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the path back is the path forward

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be a duck. [merely-a-thought monday]

“mama said there’ll be days like this; there’ll be days like this mama said.” (“mama said”, the shirelles, written by luther dixon and willie denson, 1961)

there are days in which i remind myself, time and again, over and over and over, blah-de-blah-de-blah, as i learned years ago from a cheery 95 year-old woman on an interview, to not take anything personally. this requires evolving. big evolving.

it does not come naturally to me to not take things personally. it is waaaay over on the other side of the taking-things spectrum from where i am. but, i am inching my way, crawling, scraping, babystepping my way in that general direction. ever-evolving, i intend to get there. some.day.

i suspect that, on the day that i arrive, i will find a light heart, laughter always at the ready, dancing feet, unconditional forgiveness of self and others, grace for mistakes or choices made, full nights’ sleeps, anticipation of continued bliss in the land of not-taking-it-personally. umbrage will fall like rain on duck’s feathers and the seesaw will stay level, a fulcrum of balance.

for, as any perusal through social media will remind us, we are not walking in shoes other than our own. memes as prodding cover photos or profile pictures or insta’d wisdombits or tweeted tweets, we are reminded “you never know what someone is going through. be kind. always.” yup.yup.

we each have access to the wisdom of the greatest wise ones. and we each forget. every. single. day. we don’t always think about how our words or actions will arrive on the heart of others, particularly in the moments of delivery, particularly the things that are … heartless. conversely, it, then, is likely that others, in the moments of delivery, were not thinking about how their words or actions would arrive on our hearts. we also know that it is not likely that someone else is laying awake in the middle of the dark night thinking about what they said or did, their words or lack of words. some people are better at letting things sliiiide off. me? i’m still evolving.

in a slew of bitterly cold temperatures, we passed a frozen pond the other day. there were many ducks on it and i wondered aloud if their tiny butts were frozen to the lake. in my best duck voice i implored passersby to “help us, help us. our tiny butts are frozen and we can’t get up!”. but, in my moment of intended comedy, i did not know some important things about ducks: “waterfowl possess remarkable adaptations to survive in cold weather, including dense layers of insulating feathers, counter-current blood flow to reduce heat loss through their feet and legs, behavioral modifications to reduce exposure to the elements, the ability to carry large fat reserves, and perhaps the greatest adaptation of all- migration.” (ducks.org)

“be a duck,” i said to him the other day. sometimes it is necessary. let it all roll off your feathers.

a little research had given me a tiny bit more knowledge: wear more layers. don better boots. reduce exposure to potential yucky stuff. eat and drink merrily without minding the mirror too much. and, if all else fails, move on. be a duck.

mama was right. there are days. ouch.

love oneself enough to be ever-evolving. ever and ever and ever.

ducks know this stuff.

*****

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like it was. [saturday morning smack-dab.]

i honestly don’t think i can – or need to – add much to this. this is not uncommon.

wistful. melancholy. reminiscent. lonely. overwhelmed by a lack of the busy and social holiday celebrations portrayed nearly everywhere. drowning in comparisons.

life changes and, it appears (yes, yes) we need to change with it. the holidays are a tough reminder.

in the middle of the trail we hiked on thanksgiving we talked about this. we had decided a big pot of pasta sauce would be our thanksgiving meal. comfort food. i, especially, needed that. the day was overcast with snow flurries and a mist gently coming down around a few bends on the path. damp and cold but familiar and reassuring. three deer were startled by our arrival. we watched them as they gracefully bounded away.

we came home and lit all the happy lights in the house. poured a glass of wine and got to the sauce. lit candles, took out thanksgiving napkins, set the table simply. our pumpkin pie was vegan, plant-based, amazing.

yesterday someone ordered 40 “be kind” buttons. it prompted me to suggest that we take a hundred – or a couple hundred – of our buttons and go somewhere and just give them out. sometime in the holiday season. plant a new tradition. start a new ritual. we’ll see.

demographics have spread families out across the globe, work responsibilities make time off a challenge and the pandemic makes travel questionable. we age and lose grandparents and then parents and loved ones. the holidays take on more blue than iridescent tinsel-silver. so many reasons why people find themselves awake in the middle of the night, staring at the ceiling, wishing it was like it used to be. visions of large meals and preparation and trees and grand shopping and piles of presents and family-all-around and parties and fancy dress-up clothes all dance like sugar plums in our heads. things that used-to-be.

finding things to assuage the used-to-be’s might help, might fill in the gaps. gathering with others in like circumstances, empathizing, might be reassuring. having a little visit with dear next-door neighbors later in the night is a bit of fondant on a layer-cake day. planning an adventure or two for coming days brings sweet anticipation.

holding space for the wistful is truth.

