdom rule when he froze chocolate topping to use with ice cream. it turned out to be a messy affair so his son suggested using the sticks from his previous invention (jolly boy suckers) and – voila! – the ice cream bar was a hit. his decision to start the ice cream truck/wagon/push-cart was on the heels of his treat-success and, believing that good “humor” had everything to do with the humor of the palate, he had his company name picked out. good humor is synonymous with yummy ice cream and childhood. what a legacy!
a few days ago, 20 went to his freezer after we finished a scrumptious dinner with him. he gestured to 14 to be quiet and reached his hand in, pulling out a container but shielding it from my view. it turned out to be a half gallon of coffee ice cream, which is my favorite tied with mint chocolate chip. it was not cashew or almond; this was straight-up ice cream, which he guiltily knew i couldn’t have. he and 14 enjoyed bowls of this dessert. i had two tiny bites, which were amazing. coffee ice cream always makes me think of my big brother who, night after night, would load his bowl up and eat to his heart’s content. after my minuscule taste-test, i googled cashew/almond coffee ice cream and have a photo of a couple options saved on my phone so that i might seek them out.
someday when i pass a freezer with talenti dairy-free-sorbetto cold-brew-coffee displayed, i will literally yell, “stop!”
it won’t be the ice cream truck ringing bells or playing “it’s a small world” or “pop goes the weasel”. it won’t be standing at the side of the road in the hot sun with a dollar held tightly in my hand in line behind other sweaty, excited kids. it won’t be staring at the poster on the side of the truck with too many choices, the scent of coppertone wafting through the air. but, like all the children gathered around the proverbial ice cream truck in full glorious summer, i will be filled with good humor.
“as estrogen declines in perimenopause and menopause, appetite ramps up. … hormone weirdness can impact your sleep (night sweats, for example). insufficient sleep can further elevate sensations of hunger.” (gennev.com)
and this additional news:
“the decline of sleep-promoting hormones including estrogen and progesterone is one big reason for disrupted sleep. and the other symptoms of menopause—from mood swings and anxiety to night sweats—also contribute to sleep problems for women. production of another critical hormone for sleep—melatonin—also decreases with age, which can compound sleep problems for women during menopause and beyond.” (psychology today, m.j. breus, phd)
shocking, isn’t it? it makes you want to sign up, doesn’t it? huh?huh?
as one who is smack-dab in the middle of this estrogen/progesterone/post-peri-full-blown-meno fun, i know i am not alone. there is nothing like lying awake in the wee of the night, filled with swirling angst-filled thoughts and lists and no shut-eye, listening to david gently snoring and dogdog running in his sleep, blanket on-blanket off-blanket on, grateful-for-each-moment-crabby-as-all-get-out, melatonin-deprived and starving. i can’t count the vast number of bananas and bowls of cereal we have eaten smack-dab in the middle of the night.
“levels of the hunger-stimulating hormone ghrelin increase, a reason why many women find themselves frequently hungry during this phase.” (psychology today, m.j. breus, phd)
the file drawers are bursting. there are three bank boxes in the closet, next to and on top of the file cabinets. there is still music to be filed away, but it’s almost done. the ukuleles and the strum stick are hung on hooks. the cello sits silently in the corner. the black metal music stands are cleared of sheets and books. everything needs to be dusted or waxed. the wood floor needs to be swept more thoroughly – to chase away the dust bunnies. a few pencils wait. the storm is gathering. the sustain pedal begs for attention.
i’ve played maybe twice since last november. i stacked music and calendars and binders of slated songs and folders of research in there. i dragged in a box or two of supplies and cantatas that i brought home. i laid the ukuleles on the rocking chair, the poster behind the door. but i didn’t play. except for a day or two after our babycat died and maybe one or two other times. the piano is tacet. and the sustain pedal waits.
because i played and sang constantly for work before the end of november, and i was surrounded in my studio by all the tools and resources i used for that work, it has been, in the these last few days, important to me to finally move all that which i had been playing, all that which is no longer relevant to my life. this studio needs to be clean. it needs space. it needs room for new. it needs to no longer represent life doing that work, that dedication, that place. my studio needs a refacing. the sustain pedal holds its breath.
