it’s been a minute since i’ve sung into a microphone. for that matter, i haven’t spoken into a microphone in a while either. i haven’t run cables or tested monitors, used earpieces or balanced sound in a space. i haven’t hung condenser mics over my piano or booms in front of the keyboard. no neumanns or shures, no audix.
it’s not like you forget, though.
we walked past the meadow off-trail and nature had clearly sent in her sound engineer. the meadow hawkweed microphones stood ready and able to amplify all the ambient sounds of the woods. it made me giggle a little thinking about these tiny microphone-like clusters soaking up all the noises around them, running them through some sort of nature-equalizer and tossing them back out through an invisible speaker system.
in every good venue sound system, decisions are made for each and every performance. tiny – sometimes barely perceptible – turns of the dials, slides of the sliders, mutes and unmutes all define what the listener will hear. in the best scenario, the listener hears sound as it really is, nothing distorted. in the best scenario, sound is pure, unadulterated, unfiltered, offered as true, crisp, present, full-frequency-range. the piano sounds luxurious; the voice rides above it. exquisite.
how would nature balance it all – the call of birds, the busy peeper-frogs, the wind in the high leaves of the forest, the wings of butterflies, the tease of chipmunks and squirrels in the underbrush, the crunch of human footfall, conversation, hushed tones of worry, laughter, breath. would nature pare down all tones of negativity, choosing instead to pan to the positive? or would nature allow for all of it – a cacophony of life as it exists in the moment?
the draw of the microphone is powerful. i wonder if the butterflies nearby felt it too.
and tomorrow we will go to chicago. we’ll metra downtown and walk to boystown. there will be sooo many people. and with them, we will stand on the corner of halsted and waveland and watch our son perform on-stage outside in the rainbowed city.
to say i am overjoyed at his producing of music these days would be an understatement. his zeal is full-on and he is squeezing every last minute of every day as he works in his professional position full-time and djs edm (electronic dance music) the rest of the time.
at his condo in chicago, in his studio, he demonstrated to me how he creates. as an analog artist, it was a fascinating experience to glean this complex digital mixing of tracks, layering, feathering, a sedimentary piece of music produced with great intention. it is hard not to dance as i watch. it’s hard not to be aware of the invisible bit of baton i hold, poised to pass. and i am aware of the contagious quivering of excitement, the gift of his sharing his process, how much i understand – on a cellular, heart level – how this creating feeds him. and then…then, there’s the joy…
different genres, but i still grok how my son feels. knowing that what you are producing is resonating with someone – someones, if you will – is powerful inspiration. i won’t forget the release of my first album and, even at number fifteen years later, it was with both the same excitement and vulnerability as the first. time and study and experimenting and lessons bank courage, though, so we each keep on keeping on, growing – much like anything in life to which we give time and attention.
i’d imagine that the day my yamaha c5 was delivered into my studio felt much like the day he upgraded his decks and gear. i’d imagine the day i stood in the sitting room with the chicago radio station on – waiting – and then my music aired – the first airplay ever – feels much like his tracks being signed to major edm labels, waiting to be released. i’d imagine the applause, stepping into the apron, at the end of a piece, feels much like the exhilarated dancing and cheers of the crowds at his gigs. i get it.
you know you are merely one artist in a universe of artists. humility. relevancy. there is much to learn. for both of us. always. the arc of an artist is never really done.
we have spent nights watching our son stream from clubs. 2am is later than it used to be but it’s a thrill to watch him in his element. we’ve listened to every single track he has sent us, every idea, every gesture in whatever iteration. we’ve connected our remote speaker and played his music during our happy hour, i’ve listened with ear buds on soundcloud, spotify, iTUNES. but tomorrow…
it is with much pride we will stand and watch our son. it is with much pride that we will be surrounded by his friends and by the community. it is with much pride that we’ll dance and cheer along with the gathered crowd. it is with much pride that we celebrate pride.