*****

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SMACK-DAB. ©️ 2021 kerrianddavid.com


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the blank slate. [merely-a-thought monday]

we are incessant trail-watchers. even after a fascinating show seeking life-in-some-form in some other part of the universe, we took to the trail. with our mind’s eyes full of scientific wonder, we hiked along the pct with the wanderwomen and headingsomewhere and followed redbeard and checked to see if joey coconato posted anything new. on our hike yesterday, somewhere in the middle of our six miles, we talked – again – about hiking the pct. we figure in a few years it might be something we would truly consider.

the pct has plenty of obstacles; many people start this hike but fail to finish it. we read a blogpost (by mac) about some of the challenges. but, the bottom line, as he pointed out, was that “the unknown should instill you with excitement, not fear.”

this week is a time to acknowledge gratitude. with thanksgiving merely a few days away, preparations are a gathering storm. and, though there is a specific day that has been deemed ‘the day’, yesterday as we walked together we talked about our gratitude. we are reminded that there is nary a day that goes by that one shouldn’t be grateful.

yesterday i suddenly realized that i was also actually grateful for the unknown.

the blank slate that is in front of me stares at me. it makes me ponder. it makes me squirm a bit. blank is uncomfortable.

the blank slate that is in front of me beckons me. it makes me step. it makes me put a toe in the water. blank is tentative.

the blank slate that is in front of me challenges me. it makes me yearn. it makes me stretch. blank is exercise.

the blank slate that is in front of me encourages me. it makes me think outside the box. it makes me dream. blank is generous.

the blank slate that is in front of me urges me. it makes me yield to the new. it makes me let go. blank is learning.

the one thing – now – at last – that the blank slate that is in front of me doesn’t do…is scare me.

and for that, i am grateful.

*****

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way, way past time. [d.r. thursday]

“whenever you see a successful woman, look out for three men who are going out of their way to try to block her.” (yulia tymoshenko)

i read this quote on instagram. i hesitated to use it and then wondered why. it stated truth. it is a fact of life. i have lived it – exactly it – just as many other women have. so why hesitate?

the answer seems obvious. because that kind of blocking still exists, that kind of dominance is still valued, that kind of discrimination still squelches lives and careers, that kind of smothering effort – particularly with leading roles by older white men – is still not – really – questioned, nonetheless challenged in a big, broad way. it’s asphyxiating and it’s way past its time. way, way past time.

“it’s 2021 and we are talking about THIS!” they rolled their eyes and so did i. it is beyond the scope of reasonableness that we are – still – dealing with the devastating blows that those who lean into … or out-and-out embrace … the prejudice of white supremacy, suffocating gender bias, ruinous economic inequity, insufficient healthcare, deficient educational options, the loss of multitudes of innocent lives at the barrel of unnecessary weapons, exclusive immigration…

but here we are. 2021.

we came upon the hot-pink lighted ball of yarn in the garden and laughed. then we followed the string, the yarn that was unrolled over the tree branches, under the bushes, along the sidewalk edge, up the fence, down off the fence, and ultimately, to the end of it, the frayed edges.

it occurs to me we can trace the strings back and back. we can see the frayed edges of injustices, the repeating pattern of silencing, of stifling, of deliberate lack, of unacceptable levels of violence, of obstructive intention.

what now?

we need be stewards of worth, of mending, of healing, of forward-movement, of equal opportunity. we need to find ways – now – to weave an inclusive, equitable, generous, safe, egalitarian story for all. ungrudgingly and with abundant kindness and good will. it is indeed way, way past time.

2021. what are we doing?

*****

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the hush. [merely-a-thought monday]

the snow swirled outside the floor to ceiling glass – the city was blurry beyond the wind. it was brief. it didn’t stick. it was a statement. fall was gusting a bit of winter. everyone shivered, glad to be inside during the band of squall.

there is much still to be done. time seems to have raced by and we chose trails instead of pruning, talking in adirondack chairs in disappearing sun instead of packing away. procrastinating, holding onto the last vestiges of warmth and perfect autumn days, we opted to do the minimum, knowing the rest would need to be done in the colder days; the season keeps moving on.

we rise now in early quiet morning, without multitudes of birds out the windows, without sunny-the-chipmunk calling from the fencepost, without the sun beckoning us, “outside, outside.” we check the temperature…24 degrees…we reluctantly turn the heat up a smidge. we re-stock the nespresso pods, choose warm holiday teas for the coffee-pot-canisters over the counter, and seek out new soup recipes. we think about placing the shovel by the back door, its winter home. we crack the window just a bit now and sleep with an extra quilt.

the mums bow in the hush of the brisk mornings, chillier daytimes, less sun, more clouds, frost at night, all delivered by the magic wand of the calendar marching on. they are still beautiful and, from this view, we see the intricacy of the bud, sepals nestling and supporting petals, protecting the pink. we dig out my miracle mittens, his warm gloves, earmuffs, scarves, baselayers.

we talked about the silence this morning. it is still and the sun is trying. it may snow.

there were tiny flurries as we walked on the sidewalks of chicago, down coats and gloves, our heads bowed to the wind. it’s time to be inside more and we recognize – in the way of the universe – that we are much like the mums.

