first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.
that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.
taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.
this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.
and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.
it’s under construction; they are restoring it, this beautiful art-deco historic building, finished in 1940. the southport beachhouse “used recycled materials to cut costs. this way, rather than paying for new materials, the city paid workers to tear down condemned buildings as well as build new ones. the beach house uses luxurious slate, stone and marble materials salvaged from the old kenosha post office, which would have been otherwise unaffordable.” part of the new deal and roosevelt’s wpa (works progress administration) it is a gorgeous structure on the shore of lake michigan and the place we had our reception six years ago, a bonfire on the beach to end a stunning day.
in the middle of the beginning of covid – last year – i read an article about a new york couple’s ingenious solution to the inability to go to restaurants or pubs or gather with others, instead to isolate and social distance. i saved it and thought it was something worth pursuing.
this year, after a lot of research and a couple false starts sent back, i found a lightweight (mostly plastic) folding table and lightweight (mostly plastic) folding stools. i showed them to david and said, “let’s have pop-up dinners!”. small enough to be kept in littlebabyscion or big red, it’s an intention that begs spontaneity.
our first pop-up was this past sunday after our trip to the orchard.
we carried the table and stools and the picnic basket, the one from my sweet momma and poppo, onto the beach and found a spot in front of the scaffolds on the cement by the building, lit our candle-in-a-jelly-jar, set out our plates and cloth napkins and cheese and crackers and olives, our metal stemware. easy.
i imagine this fall, and even winter, will bring many pop-up dinners and happy hours. i can already list the places at which i’d love to pop up. snowpants and mittens won’t deter us. we’ll carry blankets, maybe thermoses of warm soup.
it was a little chilly at the beachhouse on sunday. the breeze was picking up. i picked up my phone and turned on the one piece of music i have saved to it. cherish the ladies began playing if ever you were mine and i watched david rise off his stool. he came over to me, held out his hand and invited me to dance.
as the sun began to dip below the horizon and the colors in the sky began to rise above the lake, on a honeycrisp apple kind of day, we danced on the sandy beach, scaffolding and a smiling cream city brick beachhouse our backdrop, a pop-up dinner waiting.
we brought the jelly jar and the tealight with us, anticipating a chance to privately and quietly celebrate his life.
the lake was the place. there were clear fishing bobbers on the shoreline, waiting for us to discover them, to wonder if somehow they were his. there were glowing golden aspens and burning orange underbrush bushes, crows crowing and fishermen cussing the ones that got away. and it was perfect.
we lit the candle and found the right flat rock to place it on. we toasted columbus and sat back and watched the candle dance and burn and flicker.
we were there way longer than we thought we’d be. it was serene; it was a direct line to him. and it was exactly where we needed to be.
we had no place to stay that night and i wished we had our tent, sleeping bags and camping stove. the lake asked us to stay. we asked it for a rain check. another day, we promised.
we will come prepared to stay, to watch the sun set and a new day rise. and he’ll be there, cheering us on.
we had a few hours and needed a fix in the mountains. just a short distance away from congested civilization was a trail that lead into higher elevation and quiet. everything else slipped away as we climbed and followed the columbine.
i was moved by this fragile blossom on the side of the trail. delicate and perfect in every way that flowers are perfect, i picked it up, turned it over, felt its short life. like the sun, its tiny petals radiating from the center. its flawlessness is simple; its budding-lifeline complete. it was laying in the mountain meadow, waiting to be noticed. not much different than any of us.
and then, i laid it back down where i found it. and it will be there for the next person who hikes by, glances over and sees it. one sun-low-on-the-horizon-fall-dried-flower-blossom, past its season but not past its beauty.
iowa and kansas were full of summer-on-its-waning-edge, the sun streaming into the truck making merely having windows open not enough. the highway noise was loud and the air conditioning a welcome buffer so we could talk and ponder what the next days would bring.
we saw it from a distance and assumed it was farmers plowing in dry fields of dirt, billowing cloud dust across the horizon from afar. and then we drove into it. in minutes, touching the window glass cleared up the mysterious billowing. the beyond-blustery front was bringing cold air and as we drove from kansas into colorado, the gusts delivered autumn.