in the great pause we are experiencing, things have risen to the top.
they are the cardinals on the fence, the house finch sipping from the dogdish, the hummingbird at the feeder, dogga sleeping on the deck, the smell of sauteing onions and garlic, ice water in a glass, the sun rising out the sunroom window, the play of first light on our quilt, the sound of the trail under our feet, the mayapple flowers tucked in and peeking out from the canopy, the piney scent through the stand, the repeating arvo pärt on the cd player, photographs, the gurgling pond out back, bunbun and the chippies, glass doorknobs, the basil plant on the potting stand, the first coffee, a hot shower, lavender soap, open windows, butterflies, five-year-aged cheddar and sips of wine, writing next to each other, repeated ritual touchstones in our week, unrushed hugs, the squirrel highway, the sound of a text on the phone, anticipation, generosities, idiosyncrasies, the peonies, sunny days of little humidity, the feel of old wood floors under bare feet, hagstones, smooth worry rocks tucked in our pockets.
and with these things of absolute greatness, we slow down and – in the way of centripetal forces spinning, spinning, around, around – we center. and wait.
mama dear made rag rugs. i still have a few of them. for a long time, a rag rug served as a faux tablecloth on the kitchen table. eventually, after years of washings, the stitches loosened up and i tucked it carefully into the drawer of a cupboard in the dining room.
my grandmother also made yoyo quilts. she took outgrown clothing and bits of leftover fabric bolts and cut circles from them. sewing a running stitch along the perimeter she pulled and it gathered into a rosette-round. hundreds of rosettes later, even thousands, she stitched them together into quilts full of visceral memories of moments spent in party dresses or aprons or simple a-lines. yoyo quilts sell on etsy for a few hundred dollars, but i would never sell mine.
some day i’d like to make a yoyo quilt. i had envisioned my children cherishing one made from clothing they wore as little ones, but i realize that their level of thready is nowhere near mine, so i will have to make the quilt for myself. i have saved their clothing to do just that – tiny overalls, sweet sundresses, toddler leggings, mini blue jeans, printed onesies and receiving blankets – for a yoyo or even for a traditional quilt, both projects which seem like mindfulness exercises even with the tedious work needed to create them. someday.
we walked into the door of the farmhouse. it was our second time there. i remembered it as homey and just perfect for what we needed – as a gathering space for the family, the rest of whom were staying in a hotel. i remembered the blue walls, the chalkboard cabinet doors with messages, the photographs. i remembered the cheer.
but i had forgotten about the rag rugs. instant bonding.
in early morning, the sun rose past the horizon, peeked under the porchroof, around the adirondack chairs and the swinging platform, past the sleeping gracie-cat and up and over the fern perched on the rusty-red outside cellar doors.
but at just the right time, in later afternoon, it curled around the silo and the barn out on the west side, streamed in through the screen door and bathed the old wood floor and the rag rug in light. like a spotlight on something simply beautiful, it called out to be noticed.
i wonder how hard it is to make a rag rug. mama dear never showed me how she made them. i suppose i could take them out of the upstairs closet where they linger, waiting for the right chance to use them again. maybe i could figure it out. it can’t be too very difficult to discern the process. but my grandmother was a talented seamstress and i remember mama dear sewing and sewing, her hands moving quickly – at her singer or with needle and thread – and talking, talking, talking as she sewed. the only time she didn’t speak was when she would (don’t try this at home) store pins pursed between her lips. i thought that straight pins needed ‘spittin’ on’ in order to use them. it wasn’t for a few years until i learned that my grandmother was not spitting on the pins before she used them. perception – as a child – is a funny thing. what i did understand was how much she made things for all of us. no spit needed, just lots of love.
rag rugs and quilts and wood floors. they go straight to my heart.