i got an email from a lovely woman somewhere in new mexico. she wants to order a baker’s dozen cds and wrote that she includes owning them up in her wish list of “large sacks of $100 bills and 25 hugs and smiles received daily for life”. i’m grateful to her and her dedication to analog music. it will be fun to pack it all up and ship it to her, though i will have to direct her to amazon for a few titles i no longer have in stock. her order is a reminder. and even in these days when i have been actively submitting titles to pandora for streaming (there are now nine titles available on pandora.com and everything on digital platforms everywhere) it is refreshing to go to the stock of cds and pull out shrink-wrapped copies of music to ship off. the sustain pedal giggles.
i’m getting anxious to finish the studio cleanse. to walk in and see possibility. to sit and listen to the quiet. to see the new project, the new song, the new composition through fog, fallow and passing time. to one day again depress the sustain pedal and place my hands on dusted keys under a full stick. i don’t know when that will be.
in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.
you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.
i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.
when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.
downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.
some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.
some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.
some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.
i cut some valentino basil to toss with tomatoes and olive oil over pasta. in an eat-less-meat effort, d grilled some tilapia. we ate outside at the table under the umbrella where we could catch wafting basil coming from the potting stand and from the little trunk across the deck. we congratulated ourselves on our farming…at least so far, anyway. it remains to be seen how long we might be successful, whether the tomato plants will ever offer actual cherry tomatoes and if the basil will do that leggy thing that basil plants do when you don’t have natural green thumbs.
keith told us to watch the millennial farmer. since we have run out of joey coconato’s youtube backpacking videos and have literally watched each one at least twice, we tried the millennial farmer on for size. keith lives in a farming community and knows about tractors and fields and heavy equipment much much more than we do, but, we have to admit, after having searched for the first of the videos, we have a deeper appreciation for all of that and we know that the millennial farmer might likely tease at our measly stand of hopeful plants. no worries, we boomer farmers are happy and, more importantly, not overwhelmed by our choices. mostly, we love tomato and basil drizzled in olive oil tossed over pasta or in caprese salads. and any planting is still planting.
we had mulled over flowers for the potting stand. it’s in full sun most of the time so that meant we needed to make some careful choices. we are very aware of what we’re spending these days so that factored in as well. when we ultimately decided to just simply plant a few edibles we were excited and went to several nurseries to choose our plants. lowes got our attention for their $6.98 tomato plants – dwarf indeterminates – which we learned means that they will stay smaller and will bear fruit throughout the season instead of just once. milaegers got our vote for their basil. the valentino smelled heavenly and sweet and looked incredibly healthy (to us) at only $3.99. a few big old clay pots out of the garage and sweeping off the barnwood-and-pipe plant stand and we were set. tomatoes and basil – “soulmates on and off the plate.” ready for a summer of lightly tossed pasta and insalata caprese.
now, zach johnson – the millennial farmer in minnesota – might have some advice for us. the diagnostics and computerized tools and mapping and equipment that they use to choose planting distances and tilling and depths and variable rate seed installation and seed choices and seasons are mind-boggling, not to mention the super-sized mechanical equipment like tractors and combines and seeders and cultivators. the science of farming, the art of farming, he makes it all sound both easier and much more complex than we could imagine. his love and nurturing of the land, his life and his fifth-generation farm are obvious.
men’s health magazine calls his youtube channel “peak relaxation” though that is simply because we are armchair-boomer-farmer-watching. zach’s wise intention, according to his channel, is “to build the connection between farmers and consumers.”
we understand. we are now both. ok, ok. light on the farmer, heavy on the consumer. no barn here. just us and our potting stand, two tomato plants and a basil. and an appreciation for real farmers everywhere.
the tiny fluff of clover lives at the edge of the stone step. sweet one-half-inch beauties, they grant wishes to passing chipmunks and chickadees lingering at the birdfeeder. beauty at the edges, innocent, simple, unnoticed mostly.