we walked into their living room this morning and the fire was lit. there is nothing like a cup of coffee by an early morning fire. the day is cool and the sun is out. those of us who traveled for yesterday’s celebration of columbus’ life and are still here will gather later around a fire out back. in the meanwhile, we’ll walk and talk and have a little quiet time after much visiting and catching up till later last night. the service is over and next follows.
when these flowers were blooming, they were vibrant and gorgeous, spilling over the old fence along the sidewalk. the petals started to drop off as fall started to arrive, dropping in little by little. bright yellow pistils started to turn mustard then cocoa brown. the picture begged to be taken – beautiful and fallow on its eventual way.
as we drive back to wisconsin, we’ll again pass fields of corn waiting to be cut down, plowed over, vast brown rolling land. we’ll miss the green, we know, even at home, even in our little gardens, on our little potting stand.
but we know that time just doesn’t jump from one season to another. it actually shows signs as it comes, gives fair warning, allows us time to process a bit and adjust. it transitions and gently encourages us to move on, into the next season.
summer yields to fall and we will bring home a little wisdom harvested from the side of the highway.
somewhere along the way someone impressed upon me not to ever walk on railroad tracks. and so i never have. until the day i stood in the middle of these tracks and took a few pictures.
railroad tracks intrigue me, whether teetering on the edge of a mountainous precipice or crossing the great plains. i was astounded the day i drove along the arkansas river in red rock canyons, tracks by my side. i could not imagine the arduous, back-breaking, dangerous work it took to install those tracks. at home, the sound of the train whistle at night is reassuring. the whiz of the train passing by the trail is a blur of amtrack cars, headed for mysterious destinations; i reluctantly hold back waving to the engineer as the train passes the crossing.
we’ve missed taking the train to chicago to see our son or for adventures in this last year-plus-of-covid. for that matter, we’ve missed airplanes as well. we’ve driven anywhere we have gone. and today is no exception.
today we are driving. yesterday as well. long days in big red across acres of corn-states, browned, tinges of color in the trees. the sun rises out the hotel window as we prepare to leave and we ponder what we will see today, what markers of this new season will be side-of-road. in the wide open spaces trains will appear, seemingly unending freight trains, the stuff of yesteryear ‘boxcar children‘ and reading books with my kids. time and years and planting and harvest and fallow and regrowth. corn and soybeans, bending sunflowers, leaves beginning to acknowledge golds and reds – all remind us.
we’ll arrive in colorado, attend a come-and-go dinner (i believe this is the same as an open house, though i haven’t heard that terminology before). tomorrow’s schedule is all set; all the while we will be processing the reason we are there – the loss of david’s dad. somewhere in the middle of the scheduled events and the eating, we will walk in quiet under the colorful-colorado sky and grasp that which seems surreal right now. we’ll talk a little about time passing and stories of days gone by. we’ll gaze out at the mountains and see the past, the future. we’ll say goodbye to columbus, all the while knowing, in the way of the death of a parent, he’ll stay right here with us.
and we’ll wonder what’s around the curve in the tracks.
i, intimately, know the wood floors in our house. i know where they creak, where they are silent, where they are slightly uneven, where the floorboard gaps are smaller and where they are bigger. i know where the stains are and where there are holes that were drilled into the floor to install a christmas tree – a silly tale from decades before we lived here. i adore the wood floors in this house.
a year ago today i connected – for seemingly forever – with the floor at my place of employment at the time. i knew those floors well also, having been there for a full eight years…the stuff of old-building linoleum tiles, looking polished and shiny from time to time, committees always pondering the next waxing, the grungy it-needs-to-be-washed. we had a similar floor in our basement growing up, darker in color, but the same stuff. that floor at work used to bring me a sense of comfort, the recognition, the familiarity, the place.
that day was much the same. perfectly at home there and proud of the work i was doing, i was simply walking down the hall. it was unfortunate that someone had washed the floor and had not put up any signage to indicate that caution was needed, that the floor was wet, and, thus, i was unaware. i was almost at the office – where i was headed – when my feet slipped from underneath me and i fell, landing hard on my right hand. and now, that floor will ever be a part of me.