barney’s nails are popping, its layers are peeling back even more, rust is gathering on surfaces subjected to air and moisture. this is not a surprise. barney has been outside in the sun and the rain and the snow and ice and wind and humidity and drought for almost ten years now. a decade has a way of peeling things back. i wonder what barney might look like in another decade or maybe two. its soul will be intact; its boxy exterior will be falling away, opening strings, hammers, soundboard to the world. and always, its soul, present, true.
barney is no less beautiful now than the day it arrived in our yard. in fact, as it changes, its transformation is a metamorphosis into an aged piece of art sans any expectations. it stands as a stalwart symbol of constancy in our backyard. it reminds me that soul is resilient, fluid. no matter the weathering, the chippies and bunnies nesting, the birds stopping off to rest, the squirrels sitting and taunting the dog. no matter only eleven white endpieces of keys are left. no matter the line of popped nails in a row along its upright top. its soul – exposed – carries on, aged and stronger than before.
“this is the first, the wildest and the wisest thing i know: that the soul exists and is built entirely out of attentiveness.” (mary oliver)
if barney needed to express itself, tell stories of its past, the narrative of a life of a hundred years, it would merely stand and speak – firmly planted. time and nails have loosened its jointed wood and the container of a million tales, and have – figuratively – unlidded the top of the shoebox under the bed or on the top shelf of the closet. every story counts and, as we sit in the backyard, we pay attention. we listen to barney, giving credence to its voice, glad that even in its aged appearance – and its agedness – it is not silent.
in ways i can’t explain, i can feel the nails popping.
i lived in florida. merely 14 miles from the gulf of mexico. for eight plus years. yet, i can count the number of times i went to the beach while i lived there. likely on two hands. i spent more time on the gulf before living there and after living there. just not during.
as a teenager and young adult i was at the north shore all the time. biking there, vw-ing there, boating, diving, fishing, walking, climbing the fence to take sunrise pictures – winter, spring, summer, fall. all the time.
in recent years i’ve yearned for the days on those long island beaches. and, though they are remarkably beautiful and warm and sunny and tan-producing (definitely not important anymore), i can’t really say the same for the florida beaches. i don’t find myself pining for them.
maybe it’s just my history with them. or, perhaps, the lack thereof.
the other day we went to the beach. on lake michigan. we walked and walked for a couple of hours, searching for hagstones and paintable flat rocks. then we settled down on a big log of driftwood in soft sand and sat and watched the waves. we wished we had a picnic lunch with us and a good book. it was that kind of day. the only thing that drove us out was hunger.
but we’ll go back, because the beauty of that beach was powerful.
when you live with someone who also likes to walk, you will walk anywhere. strolling in the ‘hood, hiking on the trail, trolling for stones on the beach. it’s the thing we do when all else stops – all work, all tasks. it’s the thing we do when we want all else to stop – all wistfulness, all thought, all worry, all out-and-out angst.
it’s funny to me that there was this big chunk of my life when i wasn’t walking, wasn’t hiking. just like this big chunk of my life when i wasn’t going to the beach – to stare at the waves, to watch gulls swoop and dive in the wind, to find the gifts of the air and the water – tuning into soul and energy, soothing and healing.
i’ve pondered, before, what would have happened had i walked. now i ponder what would have happened had i gone to the beach.
at the front corner of my growing-up yard on long island was a forsythia bush. and many years, at the march of my birthday, i remember having my picture taken there. home. spring. there are few things that make me think of Home like forsythia does.
except for maybe the voice of my beloved daughter on the phone. she is forsythia for me. for just moments or for an extended conversation or – if i am fortunate – in person together, the sound of her voice, her zeal, is Home.
and except for watching the way my beloved son immerses himself in his music. his hands – now all-grown-up man-hands – moving dials and sliders, his voice and body dancing, his explanations – it’s forsythia for me. Home.
and except for the look across the room from david – the moment he touches his hand to his chest while in his gaze – forsythia. Home.
and dogga – at the door with his angel-babycat greeting me – thrilled, once again, to see us. forsythia. Home.