*****

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nudged-pushed-prodded-shoved. [merely-a-thought monday]

i suppose this is one of THOSE things – when you look back and see, with more clarity than you could ever have had in the moment, that you were nudged, pushed, prodded, indeed, shoved along. as you stood resolutely in the spot to which you were dedicated, something prompted change and things were no longer the same nor would they ever be. one of THOSE things.

i remember the early days of hearing garth brooks singing the country song “unanswered prayers”, decades ago now. he released the song and it exploded on radio not too long after i moved to wisconsin, away from family, away from two jobs i loved. i stood outside my then-husband’s workplace and gazed out at soybean fields wondering where i had landed, what on earth i would do. i went to the grocery store and wept in the pasta aisle; no mueller’s pasta to be found. i read the local paper and was disconcerted. i found solace in long-distance letters from my mom and brought lunch to the office at the local airport every day, the place my husband worked. i was lonely and lost.

but the universe had a way of catching up to me and consoling my soybean-cornfield-factory-town angst. that next year, my beautiful daughter was born – my first baby, i found new friendships, and a job i loved in a community of people who grew to be important to me. my amazing son was born in years to follow and then, in serendipitous ways, i started recording albums and i looked back and knew that, though my discomfort in – literally – moving was justified, life would not have been the same had i not moved. the complacency i had earlier adopted was not going to be enough and life had some gaps to fill in. nevertheless, i still sometimes wonder how it all would have turned out without the big jostling-along-to-wisconsin. for that matter, i still sometimes wonder how it all would have turned out without the big jostling-away-from-new-york. things to ponder and never know.

i will never know – really know – how it came to be that i am sitting next to this lovely man right now, writing separately together. how we each have grown and how we each have struggled and sorted through our figurative attics and basements, stuffed with things that have happened, things we have saved, things we have discarded, things we’d rather not remember, things we celebrate. how, from two entirely different places in this vast country, we found each other. i suppose love has a way.

time and again the understanding of events, situations, disappointments, things-that-are-really-hard is delayed. in-the-moment it – the why – is not clear. sometimes it is never clear or perhaps it’s just that by the time clarity arrives, it is far, far after the fact. so far that we have forgotten our dismay or our agnostic questioning or, in those that seem synchronistic miracles, our awe. it is in the looking-back, the time-line reflections that we might parse and question and realize that there was a reason, a cause and effect, maybe a prayer or two gone unanswered. though i could still list those and wonder why – through actions of others, good and bad, or decisions i’ve made, good and bad, or stuff that just happens, good and bad – i would guess that somehow the puzzle fits together in the end. no doubt the discomfort brings learnings we may not have signed up for, given the choice. the story is a mystery.

as i find myself in yet another nudged-pushed-prodded-shoved place, i’m trying to remember to stand still for a moment. to take it in – the discomfort – and to be open to what might be. and, in watching what shows up, in really looking and studying and listening, to take baby steps and move. maybe later on it will all make sense.

*****

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kneeling on the stripes. [d.r. thursday]

“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)

i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.

i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.

though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.

i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.

we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.

none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.

i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.

to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.

“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)

*****

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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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tennis with diebenkorn and pärt. [two artists tuesday]

“now, the idea is to get everything right – it’s not just color or form or space or line – it’s everything all at once.” (richard diebenkorn)

each time i have stood in front of one of the ocean park series paintings, i have been totally engaged. the light, the color, the form, the line, the space – richard got it all right in these. they are fantastic abstracts, luring you in. we left the san francisco museum of modern art with a richard diebenkorn book, one of those coffeetable type books – large with gorgeous illustrations and text. i keep it in my studio, to gaze at and sink into.

i do not know much about painting. at all. i have learned, though, that composition is, across the medium-board, still composition. a painting, a song, a dance, a poem needs someone to receive it, someone to interact, to respond, someone upon which it may fall. and for the artist, though imperative to do the work regardless, it creates the space for the flow to go back and forth, like a tennis ball across a court. each bounce and bounceback adds a little wisdom, a little emotion, breath. as i stand in front of richard’s ocean park paintings, it is as if i can hear his even breathing in my ear.

i stood on the dock up-north, gazing down at the water, light and sun playing on its surface. were i to have chosen colors to paint this, and not the black and white of the paintings i have spattered – the only paintings i have done as an adult, i might have chosen these tones. they are the colors i love to be surrounded by. this would be an abstract painting of getting outside without getting outside, to be there without being there.

but i did not paint this. nature took care of the color and form and space and line and i merely captured what nature made easy. there are many of these now – photographs of the abstract – all with strings tied to my heart and memories in my mind’s eye of outside. i keep thinking they would make a good coffeetable book…”getting outside inside”….a title, an invitation…for those sulky days when one needs the bounceback of the breath of the woods or the water, the space of the mountain trail or the rocky beach.

the gift of glassy lake reminds me that there are other mediums to explore, textures i might consider. i imagine richard diebenkorn and arvo pärt, on two sides of the court, two dimensions, lobbing the ball back and forth. abstractionist and minimalist – both extending an invitation. i start to answer.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

images of water ©️ 2021 kerri sherwood


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thriving. [k.s. friday]

there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”

“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)

now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.

but we still keep on keeping on anyway.

successful (synonyms): prosperous. profitable. booming. fruitful. thriving.

the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.

thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)

instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.

in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)

true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.

it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.

what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.

*****

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read DAVID’s thoughts this K.S. FRIDAY