the big picture often doesn’t validate the tiny edge fluff. it’s too big-picture-ish. lofty goals, high aspirations, gigantic expectations, unreasonable accomplishment demands – all take the focus off the soft sides, the padding between imposing idealism and reality. the shallow depth of field captures the up-close and blurs the rest, giving pause to some of what is overwhelming.
i suppose beauty is meant to be like that. the curl of your baby’s tendril of hair, the new leaf bud on the tree, the wisp of pink cloud in the sun-setting sky, the quiet birdcall at dawn – nothing enormous, just simple and life-giving.
so how is it that we get ourselves mixed up in so much measuring, so much set-up for disappointment. we live our minutes as if they are infinity itself. we compare and contrast and yearn and regret. we are striding, striding. even while the clover waits.
and then, sitting on the step of the deck, pondering for a few minutes, we look down and see this magical sight. the tiny world of the tiny clover beckons our attention. it will not be there forever, and, likely with the drought, will disappear before too long. but in the meanwhile it is there and verdant and growing and it counts.
once again, i am reminded, in a wondrous way, of my own tiny-ness. though i know the mark i make on the world is ephemeral, fleeting, and i sometimes, anyway, get lost in the demands and the challenges and the ups and downs of the accompanying emotional seesaw, i hope that there is something up-close about me that gives pause, that offers kindness, that is love.
my-big-picture is actually very tiny and at the edge of the step of the universe. hopefully it is like clover fluff.
NNE. or ENE. or just plain NE. that’s what i look for. the weather app accuweather has a lot of information but, during long hot and humid stretches along southeastern wisconsin’s shoreline, it’s the wind that matters.
we live a couple blocks off the lake. on days before the trees are in full leaf, if you look out the foyer window or the bedroom sunrise window you can see it. if you sit on the flat roof outside the window of the boy’s old room you can see it. we can hear it at night with our windows open and can feel its fury in the winter. in the fall the lake keeps the coast a little warmer. and in the spring it is touted to be cooler near the lake.
20 says this all the time, i’m sure deliberately and to drive me crazy. it is not – most certainly not – always cooler by the lake. there are blistering hot, humid days here, trust me. the kind of days when we wish this old house had central air conditioning like all the new developments, when we wish our heat was forced air and not workhorse radiators so installation of a/c would be easier. the countdown is already on this season to carry up the window units and install them. though they are not our favorites visually or from a constant-noise point of view, they help us, tripper and this old house keep our wits about us in the dog days. i always hold out as long as possible. and right now, june seems too early.
so, i look at the weather app. a lot. it’s not just me. it’s a thing in wisconsin. kind of a mania. blame it on storm teams and weather alerts and interactive radar. so much information at our fingertips. why do we study-study-study the weather, you ask? because – on these hot summer days when there aren’t enough ice pops to quell the crabbiness and when everything feels just a bit sticky – if the wind is blowing from just the right direction with any velocity across the top of the lake, the air temperature will shift intensely and everything and everyone will be heard sighing an audible ahhh. it’s lake effect. and, if you are lucky enough to be within about a mile of the lake – 20 blocks or so – you will feel it.
the other day we took a walk after dinner. it was late and still hot out as we strolled. we walked the ‘hood and talked, noticing flowers blooming and admiring people’s fences, our new obsession. as we walked toward the lake, the wind suddenly shifted and, instantly, the fog began to roll in, blurring the shoreline, hiding the lake and intensifying the soft focus sunset to our west. i was immediately in heaven, the cool air swirling around us. that NNE/ENE/NE thing is amazing.
later that evening we talked to 20. he talked about the heat, about how early it is in the summer to be this hot, how the dew point and the humidity were astoundingly high. had he been able to see us, he would have seen us shrug in overly-feigned flippancy before we said, “oh, really??? it’s muuuch cooler by the lake!”
duh, 20, it’s that lake effect you’re always going on about. 😉
ok, so, i give. it may not alwaysss be cooler here, but when it is, it’s magical.
these days, in the middle of middle age, time seems to just fly by. at inordinate speed. slowing it down doesn’t seem to be an option. i guess my sweet momma was right when she said, “live life, my sweet potato.” don’t wait.
we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.
when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.
i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.
my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.
there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.
maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.
in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.
instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.
reverse threading 