and the love and care and concern that are abundant in our lives – our family, our friends. forsythia. Home.
and the work we have chosen to do – create – music, paintings, many-many words, cartoons. forsythia. Home.
it is likely the heron’s. we have seen a couple together out there – gliding through the marshland, standing regally by the side of the pond, walking sedately. we hiked past the downy feather, that had likely fallen from where down is hidden beneath the heron’s outer feathers, and i went back, the talcum powder white capturing my attention on the trail. sometimes i pick up feathers – to keep them, beautiful signs of divine and freedom and flight. i left this one on the trail, tucked between the pine and the cone, its texture begging notice.
under the outer layer of my straight hair is an unruly curly layer. the days i do not blow-dry my hair, i am banana-curled, little-orphan-annie-curled, a combo-platter-no-real-sense curled. i personally have found it annoying. most women desire hair which they do not have – a different kind of hair – a different color – a different texture, thickness, bounce, volume. it is the way of this society.
instyle magazine did an entire month of articles on women and their hair. i read the initial article from 2018 and, frankly, found it somewhat entertaining. the most common uniting hair complaint is frizz, which, i must say, i have complained about a time or two. d has trouble understanding frizz as he is a non-frizz-haired guy (incidentally, with better hair than me – which doesn’t seem quite hair-fair). regardless, hair has become a tool of empowering for women, especially in this nation.
according to what i read, we can be flushed with excitement or nervous as all get-out, challenged beyond our perceived limits or drudging our way through the day – but, if our hair looks good, we feel good, no matter.
i wonder if the heron – in its elegant wisdom and intuition – has concerned itself with its feathers. or has it just simply concerned itself with its basic needs, its instinctual movements and rituals, its patterns and place in nature. is it thinking about its frizzy down feathers? i suspect not. compare that with the reported 81% of human women who feel more confident if their hair looks great.
according to the majority of human women – none of the hair products out there reeeeally work. everything promises to de-frizz, de-curl, celebrate the curl, straighten, give volume, grant sheen, untangle, combat thinning, retain moisture, eliminate split ends, make it bounce, make it stay still, give a hairstyle hold. but nope, none of it really works.
if you add perimenopause, menopause and post-menopause to the hair equation, you are faced with a variety pack of even more hair concerns. for me, that means that – despite all my deliberate blowdrying intentions for straightening my hair, the instant a hotter-than-hot hot flash swings by, i am frizzed. drippy hot, frizzed and curled – definitely not a jennifer aniston hair look.
“in order to cool their body temperature, great blue herons will partially extend and droop their wings and open their mouths while fluttering their throat muscles. much like dogs panting, this helps cool their body through evaporation. this behavior is called gular fluttering.”(nps.gov) the innate wisdom of the heron – gular fluttering. who knew?
so…if you see me – curly hair askew sneaking out from under a few straightened hairs trying to hold on to their straight – fluttering my throat muscles (is this synonymous with talking too much in humans???) – you will know i am post-yet-another-hot-flash and am channeling my internal great blue heron. please don’t comment on my hair.
with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.
“pussywillows, cat-tails, soft winds and roses rain pools in the woodland, water to my knees shivering, quivering, the warm breath of spring pussywillows, cat-tails, soft winds and roses”
smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.
as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:
but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.
i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.
“riding on the roadside the dust gets in your eyes”
it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.
“slanted rays and colored days, stark blue horizons”
the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.
“treasuring, remembering, the promise of spring pussywillows, cat-tails, soft winds and roses”
treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.
“shivering, quivering, the warm breath of spring”
to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.
they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.
to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.
as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.
and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.
it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.
as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.
there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.
“i want to know if you will stand in the centre of the fire with me and not shrink back.“ (oriah mountain dreamer)
shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.
*****
“and you were there in all of my suff’ring.
you were there in doubt, and in fear;
i’m waiting on the dawn to reappear...” (you were on the cross – m.mayer, k.butler, a.assad)
reverse threading 