“rather than being a fall away from beauty, ageing can be the revelation of beauty, the time when the inherent radiance becomes visible.” (john o’donohue)
perhaps i would have noticed these leaves in the prime of their life, clotheslined on the branch, hanging in the sun. their verdant green might have captured my attention and the focus of my camera. but i kind of doubt it. for, indeed, they would have blended into the rest of the woods, the rest of the underbrush, the colors, the shrubbery, the landscape.
in the autumn of their lives, these leaves are ravishing. they gesture to the camera and invite my study. their ageing is their invitation to relish their presence, the visual “hey! look at me!”.
these days it is predictable. there is something – each day – we will say that is a reminder, though gently and with soft humor, of the very fact that we are ageing. we poke at ourselves, with self-deprecating comments about wrinkles or crepey skin or bellies changing or achy joints. we roll our eyes and then one of us reminds the other to be present in it and joyful and grateful, mostly grateful. we are not eloquent in those moments. they involve words like “sheesh!” or “stahhhhhhhhp!” or comparisons “but look at MY wrinkles!”. to suggest we are ageing gracefully is to ignore the american cultural emphasis on youthfulness, with ageing depicted negatively. in contrast, ageing in japan is revered. the elderly have the utmost respect. in the autumn of their lives, turning toward mid-life and beyond, the flaws earned throughout life are considered the very things that intensify beauty. shibui, it is said, is an aesthetic turn toward subtle and unobtrusive beauty, textural in elegance and roughness, diverse in spontaneous and restrained, a balance of simplicity and complexity, understated but not innocent, gorgeous words about meditation over spectacle. (wikipedia)
yesterday, in the middle of thinking about kneeling on the stripes, i found myself stumbling upon hearts. there was the heart – a random piece of ripped tissue – on the hinged lid of the stainless wastebasket. the hearts on the shower curtain, light somehow filtering through the holes holding curtain rings, reflected down onto the curtain itself. the heart leaf on the sidewalk. this morning the heart, shaped from the skin of the potato, on top of the tiny wedge of breakfast potato. it was a little uncanny. but was it?
or perhaps it is some kind of universe message – raising its voice over the din of flaw-noticing and in-the-pause-thinking and liminal-space-white-noise – reminding me of being loved. in this autumn-of-my-life. that the fuchsia is showing up, is a statement in the middle of a dense forest, raising the ordinary to extraordinary, the natural presence of shibui.
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EVERY BREATH from AS IT IS ©️ 2004 kerri sherwood





























the nurse-log’s new life in the lake up north this year, the strawberry patch, the new herb garden we built out of re-purposed schtuff (as wendy calls it), and, speaking of wendy, the tulips on her wall (sometimes the flowers aren’t real-live-in-the-dirt-flowers). there are photos from ocean-side marshland, the sweet gift of farmer’s market sunflowers, saved pictures of susan’s porch with hanging flowerpots…just to look at…as if i were there. flowers in linda’s abundant garden,
huge basil at jen’s, gorgeous orange impatiens that stubbornly live in our backyard, even when we don’t notice them. black-eyed susans from our walks, white-flowering hostas on an iowa farm. soybeans in the field and bamboo alongside the lake, unidentified purple flowers
and pink and yellow flowers along a neighbor’s front walk, purple sedum buzzing with bees a few houses away. the first tree to turn in the woods we were hiking in, a lone red leaf on a maple in the ‘hood. my photo shoot of the painting 
and breathe it back in. sometime, in the middle of winter, when the days are not as fluffy or romantically snowy, i will want to look at these pictures. to remember. you know, the whole thready thing. it’s a curse.
tent, which i am well-acquainted with, it called my name. “look at that happy bag,” i said to david. usually i don’t purchase much at these shows. i am often feeling that i-don’t-need-more-stuff feeling. but, as david told someone recently, pieces of art (really, despite what medium they are) reach out and find their true owner. and, i have to tell you, this happy bag found me. and you’ll never guess what the fabric was. for this dedicated wear-blue-jeans-and-black-tops girl (ok, that term “girl” may be outdated for me, but humor me, ok?”), this flowery backpack found its way into my hands. now i am using it each day. i know i will return to other purses i own (aka pocketbooks, aka handbags), but this happy bag will bring back -with just one glance- the hot day at the festival, the flowers in my summer, the color in my life. and we all need that, don’t we?