i’ve worked very hard to regain the use of my wrist since tearing my scapholunate ligament that day and i was up to 60 degrees of forward range-of-motion when they stopped covering treatment a few weeks ago. the mri, weeks after my communion with the floor, showed definitive tearing – a “high grade partial or complete tear” – and, just mere minutes into online research, the nih (national institutes of health) states “proper ligament repair is recommended within four to six weeks after trauma” which includes arthroscopic surgery, reconnection of torn ligament remnants and pinning. they continue, “….all intrinsic carpal ligaments tend to undergo rapid degeneration in as short a time as two to six weeks, after which primary repair may be difficult or even impossible and ineffective.” continued degeneration, serious arthritis, ever-decreasing range of motion are the hallmarks of an s/l tear gone untreated in a timely manner.
i suppose that there is a reason why the person-in-charge-of-the-paperwork just put the accident report in the drawer. i suppose that there is a reason why that form-in-the-drawer was a random incident form off the internet that the person printed and filled out without communicating with me about my fall, though there are specific proper-process official-wisconsin-employer forms also accessible on the internet. i suppose that there is a reason i had to do a little preemptive googling and let them know that sans-official-proper-process-timely-reporting there could be a steep fine for this [formerly] cherished place in which i worked. i suppose that there is a reason why they, then, a week later, decided to officially report my injury, ultimately pushing medical intervention coverage back and, also ultimately, in a snowball effect, delaying an mri until six weeks later. i suppose that there is a reason why the physician in my own town read the mri report and flippantly said, “i believe for the most part this should improve”, adding, “i do not believe i will be able to make her scapholunate ligament better than what it is right now,” and, though 3.6mm (my measured interval) > 2.0mm (normal interval), stated “i do not believe that these [results] are going to be clinically relevant.” i suppose that the froedtert hand specialist would disagree heartily with that local doctor when he told me, at a requested-second-opinion appointment, that this injury – the s/l tear (concurring with the mri) – should have been addressed at the very beginning, that lost time was irretrievable. he stated that these injuries are the bane of hand specialists’ existence and that months later – by the time of the second opinion – i had crossed over into territory where complete healing would be impossible. i suppose it would be naive for me to think that requiring an IME-outside-opinion-by-a-doctor-chosen-and-paid-for-by-the-insurance-company was on the up and up and designed for my health, well-being and long-term healing. i suppose abruptly ceasing treatment would, well, i don’t know; it can’t be anything good. i suppose it all didn’t really matter to the person-in-charge-of-the-paperwork back a year ago. i suppose it still doesn’t. it wasn’t that-person’s wrist. that-person wasn’t a lifelong professional musician. neither were those on the rest of the decision-making-committee. why would they care or be compassionate or concerned? perhaps those words were not in their job descriptions, though that seems preposterous considering the place of my employ. whatever-that-person’s-deal was, whatever-their-deal-was, it devastatingly got in the way of protecting me, their employee, from harm and from doing whatever was possible to aid me, their long-term-employee-aka-fired-employee-eight-weeks-after-the-fall-on-the-floor, to heal properly and to be able to normally use my wrist – an imperative for a musician – for all time to come.
i suppose there must be reasons. i just, for the life of me, can’t figure out what they are.
maybe someday, when i feel less indignant, less disheartened and far less disappointed, i’ll forget about those old linoleum tiles.
we can see the shadows getting longer. earlier in the day, the sun is lower in the sky and fall is on the rise. the wistful-autumn-thing is starting. picking apples and going to the pumpkin farm are on our list-of-things-to-do and i’m pulling out soup recipes, planning ahead. i’m hoping the cherry tomato plants will sustain longer. and the valentino basil has rejuvenated; dinner last night was red pesto pasta – thanks to this very plant. we need to order some wood and i’m keeping my eye out for the perfect mums. and socks made a cameo appearance the other day. blue jeans and boots, the stuff of happiness, are itching their way back into our world, having been buried under summer and no-airconditioning wear. i love fall. and nothing stops the melancholy.
we didn’t sleep again. i’m writing this on wednesday, so last night – tuesday night – was a long wakefulness with a smidge of dozing around 6am. i was aware that i was feeling anxious, worried. no amount of tossing and turning helped. once you are traveling down that road, there are no u-turns. i watched the shadows change in the room, listened to the rain, rearranged my pillows a time or a hundred times. insomnia is a resolute challenger. and, in the middle of the night, every question you have ever perseverated over, ever pondered, that has ever even remotely teased you for an answer is present and accounted for, lined up, waiting for answers or action plans. meanwhile, any even breathing of your spouse, and even the dog, wreak havoc with your impulse control.
the coffee this morning tasted especially good. the day is grey, though the sun is supposed to appear this afternoon. i wrote in my calendar, as i do each day, and was, once again, flabbergasted that it’s just shy of the end of september. equinox as i write and tomorrow we fall deeper into fall. equal parts of darkness and light on this day. that might explain my lack of sleep – equal parts of dark and light – the chiaroscuro of the wee hours – when we would rather languish in light, literally and metaphorically.
a year ago today my daughter facetimed me from the top of a 14’er. it was a scramble to the top, rocky and treacherous. and then, there she was. 14,000 feet up, in the sun, sunlight bathing her radiant face. she panned the camera around so i could see the vastness of it all. mountains and canyon and brilliant uninterrupted light and deep shadow. an equinox perhaps by calendar, but overtaken in any soul-sense by the gleaming luminescence of arriving at the summit.
we each have our own personal night-shadows, building blocks of angst and anxiety, dark caverns filled with life events and life decisions and being wronged and wronging. morning usually helps. it’s when what is real-now shows itself in three-dimension and that which is shadow fades just a bit. the existential questions of the night shrink ever-so-slightly. we look at our to-do lists and pencil in time to take a walk, to hike, to feel the sun on our faces.
we know – despite the neverending pondering of the night – that the questions matter less than the moments. we have learned it time and again – watching the cycle of life, sand running through our fingers, holding mica in our hands. we will, undoubtedly, learn it again.
we know we can make it to the top of each mountain. the equal or unequal division of darkness and light will not stop us. and neither will the shadows. each step counts. we put our faces to the sun and get on with it.
and so, september has arrived. and the texture of day for many is changed. fall is around the corner; the cooler mornings whisper that to us, ushering in – with little fanfare – the color transformation of leaves, the waning of the garden, the ultimate fallow of winter.
autumn is my favorite. and as i look to it, i see transition rising out of the horizon. undefined, but transition nonetheless. unfolding.
i got a letter a few days ago from the insurance company handling my wrist injury from falling. they have decided to stop my treatment. as of right now.
back in july they hired a physician to do an IME – which is the acronym for, ironically, “independent medical exam”. don’t be fooled by the word “independent” for when an insurance company chooses and hires and pays a physician time and again to do medical exam reports for the insurance company that wishes to stop paying for treatment, that physician is questionably “independent”. in an unsurprising result, the physician, who has not been the treating physician all along, gave them the verbiage they were looking for and BAM! they instantly wrote-a-lettuh to me discontinuing my medical treatment.
to say that i was disappointed would be to grossly underexaggerate the complex and intense emotions that came with opening that envelope. my own froedtert hand specialist and stellar OT, who both recommend continued treatment, have helped me make much amazing progress – as a professional musician who kind of uses my hands in lifelong work – and i am now able to bend my wrist to 60 degrees from the initial 20 when i started with them. it’s not the 85 – 90 degree forward range of motion of a normal wrist, but i guess the insurance company et al have decided it’s plenty. wow. and wow.
so the texture of my days will change as well. i’ll try to translate exercises and stretching my OT has done to home, without the benefit of specialized therapy center equipment or knowledge or her hands aiding my movements. and undefined transition will rise out of the horizon.
and we’ll see. things will unfold as they unfold. and summer will turn to fall. and fall will become winter. and we’ll see.
reverse threading 